1.  13 Bannerman Road
is where Sarah Jane Smith lives. 
			  
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2.  It's home to things way beyond 
			  
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3.  your imagination. There's
an extra-terrestrial super computer
in the wall, 
			  
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4.  a genetically engineered
boy genius in the attic, 
			  
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5.  a schoolgirl investigator
across the road 
			  
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6.  and a whole universe of adventure
right here on the doorstep. 
			  
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7.  Ready? Always. 
			  
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8.  Prepare to meet the Mona Lisa. 
			  
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9.  The Mona Lisa has been stolen! 
			  
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10.  This is the Mona Lisa.
But it can't be. 
			  
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11.  When I act like a real teenager
you want me to be perfect again. 
			  
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12.  The way the Bane made me! 
			  
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13.  It's weird enough for
Sarah Jane, we should call her. 
			  
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14.  No, we don't need her, we can
do this ourselves. 
			  
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15.  What is that? That is my brother. 
			  
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16.  Sarah Jane! Mum!
And that 
			  
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17.  is how she'll stay forever. 
			  
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18.  What have you done with her? 
			  
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19.  Do you not like it?
I mean I know art is subjective. 
			  
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20.  But I think she looks
as pretty as a picture. 
			  
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21.  Well, most pictures. I think we can
all agree I'm in a different league. 
			  
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22.  Yeah, too right. Mmm, ta. 
			  
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23.  He didn't mean it as a compliment! 
			  
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24.  And you're just jealous. 
			  
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25.  Get my mum out of that painting! 
			  
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26.  Now! So you can say "Sowwy"? 
			  
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27.  What? Well, only an hour ago
you didn't need her. 
			  
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28.  Nothing gets past me, kids. 
			  
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29.  You were all,
"We can do this ourselves." 
			  
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30.  Leave him alone! 
			  
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31.  Not such the hero now, eh? 
			  
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32.  Don't worry, young man.
Your mother is perfectly safe... 
			  
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33.  just like Miss Trupp here.
As soon as Mona Lisa 
			  
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34.  has found her brother, she will
release them both, I'm sure. 
			  
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35.  Her brother?
It's... another painting. 
			  
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36.  I think. 
			  
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37.  - You mean that?
- Oh, boy, have we got trouble. 
			  
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38.  Too right, sugar. If you know
what's good for you, I'd butt out. 
			  
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39.  I can't do that. Whatever you're
doing, my mum was going 
			  
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40.  to stop you... and that means
now I have to. 
			  
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41.  Aw, couldn't you just eat
them, Harders? 
			  
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42.  They're so sweet
and they think they can handle me. 
			  
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43.  And you wanna know why?
Because we can! 
			  
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44.  Come on, 
			  
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45.  let's go! Luke! What are you doing? 
			  
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46.  I keep forgetting I've got legs now.
My painting! My mum! 
			  
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47.  Don't worry, Harders... 
			  
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48.  I've got it covered. 
			  
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49.  Hold up! 
			  
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50.  - It's OK... they're not following.
- Have you got any idea how 
			  
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51.  she could've done this?
No, I don't understand any of it. 
			  
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52.  Well, we'd better work it out. Fast. 
			  
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53.  The Mona Lisa has existed for
five centuries. There must 
			  
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54.  be a reason she's come to life
and it has to be about this gallery. 
			  
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55.  Most likely, whatever is roaring its
head off down there like a caged bear 
			  
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56.  with gut ache. Her brother. 
			  
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57.  What was that? You heard it, too? 
			  
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58.  I thought I was just
getting ringing in my ears. 
			  
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59.  Where did he come from? 
			  
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60.  William Bonneville's painting,
The Dark Rider. 
			  
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61.  Painted 1802. 
			  
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62.  I thought you didn't know
anything about art? I don't. 
			  
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63.  But I remember everything I see.
I can't help it! Ssssh! 
			  
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64.  Run! This way! 
			  
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65.  He's right behind us! 
			  
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66.  He's a picture...
shouldn't he be firing paint balls? 
			  
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67.  Yeah, well... two flintlocks, two
shots. He's out of ammo. Come on. 
			  
