1. This is where
Sarah Jane Smith lives.
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2. And it's home to things
way beyond your imagination.
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3. There's an extra-terrestrial
super computer in the wall,
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4. a genetically engineered
boy genius in the attic,
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5. a schoolgirl
investigator across the road,
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6. and a whole universe of adventure
right here on the doorstep.
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7. Ready?
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8. Always.
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9. I don't know how you do that.
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10. You've either got it, or you
haven't Lukey-boy.
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11. You see, art isn't something
you can learn.
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12. Surely it's a matter of
bio-mechanical transference of what
the eye sees to paper? Geometry.
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13. You see, there's your problem, you
work up here, you're all science
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14. and logic and Spocky stuff
like that,
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15. but you can't break
art down into maths.
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16. Everything comes down to maths.
See, not art. Art is in the soul.
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17. You don't think it..
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18. you feel it.
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19. Morning 11T.
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20. Someone's in trouble.
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21. That's Dad's serious face.
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22. Yeah, like he's got any other sort.
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23. All right, you lot, settle down.
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24. If I may, Mrs Taylor?
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25. I have an important
announcement to make.
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26. Told you.
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27. Concerning you, Clyde Langer.
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28. Me?
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29. Oh, what have I done now?
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30. Ah, no, no, don't tell me...
I turned up.
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31. All I have to do to get
some teacher's back up.
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32. You aren't in trouble, Clyde.
For once, quite the opposite.
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33. I've just had an e-mail,
from a Mr Harding,
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34. Curator of
the International Gallery. Who?
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35. At last!
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36. Indeed, Mr Harding.
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37. I never thought I would see the
day when she came into my care.
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38. So, so beautiful.
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39. No-one else could have
achieved this.
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40. The years of dedicated planning.
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41. No-one would have been man enough.
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42. We got there in the end, Miss Trupp.
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43. After all our tribulations.
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44. Yours. I only assisted.
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45. True, true. You did.
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46. And here she is...
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47. .. the Mona Lisa!
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48. Tomorrow morning, this entire
class will be the first members
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49. of the public to see
the Mona Lisa here in the UK.
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50. And all thanks to Clyde.
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51. You won first prize!
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52. You won!
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53. Wait, wait, wait, wait, as much
as I appreciate the adulation
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54. and missing double maths tomorrow -
there's been a mistake.
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55. I never put my work into any
competition. Someone did.
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56. Well, I wonder who?
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57. They were looking for
a promising young artist.
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58. And you really are good.
Brilliant.
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59. I knew you wouldn't enter.
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60. Well, it's not good for the image
is it, some nerdy competition.
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61. I've gotta text Mum.
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62. How many times?
No mobiles in the classroom.
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63. Or at the gallery tomorrow.
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64. Their rules, not mine.
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65. You're not annoyed with me, are you?
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66. Are you serious?
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67. It's the Mona Lisa!
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68. We should press on.
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69. Yes.
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70. Oh, tomorrow will be
such a day for me!
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71. Mum? You won't believe
what's happened.
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72. Mum? I'm in your room.
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73. Look at the state of this place.
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74. Yeah, I know, but...
I thought I told you to tidy it.
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75. I will. Just listen. When?
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76. Oh, I hate to think how long all
these cups have been here. Ugh.
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77. OK.
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78. No, it isn't. And you can forget any
other plans you had for this evening
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79. because you're blitzing this place.
Don't think K9's zapping it.
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80. He's out of bounds till it's done.
I am so disappointed in you.
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81. I don't know what you want from me.
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82. You try to give me a normal life,
but when I act like
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83. a real teenager you want me to be
perfect, the way the Bane made me.
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84. I'm sorry you feel like that.
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85. So am I.
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86. Hand in your mobile phones
at reception and no running.
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87. No running! We're here as honoured
guests, not like some hormonal SAS.
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88. Oh, what's the use?
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89. Ah freebies!
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90. No, I'll pass, thanks.
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91. Your loss. Anyway,
what did Sarah Jane say
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92. about me winning this prize?
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93. Nothing. We're not really talking.
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94. She's being such a mum.
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95. Yeah, well, it's probably
best she doesn't know.
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96. Careful, Clyde. Even star pupils
need to watch where they're going.
