1. Team... up?
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2. Relax, guys.
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3. Don't worry.
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4. We'll hear you out.
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5. That's right.
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6. Let's work together to ensure
we both get what we want.
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7. You kids want to escape.
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8. I want to become the Mother of this House...
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9. To drag Isabella out of here
and take her position from her.
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10. Become the Mother?
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11. Just so you know, I'm deadly serious.
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12. I want to escape my current situation too.
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13. Do you know how management works here?
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14. Girls who meet certain criteria
and live until the age of twelve
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15. have two options at the time of their shipping.
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16. Die, or aim to become a Mother.
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17. What are the criteria?
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18. Scores above a certain number and
the resident Mother's recommendation.
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19. If you have those,
you can live on without having to escape...
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20. If you're a girl.
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21. Only girls?
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22. I would advise against it, though.
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23. You'll end up with a body
that can never leave the grounds.
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24. What is that?
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25. I've had a chip implanted in me.
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26. If an adult takes a single step outside a farm,
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27. these chips discharge electricity
and stop our hearts.
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28. At the same time, if our hearts
stop beating due to some other cause,
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29. they act as transmitters and let the brass know.
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30. We really can't kill any adults, huh?
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31. I can only live on a farm,
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32. so I want the best possible life
for myself within these walls.
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33. I want a human life as a Mother,
even if it is only pretense.
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34. And Isabella stands in the way of that.
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35. If you kids escape,
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36. she'll be held responsible.
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37. I won't stop you.
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38. Run away.
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39. It'll only benefit me.
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40. You won't ship us out?
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41. I won't.
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42. Let's cooperate!
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43. Team up with me.
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44. Wait.
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45. Let me confirm something with her first.
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46. What is it?
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47. What guarantee do we have
that you won't sell us out?
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48. You don't trust me, huh?
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49. Answer me!
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50. It's Ray.
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51. If Ray tells Isabella about this, I'm toast.
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52. On the other hand, I can end him
by telling her that he's a double agent.
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53. So neither of us will betray each other.
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54. We can't.
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55. Isn't that enough?
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56. Fine.
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57. Then we have a deal.
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58. I'm also willing to give you any
information that only I can provide,
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59. as a sign of our partnership.
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60. Come to my room tonight if you want.
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61. She wants the best possible life for herself?
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62. Even though she was just like us once?
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63. She doesn't care about our lives at all!
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64. But she said she won't ship us out.
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65. It's not that she won't.
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66. She just can't.
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67. If she really wanted us to escape, she could've
helped us at the right time without all of this.
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68. The reason she's blabbing all
her plans now is to win our trust.
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69. But what does that achieve?
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70. She wants concrete proof of our uprising.
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71. Put another way,
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72. it means that without decisive evidence,
she can't get the brass to believe her.
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73. She probably doesn't have the authority
to ship us out, unlike Mom.
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74. Concrete proof...
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75. Hey...
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76. What if she finds the rope you hid in that tree?
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77. No problem.
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78. We can explain that easily, by saying
we're using it for a game or something.
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79. But...
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80. If she finds a transmitter-
neutralizing device, that's it.
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81. It'll be decisive evidence
we can't talk our way out of.
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82. Don't worry.
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83. I won't screw up like that.
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84. Besides, it's not even complete yet.
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85. If we make her think we don't know where the
transmitters are and how to destroy them, we'll be fine.
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86. Knowing that Sister,
she'll believe us if we play our cards right.
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87. Are you really going?
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88. We're talking about that Sister here.
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89. It's nice that she says she'll tell us
anything we want to know, but...
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90. But really, why are we even working with her?
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91. What do we gain from it?
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92. We might gain some useful info,
and we can remove at least one thorn in our side.
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93. That'll help us focus on continuing our recon.
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94. It'll be all right.
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95. We've gotta make the most of every
opportunity that comes our way.
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96. Ray.
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97. Got a moment?
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98. I want to discuss our recon plans.
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99. Sure.
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100. Can you two do me a favor?
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101. What would you like to know?