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68.  It's a picture come to life... He
can fire as many times as he likes! 
			  
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69.  Run! 
			  
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70.  Clyde! 
			  
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71.  Split up he can only go
for one of us! 
			  
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72.  Clyde, no! 
			  
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73.  He won't harm them, will he? 
			  
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74.  They're just children. They
can't do anything to stop you. 
			  
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75.  Well, aren't you a sweetie, Harders? 
			  
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76.  All worried about
the little kiddie-winkies. 
			  
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77.  But they're children.
You must have had children! 
			  
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78.  Children? Have you seen
how small that frame of mine was? 
			  
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79.  Not much room for a family in there!
I meant before. The real Lisa. 
			  
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80.  Now look here, Harders... 
			  
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81.  Let's get this straight. 
			  
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82.  I AM the Mona Lisa. 
			  
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83.  Not that dreary Italian
housewife that sat for Leo. 
			  
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84.  She laughed like a camel
and farted like a donkey. 
			  
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85.  That enigmatic smile
everyone bangs on about? 
			  
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86.  Wind. So you get your head
around this, Harders, 
			  
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87.  because I won't say it again. 
			  
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88.  I am the painting come to life! 
			  
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89.  The most
beautiful painting in the world. 
			  
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90.  The legend made flesh. 
			  
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91.  Finally, you're getting it. 
			  
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92.  Now, let's go and find my brother! 
			  
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93.  What kind of art
could possibly make that noise? 
			  
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94.  What kind of art is that? 
			  
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95.  That's not art. That's a window. 
			  
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96.  That's the real world. 
			  
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97.  What's it like? 
			  
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98.  Outside. 
			  
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99.  Well, it's roomier than in here. 
			  
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100.  And some of it has grass on. 
			  
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101.  Show me. 
			  
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102.  Show me what I've missed. 
			  
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103.  Show me the sky. 
			  
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104.  Open it. 
			  
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105.  I want to see... 
			  
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106.  I want to touch... 
			  
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107.  There's so much of it. 
			  
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108.  An entire world to walk. 
			  
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109.  No! 
			  
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110.  I've not been released from wood
and paint to be trapped 
			  
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111.  in here! This is such a cheat! 
			  
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112.  We could make a home for you here. 
			  
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113.  Well, this wing
is being refurbished. 
			  
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114.  It could be yours. 
			  
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115.  A suite, a whole floor, 
			  
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116.  you could live here. 
			  
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117.  A thinking, breathing work of art! 
			  
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118.  I don't want to be a work of art! 
			  
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119.  Where is the fun
in hanging on walls? 
			  
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120.  He's speaking to me. 
			  
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121.  Yes, my brother in living paint. 
			  
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122.  Of course. I see. 
			  
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123.  Once we are united, 
			  
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124.  we will both be free 
			  
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125.  and nothing will stand in our way. 
			  
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126.  Not gallery walls
or pathetic humans! 
			  
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127.  I hope Clyde's OK. 
			  
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128.  Clyde can look after himself. Yeah. 
			  
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129.  Euch, that woman's face
is everywhere. 
			  
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130.  We have to find
a way to release Mum. 
			  
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131.  Why did we have that
stupid row about my room? 
			  
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132.  Because that's what happens.
Sometimes 
			  
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133.  parents, they just get on your case. 
			  
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134.  Mum and me,
we've never argued before. 
			  
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135.  Don't worry, Luke. 
			  
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136.  You'll get a chance to make it up. 
			  
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137.  He has spoken. 
			  
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138.  Now I know who my brother is. 
			  
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139.  He is a work so terrible 
			  
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140.  that no-one has laid eyes on it
since it was first created! 
			  
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141.  No, it can't be...
That's just a legend. 
			  
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142.  A story the cleaners and night staff
scare each other with... 
			  
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143.  It doesn't really exist. 
			  
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144.  My brother and I have waited all
these years to be brought together. 
			  
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145.  Five centuries, Harders. 
			  
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146.  And now you 
			  
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147.  are the man for the job. 
			  
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148.  So you take me to him,
and we will set him free! 
			  