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97. Sir. So, how're you feeling?
Erm, nervous?
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98. Weirded out. I mean teachers
are never this friendly.
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99. You see, diligence has its rewards.
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100. Perhaps now you'll
put the same enthusiasm
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101. into your other school work.
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102. Mr Chandra? Park Vale? Yes.
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103. Mr Harding will receive
you upstairs. Great.
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104. Come this way.
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105. OK, everyone follow me.
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106. It's very exciting.
I'm very excited, as well.
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107. Actually much, much smaller
than you'd imagine. Really?
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108. It's very surprising
because you always...
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109. What d'you reckon, Luke?
Who's got the more enigmatic smile,
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110. me or Lisa?
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111. I really don't understand,
why is the Mona Lisa so special?
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112. It's just brown.
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113. Maybe when you see the real
thing, you'll understand.
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114. I don't really get art.
Careful, it's an art gallery,
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115. you're not supposed to
pick it up either, OK.
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116. You look, you don't touch.
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117. But this isn't art...
it's something else.
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118. Clyde.
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119. This is Mr Harding. Curator
of the gallery. Clyde Langer.
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120. We're really proud of him.
Congratulations, Clyde.
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121. You're very talented.
Such a handsome boy.
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122. Oh. This is my assistant,
Miss Trupp.
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123. Now... You really are
so gifted, Clyde.
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124. Cheers. When I saw your
picture, I knew you'd win.
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125. It wasn't up to me, but if it
had been you'd definitely have won.
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126. Well, you did! So...
it's all turned out for the best.
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127. Miss Trupp, perhaps you should go
and check the final preparations.
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128. Oh. Yes.
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129. Big day for all of us.
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130. Clyde, follow me.
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131. Your masterpiece awaits.
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132. Come along, chop-chop,
this place should be clear by now.
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133. Do you know how lucky you are?
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134. Lionel worships you.
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135. If only he looked at me
with the same eyes.
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136. Oh, quit your moaning, love...
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137. do us all a favour.
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138. Who said that?
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139. You can hear me?
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140. Well, now there's a first.
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141. So let's try this for another.
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142. And here we are.
In pride of place.
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143. No way.
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144. Is something wrong?
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145. It's just...
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146. ..my work in a proper gallery.
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147. We told you, Clyde, it's brilliant.
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148. Shut up! Agreed. Some order, please.
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149. Mrs Taylor.
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150. Apart from the obvious
artistic flair,
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151. your imagination is so impressive.
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152. The detail in the weaponry!
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153. I don't know where
you get your inspiration.
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154. Please.
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155. They're Sontaran
blasters, aren't they?
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156. Well, spotted. That's why
you didn't want Mum to know.
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157. Yeah, oh, and don't tell her
I've been drawing K9, either.
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158. You know, I always used to
play this sort of stuff down.
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159. I thought people'd laugh at me.
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160. You mean you thought drawing
wasn't cool. Something like that.
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161. Well, it is cool and
believe me no-one's laughing.
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162. When I was younger,
no brothers or sisters...
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163. I used to draw, for company.
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164. But maybe I could really
do something with this.
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165. And so to the prize.
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166. Prepare to meet the Mona Lisa!
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167. The Mona Lisa, a painting begun
by Leonardo da Vinci in 1503
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168. in Florence, but finished only
shortly before he died in 1519.
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169. For over 500 years the Mona
Lisa's beauty has remained undimmed.
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170. She has been gazed upon by
millions in her Paris home,
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171. now, she is here.
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172. Feast your eyes,
and lose your hearts...
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173. I give you...
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174. the Mona Lisa!
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175. She has let herself go.
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176. Isn't that his assistant?
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177. Security.
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178. The Mona Lisa has been stolen.
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179. Excuse me, Sarah Jane,
I am detecting unusual brain
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180. pattern activity and your ability
to concentrate appears compromised.
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181. Are you unwell?
No. I'm fine, Mr Smith.
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182. It's Luke.
But Luke has perfect health.
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183. That is how he was made by the Bane.
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184. Yes, I know.
The perfect human being.
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185. But nothing stays perfect
for ever, does it? I am sorry.
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186. I'm not sure that I understand.
