1. Ghost monster.
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2. There's something strange in the
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3. neighborhood, who you gonna call?
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4. Ghost monster.
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5. There's something weird and it don't
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6. look good, who you gonna call?
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7. Ghost monster.
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8. I ain't afraid of no ghost.
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9. Is Peter ready yet?
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10. Beats me.
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11. Give it back, Slimer, give it back.
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12. I swear I'll kneel your little butt body
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13. to the wall.
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14. Slimer, give it back.
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15. It's my jacket.
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16. Line, give it back or I'll fry you.
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17. I'll, yow.
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18. Really, Peter, you should learn to
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19. restrain yourself.
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20. It's just a jacket.
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21. Yeah, and that's your school tie he's
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22. wearing.
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23. Well, almost time for the magic show.
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24. Are the guys ready?
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25. Slimer, give me the- >> My, hey, that
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26. 's my jacket.
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27. Guess not.
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28. Ladies and gentlemen, the magic
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29. theater is proud to present,
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30. that master of illusion, the Great Calam
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31. ari.
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32. For once, we didn't get stuck in the
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33. cheap seats.
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34. It was nice of Mr. Magic to invite us.
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35. Yeah, too nice.
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36. I wonder why he did.
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37. There's a scientific explanation for
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38. everything.
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39. Bravo, bravo.
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40. I swear I've seen that trick somewhere
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41. before.
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42. It's all done with mirrors.
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43. Wow.
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44. This is just escapist entertainment.
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45. No.
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46. Pull the lever, pull the lever.
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47. Thank goodness.
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48. Hi, I'm Peter Venkman, I'm famous.
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49. You're washed up, Calamari.
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50. Join the club.
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51. You must be Mr. Magic.
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52. Yes, I'm Joe Magic.
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53. I guess you know why I invited you here
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54. tonight.
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55. And I thought we were just gonna have
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56. fun this time.
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57. The ghost started appearing during
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58. rehearsals.
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59. But Calamari said he could handle it.
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60. I can handle it.
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61. I don't need any help.
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62. I'm giving you one more chance, Calam
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63. ari.
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64. If the Ghostbusters can get rid of the
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65. ghost,
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66. I'll keep you on here at the theater.
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67. Otherwise, you're through.
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68. I guess you give me no choice.
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69. Can I count on you to catch the ghost?
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70. Can a hot dog count on mustard?
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71. Good, I'll be in my office.
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72. Okay guys, here's the plan.
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73. We'll get the equipment from the car,
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74. then split up.
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75. Egon, you and Winston check out Calamari
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76. 's equipment.
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77. Peter and I'll start looking for the
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78. ghost backstage.
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79. Do you think there's anything to this
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80. magic stuff?
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81. Of course not.
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82. See, I didn't believe in ghosts before
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83. I took this job.
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84. Look out!
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85. You haven't seen the last of the great
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86. Calamari.
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87. We'd better warn Ray and Peter.
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88. This ghost could be dangerous.
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89. No kidding.
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90. We'd better check Van out.
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91. I mean, check on her, make sure she's all
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92. right.
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93. Who is it?
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94. It's me, Peter Venkman.
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95. It's you.
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96. You can't fool her.
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97. We'd like to talk to you about tonight
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98. 's performance.
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99. What makes you think I know anything?
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100. Good question.
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101. Yes?
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102. Look into my eyes.
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103. I'm getting a PKE reading.
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104. Hold your fire, Peter.
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105. I think he wants to talk.
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106. Keep it short.
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107. Hello.
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108. I'm Ray Stans.
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109. Look out, Ray.
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110. I was about to communicate with him.
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111. He tried to saw me in half.
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112. Well, you're hard to talk to.
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113. Well, we could have developed a
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114. meaningful relationship.
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115. Looks like you may get another chance.
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116. How did he do that?
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117. Mirrors?
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118. Must be a defective trap.
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119. Let's try another one.
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120. Gotcha.
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121. Let's see him get out of that.
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122. This guy should have his own act.
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123. He's a better escape artist than Calamari.
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124. There he is.
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125. This is Calamari's dressing room.
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126. I'm getting a reading from that trunk.
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127. It's locked.
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128. Anybody got a hairpin?
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129. I do.
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130. Can you speed it up, Ray?
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131. I've got a date.
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132. You can't hurry something like this,
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133. Peter.
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134. You were saying?
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135. There's nothing in here but a bunch of
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136. old theater posters.
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137. Great.
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138. Maybe there's a false bottom.
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139. The Great Spumoni, the Great Linguini,
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140. Antipasto the Magnificent.
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141. This guy can't hold a job.
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142. He can't even hold a name.
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143. Is anybody hungry?
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144. Look at this.
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145. The Great Spumoni asked for
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146. a volunteer from the audience to
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147. disappear in his cabinet of mystery.