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149.  Mona Lisa's looking for her brother. 
			  
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150.  Another painting in the gallery
with some sort of connection to her. 
			  
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151.  Could that be why she's come to
life... the two of them so close? 
			  
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152.  It's the logical explanation. 
			  
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153.  Perhaps if we can find it
before she does, we can stop her. 
			  
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154.  There has to be something
in these books to help. 
			  
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155.  And now he calls to me,
from the vaults below... 
			  
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156.  and now look
what we have to bring him... 
			  
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157.  After five centuries, he might
just feel a little bit peckish. 
			  
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158.  What is that thing? 
			  
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159.  Tell him, Harders.
A painting that shouldn't exist. 
			  
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160.  And now it's time for a viewing. 
			  
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161.  Bring him! 
			  
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162.  There's nothing. 
			  
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163.  No clue to any painting
linked to the Mona Lisa or Leonardo. 
			  
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164.  What about a painting
that isn't supposed to exist? 
			  
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165.  What? A legend. 
			  
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166.  A painting too terrifying
to be exhibited, even to look at. 
			  
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167.  The Abomination. 
			  
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168.  The story says that it was painted
by Giuseppe Di Cattivo, 
			  
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169.  known in 15th Century Florence
as the Artist of Nightmares. 
			  
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170.  So he didn't paint fluffy lambs
and bunny rabbits, then? 
			  
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171.  Even at the time his paintings 
			  
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172.  were considered disturbing,
an affront to Creation. 
			  
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173.  The Abomination was said
to have been his masterpiece. 
			  
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174.  "But when Guiseppe saw what he
had painted, a terror gripped him. 
			  
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175.  "He realised no-one could look on his
creation without losing their sanity. 
			  
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176.  "And he locked the painting
in a special case, made with wood 
			  
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177.  "from a hangman's gallows
to keep the Abomination 
			  
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178.  "from human eyes for all eternity." 
			  
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179.  He secured the case
with a complex Chinese puzzle-lock. 
			  
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180.  The next morning he was found
in his Florence apartments 
			  
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181.  beside the wooden case. 
			  
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182.  He had gone completely insane. 
			  
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183.  "The secret of the puzzle was 
			  
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184.  "lost to his ravaged mind, and the
painting has never been unlocked." 
			  
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185.  Isn't that just a corker of a story? 
			  
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186.  Except it's not just a story, is it? 
			  
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187.  We're about to find out. 
			  
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188.  The gallery took
possession of a collection of 
			  
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189.  Giuseppe's works in Victorian times. 
			  
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190.  This is the door to the vaults.
You don't really think this is 
			  
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191.  all going to work out
happily ever after, do you? 
			  
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192.  Ever since man first drew
on cave walls, all any artist ever 
			  
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193.  wanted to do was breathe life
into what they created. 
			  
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194.  Can't you appreciate the wonder
of what has happened today? 
			  
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195.  Can't you appreciate that she's nuts? 
			  
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196.  Standing right here, boys. 
			  
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197.  Right, Harders, 
			  
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198.  you first. 
			  
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199.  Giuseppe Di Cattivo... 
			  
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200.  Why does that name mean something?
I don't know. 
			  
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201.  I do know one thing. 
			  
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202.  He was in Florence. And that's
where Leonardo painted the Mona Lisa. 
			  
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203.  Plus, earlier she said
something about Leonardo using 
			  
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204.  paint from his "weirdo neighbour". 
			  
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205.  That's it! That's where I've seen
the name before! Come on! 
			  
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206.  Leonardo da Vinci and Giuseppe di
Cattivo were both in Florence... 
			  
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207.  and must have used
the same paint for both pictures. 
			  
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208.  That still doesn't explain how
both of them are coming to life. 
			  
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209.  Paint is a mineral pigment
held in oil. 
			  
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210.  What if the minerals came from
a rock that fell from space? 
			  
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211.  A meteorite? Like the one
that created Odd Bob the Clown. 
			  
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212.  An energy that survived on emotion. 
			  
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213.  For five centuries they were
apart and inactive. Dormant. 
			  
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214.  Bringing them together
has brought them to life. 
			  
