1. 13 Bannerman Road
is where Sarah Jane Smith lives.
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2. It's home to things way beyond
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3. your imagination. There's
an extra-terrestrial super computer
in the wall,
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4. a genetically engineered
boy genius in the attic,
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5. a schoolgirl investigator
across the road
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6. and a whole universe of adventure
right here on the doorstep.
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7. Ready? Always.
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8. Prepare to meet the Mona Lisa.
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9. The Mona Lisa has been stolen!
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10. This is the Mona Lisa.
But it can't be.
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11. When I act like a real teenager
you want me to be perfect again.
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12. The way the Bane made me!
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13. It's weird enough for
Sarah Jane, we should call her.
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14. No, we don't need her, we can
do this ourselves.
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15. What is that? That is my brother.
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16. Sarah Jane! Mum!
And that
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17. is how she'll stay forever.
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18. What have you done with her?
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19. Do you not like it?
I mean I know art is subjective.
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20. But I think she looks
as pretty as a picture.
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21. Well, most pictures. I think we can
all agree I'm in a different league.
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22. Yeah, too right. Mmm, ta.
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23. He didn't mean it as a compliment!
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24. And you're just jealous.
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25. Get my mum out of that painting!
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26. Now! So you can say "Sowwy"?
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27. What? Well, only an hour ago
you didn't need her.
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28. Nothing gets past me, kids.
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29. You were all,
"We can do this ourselves."
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30. Leave him alone!
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31. Not such the hero now, eh?
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32. Don't worry, young man.
Your mother is perfectly safe...
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33. just like Miss Trupp here.
As soon as Mona Lisa
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34. has found her brother, she will
release them both, I'm sure.
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35. Her brother?
It's... another painting.
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36. I think.
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37. - You mean that?
- Oh, boy, have we got trouble.
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38. Too right, sugar. If you know
what's good for you, I'd butt out.
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39. I can't do that. Whatever you're
doing, my mum was going
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40. to stop you... and that means
now I have to.
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41. Aw, couldn't you just eat
them, Harders?
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42. They're so sweet
and they think they can handle me.
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43. And you wanna know why?
Because we can!
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44. Come on,
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45. let's go! Luke! What are you doing?
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46. I keep forgetting I've got legs now.
My painting! My mum!
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47. Don't worry, Harders...
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48. I've got it covered.
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49. Hold up!
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50. - It's OK... they're not following.
- Have you got any idea how
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51. she could've done this?
No, I don't understand any of it.
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52. Well, we'd better work it out. Fast.
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53. The Mona Lisa has existed for
five centuries. There must
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54. be a reason she's come to life
and it has to be about this gallery.
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55. Most likely, whatever is roaring its
head off down there like a caged bear
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56. with gut ache. Her brother.
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57. What was that? You heard it, too?
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58. I thought I was just
getting ringing in my ears.
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59. Where did he come from?
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60. William Bonneville's painting,
The Dark Rider.
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61. Painted 1802.
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62. I thought you didn't know
anything about art? I don't.
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63. But I remember everything I see.
I can't help it! Ssssh!
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64. Run! This way!
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65. He's right behind us!
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66. He's a picture...
shouldn't he be firing paint balls?
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67. Yeah, well... two flintlocks, two
shots. He's out of ammo. Come on.
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68. It's a picture come to life... He
can fire as many times as he likes!
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69. Run!
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70. Clyde!
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71. Split up he can only go
for one of us!
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72. Clyde, no!
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73. He won't harm them, will he?
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74. They're just children. They
can't do anything to stop you.
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75. Well, aren't you a sweetie, Harders?
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76. All worried about
the little kiddie-winkies.
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77. But they're children.
You must have had children!
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78. Children? Have you seen
how small that frame of mine was?
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79. Not much room for a family in there!
I meant before. The real Lisa.
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80. Now look here, Harders...
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81. Let's get this straight.
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82. I AM the Mona Lisa.
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83. Not that dreary Italian
housewife that sat for Leo.
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84. She laughed like a camel
and farted like a donkey.
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85. That enigmatic smile
everyone bangs on about?
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86. Wind. So you get your head
around this, Harders,
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87. because I won't say it again.
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88. I am the painting come to life!
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89. The most
beautiful painting in the world.
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90. The legend made flesh.
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91. Finally, you're getting it.
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92. Now, let's go and find my brother!
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93. What kind of art
could possibly make that noise?
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94. What kind of art is that?
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95. That's not art. That's a window.
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96. That's the real world.
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97. What's it like?
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98. Outside.
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99. Well, it's roomier than in here.
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100. And some of it has grass on.
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101. Show me.
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102. Show me what I've missed.
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103. Show me the sky.
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104. Open it.
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105. I want to see...
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106. I want to touch...
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107. There's so much of it.
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108. An entire world to walk.
