1. Yeah. I'm just getting in now.
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2. There was a million motherfuckers trying
to get on the lot this morning.
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3. That Netflix Waterloo
miniseries started shooting today.
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4. That's right. Don't remind me.
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5. We're renting out our stages
to those fucking hacks.
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6. Also, Chris Hemsworth is in town this week
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7. and wants to get martinis,
but you're booked solid.
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8. Oh, no. Really?
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9. Okay, look. If any slot opens up,
instantly fill it with Chris Hemsworth.
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10. I love that dude. Okay?
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11. Yo, where are we at on WINK, man?
Are we closed?
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12. Almost. Parker just wants to
meet Matt before wrapping this up.
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13. I told you that's gonna happen.
Matt wants to do it.
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14. He said to me, actually this morning, he
said, "I can't wait to meet Parker Finn."
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15. So, tell Parker that so we can close
the deal, sign some papers.
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16. Also, Parker's still worried
it's too similar to Smile.
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17. He doesn't want to direct
the exact same movie again.
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18. Yeah, don't even worry about that.
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19. He's gonna talk to Matt,
who will assuage him.
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20. And we are gonna make a great movie.
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21. Trust me, it'll be fine.
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22. Quinn, stop dicking around.
Has Matt even read Owen's script or not?
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23. Matt has got a lot
on his plate right now.
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24. But I'm gonna follow up with him
first thing this morning.
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25. You've been saying this for months.
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26. We went with you because you said
you had a lot of sway over there.
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27. Can you get a movie made or not?
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28. I absolutely can get a movie made.
I just... I'm sorry.
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29. Can you hold on a second?
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30. Hi. I'm so sorry. What is happening?
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31. Miss, lot's full. I'm gonna have you park
in the remote garage down the street.
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32. But it's 8:45, so how's it already full?
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33. Well, we lost two floors
this week for a production.
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34. Okay, Officer Anderson, is it?
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35. Would it be possible, actually,
to get a permanent spot next to my office?
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36. Because I've worked here
for five years, so...
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37. I mean, operations can help you
with your assigned spot.
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38. For now, you're gonna have to park
down the street.
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39. Okay. You know, I'm a CE.
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40. That stands for creative exec,
which I guess means fucking nothing.
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41. Hey, still here.
Good luck finding a parking spot.
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42. And get Owen Kline's fucking movie made!
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43. Fuck my fucking ass.
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44. - Hey, can I get a water from you?
- Sure.
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45. Thank you.
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46. Look who decided to show up to work.
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47. Literally two minutes after nine.
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48. I know. I'm just kidding.
But seriously, we start at nine, you know?
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49. Of course. Yeah. Hey, did you get
a chance to read that script I sent you?
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50. Which one was that?
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51. The low-budget slasher that
Owen Kline wrote for himself to direct.
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52. I think he's so talented and so smart.
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53. Yeah, no.
It was actually a really fun read.
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54. But Sal's been also developing
a low-budget slasher movie,
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55. and I don't think we can do both,
you know.
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56. The rip-off of Smile?
We're still definitely doing that one?
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57. Oh, yeah. Definitely.
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58. He actually got a director
on board he's really psyched about.
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59. We were just gonna go meet about it.
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60. Why don't you just
help him with his instead?
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61. Yeah, totally.
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62. What up, baby?
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63. Salamander.
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64. - Fresh draft. Hot off of the press.
- Nice.
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65. Hey, Sal. How are you?
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66. Hey.
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67. Matt, I thought you
and I had a meeting right now.
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68. Oh, yeah. Quinn's actually gonna jump
on board the WINK stuff from now on.
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69. Hey, Petra, can you come in here
and take some notes, please?
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70. - Okay.
- Yep, on my way. Coming.
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71. Yeah, sorry.
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72. Don't be sorry. Just take notes.
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73. All right. So, WINK...
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74. Love that script. Ghosts that wink
before they murder?
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75. That was cool.
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76. Script is really great.
Parker Finn offer out.
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77. He wants to meet you,
which I said was fine.
