1. Ghostmaster.
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2. There's something strange in the
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3. neighborhood.
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4. Who you gonna call?
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5. Ghostmaster.
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6. There's something weird and it don't
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7. look good.
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8. Who you gonna call?
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9. Ghostmaster.
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10. I ain't afraid of no ghost.
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11. The real Ghostbusters will return
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12. after these messages.
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13. I wanted to fly, but no, you said
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14. going to Mardi Gras by car would be
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15. cheaper.
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16. We are going to the International Par
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17. apsychological Expo Tulane, Peter,
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18. not Mardi Gras.
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19. Right, sure, Egon, that's what I meant
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20. to say.
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21. It's okay, no problem, I can handle it.
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22. Just wait till we get to our hotel,
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23. Peter, listen to this.
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24. The beautiful Hotel Boudreaux in the
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25. scenic village of Muddy Flat
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26. is a perfect vacation spot.
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27. It has excellent dining and
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28. recreational facilities, as well as first
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29. class accommodations.
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30. Perfect vacation spot, huh?
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31. Could I see that?
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32. This brochure was printed in 1925, Ray.
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33. Welcome to Muddy Flat.
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34. I hope you all are not too disappointed,
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35. no?
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36. Disappointed, us?
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37. Don't be silly, we love it.
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38. I can tell we're gonna enjoy our stay.
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39. Come then, I will show you to your
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40. rooms.
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41. My name is Marie Gaultier.
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42. Terrific.
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43. Well, I know some roaches in New York
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44. that wouldn't stay here.
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45. Yes, I am coming.
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46. Ray?
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47. If you're going out, Ray, get me a
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48. sandwich, would you?
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49. Ray, where you going?
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50. Ray?
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51. What's the problem, Egon?
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52. This is serious, Peter.
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53. It appears that Ray is in a state of pre
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54. ternaturally induced hypnagogic ataraxia.
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55. What did he say?
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56. I said he's possessed.
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57. So how come Ray got invited to this
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58. party and we didn't?
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59. I don't know, yet.
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60. Uh-oh.
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61. You know I don't like it when you say
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62. that, Egon.
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63. It always means trouble.
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64. Yeah, fill us in on uh-oh, will you?
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65. It appears there's some discontinuity
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66. in the local fabric of the space-time
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67. continuum.
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68. I don't know what that means, but it
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69. sounds bad.
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70. Look.
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71. Hey, so who needs Mardi Gras?
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72. This is serious, Peter.
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73. We're looking at a time slip phenomenon
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74. that could seriously strain the continuum
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75. on
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76. a local level.
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77. Egon, I can't help what you may be
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78. looking at, but
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79. I'm looking at a real swinging party.
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80. And it's time I stopped looking and
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81. started swinging with it.
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82. All right, Egon, what did you do?
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83. Nothing, look.
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84. Hi, guys, what are we doing here?
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85. Maybe I can explain.
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86. The leader of that band is or was Mal
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87. akai,
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88. the ghost of a trumpet player who died in
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89. 1942.
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90. He can control people with his music.
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91. The more he controlled, the more powerful
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92. his magic becomes.
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93. Why are we all wearing pajamas?
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94. It's all right, Ray, our dress suits
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95. are at the laundry.
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96. Well, as long as we're up, let's get
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97. dressed and grab some chow.
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98. So, why does this Malakai wanna
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99. control people?
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100. It's a long story.
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101. That's okay, we're on vacation.
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102. It started back in 1942.
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103. He was one of the greatest jazz player
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104. ever.
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105. Back then, his band put muddy flat on the
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106. map.
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107. He wants to bring back the old days.
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108. If he can create enough magic music, see,
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109. he can push back time.
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110. So what was that you dusted him with?
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111. Grickly powder, I am a mambo.
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112. Really?
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113. You look so young.
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114. A mambo, Peter, not a mama.
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115. She's a priestess of Vodun.
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116. Popularly known as Voodoo.
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117. Yeah, yeah, I knew that, I was only
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118. testing you guys.
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119. But my powers are no match for Malakai
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120. , he is getting too strong.
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121. Well, have no fear, the Ghostbusters
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122. are here.
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123. Yeah, we're here, but our gear is
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124. still in New York.
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125. We didn't think we'd need it on vacation,
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126. remember?
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127. No problem, as soon as Jeanine gets
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128. into the office, we'll have her ship it.
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129. Ghostbusters, hi, Egon, are you
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130. enjoying Mardi Gras, I mean the expo?
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131. Yum, yum.
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132. Sure, no problem, I'll send it Super
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133. Express.
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134. Guaranteed overnight delivery, so you
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135. miss me, Egon?
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136. I'm fine, Mom.
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137. Sounds like Slimer got Jeanine's dough
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138. nut again.
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139. So this time warp stuff could be a
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140. problem, huh?
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141. Yes, it could even lead to chronosyncl
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142. astic infundibula.
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143. Let me guess, that's bad, right?
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144. Imagine a world totally without
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145. progression from past to present to
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146. future.
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147. It would be an endless chaotic ever
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148. present now.
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149. Remember, time is what keeps everything
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150. from happening all at once.
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151. Thanks, Ray, it's so much clearer to
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152. me now.
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153. Uh-oh, the flow of time is breaking
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154. down.
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155. Uh-oh, the flow of time is breaking
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156. down.
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157. I don't want to hear it, Egon.
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158. I don't want to hear that, either.
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159. I don't want to hear that, either.
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160. The real Ghostbusters will return
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161. after these messages.
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162. Oops, we now return to the real
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163. Ghostbusters.
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164. It appears that we have been chronomet
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165. rically shifted to a pre-alluvial
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166. period.