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187. Luke isn't ill. He's growing up.
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188. I believe it is a normal part of
breeding patterns in most species.
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189. Yes, I know.
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190. And I've tried so hard to make
Luke's life as normal as possible.
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191. In a way it helped make mine
a little more normal, too.
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192. Before I met Luke, who was I?
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193. A lonely, frosty
woman in the big house
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194. who knew more about creatures from
outer-space than she did humans.
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195. I have always considered
the intricacy of human
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196. nature excessively complicated in
comparison to most other life forms.
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197. You and me both, old friend.
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198. And being a mum is just about
as complicated as it gets.
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199. Most parents have years to get used
to it. I'm still finding my feet
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200. and already I'm realising that
one day it's going to be over.
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201. One day Luke will be gone.
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202. One day, perhaps, very soon.
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203. I told them security
had to be improved here.
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204. I told them, after that
Cup of Athelstan fiasco at Easter.
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205. Oh, my beautiful Mona Lisa!
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206. The French will have my head!
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207. If you could all stay calm
as we move out
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208. and let the police do their job.
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209. There's something freaky about this.
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210. Just because something shady
happens doesn't mean
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211. there are aliens behind it.
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212. When my bike got nicked,
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213. did you think that was ET the ASBO,
cycling home?
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214. Did I mention aliens? Rani's right.
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215. Why would they put a picture of
Miss Trupp in the Mona Lisa's place?
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216. Maybe she's behind it all.
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217. Maybe it's her calling card?
"The Truppmeistress has struck!"
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218. Even if this isn't alien,
it's weird enough for Sarah Jane.
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219. We should call her.
No. We don't need her. We can...
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220. do this ourselves.
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221. OK, then.
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222. But first we need to lose my dad.
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223. Have you seen Jonathan, no?
Are you sure?
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224. Excuse me, Mr Chandra.
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225. Yes, what is it, Luke?
I need the toilet.
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226. Me too, sir, I'm busting.
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227. And me. OK. But be quick.
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228. Sir. And then straight to the coach.
Nice one, Luke.
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229. What?
Good cover story.
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230. No, I really need the loo.
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231. Oh, well, like Dad says... be quick!
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232. I am picking up news reports
from the International Gallery.
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233. The Mona Lisa has been stolen.
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234. The Mona Lisa? I don't believe it.
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235. The security at the International
Gallery was supposed to be massive.
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236. So the reports suggest.
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237. All the same, if it hasn't been
taken by inter-galactic art thieves,
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238. it's not really my thing.
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239. Or are you trying to
distract me, Mr Smith?
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240. I simply thought the news
report would be of interest.
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241. OK. Show me.
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242. It's understood that
the theft was discovered
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243. as the Mona Lisa was about to be
unveiled for a party of students
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244. from Park Vale Comprehensive
in Ealing.
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245. What? Park Vale pupil, Clyde Langer
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246. won first prize in the gallery's
Artists of the Future competition.
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247. This is Lizo Mzimba reporting
from the International Gallery.
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248. Then Luke must have been there too.
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249. He never said anything.
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250. Not a word.
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251. Police!
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252. We'll never get past them.
There has to be another way in.
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253. We need a map. Like this one?
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254. You see, you never turn down
a freebie, Luke.
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255. Luke's not answering.
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256. The gallery prohibits the use
of mobile telephones.
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257. But I have info from
the Metropolitan Police
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258. computer system that
you may find of interest.
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259. What exactly am I looking at?
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260. This is a Crime Scene
photograph of the Mona Lisa.
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261. Mr Smith, that isn't the Mona Lisa.
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262. My infra-red analysis confirms
the brush-stroke patterns
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263. of Leonardo da Vinci.
This is the Mona Lisa.
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264. But it can't be. Who is that woman?
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265. Phyllis Trupp, personal assistant
to the gallery's curator.
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266. where she lists her
interests as "salsa dancing."
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267. She says she is open minded
and willing to try...
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268. Thank you, Mr Smith.
What's happened to her?
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269. I can only surmise
molecular trans-placement.
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270. She is still alive and conscious...
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271. but trapped in the canvas
of a 500 year old painting.
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272. What could have caused this?
Insufficient data.