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215.  Clyde said it sounded like a caged
bear and that's exactly what it is. 
			  
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216.  And we think the Mona Lisa is
bad news. Look! Clyde's bag. 
			  
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217.  Don't worry. 
			  
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218.  We can stop this. 
			  
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219.  I've never been as far inside
the old vaults before, 
			  
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220.  it's filthy. 
			  
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221.  You don't say. 
			  
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222.  But the stories say the Abomination
is down here somewhere. 
			  
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223.  Well, I don't see my brother! 
			  
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224.  If you're playing
games with me, Harders, 
			  
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225.  I'll feed you to him, as well, 
			  
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226.  feet first! 
			  
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227.  I think that's your brother calling. 
			  
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228.  Move it! 
			  
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229.  Once she's unlocked her brother,
she'll be finished with you. 
			  
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230.  Helping her isn't
going to make any difference. 
			  
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231.  Believe me, we're both going
to get abominated. 
			  
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232.  I know. But what can I do now? 
			  
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233.  If you ask me he doesn't seem
all that pleased to see you. 
			  
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234.  Show some respect
for my brother in living paint. 
			  
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235.  Cos once he's out of there...
then you'll see some fireworks! 
			  
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236.  Lisa, you can't do this! 
			  
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237.  He's right, you can't.
What's this, Harders? 
			  
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238.  Remember where you left
your backbone all of a sudden? 
			  
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239.  No. 
			  
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240.  The puzzle-lock is missing. 
			  
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241.  Where is it? 
			  
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242.  Giuseppe's Chinese puzzle-lock.
I knew I'd seen it. 
			  
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243.  I remember everything I see. 
			  
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244.  I don't really get art. 
			  
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245.  Whoa, it's an art gallery. 
			  
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246.  But I knew this was something else. 
			  
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247.  Not art. 
			  
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248.  Part of a complex locking mechanism.
Part? 
			  
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249.  This is the key to the Abomination. 
			  
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250.  Somehow, it was separated from
the painting and catalogued by 
			  
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251.  the gallery
as just another work of art. 
			  
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252.  No-one ever realized
what it really was. 
			  
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253.  But if Mona Lisa wants to free The
Abomination she's going to need this. 
			  
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254.  And we can use that
to force her to release Mum. 
			  
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255.  You're going to bargain with her?
It's a nice idea, kid. 
			  
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256.  But I don't do deals. 
			  
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257.  Not while I'm packing heat. 
			  
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258.  Go fetch. 
			  
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259.  If you fire that blaster at us,
you'll destroy the puzzle-lock. 
			  
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260.  That's why I'm not
going to fire it then. 
			  
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261.  Unless you do something stupid like
smash the puzzle. Which you won't. 
			  
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262.  Because I've got your friend,
Clydey. 
			  
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263.  Where is he?
What have you done to him? 
			  
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264.  Don't worry. He's all right. 
			  
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265.  But you'd better
give me the puzzle-lock. 
			  
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266.  Now it's me you're bargaining with. 
			  
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267.  What? 
			  
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268.  I've been a fool. Well,
I could've told you that any day. 
			  
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269.  Now give me the puzzle.
I thought you were wonderful. 
			  
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270.  I dedicated my professional life - 
			  
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271.  no, my life -
to bringing you to this gallery. 
			  
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272.  I know, I know,
you're my Number One Fan... 
			  
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273.  ..now give me the puzzle-lock. 
			  
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274.  Not until you have released Miss
Trupp, and this young man's mother. 
			  
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275.  Oh, you can threaten me with your
ray gun, it makes no difference. 
			  
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276.  I'm responsible for this mess. 
			  
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277.  It's time I took a stand. 
			  
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278.  You won't. You wouldn't dare. 
			  
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279.  All these pretty pictures
are too precious to you... 
			  
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280.  all that history, all the colours... 
			  
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281.  No! 
			  
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282.  Oh, you're so gonna wish
you hadn't done that, 
			  
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283.  well, for about a second, anyway! 
			  
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284.  No! Don't! 
			  
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285.  There's another way to release
the Abomination. I can help you! 
			  
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286.  You? 
			  
