1. THERE IS A
FIFTH DIMENSION
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2. BEYOND THAT
WHICHIS KNOWN
TO MAN.
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3. IT IS A DIMENSION
AS VAST AS SPACE
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4. AND AS TIMELESS
AS INFINITY.
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5. IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW,
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6. BETWEEN SCIENCE
AND SUPERSTITION,
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7. AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS
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8. AND THE SUMMIT
OF HIS KNOWLEDGE.
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9. THIS IS
THE DIMENSION
OF IMAGINATION.
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10. IT IS AN AREA
WHICH WE CALL
THE TWILIGHT ZONE.
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11. WITNESS, IF YOU
WILL, A DUNGEON
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12. MADE OUT OF MOUNTAINS,
SALT FLATS AND SAND
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13. THAT STRETCH TO INFINITY.
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14. THE DUNGEON HAS AN INMATE—
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15. JAMES A. CORRY—
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16. AND THIS IS
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17. METAL SHACK.
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18. AN OLD TOURING CAR
THAT SQUATS IN THE
SUN AND GOES NOWHERE,
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19. FOR THERE IS
NOWHERE TO GO.
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20. FOR THE RECORD,
LET IT BE KNOWN
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21. THAT JAMES A. CORRY
IS A CONVICTED CRIM INAL
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22. PLACED IN
SOLITARY CONFINEMENT.
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23. CONFINEMENT, IN THIS CASE,
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24. STRETCHES AS FAR
AS THE EYE CAN SEE
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25. BECAUSE THIS
PARTICULAR DUNGEON
IS ON AN ASTEROID
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26. NINE M ILLION M ILES
FROM THE EARTH.
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27. NOW WITNESS, IF YOU WILL
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28. A MAN'S M IND AND BODY
SHRIVELING IN THE SUN—
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29. A MAN DYING
OF LONELINESS.
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30. ENTRY, 15TH DAY,
SIXTH MONTH, YEAR FOUR.
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31. AND ALL THE
DAYS AND THE MONTHS
AND THE YEARS ARE THE SAME.
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32. THERE'LL BE A SUPPLY SHIP
COMING IN SOON, I THINK.
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33. THEY'RE EITHER
DUE OR OVERDUE.
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34. AND I HOPE IT'S
ALLENBY'S SHIP
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35. BECAUSE HE'S A DECENT MAN
AND HE BRINGS THINGS
FOR ME.
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36. LIKE HE BROUGHT IN
THE PARTS FOR THAT
ANTIQUE AUTOMOBILE.
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37. I WAS A YEAR
PUTTING THAT
THING TOGETHER,
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38. SUCH AS IT IS.
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39. A WHOLE YEAR
PUTTING AN
OLD CAR TOGETHER.
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40. BUT THANK GOD FOR
THAT CAR, AND FOR
THE HOURS I USED UP,
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41. AND THE DAYS
AND THE WEEKS.
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42. I CAN LOOK AT IT
OUT THERE, AND I
KNOW THAT IT'S REAL.
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43. REALITY IS WHAT I NEED.
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44. BECAUSE WHAT IS THERE
LEFT THAT I CAN
BELIEVE IN?
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45. THE DESERT AND THE WIND?
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46. THE SILENCE?
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47. OR MYSELF?
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48. CAN I BELIEVE IN
MYSELF ANYMORE?
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49. ALLEN BY?
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50. ALLEN BY!
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51. ALLENBY!
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52. ALLEN BY!
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53. HOW ARE
YOU, CORRY?
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54. ALL RIGHT. YOU?
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55. QU ITE A PLACE
YOU'VE GOT HERE.
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56. G LAD YOU
LIKE IT.
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57. I DIDN'T SAY
I LIKED IT. I
THINK IT STIN KS.
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58. YOU DON'T HAVE
TO LIVE HERE.
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59. NO, BUT I HAVE
TO COME BACK HERE
FOUR TIMES A YEAR.
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60. THAT'S EIGHT MONTHS
AWAY FROM EARTH.
