1. East ã the hearing? Rates.
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2. Here Discovery.
We're listening, Control.
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3. How's the work on the
the cargo compartment? Rates.
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4. s operations in the cargo compartment,
est ã according to the Control set.
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5. Becky est about to perform
his first spacewalk.
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6. Hey, here we n s, Don.
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7. J was time, Don.
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8. Becky will make
a walk in space.
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9. Until then, Becky.
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10. N o v get lost.
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11. N ã worry, ã n the go.
Back soon, guys.
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12. N ã they do all the work.
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13. - Let's leave some for you.
- Thank you.
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14. still amazed me
with the beauty of the view from up here.
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15. Does anyone want to see me
doing stunts?
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16. - Displayed.
- N ã'm showing off.
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17. - I'm just testing the equipment.
- Sure est á.
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18. - N ã to be envious, Gary.
- I envious?
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19. Continue work.
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20. Here we n s.
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21. Wait, I think
I saw one clar ã blue.
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22. Where, Becky?
N ã'm seeing nothing.
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23. Near the gate of release,
articulaç ã in the mechanical arm.
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24. I saw a blue light.
As the flash of a camera.
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25. J á ã n est á more here ...
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26. Discovery here Control,
landing gear extended. Rates.
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27. Understood. Landing gear
and locked.
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28. All systems in order.
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29. Okay, here too,
Discovery.
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30. It was a good miss the ã, but always
is nice to come home, Control.
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31. n ã You saw him?
I'll tell you ...
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32. was the strangest thing I'd ever seen á.
Always wanted to eliminate these things,
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33. were everywhere.
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34. Paran was the fifties,
I love it.
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35. É á one cl CLASSIC,
I watched v á á j sary times ...
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36. The N ã n ã believe you watched.
What time you went to bed ...
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37. 20h00?
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38. Barada Nikto.
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39. N ã want you to know
what planet you came.
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40. My m ã and know, of course.
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41. Where is est á the problem?
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42. No camera in mere 2.
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43. What is the defect?
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44. Stopped working for a few minutes,
n ã responded to the controls.
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45. May be a
defect in the control panel.
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46. Let me see ...
n the h ã á nothing wrong.
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47. What is the nature
exact malfunction?
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48. The lens seems to be out of focus ...
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49. actually began to move
in all DIRECTION es, out of control.
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50. finally
had to á- in off it.
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51. - Maybe he used drugs.
- Maybe you're drugged.
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52. Well, I'm her lev á-
for electronics,
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53. while you fill the relat river
est á well?
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54. Roger that.
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55. BOSS!
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56. Here Tyson, 96-478,
declare C F say,
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57. a major emergency.
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58. I need to ...
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59. we need to ...
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60. help.
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61. The dr. Highman est á the way
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62. and requested the suspension of the ã
all tests until their arrival.
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63. A preliminary scan
n ã found nothing,
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64. is only
a TV camera.
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65. Well, you est á
feeling a fool,
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66. wait for the dr. Highman come and ask
because we are a TV camera,
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67. á in the area of isolation.
The EMOC ã's going to be too much for him.
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68. Yes, yes, do it ...
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69. Thank you.
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70. Although the n ã h á í ences not
Chief Simmons.
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71. So the ã, why this thing keeps
the í, is ã n to believe me?
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72. Between and lift it.
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73. Who said the ã n
believe in you, Jerry?
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74. So the ã, ã est for everyone looking me
as if I was crazy?
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75. Look, the h á ã n no way
find Brady Simmons.
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76. He was ...
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77. Whatever is within
this camera did something with it,
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78. the disintegrated.
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79. Come to í, send one
person rather est pido this robot.
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80. Look, whatever you're going á,
let's get to the bottom of it.
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81. Est á right, dr. Lockridge?
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82. Jerry, you
can you get me out?
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83. N ã what it is.
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84. N is the ã Brady.
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85. What do you mean
n is the ã with Brady?