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287.  Luke? 
			  
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288.  But first you have
to take me to Clyde. 
			  
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289.  So, did you know Dick Turpin, then? 
			  
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290.  You don't say a lot, do you? 
			  
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291.  Of course you can't talk... 
			  
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292.  you only got painted with that mask. 
			  
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293.  You don't have a mouth. 
			  
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294.  A highwayman that can't
say "Stand and deliver". 
			  
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295.  Not much of a highwayman,
really, are you? 
			  
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296.  Clyde! Guys! 
			  
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297.  I knew you'd show up. 
			  
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298.  Trouble is, I've still got
Silent Bob here. 
			  
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299.  Oh, and him. 
			  
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300.  Oh, ey up,
I do love a good reunion, me. 
			  
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301.  Now whatever it is you're
going to do, you get on with it. 
			  
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302.  My brother's becoming restless. 
			  
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303.  What's going on? Luke's got a plan. 
			  
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304.  You're going to release
the Abomination. I'm what? 
			  
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305.  Mr Harding destroyed the puzzle
lock. You can draw a new one. 
			  
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306.  I can? 
			  
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307.  OK. I can. But why would I? 
			  
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308.  Mona Lisa will make
the picture real and use it
to unlock the Abomination. 
			  
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309.  Which will then rampage across Earth
and everyone that sees it
will go mad or die. 
			  
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310.  Probably both. 
			  
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311.  I want Mum back.
You can't trust her. 
			  
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312.  Even I realise that now. 
			  
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313.  He's right mate. You know, Clydey,
this Sultana blaster. 
			  
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314.  I think you mean Sontaran. 
			  
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315.  Woteva! It hasn't seen much use,
that could easily change. 
			  
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316.  Do it, Clyde.
She can't use the photograph. 
			  
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317.  She has to use something
that's been drawn, something that's
been invested with human energy! 
			  
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318.  Luke, are you sure about this? 
			  
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319.  I know you're upset,
but this seems wrong. 
			  
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320.  Sarah Jane wouldn't want us
doing this. It's not her way. 
			  
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321.  You're right.
I'm not doing this Mum's way. 
			  
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322.  This is my way. Draw it. Please. 
			  
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323.  Just do it. 
			  
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324.  That's the way, Clydey. 
			  
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325.  Now you make this your best work,
in fact, 
			  
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326.  you make it a masterpiece. 
			  
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327.  I can't believe you're doing this.
Just trust me. 
			  
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328.  My brother in living paint! 
			  
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329.  Your wait will soon be over, 
			  
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330.  and then your reign of
fire and sulphur shall begin. 
			  
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331.  And the world will be a rage of
flames at our feet. 
			  
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332.  You have to stop this, Mona Lisa. 
			  
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333.  I thought you wanted to experience
the world, not destroy it? 
			  
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334.  What use is that to me? 
			  
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335.  A world of flowers and trees, 
			  
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336.  or ablaze with fire and
torrents of molten lava? 
			  
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337.  That's it! You mustn't
do this, Clyde. Tear it up! No! 
			  
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338.  It's finished. I'm sorry. 
			  
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339.  And now it is time
to release my brother! 
			  
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340.  Give it to me. 
			  
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341.  Oooh, that's not bad, Clydey,
that's not bad at all. 
			  
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342.  I hope you know what you're doing,
my padawan. 
			  
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343.  You've gone right over
to the dark side. 
			  
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344.  I have it! I really hope
you know what you're doing! 
			  
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345.  Here, my brother...
your deliverance! 
			  
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346.  You are free! 
			  
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347.  It's coming out! Don't look at it! 
			  
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348.  My brother! 
			  
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349.  K9? Now! What is that? 
			  
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350.  Where did you come from?
Who let that metal mutt in here? 
			  
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351.  Don't mess with my dog, Lisa! 
			  
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352.  No! 
			  
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353.  No, my brother.
Don't abandon me. No! 
			  
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354.  Maximum pigmentation dispersal. 
			  
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355.  I'm not having this! 
			  
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356.  K9... look out! 
			  
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357.  What's happening! You... shoot 'em! 
			  