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61. SOMETIMES MY
KIDS DON'T EVEN
RECOG N IZE ME.
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62. BUT YOU, YOU'VE
GOT IT MADE HERE.
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63. YEAH, THIS MAKES
FOR S IMPLE LIVING,
DOESN'T IT?
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64. 6,000 M I LES
FROM NORTH
TO SOUTH,
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65. 4,000 FROM
EAST TO WEST,
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66. AND ALL OF IT
JUST LIKE THIS.
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67. ALL RIGHT, ADAMS,
CUT IT OUT.
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68. NOW, WE'VE ONLY GOT
A 15-MINUTE LAYOVER.
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69. NO ON E'S CHECKING
ON YOUR SCH EDU LE
WAY OUT HERE.
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70. WE CAN PLAY A
COUPLE OF GAM ES
OF CARDS.
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71. IF WE DELAY OU R
TIME OF DEPARTU RE,
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72. IT JUST PLACES
US IN A DIFFERENT
ORB ITAL POS ITION.
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73. WE'LL NEVER MAKE
IT BACK TO EARTH.
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74. WE WOULD
HAVE TO STAY
HERE AT LEAST
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75. 14 DAYS BEFORE IT'S
IN POS ITION AGAIN.
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76. OH, 14 DAYS!
I GOT SOME
BEER SAVED.
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77. WE COULD PLAY
SOME CARDS.
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78. I WISH WE COULD
BUT, LIKE I SAID,
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79. WE'VE ONLY
GOT 15 MINUTES.
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80. WHAT'S A
FEW MINUTES?
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81. HEY, WE COULD
PLAY CH ESS.
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82. I BU I LT
A CH ESS SET
AND EVERYTHING.
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83. LET'S GO IN.
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84. ALLEN BY, ONLY
TWO MINUTES
ARE GON E.
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85. TWO MINUTES HAVE
PASSED ALREADY.
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86. WE'VE ONLY
GOT 13 LEFT.
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87. I DON'T WANT
TO FOU I UP
YOUR SCH EDU LE,
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88. BUT HOW ABOUT
ONE GAME OF CARDS?
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89. WE JUST DON'T
HAVE THE TIME.
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90. WE'VE BEEN HERE
TWO MINUTES ALREADY,
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91. AND H E
HASN'T ASKED
ABOUT THE PARDON.
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92. HOW ABOUT
IT, ALLEN BY?
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93. YOU'RE OUT OF LUCK,
THE SENTENCE READS
50 YEARS.
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94. AND THEY'RE NOT
EVEN REVI EWING
CASES OF HOM ICI DE.
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95. YOU'VE BEEN HERE
FOUR YEARS NOW,
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96. SO THAT MAKES
46 MORE TO GO,
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97. SO MAKE YOURSELF
COM FORTABLE, HUH?
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98. CORRY, WE DON'T
MAKE THE RU LES.
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99. WE DELIVER SU PPLI ES
AND PASS ON IN FORMATION.
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100. THERE'S BEEN PRESSURE
BACK HOME ABOUT THIS
KIND OF PU N ISH MENT.
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101. A LOT PEOPLE
THINK IT'S
U N N ECESSARI LY CRU EL.
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102. THEY MAY
CHANG E THEIR MINDS
AND ALTER THE LAW,
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103. AND IMPRISON
YOU ON EARTH
LIKE THE OLD DAYS.
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104. BUT—
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105. WHO KNOWS WHAT THE
NEXT COUPLE OF YEARS
MAY BRING?
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106. YEARS?
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107. EVERY MORNING,
WHEN I GET UP,
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108. I TELL MYSELF THIS IS
MY LAST DAY OF SAN ITY.
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109. I CAN'T STAND
THIS LON ELIN ESS
ONE MORE DAY.
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110. NOT ONE MORE DAY!