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273. So this isn't anything like a
straight-forward art theft, is it?
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274. It would seem not.
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275. Which means, the other question is,
if that's Phyllis Trupp...
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276. where on earth is the Mona Lisa?
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277. This place is like a maze!
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278. Or like finding your way
through Level Four
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279. of Alien Devastation Three.
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280. I thought you said you could
find your way with that map?
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281. Men and maps! Hey!
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282. I can read a map.
I was in the cubs...
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283. well until they kicked me out. But
you don't want to hear about that.
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284. Clyde. Yes, I know my picture would
look great in your lounge.
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285. Just get your dad
to make me an offer.
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286. I don't want your painting, Clyde.
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287. I want to know what happened to the
gun that was in it. Galaxia's gun!
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288. Whose?
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289. OK, so I gave them names. Can we
move on now? What matters is...
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290. What are you doing here?
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291. The police are conducting
an investigation.
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292. they don't need a bunch
of schoolchildren
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293. roaming around, disturbing evidence.
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294. Well, it isn't just your Mona Lisa
that's been stolen now, is it?
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295. One of the guns in Clyde's
painting has vanished. Look.
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296. It's dry.
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297. The gun wasn't painted out,
Mr Harding. It was taken.
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298. Whatever we're dealing with
it's more than just an art thief.
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299. Oh, you better believe it, sugar.
She's got my gun!
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300. She went to the toilet
and that's the last I saw of her.
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301. No, Gita, the police won't let me
back in. No, I can't ring her.
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302. No phones allowed inside.
Look, I'll call you back.
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303. Haresh, hello. Sarah Jane. I suppose
you know about the Mona Lisa?
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304. Of course. The crime of the century
and story of the year.
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305. Where's Luke? The thing is they've
closed the gallery
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306. and Luke, Rani and Clyde
are still inside so...
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307. Why don't you look after
the rest of the kids,
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308. and I'll see what I can do.
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309. In my line of work you get a knack
for opening closed doors.
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310. You sure? Mmm. Thank you.
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311. Mrs Taylor, kids, come on. Quickly.
Move. Phones away. Are you chewing?
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312. Put your phones away please.
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313. Thank you. OK. Come on.
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314. Who are you?
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315. And I thought you were
supposed to be an art expert!
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316. I am the Mona Lisa.
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317. No, but really? Yeah, really.
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318. You can't fake this kinda class.
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319. You can't be the Mona Lisa,
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320. you have to be some sort of
alien manifestation.
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321. Whoooh. And why's that, then?
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322. Because, on Earth,
women in paintings
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323. don't just jump out of their frames.
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324. And nick guns from
someone's painting.
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325. Do you know how long
that took me to paint?
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326. Not bad.
Not in my league, of course.
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327. But then Leo was
a bit of a ledge even back then.
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328. Although he had to blag the oils off
his weirdo neighbour to paint me.
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329. OK. Say that's true. Now you're out
of your frame, what is it you want?
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330. I've just had five centuries
hanging on a wall, sugar.
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331. What is it you think I want?
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332. It's time I had a bit of fun.
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333. And I think I'll start with some
target practice. Run for it!
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334. So it's just you
and me now, Harders.
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335. Sonic Scarlet,
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336. my favourite shade.
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337. Oh, boy. That's it...
now I have seen everything.
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338. We so have to get hold of
Sarah Jane. And I mean now.
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339. No. What's got in to you?
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340. Why are you being so
weird about your mum?
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341. Luke and Sarah Jane
have had a barney... Rani.
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342. Never mind that. Where is everyone?
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343. On the coach.
My dad'll be going mental by now.
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344. What about the police.
Forensics should be
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345. crawling all over this place.
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346. Something's wrong.
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347. It is.
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348. So very, very wrong.
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349. A whole new kind of wrong.
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350. Mia Bella!
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351. Is it...
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352. is it really you?
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353. Oh, go on then, touch me.
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354. I know you want to.
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355. I've seen the way you look at me.
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356. I remember when you came
to the Louvre. The Louvre?
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357. Actually, every time you came.
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358. Twenty seconds, that's all
anyone gets to see me
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359. and then, move along
s'il vous plait.
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360. You always put up quite a struggle.
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361. It's a shame they had
to ban you in the end.