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102. Feel free to ask me anything.
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103. Anything at all? Really?
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104. Yes.
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105. Be it about the farm or about HQ.
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106. Then...
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107. Show us.
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108. Show us the monitor with the tracking signals.
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109. Sure.
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110. Here you go.
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111. Well?
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112. Simple, isn't it?
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113. It only shows present locations,
without any identifiers.
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114. So you knew about the transmitters.
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115. Yeah, Mom clued us in.
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116. But we don't know where they
are or how to destroy them.
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117. Do you know?
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118. Of course.
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119. They're in the ear.
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120. The left ear, around the lobe.
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121. I don't know how to destroy them,
just that they send an alert if they are.
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122. Both to the tracker and to HQ.
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123. You'll have to extract it or cut it off.
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124. But there are hardly any sharp objects here.
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125. There is a scalpel. A surgical one.
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126. We won't have any medicine once we escape.
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127. I don't want to risk excessive bleeding
or infections during the getaway.
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128. The infirmary has all the equipment
and medicine you need.
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129. Anesthesia, too.
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130. It should be enough for the five of you, I think.
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131. I'll teach you how to use them,
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132. and I'll give you the key, too.
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133. That solves everything.
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134. What next?
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135. How old are you?
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136. Have you been livestock since you were born?
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137. You're asking a lady her age?
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138. Or so I'd like to respond,
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139. but I'm twenty-six.
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140. I was born and raised in this House.
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141. Not here in Plant 3, though.
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142. "Plant 3"?
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143. By the way, Isabella is thirty-one.
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144. I saw her files.
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145. What about the outside?
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146. You've seen it, haven't you?
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147. I haven't.
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148. Oh, did you assume I would
say I have, even if I were lying?
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149. I haven't.
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150. But there are humans out there.
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151. We and the brass prepare your meals.
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152. But the clothes and other equipment
are delivered from outside by humans.
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153. I saw them just the once at HQ.
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154. Those humans were interacting with
Them as though they were equals.
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155. There are people out there who don't get eaten.
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156. Blend in with them.
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157. Does that mean you don't know
when the demons showed up?
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158. The demons?
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159. Oh, you mean Them?
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160. You don't know how the world
ended up in this mess?
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161. I don't.
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162. Where exactly is this House?
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163. I don't know.
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164. How's the security?
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165. That I know.
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166. It's nothing special.
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167. There aren't many guards deployed
since they trust the transmitters too much.
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168. I don't even think they do regular rounds.
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169. Thank you very much.
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170. Done already?
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171. Yes.
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172. Good night.
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173. So you already knew where the transmitters
were and how to destroy them!
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174. You're good!
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175. I see...
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176. I've learned a lot about you.
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177. Words aren't the only source
of information, you know?
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178. People are a big lump of information even
if they just stand around and do nothing.
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179. Their attitude, sight, blinking,
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180. perspiration, gestures, pupils, and pulse...
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181. They are all hints to a person's psyche.
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182. But look at you two.
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183. You learned that the transmitters were
in the ear, but you didn't even try checking.
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184. And even though I gave you a way to get
rid of them, you didn't seem at all happy.
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185. Tell me.
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186. Why did you ask about the transmitters
when you didn't need to?
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187. Is there something you want to hide from me?
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188. Something you want to keep secret, perhaps?
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189. Whatever.
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190. Have you heard of "Him"?
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191. You haven't, huh?
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192. You want to know, don't you?
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193. I'll tell you next time.
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194. Come by again whenever you want.
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195. Let's chat for longer than we did tonight!
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196. Mom.
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197. Huh.
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198. It doesn't show anything at first?
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199. A camera for your last reward?
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200. I was curious about photographs.
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201. I've only ever seen them and cameras in books,
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202. and to be honest, I also wanted
to try developing photos myself...
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203. Wow.
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204. It really is a little snapshot of time.
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205. About the plan...
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206. Is after lunch okay?
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207. Yes, that's fine.
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208. It would seem that the time has come...
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209. Let's go over the plan.
