1.  This is where
Sarah Jane Smith lives. 
			  
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2.  And it's home to things
way beyond your imagination. 
			  
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3.  There's an extra-terrestrial
super computer in the wall, 
			  
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4.  a genetically engineered
boy genius in the attic, 
			  
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5.  a schoolgirl
investigator across the road, 
			  
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6.  and a whole universe of adventure
right here on the doorstep. 
			  
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7.  Ready? 
			  
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8.  Always. 
			  
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9.  I don't know how you do that. 
			  
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10.  You've either got it, or you
haven't Lukey-boy. 
			  
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11.  You see, art isn't something
you can learn. 
			  
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12.  Surely it's a matter of
bio-mechanical transference of what
the eye sees to paper? Geometry. 
			  
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13.  You see, there's your problem, you
work up here, you're all science 
			  
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14.  and logic and Spocky stuff
like that, 
			  
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15.  but you can't break
art down into maths. 
			  
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16.  Everything comes down to maths.
See, not art. Art is in the soul. 
			  
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17.  You don't think it.. 
			  
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18.  you feel it. 
			  
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19.  Morning 11T. 
			  
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20.  Someone's in trouble. 
			  
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21.  That's Dad's serious face. 
			  
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22.  Yeah, like he's got any other sort. 
			  
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23.  All right, you lot, settle down. 
			  
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24.  If I may, Mrs Taylor? 
			  
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25.  I have an important
announcement to make. 
			  
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26.  Told you. 
			  
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27.  Concerning you, Clyde Langer. 
			  
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28.  Me? 
			  
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29.  Oh, what have I done now? 
			  
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30.  Ah, no, no, don't tell me...
I turned up. 
			  
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31.  All I have to do to get
some teacher's back up. 
			  
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32.  You aren't in trouble, Clyde.
For once, quite the opposite. 
			  
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33.  I've just had an e-mail,
from a Mr Harding, 
			  
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34.  Curator of
the International Gallery. Who? 
			  
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35.  At last! 
			  
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36.  Indeed, Mr Harding. 
			  
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37.  I never thought I would see the
day when she came into my care. 
			  
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38.  So, so beautiful. 
			  
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39.  No-one else could have
achieved this. 
			  
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40.  The years of dedicated planning. 
			  
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41.  No-one would have been man enough. 
			  
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42.  We got there in the end, Miss Trupp. 
			  
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43.  After all our tribulations. 
			  
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44.  Yours. I only assisted. 
			  
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45.  True, true. You did. 
			  
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46.  And here she is... 
			  
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47.  .. the Mona Lisa! 
			  
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48.  Tomorrow morning, this entire
class will be the first members 
			  
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49.  of the public to see
the Mona Lisa here in the UK. 
			  
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50.  And all thanks to Clyde. 
			  
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51.  You won first prize! 
			  
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52.  You won! 
			  
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53.  Wait, wait, wait, wait, as much
as I appreciate the adulation 
			  
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54.  and missing double maths tomorrow -
there's been a mistake. 
			  
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55.  I never put my work into any
competition. Someone did. 
			  
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56.  Well, I wonder who? 
			  
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57.  They were looking for
a promising young artist. 
			  
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58.  And you really are good.
Brilliant. 
			  
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59.  I knew you wouldn't enter. 
			  
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60.  Well, it's not good for the image
is it, some nerdy competition. 
			  
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61.  I've gotta text Mum. 
			  
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62.  How many times?
No mobiles in the classroom. 
			  
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63.  Or at the gallery tomorrow. 
			  
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64.  Their rules, not mine. 
			  
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65.  You're not annoyed with me, are you? 
			  
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66.  Are you serious? 
			  
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67.  It's the Mona Lisa! 
			  
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68.  We should press on. 
			  
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69.  Yes. 
			  
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70.  Oh, tomorrow will be
such a day for me! 
			  
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71.  Mum? You won't believe
what's happened. 
			  
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72.  Mum? I'm in your room. 
			  
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73.  Look at the state of this place. 
			  
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74.  Yeah, I know, but...
I thought I told you to tidy it. 
			  
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75.  I will. Just listen. When? 
			  
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76.  Oh, I hate to think how long all
these cups have been here. Ugh. 
			  
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77.  OK. 
			  
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78.  No, it isn't. And you can forget any
other plans you had for this evening 
			  
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79.  because you're blitzing this place.
Don't think K9's zapping it. 
			  
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80.  He's out of bounds till it's done.
I am so disappointed in you. 
			  