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78. Isn't that the guy who directed Smile?
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79. - Yep.
- Really? Him?
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80. Why do you say that like that?
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81. Just 'cause I feel like
if we're already ripping off his movie,
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82. it makes sense to hire,
like, a new, cool director, you know?
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83. Just so it doesn't feel stale.
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84. Yeah, I mean, I don't think
it's gonna feel stale, you know?
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85. The offer's out, the meeting's
being set for this week.
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86. But that was awesome. Great idea.
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87. Well, yeah.
But maybe we shouldn't settle, you know?
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88. We should probably
take some more meetings.
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89. What about Owen Kline? He's
been dying to make a slasher for forever.
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90. That's actually a really interesting idea.
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91. Wait a minute. The Owen Kline?
Follow-up. Who the fuck is Owen Kline?
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92. He literally made one
of the coolest movies of 2022. So...
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93. - Did he really?
- Yeah, it's called Funny Pages.
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94. And it went to Cannes.
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95. And A24... stop doing that... A24 released it.
The Safdie brothers EP'ed it.
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96. Wait. All jokes aside... Cannes,
A24 and Safdies? I like all of that.
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97. So do I. WINK is not an A24 movie,
all right?
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98. It's not for a bunch of pansexual
mixologists living in Bed-Stuy.
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99. This is a wide release for normal American
people who like cool movies.
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100. Okay, but if we are making
a low-budget movie
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101. maybe it makes sense to
take a big swing on a director.
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102. If you take a big swing,
you can strike out.
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103. Matt, I got you
the original director of Smile
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104. to basically remake his own movie
for this studio.
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105. If a scary smile could gross
over two hundred million,
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106. imagine what a scary wink could do.
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107. Just because that worked one fucking time
doesn't mean it's gonna work again.
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108. All right.
There are 11 Fast and the Furious movies
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109. that prove your little theory
fucking stupid, man.
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110. Okay, listen. I would love to
be proven wrong by you, okay?
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111. - You are.
- I would love to be.
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112. But I just think this idea, as it stands,
is just a little lame.
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113. - Lame?
- It is not lame.
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114. - Yeah. Just a little. Yeah.
- It is not lame.
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115. I mean, honestly, I kinda had, like,
fears it was a little lame.
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116. - It's not.
- And I was like, "It's not lame."
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117. - And then she said it was lame.
- She's fucking dumb.
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118. - And then I'm like, "Oh, no. Is it lame?"
- Okay, well...
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119. Maybe it is lame.
Honestly, I don't want this whole thing
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120. to come across as,
like, a cynical cash grab.
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121. - Well, you need a hit, so it kind of is.
- Yeah.
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122. Well, but it doesn't have to be that.
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123. You know, I'll meet the Smile guy,
but I'll also meet Owen Kline.
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124. He sounds cool.
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125. - He's so cool. Amazing.
- That is great news.
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126. Matt Remick's office. Oh, yes. One second.
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127. It's Johnny Knoxville.
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128. Get out. I need to take this.
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129. Knox, Knox, motherfucker.
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130. I mean... Yeah, I'll hold for Johnny.
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131. Quinn, what the fuck was that?
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132. What was what?
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133. Owen Kline? I'm making a deal.
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134. I've been trying to get Parker Finn
on this for fucking weeks.
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135. Owen Kline is cool.
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136. It's not a cool contest.
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137. That's literally all Matt talks about.
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138. Matt let you into my meeting
and you absolutely derailed it.
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139. Derailed it? I helped you.
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140. You said the word lame. And you know
that is very triggering to Matt.
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141. When I was
a first-year creative executive,
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142. I did not pitch directors willy-nilly.
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143. I shut the fuck up because if I didn't,
someone would throw a stapler at my head.
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144. Well, times have changed.
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145. If you throw a stapler at my head,
you're gonna end up dead like Scott Rudin.
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146. Is Scott Rudin dead?
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147. Professionally, yeah.
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148. Okay, well, professionally, if you
don't start respecting the hierarchy,
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149. you'll probably be gone too.