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111. BY NOON, WHEN I CAN'T
KEEP MY FING ERS STILL,
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112. AND THE I NSIDE OF MY MOUTH
FEELS LIKE GU N POWDER
AND BU RNT COPPER,
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113. DOWN DEEP
INSIDE MY GUT
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114. I GET AN ACHE THAT'S
JUST PULLING EVERYTHING OUT.
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115. THEN I FORCE MYSELF
TO HOLD ON FOR ONE
MORE DAY.
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116. JUST ONE MORE DAY!
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117. BUT I CAN'T DO THAT
FOR ANOTHER 46 YEARS.
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118. I'LL GO RIGHT
OUT OF MY MIND.
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119. YOU'RE BREAKING
MY HEART.
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120. ADAMS, YOU AND
CARSTAIRS GO GET
THE SU PPLI ES.
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121. MR. CORRY GOT
A BROKEN LEG?
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122. YOU GO
DO WHAT
I TELL YOU.
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123. NOW.
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124. THAT BIG CRATE?
YOU KNOW, THE
BIG ONE?
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125. YOU TREAT
THAT ONE GENTLY.
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126. BROUGHT YOU
SOME PAPERBACK BOOKS.
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127. THANKS.
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128. CORRY, I BROUGHT
YOU SOMETHING
ELSE TOO.
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129. IT'D MEAN MY JOB
IF THEY EVER SUSPECT.
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130. IT'D BE MY N ECK I F
THEY FOU N D OUT
FOR SURE.
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131. LOOK, ALLEN BY.
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132. I DON'T
WANT ANY GI FTS.
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133. I DON'T
WANT TI DB ITS.
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134. MAKES ME FEEL LIKE
AN AN I MAL IN A CAG E,
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135. WITH AN OLD
LADY OUT THERE
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136. WHO WANTS
TO THROW
PEAN UTS AT ME.
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137. A PARDON, ALLEN BY.
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138. THAT'S THE ONLY
G I FT I WANT.
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139. I'M NOT A M U RDERER.
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140. I KI LLED
IN SELF-DEFENSE.
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141. THERE'S STILL A LOT
OF PEOPLE WHO
BELIEVE ME.
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142. IT HAPPENS TO
BE THE TRUTH! I
KI LLED IN SELF-DEFENSE!
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143. I KNOW. I
KNOW ALL
ABOUT IT.
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144. AND I DOU BT I F
THIS WILL BE ANY
CONSOLATION TO YOU, BUT—
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145. THIS ISN'T AN
EASY ASSIGN MENT
TO HAN DLE—
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146. STOPPING HERE
FOUR TIMES A YEAR
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147. AND HAVING TO LOOK
AT A MAN'S AGONY.
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148. YOU'RE RIGHT, ALLEN BY.
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149. THAT'S VERY
LITTLE CONSOLATION.
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150. I CAN'T BRING
YOU FREEDOM.
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151. ALL I CAN DO IS TRY
TO BRING YOU THINGS
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152. TO H ELP KEEP
YOUR SAN ITY.
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153. SOMETHING TO—ANYTHING
SO YOU CAN J UST
FIGHT LON ELIN ESS.
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154. HEY, CAPTAIN!
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155. YOU WANNA OPEN UP
THIS BIG CRATE?
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156. NO. NOT YET.
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157. U H, STAY OUT THERE.
I'LL BE RIGHT OUT.
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158. WE GOT TO GO NOW.
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159. WE'LL BE BACK
IN THREE MONTHS.
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160. LOOK, WH EN
YOU OPEN UP
THAT CRATE
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161. THERE'S NOTHING
YOU NEED TO DO.
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162. THE ITEM'S
BEEN VACU U M-PACKED.
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163. YOU'LL NEED
NO ACTIVATOR
OF ANY KIND.
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164. THE AIR
WILL DO THAT.
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165. THERE WILL BE
A BOOKLET I NSIDE
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166. THAT WILL ANSWER
ANY OF YOUR QU ESTIONS.
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167. CORRY.
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168. THEY DON'T KNOW WHAT
IT IS I'VE BROUGHT,
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169. SO I'D APPRECIATE
YOUR WAITING U NTI L
WE GET OUT OF SIGHT.
