1. What are you doing?
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2. We're arm wrestling to see
who gets your room.
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3. Niles, she's a little girl.
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4. You're hurting me.
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5. I'm sorry.
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6. Sucker!
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7. Meanwhile, you're so busy deciding
who gets my room.
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8. Where am I supposed to sleep?
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9. Once you're married,
you'll move in with Daddy.
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10. Oh, my God!
This just keeps getting better and better.
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11. There's my adorable new roommate now.
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12. Morning, darling.
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13. You know, Sweetie, last night,
you didn't give me something
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14. that I'm used to getting
from you every week.
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15. Fran, since we got engaged,
I didn't think
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16. I had to give it you anymore.
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17. Wait. I know what I'm talking
about. What are you talking about?
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18. Your paycheck.
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19. Thank God.
That's what I'm talking about too.
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20. But honey,
even though we're getting married,
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21. I still wanna work.
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22. We have always been
a two-income family.
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23. Yes, dear, but your income
always came out of my income.
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24. I still wanna have a career.
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25. I don't wanna be one of those wives
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26. that just sits around having lunch
with the girls
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27. or shopping
or getting their hair done.
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28. All right, you know what?
Maybe I'll try it for a couple of weeks.
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29. She was working in a bridal shop
In Flushing, Queens
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30. 'Til her boyfriend kicked her out
In one of those crushing scenes
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31. What was she to do, where was she to go?
She was out on her fanny
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32. So, over the bridge from Flushing
To the Sheffields' door
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33. She was there to sell makeup
But the father saw more
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34. She had style, she had flair
She was there
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35. That's how she became the Nanny
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36. Who would have guessed
That the girl we described
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37. Was just exactly
What the doctor prescribed?
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38. - Now the father finds her beguiling
- Watch out, C.C.
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39. - And the kids are actually smiling
- Such joie de vivre!
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40. She is the lady in red
When everybody else is wearing tan
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41. The flashy girl from Flushing
The Nanny named Fran
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42. C.C., I'm going through
these wedding responses
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43. and I see that you've only R.S.V.P.-ed
for one.
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44. You sure you don't want to bring a guest?
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45. Well, I thought I might go with you.
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46. Is that inappropriate?
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47. Well, I am marrying Fran.
I thought, I might sit with her.
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48. Of course. You think I'm serious?
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49. Can I catch a ride with you guys?
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50. Maxwell,
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51. I have two very important things
to talk to you about the wedding.
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52. I say we honeymoon in the Caribbean
and we don't leave our suite for 36 hours.
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53. Wow, I was thinking kishka or potato,
but your way's good too.
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54. Maxwell, will you get off
this damn wedding!
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55. We are on a deadline for this musical.
Maybe we should just cancel it.
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56. Well, C.C., we have investors
we have to answer to.
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57. I meant the wedding.
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58. You know, C.C., I am a little concerned
about this whole idea
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59. of us producing a urban rap musical
in the first place.
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60. I mean, we're not exactly cutting edge,
are we?
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61. Come on. Who's more cutting edge than you?
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62. Who is the one that thought
of putting Charles Nelson Reilly
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63. and Rip Taylor in Love Letters?
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64. My love.
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65. Nanny Fine, we have work to do.
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66. Now, he may belong to you
in every other room in this house
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67. but in this room, he is mine!
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68. - C.C., would you give us a minute?
- Okay!
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69. Ma, put the rosette down.
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70. It's plaster. You wanna scrape
your esophagus again?
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71. - Miss Fine, Mrs. Fine, welcome.
- Hi.
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72. I'm Dirk, your wedding coordinator.
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73. And may I say we are honored
that you selected us
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74. for the Fine-Sheffield reception?
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75. It's truly the wedding of the century!
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76. Well, it took nearly that long to happen.
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77. Now, Dirk, I just wanna tell you,
ours is a mixed marriage.
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78. He's from drinkers, we're from eaters,
so let's plan the menu accordingly.
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79. That is fun, fun, funny, fun, fun!
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80. Now, may I suggest as your guests arrive,
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81. we wow them with an ice sculpture
of the Trevi Fountain?
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82. A fountain sounds nice,
but can they make it out of chopped liver?
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83. Challenge, challenge, challenge.
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84. I love it. I love it.
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85. Okay, now we have over 75 hors d'oeuvres
to choose from.
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86. Would you like to taste them,
or would you trust me—
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87. - Taste.