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150. Are you threatening me? Is that a threat?
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151. I'm trying to give you
some fucking friendly advice.
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152. Chill out, you fucking maniac.
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153. Fire!
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154. Oh, my God.
Oh, my God. This feels so good.
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155. Oh, God. Quinn, isn't this amazing?
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156. Did you just cum?
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157. - No.
- This is so good.
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158. - Isn't this so good?
- Oh, my God.
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159. - I'm so sick of getting fucked.
- What?
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160. Oh, my God. Okay. I'm sorry.
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161. Sorry. It's not you. I'm sorry.
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162. I just had a really shitty day at work.
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163. And you're thinking about it now?
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164. Yes. I'm sorry. Also, when you fuck me
from behind my mind wanders sometimes.
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165. - Sal's just pissing me off.
- About what?
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166. He said when he was my age,
he just listened in meetings.
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167. He didn't speak. Isn't that crazy?
To not talk at work?
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168. Well, maybe it's your job
to just listen sometimes.
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169. Well, then why did I get promoted
if I can't talk in meetings?
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170. I swear to God,
he's just threatened by me.
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171. Well, you have said repeatedly
that you think you're smarter than him
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172. and that you want his job.
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173. And why shouldn't I have his job?
Because I'm young?
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174. Alexander the Great was king
by 20 years old.
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175. That was literally 2,000 years
ago, and everyone was dead by 28.
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176. My talents are being wasted.
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177. You guys excited?
A little Musso and Frank's on a weekday?
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178. Wow. What a cool dad.
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179. You guys can get whatever you want.
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180. If you wanna get a glass of wine,
get a glass of wine.
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181. I don't give a shit.
Just don't tell your mother, please.
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182. I saw a pretty funny meme this week.
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183. It was Schwarzenegger and
Carl Weathers doing the Predator hands.
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184. I was... Here we go. Yay. Thank you.
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185. Girls...
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186. Thanks.
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187. Thank you.
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188. Skye, why are we still doing
the baby voice?
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189. I dunno.
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190. Yeah.
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191. Oh, Bella, hey.
How's photography classes going?
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192. Your mom sent me a photo you took.
It was gorgeous.
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193. Darkroom class sucks. It takes, like,
two hours to develop a single photo.
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194. Yeah, that does kind of suck.
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195. Just take it on your phone, you know.
Easier.
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196. Food.
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197. - Steak for her.
- Hi, hi.
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198. - This is the Bolognese girl right here.
- Yeah, I can talk.
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199. If you could get
a little extra Parmesan cheese?
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200. You're not gonna talk right now. Skye.
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201. All right. Hey, Bell, do you want a claw
or do you want part of the tail or what?
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202. Dad, I've been a vegan since last week.
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203. Why didn't you tell me that
before I ordered all this food?
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204. I told you last time you called
and you forgot.
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205. And I didn't even wanna be here
in the first place.
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206. This place is so old and lame like you.
You don't get anything. You're so cringe.
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207. I'm gonna go vape outside.
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208. You know I canceled a meeting
with Eli Roth to be here with you?
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209. Who?
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210. Jesus Christ.
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211. - How was lunch?
- So good. You like lobster?
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212. Hey, did the Parker Finn meeting get set?
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213. Because he needs to meet Matt
for that deal to go through.
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214. Yeah. It's confirmed
for tomorrow at 2:00 p.m.
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215. Okay, I need you to reconfirm it.
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216. Because if it doesn't happen, I'm dead
and I will take you with me, Daniel.
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217. - Okay. Cool.
- You'll come to hell with me.
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218. intended to be a temple of cinema.
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219. Hey. You're still here.
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220. - Yeah, I have so much work to do.
- Do you need any help?
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221. - No, you go home. You get your rest.
- Okay. Have a good night.
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222. - Yeah. Sleep tight, pretty Miss Thang.
- See you tomorrow.
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223. Really, Petra?
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224. And delete.
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225. Hey, Parker's here.
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226. - Where's Matt?