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170. HAVE A GOOD
TRI P BACK.
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171. GIVE MY REGARDS
TO BROADWAY.
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172. SURE, CORRY.
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173. I'LL SEE YOU
IN THREE MONTHS.
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174. ALLEN BY?
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175. I DON'T
MUCH CARE
WHAT'S IN IT,
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176. BUT FOR
THE THOUGHT—
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177. FOR THE DECENCY—
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178. THANK YOU.
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179. YOU'RE QU ITE
WELCOM E, CORRY.
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180. CAPTAI N.
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181. CAPTAI N?
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182. CAPTAI N, WHAT'S
IN THE BIG
CRATE, HUH?
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183. I'M NOT QU ITE
SURE, REALLY.
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184. MAYBE IT'S J UST
AN I LLUS ION.
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185. MAYBE IT'S
SALVATION. I
DON'T KNOW.
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186. LET'S GO.
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187. "YOU ARE NOW
THE PROU D POSSESSOR
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188. "OF A ROBOT BU I LT
IN THE FORM OF A WOMAN.
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189. "TO ALL I NTENT AND PU RPOSE,
THIS CREATU RE IS A WOMAN.
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190. "PHYSIOLOGICALLY
AND PSYCHOLOGICALLY,
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191. "SHE IS A HUMAN BEING
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192. "WITH A SET OF EMOTIONS
AND A MEMORY TRACK,
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193. "THE ABILITY TO REASON,
TO THINK AND TO SPEAK.
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194. "SHE IS BEYON D
I LLN ESS AND, U N DER
NORMAL CI RCU MSTANCES,
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195. "SHOU LD HAVE A LIFESPAN
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196. "S IMI LAR TO THAT
OF A NORMAL HUMAN BEING.
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197. HER NAME IS ALICIA."
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198. MY NAME'S ALICIA.
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199. WHAT'S YOUR NAME?
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200. GET OUT OF HERE.
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201. GET OUT OF HERE!
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202. I DON'T NEED
NO MACHINE.
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203. GO ON! GET
OUT OF HERE!
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204. MY NAME'S ALICIA.
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205. WHAT'S YOUR NAME?
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206. I BROUGHT YOU
SOME WATER.
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207. PUT IT OVER THERE.
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208. IT'LL GET WARM
JUST S ITTING THERE.
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209. HOW WOULD
YOU KNOW?
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210. I CAN FEEL TH I RST.
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211. YEAH? WHAT ELSE
CAN YOU FEEL?
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212. I DON'T UNDERSTAND.
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213. CAN YOU
FEEL H EAT?
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214. YES.
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215. AND COLD?
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216. YES.
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217. AND H U NG ER?
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218. HOW ABOUT PAI N?
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219. CAN YOU FEEL PAI N?
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220. THAT, TOO.
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221. HOW?
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222. YOU'RE A MACHINE,
AREN'T YOU?
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223. YES.
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224. WHY WOULD—
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225. WHY DIDN'T THEY BU I LD YOU
TO LOOK LIKE A MACHINE?
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226. WHY DIDN'T THEY BU I LD
YOU OUT OF METAL
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227. WITH BOLTS AND WI RES
AND ELECTRODES
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228. AND THINGS LIKE THAT?
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229. WHY'D THEY
TURN YOU
INTO A LI E—
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230. COVER YOU WITH SOMETHING
THAT LOOKS LIKE FLESH—
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231. GIVE YOU A FACE?
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232. A FACE
THAT IF I—
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233. IF I LOOK AT LONG
ENOUGH, MAKES
ME THINK—
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234. MAKES ME
BELIEVE THAT—
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235. IT'S A LI E!
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236. CORRY?
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237. CORRY.
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238. YOU MOCK ME,
YOU KNOW THAT?
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239. WHEN YOU LOOK AT ME,
WHEN YOU TALK TO ME,
I'M BEING MOCKED.
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240. I'M SORRY.