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358.  NO! 
			  
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359.  Everything it did is being reversed. 
			  
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360.  Oh, good work, K9!
Thank you, Mistress Rani. 
			  
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361.  I can't go back into that frame! 
			  
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362.  I won't! You've got no choice. 
			  
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363.  Please!
That room that you promised me. 
			  
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364.  A living work of art,
that's what you said. 
			  
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365.  I'll do it! I'll do anything
if you let me stay here
and you let me live... 
			  
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366.  He can't help you, Lisa. 
			  
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367.  No-one can. You're going back
to the way Leonardo created you... 
			  
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368.  paint and board. 
			  
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369.  But I've always
been able to think... 
			  
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370.  and to feel... And you still will. 
			  
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371.  Just back in your painting.
Where you belong. 
			  
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372.  I want to be flesh... 
			  
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373.  NO! 
			  
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374.  NO! 
			  
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375.  And that's the last of her, I hope. 
			  
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376.  With the Abomination destroyed,
she's never coming back. 
			  
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377.  K9, my man... 
			  
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378.  He was just a drawing too? 
			  
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379.  From my sketchbook. 
			  
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380.  It was the picture underneath. 
			  
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381.  Luke wanted me to draw it so when
Lisa brought the lock into existence, 
			  
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382.  she brought K9 to life, too. 
			  
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383.  You mean you knew what he was
up to? Of course I didn't. 
			  
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384.  But I trusted him. 
			  
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385.  My man! 
			  
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386.  Come on, we've got to find Mum. 
			  
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387.  Mia bella. 
			  
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388.  Miss Trupp! 
			  
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389.  Mum! 
			  
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390.  Oh, Luke! 
			  
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391.  You're safe! 
			  
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392.  Where's he going? 
			  
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393.  Oh, Miss Trupp! 
			  
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394.  Phyllis! 
			  
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395.  I've... had the most bizarre dream. 
			  
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396.  So have I. 
			  
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397.  The most bizarre, frightening dream
for 25 years. 
			  
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398.  When true happiness
was right there under my nose. 
			  
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399.  Call me Lionel. 
			  
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400.  Lionel? 
			  
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401.  Call you Lionel?
It's my name, Miss Trupp. 
			  
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402.  I mean, Phyllis. 
			  
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403.  My first name. 
			  
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404.  I know it's your name, 
			  
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405.  "Harders". 
			  
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406.  Mona Lisa dumped you, did she? 
			  
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407.  I'm sorry. I don't understand.
Oh, I heard you. "Mia bella!" 
			  
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408.  That... trollop imprisoned me.
And you were all over her! 
			  
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409.  You... You... 
			  
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410.  art tart! 
			  
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411.  Phyllis! 
			  
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412.  Wait... please! Uh-oh! 
			  
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413.  Looks like you've painted yourself
into a corner there, Harders. 
			  
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414.  A living consciousness
imprisoned like that. 
			  
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415.  I almost feel sorry for her. 
			  
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416.  Almost? Well, you can go off someone
when they trap you in a picture. 
			  
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417.  But I knew you three
would be there for me. 
			  
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418.  I knew you wouldn't let me down.
Well, it was all down to Luke,
really. 
			  
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419.  I know. And I am so proud of you. 
			  
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420.  My wonderful, clever,
resourceful, dependable son. 
			  
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421.  And messy? Oh, yes, that as well. 
			  
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422.  But then nobody's perfect. 
			  
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423.  Yeah, look at Mona Lisa. 
			  
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424.  And I'll sort out my room
when we get home. I promise. 
			  
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425.  And while you're doing that,
Clyde and I will be having a little
chat about Sontaran blasters. 
			  
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426.  Slitheen! They're back. 
			  
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427.  Slitheen back on Earth,
it means mayhem. 
			  
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428.  Switch it off, boys!
I won't ask you again. 
			  
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429.  No chance! Stand back, Miss Smith! 
			  
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430.  But who are you?
We are Blathereen. 
			  
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431.  This little plant
could save millions of lives. 
			  
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432.  Do you really think we can
trust the Blathereen? 
			  
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433.  Let her go! No! 
			  
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