- Okay.
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88. Assistant! Assistant!
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89. I'm working with a
new person. Forgive me.
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90. Look at me, I'm like Regis
without Kathie Lee.
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91. Ma, you know, I have a little problem
I need to talk to you about.
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92. Mr. Sheffield
doesn't want me to work anymore.
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93. And the conundrum would be...?
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94. I mean, it's not as if I'm not gonna be
busy enough performing my wifely duties
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95. and God knows I've had that stored up
for five years.
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96. Who's gonna have the energy to work?
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97. But still, I wanna feel like I contribute
something to the marriage.
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98. Sure you will. You're his partner in life.
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99. You're the woman behind the man.
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100. Help him. Support him. Be there for him.
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101. Never refuse him.
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102. You get me?
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103. I get you.
You're talking about dinner, right?
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104. What else is there?
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105. Now, would it be too presumptuous
to ask about the releasing of the doves?
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106. No doves. There's no meat on them.
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107. You call this a wedding menu?
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108. Ceviche, sashimi, squid?
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109. Who the heck is the chef, Jules Verne?
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110. And the seating plan is a nightmare.
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111. I've got a lord, a lady and a countess,
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112. sitting next to a Cookie, an Izzy
and a Schmooey.
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113. We're back. Sammy, Yetta,
we're leaving in an hour.
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114. So start putting on your coats now.
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115. - Fran.
- Yes?
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116. Before we hit the road,
I have a favor to ask of you.
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117. Do you think Mr. Sheffield could get
my grandson a job on Broadway?
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118. I don't know, Sammy.
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119. I mean, I really don't like
to interfere in Maxwell's business.
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120. Since when?
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121. Since I got a lot more than six bucks
an hour to lose.
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122. He's a brilliant rapper. A great artist.
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123. Last December, he rapped for Puff Daddy.
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124. A brilliant rap artist? Ma, come here.
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125. Did you hear that? This is my opportunity.
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126. Maxwell is producing a rap musical.
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127. It's all about violent gangs that fight
in the street and every so often,
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128. stop to sing poignantly about it.
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129. Well, darling, here's your chance.
What are you waiting for?
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130. Now you can be the woman
behind the man.
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131. You know, where your father would be
today if I hadn't pushed him?
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132. Not collecting disability?
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133. Well, Ty, you can rest easily tonight.
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134. Yes, I have found the perfect star
for your rap musical.
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135. No, he's fresh off the streets,
he's talented, he's dynamic.
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136. You can see for yourself Tuesday night.
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137. - You've found someone yet?
- No.
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138. Make that Wednesday night.
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139. Oh, God, I knew this was a mistake to try
and do this musical.
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140. Maxwell, you know what you need?
You need a break.
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141. Why don't you and I charter a yacht
and just sail down to St. Barths.
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142. That's where I'm taking Fran
for our honeymoon.
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143. Well, doesn't Miss Special
get to do everything.
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144. Maxwell, I have found the perfect star
for your new musical.
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145. It's a relative of mine.
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146. Nanny Fine, no one wants to hear
your relatives speak,
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147. let alone sing.
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148. Darling, you shouldn't go worrying
your pretty little head
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149. with all our business.
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150. No, you should be busy planning
our wedding.
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151. Are you patronizing me?
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152. No, baby. No, of course not.
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153. Wait a minute.
Why won't you let me help you?
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154. I mean, it's not as if
I've ever screwed up—
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155. Okay, switching gears.
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156. My guy Irwin rapped with Puff Daddy.
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157. - Really?
- That's right.
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158. He turned us down. He didn't think,
we were hip enough for him.
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159. No, don't tell me you bored him
with that Mary Martin trivia.
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160. Well, a lot of people don't know
she's Larry Hagman's mother.
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161. C.C., look, maybe it's worth a chance.
Maybe this Irwin has some talent.
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162. Maxwell,
our entire professional reputation
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163. is resting on the expertise of a woman
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164. who thinks The Importance of Being Earnest
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165. is the sequel to Ernest Scared Stupid!
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166. It's not like we've done any better,
is it?
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167. Besides, maybe Fran has exactly
what we need.
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168. Woah! Now, just wait a minute!
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169. This is business and business is my turf!
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170. - No, I want to go with her guy.
- Okay!
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171. Are you still upset about the wedding?
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172. I have something that'll cheer you up.