- He's right there.
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227. Great.
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228. You ready for a little meeting, buddy?
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229. I have a meeting. I have no idea
what you're doing.
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230. I'm going to a meeting with you
and Parker Finn right now.
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231. Who?
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232. Parker Finn. The WINK guy? That's him in
the black right there.
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233. I don't know what the fuck
you're talking about.
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234. I've got lunchtime martinis
with Chris Hemsworth right now.
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235. No. This was in your calendar.
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236. Maybe Petra got her wires crossed.
You know, she's still new.
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237. She's figuring shit out.
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238. - And she's honestly not that smart.
- Okay.
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239. But I definitely have lunch 'tinis
with Chrissy Hems.
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240. Okay. We are on the one-yard line
with this movie. All right.
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241. This guy needs five minutes of your time.
Give me five minutes.
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242. You can still meet Hemsworth.
We can still get—
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243. Oh, yeah. I'll just tell Chris
to sit around
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244. with his giant Australian thumb
up his fucking ass.
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245. Absolutely not. Stop touching me.
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246. - Please—
- Fucking deal with it.
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247. Parker Finn.
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248. - Yo. What's up, Sal?
- How are you doing, baby?
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249. - Good, man.
- All right. Good, good.
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250. Did one of these mongrels offer
you water or coffee?
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251. Yeah. No, I crushed like three waters
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252. while I was waiting for you and Matt.
Let's do this, man.
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253. Nice. So, Matt, not gonna join us today,
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254. but I think we can get a lot of work done.
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255. - We can talk about casting and—
- What? What are you talking about?
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256. Yeah.
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257. I thought the whole point of me coming
down here was to meet with Matt?
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258. It was.
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259. Huge problem on one of the sets that
he had to go deal with. But it's fine.
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260. Dude, you remember
when you told me this project
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261. was a huge priority for your studio?
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262. I said that because it is. Okay?
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263. And there was an explosion
on one of the sets.
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264. - Sal...
- Some people died.
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265. And it's not personal.
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266. Not personal? What do you mean
it's not personal?
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267. You guys are asking me to basically
rip off my own fucking movie, okay?
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268. It's personal when Matt doesn't show up
to the meeting.
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269. Yeah. He feels so angry about it,
and so do I.
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270. Give me one more chance.
Tomorrow, you, Matt.
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271. You name the time.
We work around Parker Finn.
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272. - I can do 9:15. That's it, Sal.
- 9:15. Done. Done deal.
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273. - Thank you.
- Yeah. Whatever.
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274. I'll bring the Courage Bagels, my friend.
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275. Motherfucker.
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276. Hey, Daniel!
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277. Why didn't Matt know
about that fucking meeting just now?
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278. I don't know. I set it.
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279. - I swear.
- Did you? Okay. I hope you're right.
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280. Look.
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281. - Petra!
- Hi.
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282. How come the Parker Finn meeting
was not in Matt's calendar?
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283. It was. I put it in.
Someone must've deleted it.
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284. Oh, my God. I got hacked.
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285. Yeah, you definitely got hacked.
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286. - Your password is 1234...
- Oh, my God.
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287. and it's written
on a Post-it note on your monitor.
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288. - Oh my God, I'm sorry.
- 9:15 a.m. tomorrow.
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289. - Matt, Parker Finn, me.
- Yeah.
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290. It cannot be moved.
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291. 9:15. Meeting tomorrow.
It cannot be moved. Okay.
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292. Oh, my God. Am I gonna get in trouble?
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293. Not you.
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294. Sorry.
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295. Hey, Matt. Owen's here.
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296. Are you guys meeting Owen Kline?
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297. - Yep.
- Yeah.
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298. I'm gonna join.
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299. Well, it's kind of a preliminary meeting.
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300. - Sort of a get-to-know-you, so—
- I can't wait to get to know him.
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301. There he is in our fountain
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302. just like Frank Lloyd Wright envisioned.
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303. Owen, hi.
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304. - Quinn. What's cracking? Nice to see you.