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362. It is you!
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363. It really is you!
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364. And you are going to have to
get used to that
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365. because we've got a lot
of work to do.
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366. I don't understand.
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367. We have to find my brother.
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368. Definite traces of alien energy.
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369. Two of them.
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370. He's here somewhere...
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371. I know he is.
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372. But there's nothing to suggest
in any academic work
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373. that you had a brother.
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374. Not had, Harders, have.
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375. And he's here somewhere amongst
this tat just waiting for me.
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376. You mean another painting.
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377. Yes, I can see how you
got the job here, Harders.
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378. And that's why I need you.
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379. You know every brush
stroke in this place.
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380. Well, what does he look like,
your brother?
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381. I've never seen him
so I haven't got a clue.
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382. But he'll have been painted
around the same time as me,
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383. the same place as me.
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384. Next door, in fact. I've got it!
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385. Follow me!
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386. Oh, it's locked.
We have to find a phone.
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387. I don't care what you say, Luke,
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388. what's happened to those people
is beyond freaky.
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389. We're calling your mum.
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390. I don't think there's any need.
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391. Her car's here.
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392. Residual alien energy.
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393. But if this is, or was,
a painting by Leonardo,
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394. how is that possible?
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395. Do you know, Phyllis?
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396. I know you can hear me,
even though you can't answer.
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397. I promise you,
I'm going to get you out of there.
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398. If he was painted at the same time
as you, his has to be him.
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399. Has to be.
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400. Not only a contemporary of Leonardo,
but a neighbour in Florence.
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401. Him? He's not much of a looker,
is he? Giuseppe Di Cattivo.
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402. 1450 to 1518, whose work is
often compared to his more
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403. famous contemporary Hieronymus Bosch.
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404. Poor Giuseppe
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405. he died in a lunatic asylum.
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406. No... no, this isn't him. But...
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407. Come out, come out, whoever you are!
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408. I can hear you breathing!
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409. Who would've thought a painting
would have such good hearing,
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410. Mona Lisa? But then Leonardo
was such a stickler for detail.
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411. On the subject of detail...
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412. mind filling in the obvious blank?
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413. My name is Sarah Jane Smith.
And that is a Sontaran blaster,
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414. do you mind telling me
where you got it?
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415. Oooh, I just took it
from the painting
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416. that lad Clyde did, cos I thought
it looked a little bit flash.
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417. Oh, Clyde. You'd better not have
harmed him or his friends!
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418. Oh, no, don't concern yourself.
They're perfectly safe.
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419. I'm Lionel Harding
curator of the museum.
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420. Mr Harding, whatever is happening
here, don't worry. I can help you.
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421. Thank you, I'm not sure I need it.
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422. Ah, you see Harders here,
he's my number one fan.
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423. Listen to me, she is dangerous.
Look what she did to Miss Trupp.
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424. Now you don't want to worry about
that old trout do you Harders?
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425. I mean, you never
did before, did you?
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426. And, let's face it,
she never was an oil painting.
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427. At least not till now!
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428. Release her. Now!
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429. Oooh, I might think about it.
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430. Depends if you stay out of my way.
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431. Sarah Jane Smith?
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432. Sarah Jane,
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433. where do I know that name?
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434. Oh! oohh that Sarah Jane.
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435. Seems like no-one wants you around,
Sazza. Not even your son.
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436. What?
Hmmm, heard him talking before...
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437. he'd like you to keep your nose out.
And so would I.
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438. I'm sorry, whatever you're
planning I am not stepping aside.
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439. That's your choice. No, Mia Bella!
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440. What is that? That is my brother.
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441. Is it me, or did things
just get uncomfortable?
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442. What's going on?
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443. Well, give me a second,
and I'll put you in the picture.
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444. No.
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445. That's Mum!
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446. Sarah Jane? Mum?
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447. Luke?
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448. I've found her.
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449. No, Mum!
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450. And that is how she'll stay...
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451. .. forever!
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452. Run!
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453. I have not been released from wood
and paint to be trapped in here.
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454. A legend, a painting
too terrifying to be exhibited.
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455. Once we are united your reign
of fire and sulphur shall begin
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456. and the world will be a rage
of flames at our feet.
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