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173. Single girls, gather round.
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174. Listen, I still have a chance with Maxwell
as long as I am his business partner.
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175. And I am in this house every single day!
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176. Yes, and why should you lose your job?
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177. I mean, it's not as though she's in there
with some brilliant casting idea.
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178. Come on.
That won't break up your partnership.
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179. When Yoko married John,
did that break up The Beatles?
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180. Fran, I know that this is last minute,
but can I bring a date to the wedding?
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181. He's really cute.
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182. Does he have a brother?
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183. Force of habit. I got to stop that.
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184. Sure, sweetie.
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185. That's Sammy's grandson, the future star
of your father's new musical.
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186. Thanks to me.
But I don't want to toot my own horn.
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187. Hi, Sammy. I didn't know you were coming.
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188. Well, somebody had to drive Irwin.
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189. Well, where is he?
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190. Hi. I'm Irwin.
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191. Hi. I'm scared.
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192. Do you always dress that way
to sing or were you just audited?
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193. I don't sing
and I don't make enough to get audited.
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194. What do you mean you don't sing?
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195. Your grandfather told me
that you're a great rapper.
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196. I'm the best.
You got Scotch tape, paper, and a ribbon?
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197. You're a gift-wrapper?
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198. Sammy, why did you tell me that he rapped
for Puff Daddy?
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199. Well, he did last Christmas.
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200. Puff likes lots of bows
and those little plastic Santas and—
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201. Who cares!
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202. Why did you tell your grandfather
that you wanted to work on Broadway?
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203. Well, I live on 8th Avenue.
I figured I could just walk.
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204. Sammy, do you realize
that Mr. Sheffield has one
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205. of the most important composers
on Broadway coming here
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206. to listen to a gift-wrapper
from Crate and Barrel?
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207. Pottery Barn. We were first.
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208. It's not the first time
that I've screwed up.
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209. What's he going to do? Take back the ring?
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210. Give me something salty. I'll bloat.
He'll never get this ring off.
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211. Listen, I don't want to ruin everything
for you.
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212. You know, maybe this is a blessing
in disguise.
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213. I don't want to be a gift-wrapper
all my life.
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214. Maybe I do have some talent, you know?
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215. My grand-daddy,
he plays the piano and sings great.
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216. Stop, you're making me blush.
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217. Just let me try.
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218. Okay, well, what have I got to lose?
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219. Try really hard.
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220. Home, home on the range
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221. Where the deer and the antelope play
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222. - Who's that?
- Irwin.
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223. Miss Fine!
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224. Mr. Sheffield!
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225. You know what? I was just thinking.
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226. Rap is dead.
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227. What are you talking about?
It's the hottest thing on Broadway.
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228. Then it must be me that's dead.
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229. Would you excuse us a minute, please?
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230. I want to see you in my office.
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231. Get something salty! Salty pretzels!
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232. Wait till you meet the mother.
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233. I have a very important composer coming
to this house in less than 24 hours,
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234. expecting to meet Puff Daddy's protégé.
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235. Well, I never said protégé.
That was your embellishment. Bye, now.
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236. Miss Fine!
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237. You're calling me Miss Fine?
That can't be a good thing.
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238. It's not. Trust me.
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239. Why did I listen to you?
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240. Why did I think things were going to be
different just because we got engaged?
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241. Well, first of all...
we are still engaged, aren't we?
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242. Now, "Home, Home On The Range" happens
to be a very complicated number.
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243. That does not mean he isn't
an excellent rapper.
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244. So, why don't you stop adding gray
to that beautiful head of hair of yours?
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245. He does rap? You're not patronizing me?
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246. No, baby.
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247. No, I can look you straight in the eyes
and say Irwin's one professional wrapper.
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248. Yes, a gift wrapper for Crate and Barrel.
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249. - Is that true?
- No, it is not.
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250. It's Pottery Barn. They were first.
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251. Niles, have you seen Mr. Sheffield?
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252. I've never seen him
this angry at me before.
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253. Well, I have, but not today.
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254. I'm not speaking to you.
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255. Why? What did I do to you?
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256. You have ruined our wedding.
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257. Five years I've waited for this day.
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258. What am I going to say
to the other butlers in the market?
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259. Do you know what it's like
to be the only one in the park
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260. with no wedding pictures to show.
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261. Yes, I do.
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262. Well, don't just stand there.