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167. Pretend this is a game show, Egon.
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168. To win the living room set, tell us what
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169. happened in words of one syllable or less.
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170. Ooh.
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171. We've been thrust back in time to a
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172. period before
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173. Louisiana was dry land.
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174. suits?
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175. Must be BC, before cloth.
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176. Guess who's coming to dinner.
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177. What?
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178. It appears to be a megalodon.
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179. That would narrow down the era somewhat.
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180. Never mind the era.
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181. What is it, E?
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182. Anything smaller than itself, I believe.
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183. Hurry!
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184. There's one to catch us!
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185. I can't swim!
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186. I can't swim anymore.
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187. Get me out of this and I swear I'll never
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188. eat seafood again.
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189. This is a great little town you have
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190. here, but on the whole,
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191. I'd rather be in Philadelphia, Cleveland,
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192. or anywhere.
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193. Our gear should have arrived in New
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194. Orleans by now.
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195. Winston and I'll go get it.
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196. We'll be back with the gear in an hour or
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197. so.
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198. Whoa, whoa, hold the bus there.
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199. You guys are going to New Orleans?
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200. The New Orleans with the Mardi Gras?
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201. And I'm staying here in this grungy,
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202. boring, picturesque,
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203. fascinating little town?
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204. Sounds aces with me.
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205. Looks like it's Kismet, lady, you, me.
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206. And Malachi, come on, we got to stop
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207. him before these things get worse.
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208. Good thing I had an extra PKE meter in
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209. the trunk.
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210. Like the man says, don't leave home
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211. without it.
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212. I think that the parasympathetic sonic
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213. vibration
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214. somehow trigger a synaptic response in
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215. musically talented persons.
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216. In other words, the ghosts use music to
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217. snare people.
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218. We might offset these vibrations with a
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219. correctly tuned counter oscillation.
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220. That's nice, Egon, but who cares?
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221. When we get our gear, we'll zap Malachi
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222. into a trap so fast,
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223. he won't have time to play Good Evening
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224. Friends.
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225. All right, now let's do some serious bust
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226. ing.
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227. Look out, Malachi, it's Gettysburg all
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228. over again.
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229. They shipped our gear to the wrong
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230. address.
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231. It's in Hawaii.
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232. Hawaii?
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233. Yeah.
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234. Wonderful, just wonderful.
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235. Now what do we do?
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236. There's one chance.
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237. Perhaps we can find enough spare parts at
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238. the Tulane Conference to put together
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239. a proton pack and trap.
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240. Wow, hey, look, a bipolar oscillator
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241. and
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242. an Onosaki stick.
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243. Wow, hey, look, a bipolar oscillator
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244. and
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245. an Onosaki stick.
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246. Wow, hey, look, a bipolar oscillator
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247. and an Onosaki sinotron.
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248. We need all this stuff.
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249. Let's stick to the task at hand, Ray.
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250. Come on, Ray, there are guys at NASA
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251. could do this on their lunch break.
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252. Just one last connection.
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253. There, got it.
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254. Here we are, a modified charged
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255. particle accelerator and
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256. an ectoplasmic containment module.
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257. Are you confident that this equipment
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258. is operational, Ray?
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259. Well, it's a little makeshift, but I
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260. think it'll work.
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261. I think I'll go find a bomb shelter.
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262. We got to do something.
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263. Malakaya's getting stronger by the
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264. minute, look.
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265. You're right, we've got to stop this.
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266. Go get him, Ray.
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267. Thanks, Egon.
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268. Hey, all right, way to go, Ray.
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269. Mess with the Ghostbusters, will you?
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270. Take that.
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271. Somebody's car alarm go off?
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272. Ray, I think it might be best if you
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273. remove the proton pack for a moment.
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274. For your own personal safety.
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275. Right.
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276. Nice work, Ray.
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277. Remind me to let you fix my stereo.
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278. Well, so much for plan A, time for plan B.
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279. What's plan B, Egon?
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280. You all want to go over this one more
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281. time, Egon?
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282. It's simple.
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283. Using my computer, I will program the
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284. proper anti-distortion vibrations
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285. into musical notation.
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286. Once they're adjusted, these instruments
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287. should counteract Malachi's music.
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288. Okay, fine, but who's gonna play him?
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289. We will.
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290. Us?
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291. I can't even play a kazoo.
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292. The instruments will be programmed.
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293. All we have to do is supply air.
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294. Mr. Vinkman seems to have plenty of
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295. that.
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296. the guitar.
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297. We'd better hurry.
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298. Egon, are you sure this is gonna work?
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299. Malachi's music is pretty powerful.
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300. We'll match his rhythms with something
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301. even more primal and powerful.
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302. Rock and roll.
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303. All right, guys, let's get down.
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304. One, two, three, four.
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305. Peter, won't you reconsider?
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306. Listen, the emergency's over.
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307. Malachi's been defeated and I'm going to
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308. Mardi Gras.
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309. Don't try to talk me out of it.
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310. But, but Peter.
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311. Hey, read my lips, Ray.
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312. I'll see you in New York.
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313. Peter, if you just listen.
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314. Why did you not want him to go to M
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315. ardi Gras?
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316. Well, for one thing, Mardi Gras is
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317. over.
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318. And the people at Super Express are
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319. sending us to Hawaii,
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320. all expenses paid to make up for losing
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321. our equipment.
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322. We'll send him a postcard.
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323. Goodbye.
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324. Very droll, Winston, very droll.
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325. Bye. >> Aloha.
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326. The real Ghostbusters will return
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327. after these messages.
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328. Whoa, we now return to the real
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329. Ghostbusters.
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