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241. YOU H U RT
M E, CORRY.
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242. H U RT YOU?
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243. HOW CAN I H U RT YOU?
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244. THIS ISN'T REAL FLESH.
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245. THERE AREN'T
ANY N ERVES
U N DER THERE.
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246. THERE AREN'T
ANY M USCLES
OR TEN DONS.
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247. YOU'RE J UST
LIKE THIS H EAP—
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248. A H U N K OF METAL
WITH ARMS AND LEGS
I NSTEAD OF WH EELS.
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249. BUT THIS H EAP
DOESN'T MOCK ME
THE WAY YOU DO.
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250. IT DOESN'T LOOK AT ME
WITH MAKE-BELIEVE EYES,
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251. OR TALK TO ME WITH
A MAKE-BELIEVE VO ICE.
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252. WELL, I'M S ICK
OF BEING MOCKED BY
THE MEMORY OF WOM EN.
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253. AND THAT'S
ALL YOU ARE—
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254. A REMINDER TO ME
THAT I'M SO LON ELY
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255. I'M ABOUT TO
LOSE MY MIND.
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256. I CAN FEEL
LON ELIN ESS, TOO.
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257. OH, ALICIA, I'M SORRY.
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258. ALICIA'S BEEN WITH
ME NOW FOR 11 MONTHS.
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259. IT'S DIFFICULT TO WRITE DOWN
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260. WHAT HAS BEEN THE SUM TOTAL
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261. OF THIS VERY STRANGE
AND BIZARRE RELATIONSHIP.
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262. IS IT MAN AND WOMAN?
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263. OR MAN AND MACHINE?
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264. I DON'T REALLY KNOW MYSELF.
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265. BUT THERE ARE TIMES
WHEN I DO KNOW
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266. THAT ALICIA IS SIMPLY
AN EXTENSION OF ME.
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267. I HEAR MY WORDS
COMING FROM HER,
MY EMOTIONS.
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268. THE THINGS THAT SHE
HAS LEARNED TO LOVE
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269. ARE THOSE THINGS
THAT I'VE LOVED.
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270. I'M NOT LONELY ANYMORE.
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271. EACH DAY CAN
NOW BE LIVED WITH,
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272. AND I LOVE ALICIA.
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273. NOTHING ELSE MATTERS.
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274. AND THAT'S THE STAR
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275. THAT'S IN
THE CONSTELLATION
OF.
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276. AND THERE'S
THE GREAT BEAR.
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277. SEE IT WITH IT'S
PO I NTER STARS IN LIN E
WITH THE NORTH ERN STAR?
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278. AND THERE'S THE
CONSTELLATION H ERCU LES.
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279. GOD'S BEAUTY.
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280. THAT'S RIGHT, ALICIA.
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281. GOD'S BEAUTY.
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282. THAT STAR, CORRY.
WHAT'S THAT STAR?
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283. THAT'S NOT A
STAR, THAT'S
A SH I P.
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284. A SH I P?
BUT IT CAN'T
BE A SH I P.
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285. THERE ISN'T ONE DU E
HERE FOR THREE MONTHS.
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286. YOU SAID AFTER THE
LAST TIME, NOT FOR
ANOTHER THREE MONTHS.
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287. IT MUST BE
ALLEN BY'S SH I P.
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288. HE'S THE ONLY
ONE THAT EVER
COMES CLOSE.
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289. THEY STOP AT
THE OTHER ASTERO I DS,
THEN THEY COME HERE.
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290. THAT MEANS
WE'LL SEE THEM
IN THE MORNING.
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291. WE'D BETTER
GET BACK TO
THE HOUSE THEN.
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292. NO.
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293. CORRY!
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294. CORRY!
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295. CORRY!
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296. CORRY, WE'VE GOT
GOOD N EWS FOR YOU.
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297. ALL THE SENTENCES
HAVE BEEN REVI EWED.
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298. YOU'VE BEEN
GIVEN A PARDON!