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109. No!
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110. I've not been released from wood
and paint to be trapped
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111. in here! This is such a cheat!
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112. We could make a home for you here.
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113. Well, this wing
is being refurbished.
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114. It could be yours.
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115. A suite, a whole floor,
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116. you could live here.
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117. A thinking, breathing work of art!
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118. I don't want to be a work of art!
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119. Where is the fun
in hanging on walls?
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120. He's speaking to me.
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121. Yes, my brother in living paint.
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122. Of course. I see.
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123. Once we are united,
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124. we will both be free
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125. and nothing will stand in our way.
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126. Not gallery walls
or pathetic humans!
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127. I hope Clyde's OK.
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128. Clyde can look after himself. Yeah.
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129. Euch, that woman's face
is everywhere.
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130. We have to find
a way to release Mum.
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131. Why did we have that
stupid row about my room?
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132. Because that's what happens.
Sometimes
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133. parents, they just get on your case.
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134. Mum and me,
we've never argued before.
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135. Don't worry, Luke.
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136. You'll get a chance to make it up.
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137. He has spoken.
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138. Now I know who my brother is.
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139. He is a work so terrible
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140. that no-one has laid eyes on it
since it was first created!
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141. No, it can't be...
That's just a legend.
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142. A story the cleaners and night staff
scare each other with...
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143. It doesn't really exist.
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144. My brother and I have waited all
these years to be brought together.
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145. Five centuries, Harders.
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146. And now you
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147. are the man for the job.
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148. So you take me to him,
and we will set him free!
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149. Mona Lisa's looking for her brother.
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150. Another painting in the gallery
with some sort of connection to her.
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151. Could that be why she's come to
life... the two of them so close?
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152. It's the logical explanation.
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153. Perhaps if we can find it
before she does, we can stop her.
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154. There has to be something
in these books to help.
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155. And now he calls to me,
from the vaults below...
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156. and now look
what we have to bring him...
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157. After five centuries, he might
just feel a little bit peckish.
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158. What is that thing?
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159. Tell him, Harders.
A painting that shouldn't exist.
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160. And now it's time for a viewing.
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161. Bring him!
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162. There's nothing.
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163. No clue to any painting
linked to the Mona Lisa or Leonardo.
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164. What about a painting
that isn't supposed to exist?
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165. What? A legend.
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166. A painting too terrifying
to be exhibited, even to look at.
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167. The Abomination.
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168. The story says that it was painted
by Giuseppe Di Cattivo,
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169. known in 15th Century Florence
as the Artist of Nightmares.
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170. So he didn't paint fluffy lambs
and bunny rabbits, then?
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171. Even at the time his paintings
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172. were considered disturbing,
an affront to Creation.
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173. The Abomination was said
to have been his masterpiece.
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174. "But when Guiseppe saw what he
had painted, a terror gripped him.
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175. "He realised no-one could look on his
creation without losing their sanity.
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176. "And he locked the painting
in a special case, made with wood
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177. "from a hangman's gallows
to keep the Abomination
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178. "from human eyes for all eternity."
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179. He secured the case
with a complex Chinese puzzle-lock.
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180. The next morning he was found
in his Florence apartments
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181. beside the wooden case.
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182. He had gone completely insane.
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183. "The secret of the puzzle was
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184. "lost to his ravaged mind, and the
painting has never been unlocked."
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185. Isn't that just a corker of a story?
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186. Except it's not just a story, is it?
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187. We're about to find out.
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188. The gallery took
possession of a collection of
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189. Giuseppe's works in Victorian times.
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190. This is the door to the vaults.
You don't really think this is
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191. all going to work out
happily ever after, do you?
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192. Ever since man first drew
on cave walls, all any artist ever
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193. wanted to do was breathe life
into what they created.
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194. Can't you appreciate the wonder
of what has happened today?
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195. Can't you appreciate that she's nuts?
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196. Standing right here, boys.
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197. Right, Harders,
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198. you first.
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199. Giuseppe Di Cattivo...
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200. Why does that name mean something?
I don't know.
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201. I do know one thing.
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202. He was in Florence. And that's
where Leonardo painted the Mona Lisa.
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203. Plus, earlier she said
something about Leonardo using
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204. paint from his "weirdo neighbour".
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205. That's it! That's where I've seen
the name before! Come on!
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206. Leonardo da Vinci and Giuseppe di
Cattivo were both in Florence...
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207. and must have used
the same paint for both pictures.
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208. That still doesn't explain how
both of them are coming to life.
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209. Paint is a mineral pigment
held in oil.
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210. What if the minerals came from
a rock that fell from space?
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211. A meteorite? Like the one
that created Odd Bob the Clown.
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212. An energy that survived on emotion.
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213. For five centuries they were
apart and inactive. Dormant.
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214. Bringing them together
has brought them to life.