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81.  I don't know what you want from me. 
			  
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82.  You try to give me a normal life,
but when I act like 
			  
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83.  a real teenager you want me to be
perfect, the way the Bane made me. 
			  
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84.  I'm sorry you feel like that. 
			  
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85.  So am I. 
			  
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86.  Hand in your mobile phones
at reception and no running. 
			  
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87.  No running! We're here as honoured
guests, not like some hormonal SAS. 
			  
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88.  Oh, what's the use? 
			  
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89.  Ah freebies! 
			  
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90.  No, I'll pass, thanks. 
			  
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91.  Your loss. Anyway,
what did Sarah Jane say 
			  
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92.  about me winning this prize? 
			  
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93.  Nothing. We're not really talking. 
			  
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94.  She's being such a mum. 
			  
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95.  Yeah, well, it's probably
best she doesn't know. 
			  
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96.  Careful, Clyde. Even star pupils
need to watch where they're going. 
			  
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97.  Sir. So, how're you feeling?
Erm, nervous? 
			  
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98.  Weirded out. I mean teachers
are never this friendly. 
			  
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99.  You see, diligence has its rewards. 
			  
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100.  Perhaps now you'll
put the same enthusiasm 
			  
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101.  into your other school work. 
			  
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102.  Mr Chandra? Park Vale? Yes. 
			  
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103.  Mr Harding will receive
you upstairs. Great. 
			  
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104.  Come this way. 
			  
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105.  OK, everyone follow me. 
			  
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106.  It's very exciting.
I'm very excited, as well. 
			  
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107.  Actually much, much smaller
than you'd imagine. Really? 
			  
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108.  It's very surprising
because you always... 
			  
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109.  What d'you reckon, Luke?
Who's got the more enigmatic smile, 
			  
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110.  me or Lisa? 
			  
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111.  I really don't understand,
why is the Mona Lisa so special? 
			  
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112.  It's just brown. 
			  
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113.  Maybe when you see the real
thing, you'll understand. 
			  
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114.  I don't really get art.
Careful, it's an art gallery, 
			  
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115.  you're not supposed to
pick it up either, OK. 
			  
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116.  You look, you don't touch. 
			  
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117.  But this isn't art...
it's something else. 
			  
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118.  Clyde. 
			  
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119.  This is Mr Harding. Curator
of the gallery. Clyde Langer. 
			  
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120.  We're really proud of him.
Congratulations, Clyde. 
			  
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121.  You're very talented.
Such a handsome boy. 
			  
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122.  Oh. This is my assistant,
Miss Trupp. 
			  
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123.  Now... You really are
so gifted, Clyde. 
			  
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124.  Cheers. When I saw your
picture, I knew you'd win. 
			  
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125.  It wasn't up to me, but if it
had been you'd definitely have won. 
			  
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126.  Well, you did! So...
it's all turned out for the best. 
			  
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127.  Miss Trupp, perhaps you should go
and check the final preparations. 
			  
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128.  Oh. Yes. 
			  
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129.  Big day for all of us. 
			  
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130.  Clyde, follow me. 
			  
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131.  Your masterpiece awaits. 
			  
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132.  Come along, chop-chop,
this place should be clear by now. 
			  
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133.  Do you know how lucky you are? 
			  
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134.  Lionel worships you. 
			  
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135.  If only he looked at me
with the same eyes. 
			  
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136.  Oh, quit your moaning, love... 
			  
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137.  do us all a favour. 
			  
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138.  Who said that? 
			  
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139.  You can hear me? 
			  
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140.  Well, now there's a first. 
			  
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141.  So let's try this for another. 
			  
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142.  And here we are.
In pride of place. 
			  
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143.  No way. 
			  
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144.  Is something wrong? 
			  
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145.  It's just... 
			  
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146.  ..my work in a proper gallery. 
			  
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147.  We told you, Clyde, it's brilliant. 
			  
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148.  Shut up! Agreed. Some order, please. 
			  
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149.  Mrs Taylor. 
			  
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150.  Apart from the obvious
artistic flair, 
			  
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151.  your imagination is so impressive. 
			  
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152.  The detail in the weaponry! 
			  
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153.  I don't know where
you get your inspiration. 
			  
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154.  Please. 
			  
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155.  They're Sontaran
blasters, aren't they? 
			  
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156.  Well, spotted. That's why
you didn't want Mum to know. 
			  
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157.  Yeah, oh, and don't tell her
I've been drawing K9, either. 
			  