- We finally got you in here.
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305. - Matt, Owen.
- I'm Matt. So nice to meet you.
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306. - I loved your film.
- Thank you. I love your lobby.
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307. Sal. I missed it but I heard great things.
Great things.
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308. - Jesus fucking Christ, how old are you?
- Nice to meet you.
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309. You're a baby.
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310. - Thirty-two-year-old man.
- Bullshit.
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311. - Young genius. Yeah. Let's get in.
- I really am.
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312. Come on, little fella.
You got your homework in here?
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313. Look. I mean, to be honest,
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314. when Quinn first came to me
with this idea,
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315. I was a little bit hesitant at first.
But, look, if you guys are actually
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316. open to doing something different,
I have a lot of ideas.
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317. We love new ideas.
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318. Just not too new, 'cause we got
a pretty tight formula that we got to hit.
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319. I wouldn't say it's a formula,
so much as a structure
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320. that we a hundred percent know works
so we're gonna do it over and over again.
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321. Right. Okay, well, look,
I wanna entertain audiences.
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322. Just without compromising creativity.
Does that make sense?
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323. Trust me. You're gonna have to
compromise your creativity.
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324. I mean, I think what
Sal is just trying to say is
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325. these movies, they do well
at the box office and we just...
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326. - Right.
- ... want to maintain that
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327. as much as possible.
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328. - That makes sense. Of course.
- Pop quiz, hotshot.
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329. - We make the movie, we edit it.
- Yeah.
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330. - You love it.
- Yeah.
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331. It's your favorite movie you've ever made.
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332. But we test it and it gets a 23.
What do you do?
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333. - What do I do? What do I do?
- Yeah.
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334. Twenty-three out of what exactly?
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335. Out of what? Out of a hundred.
What the fuck? What do you do?
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336. - Relax, Sal.
- What do I do?
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337. I would consider the feedback
and take it into serious consideration,
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338. and if there's criticisms that make sense,
I would probably make some changes.
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339. - Right? Isn't that—
- If you get a 23
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340. you're rewriting that thing
whether you like it or not.
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341. - You're doing 30 pages of reshoots...
- Okay, Sal. Come on.
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342. in three days.
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343. - I don't think you can do 30 in three.
- We've done it before.
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344. - That's not even possible.
- These are ridiculous hypotheticals.
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345. - No. Let's actually get down to business.
- That doesn't make sense.
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346. - Right, Matt? That's ridiculous.
- I don't know. I wanna hear
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347. what he says if his movie tests like shit.
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348. - That's a good question I think.
- Yeah. Totally.
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349. I've heard a lot
of good movies get low scores. Am I wrong?
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350. - Again...
- You're absolutely right.
Copy !req
351. a lot of pretentious
art house shit that dies
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352. - at the box office.
- Okay.
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353. Those test low.
We want this to not be that.
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354. - Saw, Final Destination...
- Listen.
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355. - You're gonna make a great WINK.
- No, I'm listening.
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356. - Wait. What are you—
- It's not gonna be mine.
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357. I appreciate...
You got a strong vision for this though.
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358. I'm really... I'm rooting for it.
So, listen...
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359. We should just revisit this meeting...
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360. - and we can circle back and then—
- I'm not revisiting anything. I'm out.
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361. Godspeed, little fella.
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362. That kid was not as cool
as I was hoping he'd be.
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363. I like him, but we dodged a bullet.
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364. Yeah, maybe someone who went to Cannes
isn't the best guy to remake a movie
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365. that's already been remade twice,
you know?
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366. Three times if you count the short.
But, hey, Parker Finn.
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367. Oh, yeah. Excited to meet him.
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368. Better luck next time, Quinn.
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369. - You'll get 'em.
- Yeah.
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370. What the fuck was that?
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371. That is tit for tat.
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372. - What are you talking about?
- What am I talking about?
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373. Don't play dumb with me. Come on.
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374. I know you had something to do with Matt
not being at the Parker Finn meeting.
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375. But now you know,
don't fuck with my slate.