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215. Clyde said it sounded like a caged
bear and that's exactly what it is.
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216. And we think the Mona Lisa is
bad news. Look! Clyde's bag.
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217. Don't worry.
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218. We can stop this.
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219. I've never been as far inside
the old vaults before,
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220. it's filthy.
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221. You don't say.
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222. But the stories say the Abomination
is down here somewhere.
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223. Well, I don't see my brother!
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224. If you're playing
games with me, Harders,
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225. I'll feed you to him, as well,
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226. feet first!
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227. I think that's your brother calling.
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228. Move it!
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229. Once she's unlocked her brother,
she'll be finished with you.
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230. Helping her isn't
going to make any difference.
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231. Believe me, we're both going
to get abominated.
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232. I know. But what can I do now?
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233. If you ask me he doesn't seem
all that pleased to see you.
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234. Show some respect
for my brother in living paint.
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235. Cos once he's out of there...
then you'll see some fireworks!
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236. Lisa, you can't do this!
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237. He's right, you can't.
What's this, Harders?
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238. Remember where you left
your backbone all of a sudden?
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239. No.
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240. The puzzle-lock is missing.
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241. Where is it?
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242. Giuseppe's Chinese puzzle-lock.
I knew I'd seen it.
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243. I remember everything I see.
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244. I don't really get art.
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245. Whoa, it's an art gallery.
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246. But I knew this was something else.
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247. Not art.
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248. Part of a complex locking mechanism.
Part?
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249. This is the key to the Abomination.
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250. Somehow, it was separated from
the painting and catalogued by
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251. the gallery
as just another work of art.
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252. No-one ever realized
what it really was.
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253. But if Mona Lisa wants to free The
Abomination she's going to need this.
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254. And we can use that
to force her to release Mum.
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255. You're going to bargain with her?
It's a nice idea, kid.
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256. But I don't do deals.
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257. Not while I'm packing heat.
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258. Go fetch.
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259. If you fire that blaster at us,
you'll destroy the puzzle-lock.
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260. That's why I'm not
going to fire it then.
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261. Unless you do something stupid like
smash the puzzle. Which you won't.
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262. Because I've got your friend,
Clydey.
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263. Where is he?
What have you done to him?
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264. Don't worry. He's all right.
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265. But you'd better
give me the puzzle-lock.
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266. Now it's me you're bargaining with.
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267. What?
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268. I've been a fool. Well,
I could've told you that any day.
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269. Now give me the puzzle.
I thought you were wonderful.
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270. I dedicated my professional life -
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271. no, my life -
to bringing you to this gallery.
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272. I know, I know,
you're my Number One Fan...
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273. ..now give me the puzzle-lock.
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274. Not until you have released Miss
Trupp, and this young man's mother.
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275. Oh, you can threaten me with your
ray gun, it makes no difference.
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276. I'm responsible for this mess.
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277. It's time I took a stand.
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278. You won't. You wouldn't dare.
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279. All these pretty pictures
are too precious to you...
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280. all that history, all the colours...
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281. No!
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282. Oh, you're so gonna wish
you hadn't done that,
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283. well, for about a second, anyway!
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284. No! Don't!
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285. There's another way to release
the Abomination. I can help you!
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286. You?
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287. Luke?
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288. But first you have
to take me to Clyde.
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289. So, did you know Dick Turpin, then?
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290. You don't say a lot, do you?
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291. Of course you can't talk...
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292. you only got painted with that mask.
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293. You don't have a mouth.
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294. A highwayman that can't
say "Stand and deliver".
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295. Not much of a highwayman,
really, are you?
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296. Clyde! Guys!
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297. I knew you'd show up.
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298. Trouble is, I've still got
Silent Bob here.
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299. Oh, and him.
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300. Oh, ey up,
I do love a good reunion, me.
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301. Now whatever it is you're
going to do, you get on with it.
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302. My brother's becoming restless.
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303. What's going on? Luke's got a plan.
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304. You're going to release
the Abomination. I'm what?
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305. Mr Harding destroyed the puzzle
lock. You can draw a new one.
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306. I can?
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307. OK. I can. But why would I?
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308. Mona Lisa will make
the picture real and use it
to unlock the Abomination.
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309. Which will then rampage across Earth
and everyone that sees it
will go mad or die.
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310. Probably both.
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311. I want Mum back.
You can't trust her.
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312. Even I realise that now.
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313. He's right mate. You know, Clydey,
this Sultana blaster.
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314. I think you mean Sontaran.
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315. Woteva! It hasn't seen much use,
that could easily change.
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316. Do it, Clyde.
She can't use the photograph.
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317. She has to use something
that's been drawn, something that's
been invested with human energy!
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318. Luke, are you sure about this?
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319. I know you're upset,
but this seems wrong.