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86. What is this place?
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87. How did he get?
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88. N ã á no way the h
to go in there.
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89. Hey, what happened, Doctor?
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90. least
tell me where I am.
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91. He says he is a man.
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92. Oh! God, look at him,
of course it is a man.
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93. What is this place?
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94. And where is the camera á TV?
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95. Who are you?
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96. Let me out á j.
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97. Let me out!
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98. I suppose there's a reason the ã
for n ã o let out.
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99. What the boss Simmons
est á doing in the tank?
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100. N ã n s o I á place.
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101. Peter, explain what happened.
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102. Teresa, return
ã recs to the camera 1.
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103. How much?
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104. Four meters. Five meters.
And keep the other recording.
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105. Annie, speak
with ... mr. Simmons.
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106. Okay, what I tell you?
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107. That feels, calm and
we will be with him in a few minutes.
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108. Mr. Simmons,
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109. est á feeling well,
sr. Simmons.
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110. If it reassures, we
with you in a few minutes.
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111. N ã know how the
it got I á inside.
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112. You saw that, did you?
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113. Bone, Bone,
come see this, quickly.
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114. Come back a little,
Teresa, the very ã n, s up to where it started.
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115. I'm saying I'm right.
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116. Well, I confess I'm starting to
get nervous, but otherwise I'm fine.
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117. So the ã, please get me out.
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118. Al í, í al, you saw,
or am I crazy?
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119. Must be some trick.
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120. Yes, it's a trick,
but one that we know ã n.
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121. We take the N ã es conclusion
hasty, est á well?
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122. I est á á him, est á ã in the recs.
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123. What?
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124. What á h? Tell me.
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125. I know the n ã, ã n the know ...
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126. a mutant ... A chameleon ã o ...
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127. something ...
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128. Who are you?
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129. Please login.
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130. What you
mean by that?
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131. Everyone knows who I am.
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132. 'm Brady Simmons, N; 4-37.
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133. Who are you?
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134. 'm Dr. Highman, Brady.
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135. And, unfortunately,
ã n I can Deix á- it out.
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136. N ã until you tell me
as you entered the í.
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137. N ã not know how
I came in here, just want to leave.
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138. Why?
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139. Why do you want to leave?
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140. Please
Brady let out.
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141. Please
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142. please let it go.
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143. M á seems logical.
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144. Who is she?
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145. É's wife Brady Simmons.
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146. Please
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147. let him go,
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148. he est á well.
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149. S he wants to go home.
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150. Please
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151. for me,
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152. n the h ã á nothing wrong with it.
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153. He est á well, I swear.
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154. É some kind of alucinaç the ã,
Peter, call the home of Brady,
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155. and make sure
his wife est á á l.
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156. Peter!
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157. This is the ã n ã alucinaç the,
Know what we have to í?
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158. É a kind of entity
which can change
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159. its structure almost
immediately to his will.
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160. Kurt, I told you to take the n ã
es hasty conclusion.
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161. N s still ã n is the set
is the ã n or an extraterrestrial entity.
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162. Mrs.. Simmons?
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163. I'm
Mrs.. Simmons the line,
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164. est á her home.
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165. Now, you
believe me?
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166. What is
the name of Mme. Simmons?
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167. Kate.
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168. Kate!
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169. Yes?
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170. Kate.
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171. What est á asking us, is us to take
her husband, Brady, of í, ã n is the same?
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172. ! Oh yes, they could do it,
please?
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173. Where Brady est á, Kate?
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174. Where is he á?
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175. He est á ...
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176. He est á ...
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177. N s n ã see it
Brady, where he est á?
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178. Tell us where he is á.
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179. - N ã the can, made?a mistake.
- Shut up, Jerry.
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180. Kate, where est á her husband?
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181. I n ã know.
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182. The N ã á h, Kate, n ã is?
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183. You fell, idiot.
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184. Well, folks, j á was enough,
let me out.
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185. Inacredit á vel.