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158.  You know, I always used to
play this sort of stuff down. 
			  
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159.  I thought people'd laugh at me. 
			  
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160.  You mean you thought drawing
wasn't cool. Something like that. 
			  
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161.  Well, it is cool and
believe me no-one's laughing. 
			  
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162.  When I was younger,
no brothers or sisters... 
			  
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163.  I used to draw, for company. 
			  
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164.  But maybe I could really
do something with this. 
			  
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165.  And so to the prize. 
			  
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166.  Prepare to meet the Mona Lisa! 
			  
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167.  The Mona Lisa, a painting begun
by Leonardo da Vinci in 1503 
			  
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168.  in Florence, but finished only
shortly before he died in 1519. 
			  
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169.  For over 500 years the Mona
Lisa's beauty has remained undimmed. 
			  
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170.  She has been gazed upon by
millions in her Paris home, 
			  
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171.  now, she is here. 
			  
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172.  Feast your eyes,
and lose your hearts... 
			  
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173.  I give you... 
			  
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174.  the Mona Lisa! 
			  
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175.  She has let herself go. 
			  
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176.  Isn't that his assistant? 
			  
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177.  Security. 
			  
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178.  The Mona Lisa has been stolen. 
			  
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179.  Excuse me, Sarah Jane,
I am detecting unusual brain 
			  
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180.  pattern activity and your ability
to concentrate appears compromised. 
			  
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181.  Are you unwell?
No. I'm fine, Mr Smith. 
			  
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182.  It's Luke.
But Luke has perfect health. 
			  
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183.  That is how he was made by the Bane. 
			  
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184.  Yes, I know.
The perfect human being. 
			  
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185.  But nothing stays perfect
for ever, does it? I am sorry. 
			  
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186.  I'm not sure that I understand. 
			  
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187.  Luke isn't ill. He's growing up. 
			  
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188.  I believe it is a normal part of
breeding patterns in most species. 
			  
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189.  Yes, I know. 
			  
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190.  And I've tried so hard to make
Luke's life as normal as possible. 
			  
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191.  In a way it helped make mine
a little more normal, too. 
			  
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192.  Before I met Luke, who was I? 
			  
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193.  A lonely, frosty
woman in the big house 
			  
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194.  who knew more about creatures from
outer-space than she did humans. 
			  
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195.  I have always considered
the intricacy of human 
			  
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196.  nature excessively complicated in
comparison to most other life forms. 
			  
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197.  You and me both, old friend. 
			  
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198.  And being a mum is just about
as complicated as it gets. 
			  
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199.  Most parents have years to get used
to it. I'm still finding my feet 
			  
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200.  and already I'm realising that
one day it's going to be over. 
			  
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201.  One day Luke will be gone. 
			  
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202.  One day, perhaps, very soon. 
			  
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203.  I told them security
had to be improved here. 
			  
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204.  I told them, after that
Cup of Athelstan fiasco at Easter. 
			  
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205.  Oh, my beautiful Mona Lisa! 
			  
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206.  The French will have my head! 
			  
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207.  If you could all stay calm
as we move out 
			  
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208.  and let the police do their job. 
			  
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209.  There's something freaky about this. 
			  
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210.  Just because something shady
happens doesn't mean 
			  
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211.  there are aliens behind it. 
			  
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212.  When my bike got nicked, 
			  
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213.  did you think that was ET the ASBO,
cycling home? 
			  
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214.  Did I mention aliens? Rani's right. 
			  
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215.  Why would they put a picture of
Miss Trupp in the Mona Lisa's place? 
			  
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216.  Maybe she's behind it all. 
			  
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217.  Maybe it's her calling card?
"The Truppmeistress has struck!" 
			  
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218.  Even if this isn't alien,
it's weird enough for Sarah Jane. 
			  
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219.  We should call her.
No. We don't need her. We can... 
			  
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220.  do this ourselves. 
			  
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221.  OK, then. 
			  
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222.  But first we need to lose my dad. 
			  
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223.  Have you seen Jonathan, no?
Are you sure? 
			  
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224.  Excuse me, Mr Chandra. 
			  
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225.  Yes, what is it, Luke?
I need the toilet. 
			  
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226.  Me too, sir, I'm busting. 
			  
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227.  And me. OK. But be quick. 
			  
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228.  Sir. And then straight to the coach.
Nice one, Luke. 
			  
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229.  What?
Good cover story. 
			  