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320. Sarah Jane wouldn't want us
doing this. It's not her way.
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321. You're right.
I'm not doing this Mum's way.
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322. This is my way. Draw it. Please.
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323. Just do it.
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324. That's the way, Clydey.
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325. Now you make this your best work,
in fact,
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326. you make it a masterpiece.
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327. I can't believe you're doing this.
Just trust me.
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328. My brother in living paint!
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329. Your wait will soon be over,
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330. and then your reign of
fire and sulphur shall begin.
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331. And the world will be a rage of
flames at our feet.
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332. You have to stop this, Mona Lisa.
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333. I thought you wanted to experience
the world, not destroy it?
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334. What use is that to me?
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335. A world of flowers and trees,
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336. or ablaze with fire and
torrents of molten lava?
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337. That's it! You mustn't
do this, Clyde. Tear it up! No!
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338. It's finished. I'm sorry.
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339. And now it is time
to release my brother!
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340. Give it to me.
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341. Oooh, that's not bad, Clydey,
that's not bad at all.
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342. I hope you know what you're doing,
my padawan.
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343. You've gone right over
to the dark side.
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344. I have it! I really hope
you know what you're doing!
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345. Here, my brother...
your deliverance!
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346. You are free!
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347. It's coming out! Don't look at it!
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348. My brother!
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349. K9? Now! What is that?
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350. Where did you come from?
Who let that metal mutt in here?
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351. Don't mess with my dog, Lisa!
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352. No!
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353. No, my brother.
Don't abandon me. No!
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354. Maximum pigmentation dispersal.
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355. I'm not having this!
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356. K9... look out!
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357. What's happening! You... shoot 'em!
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358. NO!
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359. Everything it did is being reversed.
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360. Oh, good work, K9!
Thank you, Mistress Rani.
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361. I can't go back into that frame!
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362. I won't! You've got no choice.
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363. Please!
That room that you promised me.
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364. A living work of art,
that's what you said.
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365. I'll do it! I'll do anything
if you let me stay here
and you let me live...
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366. He can't help you, Lisa.
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367. No-one can. You're going back
to the way Leonardo created you...
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368. paint and board.
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369. But I've always
been able to think...
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370. and to feel... And you still will.
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371. Just back in your painting.
Where you belong.
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372. I want to be flesh...
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373. NO!
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374. NO!
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375. And that's the last of her, I hope.
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376. With the Abomination destroyed,
she's never coming back.
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377. K9, my man...
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378. He was just a drawing too?
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379. From my sketchbook.
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380. It was the picture underneath.
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381. Luke wanted me to draw it so when
Lisa brought the lock into existence,
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382. she brought K9 to life, too.
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383. You mean you knew what he was
up to? Of course I didn't.
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384. But I trusted him.
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385. My man!
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386. Come on, we've got to find Mum.
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387. Mia bella.
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388. Miss Trupp!
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389. Mum!
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390. Oh, Luke!
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391. You're safe!
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392. Where's he going?
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393. Oh, Miss Trupp!
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394. Phyllis!
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395. I've... had the most bizarre dream.
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396. So have I.
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397. The most bizarre, frightening dream
for 25 years.
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398. When true happiness
was right there under my nose.
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399. Call me Lionel.
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400. Lionel?
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401. Call you Lionel?
It's my name, Miss Trupp.
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402. I mean, Phyllis.
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403. My first name.
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404. I know it's your name,
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405. "Harders".
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406. Mona Lisa dumped you, did she?
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407. I'm sorry. I don't understand.
Oh, I heard you. "Mia bella!"
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408. That... trollop imprisoned me.
And you were all over her!
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409. You... You...
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410. art tart!
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411. Phyllis!
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412. Wait... please! Uh-oh!
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413. Looks like you've painted yourself
into a corner there, Harders.
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414. A living consciousness
imprisoned like that.
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415. I almost feel sorry for her.
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416. Almost? Well, you can go off someone
when they trap you in a picture.
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417. But I knew you three
would be there for me.
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418. I knew you wouldn't let me down.
Well, it was all down to Luke,
really.
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419. I know. And I am so proud of you.
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420. My wonderful, clever,
resourceful, dependable son.
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421. And messy? Oh, yes, that as well.
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422. But then nobody's perfect.
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423. Yeah, look at Mona Lisa.
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424. And I'll sort out my room
when we get home. I promise.
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425. And while you're doing that,
Clyde and I will be having a little
chat about Sontaran blasters.
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426. Slitheen! They're back.
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427. Slitheen back on Earth,
it means mayhem.
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428. Switch it off, boys!
I won't ask you again.
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429. No chance! Stand back, Miss Smith!
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430. But who are you?
We are Blathereen.
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431. This little plant
could save millions of lives.
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432. Do you really think we can
trust the Blathereen?
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433. Let her go! No!
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