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376. You're the one fucking
with my slate, okay.
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377. I've been trying to
get my first movie greenlit
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378. while you're remaking a movie
for the third fucking time.
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379. Stay in your lane. Wait your turn.
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380. At this rate, I'm never gonna have a turn.
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381. Honestly, yeah, you're probably right.
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382. I'm smarter than you.
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383. I watch more films than you.
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384. I actually went to film school...
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385. - "Ooh, I went to film school."
- ... and I care about filmmaking.
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386. Okay. We don't make films. We make movies.
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387. And we're not artists. We're executives.
And you're not even that.
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388. You're just a fucking D-girl.
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389. Did you steal that from The Sopranos?
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390. Your burns aren't even original.
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391. Gabagool.
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392. Daniel, come to me.
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393. D-girl? Fucking D-girl.
I'll show you fucking D-girl.
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394. - Great work, Daniel.
- Thank you.
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395. You brought the Perriers out
to impress Parker Finn.
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396. - Yeah.
- That's how you seal the deal.
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397. Yeah.
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398. What the fuck?
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399. Hello? Golf... The golf cart in your spot?
That's weird. Yeah.
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400. Just one second. I'll move it right now.
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401. Hey, has anyone seen Sal's golf cart keys?
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402. No? Have you seen them?
Have you seen the keys?
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403. No.
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404. Quinn.
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405. I saw you at my desk yesterday.
Did you take the keys?
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406. No. I did not do that.
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407. Wha... I don't believe you.
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408. - I don't fucking believe you.
- Okay.
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409. Fuck. Fuck!
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410. Hi, I'm calling
from the Steinberg building.
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411. There's a Porsche parked illegally
right out front,
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412. license plate number 8A76H3.
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413. Someone needs to tow it away immediately.
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414. Thank you so much.
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415. Quinn, what the fuck are you doing?
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416. Stop eavesdropping. God, Daniel,
why are you so obsessed with me?
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417. What the fuck? Fuck!
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418. Sal, I'm coming. I'm sorry.
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419. What the fuck is happening here?
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420. Sir, you can't park here.
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421. Yeah, no fucking shit.
That's my space. I'm Sal.
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422. Someone parked their golf cart here.
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423. Do you have, like, a universal key
or something?
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424. Unfortunately not.
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425. Sal, the golf cart keys are usually
on my desk and they're not.
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426. - But I swear to God it was Quinn.
- Shit.
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427. - Sir, you're gonna have to move your car.
- Yeah, I can move it.
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428. No, you will scratch it again.
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429. For the millionth time,
I'm sorry I did that.
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430. Fuck off! It's 9:15.
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431. If Parker Finn shows up, you tell him
I'll be there in three fucking seconds.
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432. - Run, Daniel. Go now. Go!
- Okay.
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433. Thank you for nothing, Officer Johnson.
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434. - Here we are, Mr. Finn.
- Thanks for the ride.
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435. Jesus fucking Christ.
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436. Oh, my God.
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437. Move, you fucking French pussies.
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438. Excuse me, please.
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439. Fuck it!
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440. Jesus Christ. Jesus fucking Christ.
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441. - Fuck!
- Hey!
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442. - You can't park here.
- It's fine. I'm fine.
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443. Fuck!
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444. - Oh, shit! I'm so sorry.
- Oh, my God.
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445. - Are you okay?
- No!
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446. Fuck.
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447. - What the fuck?
- I'm sorry.
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448. Move!
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449. Obviously, get the fuck out of the way.
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450. Hey, excuse me. Do you know
what time we're getting started?
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451. It's 9:25 and I have to leave soon
for another meeting.
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452. Yeah. We're just waiting on Sal.
One second.
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453. - Where is he?
- I'll ask and I'm sorry.
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454. - Yo.
- Do you know where Sal is?
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455. No. He was supposed to be here
ten minutes ago. What are we doing here?
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456. Well, do you want to
go in there by yourself?
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457. Absolutely not.
I don't know this fucking guy.
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458. I'm not gonna make small talk with him.