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299. WE'RE TAKING
YOU BACK HOM E
ON THIS SH I P,
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300. BUT WE'VE GOT
TO TAKE OFF
FROM HERE
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301. IN 20 MINUTES
AND WE CAN'T
WAIT LONG ER.
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302. WE'VE BEEN DODGING
METEOR STORMS.
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303. WE'RE ALMOST
OUT OF FUEL.
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304. ANY LONGER
THAN 20 M INUTES,
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305. AND WE'LL HAVE PASSED
THE POINT OF DEPARTURE,
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306. AND I DON'T THINK
WE'D MAKE IT BACK.
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307. ALLEN BY, WHAT
DID YOU SAY?
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308. A PARDON!
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309. CORRY, THEY'VE
G RANTED YOU
A PARDON!
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310. BUT IT WON'T DO
US ANY GOOD
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311. U N LESS YOU
GET READY
TO MOVE OUT.
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312. WE P ICKED UP
SEVEN OTH ER
M EN OFF ASTERO I DS.
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313. WE ONLY HAVE ROOM
FOR 15 POU N DS
OF STUFF.
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314. PICK UP WHAT YOU NEED
IN A HURRY, LEAVE
THE REST BEH IN D.
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315. 15 POU N DS?
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316. 15 POU N DS?
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317. I DON'T HAVE 15
POU N DS OF STUFF.
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318. ALL I HAVE IS A SH I RT,
A LEDG ER BOOK,
A PENCI L
Copy !req
319. AND A PAIR
OF SHOES.
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320. THAT CAR
THEY CAN KEEP.
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321. THAT'LL BE
FOR THE NEXT
POOR DEVIL.
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322. AW, THERE WON'T BE
ANY "NEXT POOR DEVIL."
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323. GOOD.
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324. GOOD. I'M
G LAD OF THAT.
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325. ALICIA AND I WI LL
CLI M B INTO THAT
SH I P OF YOURS.
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326. AND WE'LL LOOK
OUT THE PORT,
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327. AND WE'LL GIVE
IT ALL A BIG
KISS GOODBYE.
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328. WHO, CORRY?
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329. OH, MY DEAR GOD,
I FORGOT H ER.
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330. HE'S OUT
OF HIS MIND.
WHO'S ALICIA?
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331. A ROBOT.
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332. SHE'S A WOMAN.
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333. CORRY, SH E'S
A ROBOT.
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334. SHE'S A WOMAN!
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335. SHE'S GENTLE
AND KIND.
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336. ALLEN BY, SH E
KEPT ME ALIVE.
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337. WHY, IF IT WASN'T
FOR H ER, I'D HAVE
BEEN F IN ISH ED.
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338. I'D HAVE GIVEN UP.
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339. THAT'S THE CRATE
YOU WOULDN'T LET
US LOOK AT.
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340. WE CAN'T
LET THIS
BE A PROBLEM.
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341. PROBLEM? THERE'S
NO MORE PROBLEMS.
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342. THERE'S NO
MORE PROBLEMS ON
H EAVEN AND EARTH.
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343. WE'LL JUST CLI M B
IN THAT SH I P
OF YOURS
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344. AND WHEN WE H IT THAT
B IG, BEAUTIFUL
G REEN EARTH—
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345. 15 POU N DS.
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346. OH, WAIT
A MINUTE.
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347. YOU'LL HAVE
TO THROW OUT
SOME EQU I PM ENT.
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348. ALICIA—SH E
WEIGHS MORE
THAN 15 POU N DS.
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349. THAT'S EXACTLY
THE PO I NT, NOW.
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350. OUR SH I P IS
STRI PPED NOW.
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351. WE ONLY HAVE ROOM
FOR YOU AND THAT
LEDG ER AND PENCI I.
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352. LEAVE THAT ROBOT.
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353. SHE'S NOT A ROBOT!
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354. SHE'S A WOMAN!
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355. YOU LEAVE
HER BEH IN D,
THAT'S M U RDER!
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356. WAIT A MINUTE.