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210. Once we enter free time after lunch,
I'll lure Mom away.
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211. Emma and Norman will climb the wall
and check out the surrounding area.
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212. Don and Gilda,
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213. be somewhere you can see the House's
second-floor south window from.
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214. If things go wrong and I can't keep
Mom occupied, I'll give you a signal.
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215. You let Emma and Norman
know to stop recon immediately.
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216. We're planning to escape in six days,
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217. but ultimately, we have until January.
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218. Two and a half months until
I turn twelve and get shipped out.
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219. If anything goes wrong,
stop the recon work immediately.
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220. Everything has to be done in secret.
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221. We have to pretend to be under control.
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222. Don!
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223. Play with us!
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224. Gilda too!
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225. All right! Let's play tag!
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226. Ray, got a second?
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227. What?
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228. The Sister found out we can
destroy the transmitters?
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229. We want to move the escape up.
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230. When can we destroy them?
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231. What's the big idea?
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232. With this, we have the last part we need.
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233. We can destroy them anytime.
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234. You look weird.
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235. Meanie!
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236. This is a double-edged sword.
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237. Will we destroy the transmitters and escape first,
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238. or will the Sister use this as proof to sell us out?
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239. Relax. I've already made my move.
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240. Hey, why did those kids try to play dumb?
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241. They actually knew where the transmitters
were and how to destroy them.
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242. How did they even find out?
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243. And really, how are they going to destroy them?
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244. Are they going to use some kind of special device?
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245. Wait, did they already make one?
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246. Wouldn't that be conclusive proof?
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247. Is that why they were scared and lied to me?
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248. Time for a raid, then.
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249. Set the table.
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250. I'm hungry.
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251. Now's my chance!
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252. Whatcha doing?
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253. Just cleaning the floor.
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254. Found it.
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255. It's true.
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256. It's really true!
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257. I unexpectedly got my hands on
another piece of dirt on Isabella!
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258. Now, how do I cook her up?
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259. If I can talk directly to Grandma
or someone and show them this note,
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260. I can get rid of Isabella and
become Mother myself, right?
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261. I can ship those brats out, no questions asked, too.
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262. But why?
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263. How did Ray know about this?
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264. Even Isabella shouldn't have a clue.
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265. It's from HQ.
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266. Open it and take a look.
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267. It's quite a shame, but there you have it.
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268. Goodbye.
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269. Today's reddened sky is truly frightening
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270. Today's reddened sky is truly frightening
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271. Today's reddened sky is truly frightening
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272. We would've been so much happier if we didn't know
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273. We would've been so much happier if we didn't know
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274. We would've been so much happier if we didn't know
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275. Before I realize it, another warm light fizzles into the darkness
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276. Before I realize it, another warm light fizzles into the darkness
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277. Before I realize it, another warm light fizzles into the darkness
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278. And with it, the gentle voices we once cherished fade into nothing
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279. And with it, the gentle voices we once cherished fade into nothing
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280. And with it, the gentle voices we once cherished fade into nothing
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281. Believing in those was all I had left to hold onto
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282. Believing in those was all I had left to hold onto
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283. Believing in those was all I had left to hold onto
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284. We'll pour our blood, sweat, tears, and determination
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285. We'll pour our blood, sweat, tears, and determination
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286. We'll pour our blood, sweat, tears, and determination
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287. Into continuing to live our lives to their fullest
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288. Into continuing to live our lives to their fullest
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289. Into continuing to live our lives to their fullest
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290. It's too late now to wish for love and happiness
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291. It's too late now to wish for love and happiness
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292. It's too late now to wish for love and happiness
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293. So, move now, these clumsy legs of mine
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294. So, move now, these clumsy legs of mine
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295. So, move now, these clumsy legs of mine
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296. Break free of this cage to take hold of our bright futures
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297. Break free of this cage to take hold of our bright futures
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298. Break free of this cage to take hold of our bright futures
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299. Make it past our darkest fears and our despair
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300. Make it past our darkest fears and our despair
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301. Make it past our darkest fears and our despair
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