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459. Shit. He's coming. I'm pretending to be
on the phone.
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460. - Let me know if Sal gets here.
- Okay.
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461. Uh-huh. Totally.
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462. - Hey, Matt.
- Yo, sorry. I'm on a call.
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463. - Yeah. I think I'm gonna head out.
- Great. Cool. Thanks for coming in.
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464. Have a good one.
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465. - Huge fan of Smile.
- Great.
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466. And Smile 2.
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467. - Parker Finn!
- What?
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468. Sal, are you kidding me, man?
What is that?
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469. No. Dude. What? Get away from me.
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470. - Fuck. Sorry.
- Dude, look at you. You're late.
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471. You're covered in... What is this, sauce?
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472. - It's chili.
- Dude, no. Fuck you. Fuck Matt.
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473. Fuck this whole place, man.
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474. - Parker. Stop!
- I'm going back to Paramount.
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475. Just let me fucking explain. Fuck.
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476. Hey, Sal.
You got a little something on your shirt.
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477. Hey! Quinn!
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478. - What?
- I know this was you.
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479. How could this possibly be my fault?
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480. Don't play dumb for the first time
in your life.
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481. I know you put that fucking golf cart
in my parking space.
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482. - And why would I do that, Sal?
- Don't fuck with me, missy.
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483. Hey, do not talk to me like I'm 12.
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484. Get that fucking thing out of my face.
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485. What are you gonna do with that, Sal?
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486. I'm gonna throw it
in your stupid little fucking face.
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487. You're gonna throw a burrito
at a young woman?
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488. Yes. Yes, I am.
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489. No, you don't have the balls
to fucking do that.
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490. You think so?
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491. You don't think I have the balls?
The fucking balls?
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492. Make my day. Make my life, old man.
Come on. What you got? Come on.
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493. Let's go, old man. Right here.
Here's your target.
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494. What is wrong with you?
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495. - Oh, my God.
- No, no, no, no.
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496. - No, no, no. Stop!
- Oh, my God.
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497. Oh, my God!
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498. Holy shit.
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499. Well, no one got seriously hurt,
so that's good.
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500. That's great.
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501. Yeah, thank fucking God for that one, huh?
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502. But Netflix needs us
to investigate the accident
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503. to get insurance to cover the damages.
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504. Well, who caused the accident?
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505. Well, we don't know who caused it,
but we do know what. A quesarito.
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506. - I thought it was a burrito.
- A quesarito's a type of burrito.
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507. Why wouldn't you just say burrito?
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508. I was being specific.
Do you wanna run this meeting, John?
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509. Yo. I don't give a shit about any of that.
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510. Just tell me how this caused
the accident, please.
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511. So, this quesarito hit an AD
driving a golf cart in the face,
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512. causing him to crash into the set.
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513. Why would somebody throw a burrito
at an assistant director's face?
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514. - Great question.
- Jesus.
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515. HR will be handling things
from here on out.
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516. If it was an accident, it'll slide.
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517. But if it wasn't, well,
that's another story.
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518. Well, the important thing is
no one got hurt,
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519. so it kind of doesn't matter.
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520. I mean, it matters. I wanna know
if I gotta fire somebody over this.
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521. It feels like an accident though.
Thanks, guys.
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522. But if it's not,
definitely find out who did it.
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523. - Accident.
- Or not.
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524. Hi. Laura from HR.
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525. Do you have any idea
who eats this kind of burrito?
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526. There she is.
The one with the burrito. Right there.
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527. Fuck me. I'm so fucked.
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528. Fuck me in the ass.
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529. Excuse me. I'm so sorry.
Excuse me. Oh, God.
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530. Now, behind me,
across from the office area,
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531. are Continental's screening rooms.
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532. Directors will screen early cuts
of their films for Continental executives,
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533. or collect audiences' feedback
before heading back to the cutting room.
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534. Before the advent of digital,
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535. these screening rooms were used
to screen pictures...
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536. - All right. There you are. Listen.
- Oh, my God.