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230.  No, I really need the loo. 
			  
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231.  Oh, well, like Dad says... be quick! 
			  
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232.  I am picking up news reports
from the International Gallery. 
			  
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233.  The Mona Lisa has been stolen. 
			  
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234.  The Mona Lisa? I don't believe it. 
			  
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235.  The security at the International
Gallery was supposed to be massive. 
			  
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236.  So the reports suggest. 
			  
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237.  All the same, if it hasn't been
taken by inter-galactic art thieves, 
			  
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238.  it's not really my thing. 
			  
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239.  Or are you trying to
distract me, Mr Smith? 
			  
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240.  I simply thought the news
report would be of interest. 
			  
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241.  OK. Show me. 
			  
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242.  It's understood that
the theft was discovered 
			  
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243.  as the Mona Lisa was about to be
unveiled for a party of students 
			  
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244.  from Park Vale Comprehensive
in Ealing. 
			  
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245.  What? Park Vale pupil, Clyde Langer 
			  
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246.  won first prize in the gallery's
Artists of the Future competition. 
			  
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247.  This is Lizo Mzimba reporting
from the International Gallery. 
			  
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248.  Then Luke must have been there too. 
			  
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249.  He never said anything. 
			  
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250.  Not a word. 
			  
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251.  Police! 
			  
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252.  We'll never get past them.
There has to be another way in. 
			  
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253.  We need a map. Like this one? 
			  
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254.  You see, you never turn down
a freebie, Luke. 
			  
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255.  Luke's not answering. 
			  
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256.  The gallery prohibits the use
of mobile telephones. 
			  
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257.  But I have info from
the Metropolitan Police 
			  
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258.  computer system that
you may find of interest. 
			  
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259.  What exactly am I looking at? 
			  
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260.  This is a Crime Scene
photograph of the Mona Lisa. 
			  
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261.  Mr Smith, that isn't the Mona Lisa. 
			  
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262.  My infra-red analysis confirms
the brush-stroke patterns 
			  
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263.  of Leonardo da Vinci.
This is the Mona Lisa. 
			  
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264.  But it can't be. Who is that woman? 
			  
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265.  Phyllis Trupp, personal assistant
to the gallery's curator. 
			  
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266.  where she lists her
interests as "salsa dancing." 
			  
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267.  She says she is open minded
and willing to try... 
			  
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268.  Thank you, Mr Smith.
What's happened to her? 
			  
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269.  I can only surmise
molecular trans-placement. 
			  
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270.  She is still alive and conscious... 
			  
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271.  but trapped in the canvas
of a 500 year old painting. 
			  
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272.  What could have caused this?
Insufficient data. 
			  
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273.  So this isn't anything like a
straight-forward art theft, is it? 
			  
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274.  It would seem not. 
			  
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275.  Which means, the other question is,
if that's Phyllis Trupp... 
			  
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276.  where on earth is the Mona Lisa? 
			  
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277.  This place is like a maze! 
			  
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278.  Or like finding your way
through Level Four 
			  
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279.  of Alien Devastation Three. 
			  
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280.  I thought you said you could
find your way with that map? 
			  
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281.  Men and maps! Hey! 
			  
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282.  I can read a map.
I was in the cubs... 
			  
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283.  well until they kicked me out. But
you don't want to hear about that. 
			  
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284.  Clyde. Yes, I know my picture would
look great in your lounge. 
			  
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285.  Just get your dad
to make me an offer. 
			  
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286.  I don't want your painting, Clyde. 
			  
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287.  I want to know what happened to the
gun that was in it. Galaxia's gun! 
			  
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288.  Whose? 
			  
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289.  OK, so I gave them names. Can we
move on now? What matters is... 
			  
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290.  What are you doing here? 
			  
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291.  The police are conducting
an investigation. 
			  
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292.  they don't need a bunch
of schoolchildren 
			  
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293.  roaming around, disturbing evidence. 
			  
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294.  Well, it isn't just your Mona Lisa
that's been stolen now, is it? 
			  
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295.  One of the guns in Clyde's
painting has vanished. Look. 
			  
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296.  It's dry. 
			  
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297.  The gun wasn't painted out,
Mr Harding. It was taken. 
			  
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298.  Whatever we're dealing with
it's more than just an art thief. 
			  
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299.  Oh, you better believe it, sugar.
She's got my gun! 
			  
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300.  She went to the toilet
and that's the last I saw of her. 
			  
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301.  No, Gita, the police won't let me
back in. No, I can't ring her. 
			  