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148. The volunteer was never seen again.
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149. I knew there was something fishy about
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150. Calamari.
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151. How's Trix?
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152. I've been expecting you.
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153. Come in.
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154. We should go somewhere more private.
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155. Whatever you say, there's not much
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156. room, but I think I can squeeze you in
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157. here.
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158. Whoa!
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159. Where's Peter?
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160. He's gone.
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161. Peter should have known better than to go
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162. in there.
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163. What could possibly make him do such a
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164. stupid thing?
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165. There's no trace of ghostly possession.
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166. Notice the vacant stare, the completely
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167. mindless look.
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168. That could only mean one thing.
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169. She's from California?
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170. No, she's been hypnotized.
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171. There's only one person who could have
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172. done it.
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173. Calamari.
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174. Spumoni, Linguini.
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175. Anybody home?
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176. Hey.
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177. Ow!
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178. Wrong door.
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179. My trunk.
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180. We have to talk to you, Calamari, or
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181. whatever your name is.
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182. You have to tell us how to get Peter
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183. out of the cabinet of mystery.
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184. I can't.
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185. It's all the ghost doing.
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186. As long as it's free, your friend is
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187. trapped.
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188. Then we'll catch it.
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189. If that's what we have to do to get
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190. Peter out of that thing.
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191. But if you're lying.
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192. We'll be back.
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193. They'll never catch him.
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194. You could build condos in here.
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195. Is there anybody here?
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196. Here?
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197. This is Peter Venkman.
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198. Peter who?
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199. Who?
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200. There's something strange about this
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201. place.
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202. Get him over the box, Ray.
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203. That should hold him.
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204. I feel like I'm being watched.
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205. I wonder how long I've been in here.
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206. Whoa.
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207. You must be Peter, what's his name?
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208. I heard the echo talking about you.
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209. Who are you?
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210. My name's Irving.
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211. Hi.
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212. What are you doing here?
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213. I was at a magic show and they asked
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214. for a volunteer from the audience.
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215. I raised my hand.
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216. How long have you been here?
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217. Beats me.
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218. There's something wrong with my watch.
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219. Nice meeting you, Peter.
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220. Get the door, Vanna.
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221. Hold it, Calamory.
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222. We've caught the ghost.
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223. Yeah, so tell us how to get Peter out of
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224. the cabinet of mystery.
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225. If I knew that, it wouldn't be a
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226. mystery.
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227. No.
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228. Stop that ghost.
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229. Calamory's the only one who can bring
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230. Peter back.
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231. He disappeared.
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232. Yeah, Calamory too.
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233. Hey, look at this.
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234. There was a false bottom.
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235. Secret notes.
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236. Keep out, Harry Houdini.
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237. Houdini, of course, the world famous
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238. escape artist.
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239. No one could trap him.
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240. That's why Calamory's tricks seem
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241. familiar.
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242. Yeah, stolen out of Houdini's secret
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243. notebook.
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244. Then the ghost must be the ghost of H
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245. oudini.
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246. Hasn't lost his touch, has he?
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247. Look out, guys.
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248. I think he wants the notebook.
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249. Maybe we should let him have it.
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250. Just say the word.
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251. If Calamory stole Houdini's notebook,
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252. he may also have stolen the cabinet of
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253. mystery.
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254. And if it's Houdini's cabinet,
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255. the ghost might be able to get Peter out.
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256. No wonder Calamory didn't want us on
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257. this case.
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258. He was afraid Houdini would tell us about
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259. the notebook he stole.
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260. It must have been Calamory who made
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261. that saw attack us.
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262. Gee, I'd better call my wife.
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263. She's probably waiting up for me.
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264. Anybody got a dime?
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265. It takes a quarter now, my man.
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266. A quarter?
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267. Maybe I should have stayed in the cabinet.
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268. Is Irving out here?
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269. Peter.
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270. You know there's a lot more room in
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271. there than you'd think.
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272. I'll send them all into the cabinet.
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273. Look out.
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274. Move.
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275. He's gone.
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276. Maybe Houdini will let him out sometime.
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277. You don't see my keys in there, do you?
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278. Thanks.
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279. Well, Peter, you said you could bring
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280. Vanna out of this trance.
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281. How much longer are you gonna take?
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282. Yeah, how you gonna bring her out of
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283. her trance with Calamory gone?
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284. You've tried hypnosis, past life
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285. regression, Ouija boards,
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286. hunting dogs, and new wave music.
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287. What's left?
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288. The obvious last resort.
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289. You ever seen Sleeping Beauty?
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290. Thank you, gee, Calamory said the only
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291. way anyone else could bring me out
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292. was if I kissed a toad.
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293. Where did you find a toad in New York?
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294. Rive it to you two.
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