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186. Whatever it is,
Mrs. created. Simmons
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187. from es INFORMATION
Brady laughed at the memory,
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188. it means he has
Brady all knowledge.
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189. Brady has the skills,
their mem rias, their EMOC es ...
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190. This est á becoming
very strange ...
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191. Hey, I'm really
getting tired of this situaç the ã,
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192. ent ã let me go out
we talk about it.
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193. É better talk with him,
est in the situation ã á í cil getting diff.
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194. Simmons, stop.
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195. Stop!
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196. Let placed á- you to sleep, Annie,
open the v á VALVE N; 6.
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197. V á VALVE 6 open.
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198. - That the í É.
- á Est taking effect.
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199. Now what?
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200. Be careful, Bone.
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201. His pulse est á usual.
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202. á sleep a little,
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203. á but he is alive.
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204. He est á alive.
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205. Est á out of combat.
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206. N ã have the idea
how long it will stay that way,
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207. ent ã the hurry up.
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208. Right.
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209. I will apply a sedative,
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210. in order
Here restore the air,
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211. and á- it to another lev ...
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212. The N ã. Bone, beware.
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213. Sorry, dr. Highman,
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214. N ã not know how to thank you.
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215. Bone!
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216. Tell me ã n is the
I'm thinking.
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217. N ã can be.
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218. What is this device?
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219. Some kind of bomb.
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220. And est á enabled.
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221. Self-activated to
explode in two minutes and a half.
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222. Well, who enter the tank,
he let á ã n out, ã n is?
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223. Bone worked in the program
m í nuclear sseis for 10 years
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224. and could create this bomb.
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225. Okay, but where he managed
the materials to make the pump?
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226. By God, the n ã know the age of this
thing, or how many worlds visited,
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227. or how many ways
can take.
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228. can easily
scoring the material
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229. á necessary for rivers
make a bomb like that.
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230. Less than two minutes
and counting ...
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231. 'll Get.
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232. The N ã.
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233. Someone has to do.
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234. Brady ...
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235. Bone ...
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236. Or whoever ...
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237. You're free á ...
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238. You can leave whenever you want,
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239. anyone go á stop him,
I promise.
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240. N s n ã want him hurt you ...
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241. S want to understand ...
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242. and ...
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243. control you ...
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244. a little, I think.
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245. However, this
is our nature,
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246. good or á m, are so.
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247. You will survive, right?
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248. N s all going to die,
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249. but you will survive ...
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250. Bone ...
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251. Bone ...
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252. Bone, wait.
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253. Bone, wait.
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254. - Wait, let it go ...
- á well Est, est á well, wait here.
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255. Wait!
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256. Just want to talk to you.
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257. I gotta talk to you.
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258. Wait!
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259. Wait ...
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260. Wait ...
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261. Bone?
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262. Yes, Kurt.
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263. ã ... the N
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264. You ã n is the Bone.
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265. Please ...
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266. Bone let go.
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267. Please ...
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268. N ã are the prisoners,
dr. Lockridge.
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269. N ã is like the ...
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270. be in hell.
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271. É like a ...
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272. kind of ...
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273. thirst.
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274. Thirst?
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275. As well ...
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276. thirst?
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277. Come with us,
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278. and find out for yourself.
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279. I'm offering you
the universe ...
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280. the opportunity to see everything ...
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281. The N ã, ã n's, n's ã, ã n the ...
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282. n ã self ...
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283. ã n can not.
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284. But wait, wait, wait ...
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285. Tell me ...
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286. why did you come here?
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287. Why?
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288. S out of curiosity ...
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289. Imagine you, being
a visitor of many worlds,
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290. wandering
through the solar wind,
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291. with thousands of voices
singing in his mem ria.
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292. Now
imagine this man,
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293. á s can imagine the
wonders who might know,
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294. these wonders,
now exist
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295. just as
a puzzle,
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296. in addition to the Imagination- ã.
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