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302.  No phones allowed inside.
Look, I'll call you back. 
			  
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303.  Haresh, hello. Sarah Jane. I suppose
you know about the Mona Lisa? 
			  
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304.  Of course. The crime of the century
and story of the year. 
			  
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305.  Where's Luke? The thing is they've
closed the gallery 
			  
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306.  and Luke, Rani and Clyde
are still inside so... 
			  
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307.  Why don't you look after
the rest of the kids, 
			  
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308.  and I'll see what I can do. 
			  
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309.  In my line of work you get a knack
for opening closed doors. 
			  
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310.  You sure? Mmm. Thank you. 
			  
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311.  Mrs Taylor, kids, come on. Quickly.
Move. Phones away. Are you chewing? 
			  
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312.  Put your phones away please. 
			  
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313.  Thank you. OK. Come on. 
			  
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314.  Who are you? 
			  
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315.  And I thought you were
supposed to be an art expert! 
			  
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316.  I am the Mona Lisa. 
			  
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317.  No, but really? Yeah, really. 
			  
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318.  You can't fake this kinda class. 
			  
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319.  You can't be the Mona Lisa, 
			  
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320.  you have to be some sort of
alien manifestation. 
			  
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321.  Whoooh. And why's that, then? 
			  
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322.  Because, on Earth,
women in paintings 
			  
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323.  don't just jump out of their frames. 
			  
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324.  And nick guns from
someone's painting. 
			  
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325.  Do you know how long
that took me to paint? 
			  
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326.  Not bad.
Not in my league, of course. 
			  
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327.  But then Leo was
a bit of a ledge even back then. 
			  
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328.  Although he had to blag the oils off
his weirdo neighbour to paint me. 
			  
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329.  OK. Say that's true. Now you're out
of your frame, what is it you want? 
			  
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330.  I've just had five centuries
hanging on a wall, sugar. 
			  
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331.  What is it you think I want? 
			  
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332.  It's time I had a bit of fun. 
			  
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333.  And I think I'll start with some
target practice. Run for it! 
			  
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334.  So it's just you
and me now, Harders. 
			  
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335.  Sonic Scarlet, 
			  
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336.  my favourite shade. 
			  
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337.  Oh, boy. That's it...
now I have seen everything. 
			  
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338.  We so have to get hold of
Sarah Jane. And I mean now. 
			  
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339.  No. What's got in to you? 
			  
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340.  Why are you being so
weird about your mum? 
			  
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341.  Luke and Sarah Jane
have had a barney... Rani. 
			  
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342.  Never mind that. Where is everyone? 
			  
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343.  On the coach.
My dad'll be going mental by now. 
			  
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344.  What about the police.
Forensics should be 
			  
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345.  crawling all over this place. 
			  
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346.  Something's wrong. 
			  
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347.  It is. 
			  
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348.  So very, very wrong. 
			  
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349.  A whole new kind of wrong. 
			  
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350.  Mia Bella! 
			  
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351.  Is it... 
			  
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352.  is it really you? 
			  
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353.  Oh, go on then, touch me. 
			  
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354.  I know you want to. 
			  
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355.  I've seen the way you look at me. 
			  
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356.  I remember when you came
to the Louvre. The Louvre? 
			  
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357.  Actually, every time you came. 
			  
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358.  Twenty seconds, that's all
anyone gets to see me 
			  
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359.  and then, move along
s'il vous plait. 
			  
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360.  You always put up quite a struggle. 
			  
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361.  It's a shame they had
to ban you in the end. 
			  
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362.  It is you! 
			  
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363.  It really is you! 
			  
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364.  And you are going to have to
get used to that 
			  
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365.  because we've got a lot
of work to do. 
			  
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366.  I don't understand. 
			  
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367.  We have to find my brother. 
			  
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368.  Definite traces of alien energy. 
			  
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369.  Two of them. 
			  
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370.  He's here somewhere... 
			  
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371.  I know he is. 
			  
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372.  But there's nothing to suggest
in any academic work 
			  
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373.  that you had a brother. 
			  
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374.  Not had, Harders, have. 
			  
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375.  And he's here somewhere amongst
this tat just waiting for me. 
			  
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376.  You mean another painting. 
			  
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377.  Yes, I can see how you
got the job here, Harders. 
			  
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378.  And that's why I need you. 
			  
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379.  You know every brush
stroke in this place. 
			  
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380.  Well, what does he look like,
your brother? 
			  