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537. HR's onto us, so we need to
get our stories straight, all right?
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538. There was a burrito. There was a bee
right there on top of the burrito,
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539. so I fucking hit it and it went flying
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540. and it hit the guy,
and that's what happened.
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541. No. We are not getting out of this.
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542. I am getting out of this,
and you are going down.
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543. - I'm going down?
- Yes!
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544. - What the fuck are you talking about?
- This is my chance, motherfucker.
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545. I'm gonna tell her that
you threw that burrito at me.
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546. And when I do, you're out of here.
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547. Hey. You were asking for it.
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548. - Yeah.
- That's not gonna hold up
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549. in the court of HR. You are so fucked.
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550. All right. Yo, for real,
I will get massacred in there.
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551. And I'm technically a bit of a minority.
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552. A bit of a woman of color.
So you're double fucked.
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553. I'm gonna be a hero.
There are gonna be marches in my name.
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554. Hey. Please don't do this.
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555. Okay, so when you get fired,
I'm definitely gonna get promoted, right?
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556. That means I am getting your office,
and your parking spot, and your salary.
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557. - Holy shit!
- Listen to me, all right?
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558. I'm gonna be honest with you.
I have two daughters,
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559. and they are not smart
and they are not talented.
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560. And I'm gonna have to
bankroll their lives.
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561. And I'm here, begging you to let this go.
Please.
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562. Listen, Sal, it's not personal, okay?
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563. - It's business.
- All right.
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564. Quinn. Come on. Okay, look.
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565. Hey, I'm sorry I treated you like shit
because you're young, okay?
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566. It's just you remind me of my daughters.
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567. - I'm not falling for that one.
- No. Not like that. It's just...
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568. They also think I'm a loser.
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569. You all have the same youthful disdain
when you look at me.
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570. And when you said that my WINK idea
was lame in front of Matt,
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571. it made me feel very old and irrelevant.
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572. But also, okay, you gotta stop acting
like a little petulant brat.
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573. You can't get me fucking fired because
I was a little mean to you, okay?
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574. - Oh, yeah?
- Yeah.
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575. - Watch me. Oh, yeah.
- No, Quinn.
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576. Quinn, don't do this.
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577. Quinn, please do not...
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578. Please, do not.
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579. What are you doing?
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580. I don't know. I'm crying,
'cause you're gonna destroy my life.
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581. Oh, my God.
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582. Now what are you doing?
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583. This was supposed to be fun for me, okay?
And you're ruining it.
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584. Quinn. Oh, my God.
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585. Quinn,
does this mean what I think it means?
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586. Quinn.
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587. Oh, my God. I love you so much.
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588. No. Don't touch me.
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589. Fine. Okay, we will do what you said.
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590. We will get our stories straight.
We'll make it seem like a whole accident
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591. - if you agree to the following.
- Anything you want.
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592. You have to actually help me
get my own movies made, okay?
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593. I know we don't have the same taste.
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594. I know the movies I want to make
aren't the most commercial,
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595. but that's why I actually need
all the help I can get.
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596. And you've done this a million times
before and I want my shot.
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597. You got it, okay?
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598. But you gotta be
a little more respectful to me.
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599. Okay, just because I hate movies
with subtitles
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600. doesn't mean I have nothing to teach you.
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601. I've been doing this shit
a very long time, Quinn. Deal.
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602. I would like one more thing.
Your parking spot.
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603. - Where the fuck am I supposed to park?
- I don't give a shit. Do we have a deal?
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604. - Great.
- Yeah. Great.
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605. Fuck, she's good.
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606. - Good morning, Sal.
- Morning, Quinn.
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607. - Hey, Daniel.
- Fuck you, Quinn.
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608. I need some help on director ideas
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609. for WINK. Matt's up my ass about it.
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610. - Oh, yeah, I got a big list.
- Good.
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611. Is that a new
cologne I smell? Pinto, is it?
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612. That's so good.
You owe me $3,000 for the suit.
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613. - What? No, I don't.
- "No, I don't!"
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