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263. I beat Miss Grace playing hoops
and I want your room.
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264. Well, what am I supposed to do?
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265. Turn Irwin into some kind
of a street rapper?
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266. I don't know anything about rap.
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267. Either that or call your mother
and tell her the wedding's off.
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268. Whuzzup, Irwin?
It's time to get bomb-biggity.
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269. You go, girl.
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270. So Mr. Twister hit him with her
Fame's M.C.'s quicker
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271. This is what I picture
When tipsy off liquor
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272. Sitting thinking of a style like no other
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273. Honk and run for cover
Dipping in my Hummer
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274. And so.
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275. Thank you, Blue.
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276. Excellent. Really. Truly, excellent.
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277. Well, I'll be getting in touch
with your posse.
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278. No, no.
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279. Why can't I express to you
what I'm looking for?
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280. It's in the rhythm, Max, the rhythm.
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281. You see, I see things in geometric shapes.
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282. This is what I want.
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283. You know, bring me this guy.
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284. Yes. Can't get him. He's in Ragtime.
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285. So is that it? Is that all of them?
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286. What about the guy you hyped on the phone?
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287. Well, you know,
he turned out to be a bust.
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288. He was discovered by Maxwell's
nanny/fiancé/back-to-nanny again.
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289. Listen to me, Ty, if you can see your way
to give us a few more days
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290. I know there has to be another him
in this town.
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291. I'm sorry, Max, but I don't think
we're on the same page.
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292. My soul, my soul, my soul
my soul, my soul...
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293. You can try to throw salt
But I keep my game face on
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294. The only thing on your mind
Is crackin' more digits than a telephone
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295. Me and 39 thieves
Jumping out of white Hummer
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296. From Compton
While your crew get dumb and dumber
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297. Grew up straight out of Locash
Like CB4
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298. Now I got dough and you got
One night stands like HBO
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299. See on the low it's all gravy
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300. But the threat of this new world order
Is about to drive me crazy
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301. And all you want
Is the Lex and gold Visa
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302. And bomb singles
And stacking your chips like Pringles
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303. While my rhymes
Jack for platinum plaques
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304. Quicker than one-time Jack Blacks
I twist sacks and sip yac
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305. Plus the Invisible Man
Got my back like a spine
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306. So why you all up in mine?
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307. Keep the money in the bank
All I really want to hold
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308. Is my artistic freedom
And control of my soul
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309. Bravo!
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310. Irwin!
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311. The guy's great.
What are you, saving the best for last?
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312. Yes, he was because that's his style.
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313. Slow to the point of madness
and then he proposes.
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314. Ty, why don't we step
into my office and talk some business?
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315. - Fran, why don't you bring Irwin along.
- Okay.
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316. - Irwin!
- I am so excited.
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317. Fran. This is so phat, Fran.
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318. Irwin, I know that "phat" is a good thing,
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319. but please don't say it so near
to my name.
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320. Well, Niles.
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321. I guess, I know, where I stand.
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322. Outside the door.
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323. Well, at least it's over.
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324. The pain.
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325. The degradation.
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326. The shame.
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327. I'm frightened.
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328. I don't want to be alone.
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329. Well, you finally went crackers.
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330. Yes, hello, Dr. Balk. This is Niles.
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331. Yes, it's about Miss Babcock.
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332. Yes, I think we have a little problem.
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333. She's behaving in a very strange way.
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334. Well, I wouldn't call it delusional.
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335. Grandmama, is that you?
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336. Yes, child. Maybe I would.
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337. Come along.
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338. Come on, Chester. Yes.
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339. Hi, Chester.
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340. - There you go.
- Hi, sweetie.
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341. Fran, this fun. How long do we get
to keep Chester here?
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342. Until Miss Babcock is released—
I mean comes home.
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343. Yeah, you mean, from her "vacation"?
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344. It's really so funny.
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345. Usually when a pet misses its master,
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346. it's really depressed and walks
around whimpering.
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347. Hey.
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348. - Frannie.
- Hi, kids.
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349. Sammy has a niece that wants
to sing at your wedding.
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350. I'm sorry, Sammy,
but Maxwell has a new policy.
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351. No more relatives.
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352. Okay, Aretha, she said no.
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353. Aretha? Aretha?
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354. Call her back! Call her back!
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355. - You want her?
- Yes! Wait till Maxwell hears.
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356. D.M.V., Aretha Jones, please.
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