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381.  I've never seen him
so I haven't got a clue. 
			  
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382.  But he'll have been painted
around the same time as me, 
			  
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383.  the same place as me. 
			  
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384.  Next door, in fact. I've got it! 
			  
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385.  Follow me! 
			  
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386.  Oh, it's locked.
We have to find a phone. 
			  
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387.  I don't care what you say, Luke, 
			  
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388.  what's happened to those people
is beyond freaky. 
			  
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389.  We're calling your mum. 
			  
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390.  I don't think there's any need. 
			  
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391.  Her car's here. 
			  
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392.  Residual alien energy. 
			  
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393.  But if this is, or was,
a painting by Leonardo, 
			  
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394.  how is that possible? 
			  
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395.  Do you know, Phyllis? 
			  
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396.  I know you can hear me,
even though you can't answer. 
			  
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397.  I promise you,
I'm going to get you out of there. 
			  
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398.  If he was painted at the same time
as you, his has to be him. 
			  
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399.  Has to be. 
			  
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400.  Not only a contemporary of Leonardo,
but a neighbour in Florence. 
			  
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401.  Him? He's not much of a looker,
is he? Giuseppe Di Cattivo. 
			  
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402.  1450 to 1518, whose work is
often compared to his more 
			  
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403.  famous contemporary Hieronymus Bosch. 
			  
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404.  Poor Giuseppe 
			  
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405.  he died in a lunatic asylum. 
			  
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406.  No... no, this isn't him. But... 
			  
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407.  Come out, come out, whoever you are! 
			  
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408.  I can hear you breathing! 
			  
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409.  Who would've thought a painting
would have such good hearing, 
			  
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410.  Mona Lisa? But then Leonardo
was such a stickler for detail. 
			  
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411.  On the subject of detail... 
			  
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412.  mind filling in the obvious blank? 
			  
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413.  My name is Sarah Jane Smith.
And that is a Sontaran blaster, 
			  
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414.  do you mind telling me
where you got it? 
			  
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415.  Oooh, I just took it
from the painting 
			  
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416.  that lad Clyde did, cos I thought
it looked a little bit flash. 
			  
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417.  Oh, Clyde. You'd better not have
harmed him or his friends! 
			  
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418.  Oh, no, don't concern yourself.
They're perfectly safe. 
			  
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419.  I'm Lionel Harding
curator of the museum. 
			  
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420.  Mr Harding, whatever is happening
here, don't worry. I can help you. 
			  
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421.  Thank you, I'm not sure I need it. 
			  
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422.  Ah, you see Harders here,
he's my number one fan. 
			  
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423.  Listen to me, she is dangerous.
Look what she did to Miss Trupp. 
			  
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424.  Now you don't want to worry about
that old trout do you Harders? 
			  
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425.  I mean, you never
did before, did you? 
			  
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426.  And, let's face it,
she never was an oil painting. 
			  
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427.  At least not till now! 
			  
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428.  Release her. Now! 
			  
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429.  Oooh, I might think about it. 
			  
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430.  Depends if you stay out of my way. 
			  
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431.  Sarah Jane Smith? 
			  
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432.  Sarah Jane, 
			  
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433.  where do I know that name? 
			  
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434.  Oh! oohh that Sarah Jane. 
			  
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435.  Seems like no-one wants you around,
Sazza. Not even your son. 
			  
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436.  What?
Hmmm, heard him talking before... 
			  
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437.  he'd like you to keep your nose out.
And so would I. 
			  
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438.  I'm sorry, whatever you're
planning I am not stepping aside. 
			  
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439.  That's your choice. No, Mia Bella! 
			  
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440.  What is that? That is my brother. 
			  
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441.  Is it me, or did things
just get uncomfortable? 
			  
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442.  What's going on? 
			  
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443.  Well, give me a second,
and I'll put you in the picture. 
			  
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444.  No. 
			  
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445.  That's Mum! 
			  
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446.  Sarah Jane? Mum? 
			  
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447.  Luke? 
			  
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448.  I've found her. 
			  
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449.  No, Mum! 
			  
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450.  And that is how she'll stay... 
			  
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451.  .. forever! 
			  
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452.  Run! 
			  
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453.  I have not been released from wood
and paint to be trapped in here. 
			  
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454.  A legend, a painting
too terrifying to be exhibited. 
			  
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455.  Once we are united your reign
of fire and sulphur shall begin 
			  
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456.  and the world will be a rage
of flames at our feet. 
			  
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