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357. I HAVEN'T GOT ANY
CHOICE. UNDERSTAND?
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358. NO, YOU DON'T
UNDERSTAND! SH E'S
NOT A ROBOT!
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359. SHE'S A WOMAN!
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360. ALICIA! ALICIA!
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361. CORRY!
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362. ALICIA!
ALICIA!
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363. ALICIA?
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364. ALICIA!
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365. COME ON, CORRY.
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366. WE JUST WANT YOU TO
GET YOUR GEAR PACKED
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367. AND GET OUT OF
HERE. WE'VE GOT 15
MINUTES, CAPTAI N.
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368. I'M NOT LEAVING
WITHOUT H ER!
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369. CORY!
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370. ALICIA!
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371. ALICIA!
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372. ALICIA! ALICIA,
SHOW THEM!
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373. TALK TO THEM!
SHOW THEM!
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374. TALK TO
THEM, ALICIA!
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375. SHOW THEM!
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376. ALICIA, SHOW THEM!
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377. I DON'T HAVE
ANY CHOICE.
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378. I HAVE
NO CHOICE
AT ALL.
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379. CORRY?
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380. NO!
NO!
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381. CORRY. CORRY.
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382. CORRY. CORRY.
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383. CORRY... CORRY...
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384. WE'VE GOT TO GO
NOW, CAPTAIN.
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385. WE WILL
GO NOW.
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386. COME ON, CORRY.
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387. TIME TO GO HOME.
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388. IT'S ALL
BEH IN D YOU
NOW, CORRY.
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389. IT'S ALL
BEH IN D YOU.
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390. IT'S LIKE
A BAD DREAM—
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391. A NIGHTMARE.
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392. WHEN YOU WAKE UP,
YOU'LL BE BACK
ON EARTH.
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393. YOU'LL BE HOM E.
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394. HOME?
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395. THAT'S RIGHT.
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396. ALL YOU'RE
LEAVING BEH IN D
IS LON ELIN ESS.
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397. I M UST
REMEMBER THAT.
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398. I MUST REMEMBER
TO KEEP THAT
IN MIND.
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399. ON A M ICROSCOPIC PIECE OF
SAND THAT FLOATS THROUGH SPACE
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400. IS A FRAGMENT OF
A MAN'S LIFE,
LEFT TO RUST
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401. AS THE PLACE
HE LIVED IN, AND
THE MACHINES HE USED.
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402. WITHOUT USE,
THEY WILL DISINTEGRATE
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403. FROM THE WIND AND THE SAND
AND THE YEARS THAT ACT
UPON THEM—
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404. ALL OF
MR. CORRY'S MACHINES,
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405. INCLUDING THE ONE
MADE IN HIS IMAGE,
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406. KEPT ALIVE BY LOVE
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407. BUT NOW OBSOLETE
IN THE TWILIGHT ZONE.
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408. ROD SERLING, THE CREATOR
OF TWILIGHT ZONE
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409. WILL TELL YOU ABOUT
NEXT WEEK'S STORY
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410. AFTER THIS WORD FROM
OUR ALTERNATE SPONSOR.
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411. AND NOW,
MR. SERLING.
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412. NEXT WEEK, A
DISTING U ISH ED ACTOR
LEN DS US HIS TALENTS
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413. AS MR. BU RG ESS MEREDITH
ST ARS IN TIME ENOUGH
A T LAST.
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414. THE STORY
OF A MAN WHO
SEEKS SALVATION
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415. IN THE RU BBLE OF
A RU IN ED WORLD.
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416. WE HOPE YOU'LL SHARE
THIS VERY STRANG E
EXPERI ENCE WITH US.
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417. THANK YOU.
AND GOOD NIGHT.
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418. BE SURE TO SEE THE
FUN-FILLED FAMILY LIFE
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419. OF ONE OF AMERICA'S
GREATEST ENTERTAINERS.
THE DAN NY THOMAS SHOW,
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420. MONDAY NIGHTS
OVER MOST OF
THESE STATIONS.
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