The Nanny 3x13

1. Yeah.

2. Miss Fine, you can't possibly hear

3. the person you're talking to, with all this racket.

4. Why do you think I called Ma?

5. Frankie, Frankie,

6. when are you coming back to practice?

7. - Thursday. - Call you Thursday, Ma.

8. Frankie, go get your stuff. Your dad's gonna pick you up any minute.

9. You know, Gracie, if you switch to piano,

10. you'd have so much more in common with Billy Joel's kid.

11. Why would I wanna meet Billy Joel's kid?

12. Well, because her father is recently divorced,

13. sensitive, and Jewish.

14. Stop always thinking about yourself, miss.

15. I'll put away your violin so, it doesn't get broken.

16. You know, Frankie, you really should practice more.

17. Hey, don't tell me what to do

18. or my father will put you in a pair of cement Mary Janes.

19. I'll get it!

20. Hi. You must be Mr. Tattori.

21. Please, my friends call me... Tony.

22. What does your wife call you?

23. - I'm divorced. - I'm Fran.

24. You seem very familiar to me. Where you from?

25. - Flushing. - No kidding. Me, too. I can't believe it.

26. You hardly have an accent.

27. Well, you know, I've been living in Manhattan for two whole years,

28. so, I kind of lost it.

29. Meanwhile, they said you can never get out

30. of the neighborhood, and look at us.

31. You in your cashmere overcoat. Me in my boss's mansion.

32. - Hey, Cheech, give me a hug. - It'll cost you $10.

33. That's my boy.

34. What do you say we arrange another play date?

35. Well, what do you say, Gracie?

36. Do you want Frankie and his dad to come over again?

37. Fran, Frankie broke my Barbie's legs

38. and stuffed her in the trunk of the Dream Car.

39. She'd love to.

40. I was talking about you and me. I will pick you up on Friday.

41. Friday? Wait a minute. We hardly know each other.

42. Better start on Thursday. Take care of that.

43. You're a funny girl.

44. I'm gonna send you some steaks.

45. Cheech, the door.

46. He's sending me beef?

47. Is that guy classy or what?

48. She was working in a bridal shop In Flushing, Queens

49. 'Til her boyfriend kicked her out In one of those crushing scenes

50. What was she to do, where was she to go? She was out on her fanny

51. So, over the bridge from Flushing To the Sheffields' door

52. She was there to sell makeup But the father saw more

53. She had style, she had flair She was there

54. That's how she became the Nanny

55. Who would have guessed That the girl we described

56. Was just exactly What the doctor prescribed?

57. - Now the father finds her beguiling - Watch out, C.C.

58. - And the kids are actually smiling - Such joie de vivre!

59. She's the lady in red When everybody else is wearing tan

60. The flashy girl from Flushing The Nanny named Fran

61. Looking for your diary?

62. - Give that back to me, you creep. - All right.

63. No, wait. That was too easy.

64. You see, while you were sticking your tongue

65. in Peter Bidwell's mouth, page six,

66. I was sticking quarters in the copier at Kinko's.

67. Okay. How much do you want?

68. Look around. Money I got.

69. What I need is a personal slave.

70. I am nobody's slave.

71. Not according to page 22 entitled,

72. "Things I can't let Peter know I did with Jeff Connelly."

73. I'll kill you!

74. C.C., are you insane?

75. How could you tell our star she could be replaced?

76. Maxwell, anyone can be replaced.

77. Not Whoopi Goldberg

78. in A Night with Whoopi Goldberg.

79. Well, actually, Sandy Duncan played Valerie Harper for years.

80. Maxwell, her demands were outrageous.

81. She wanted her own makeup artist and hair designer.

82. I said, "You can just damn well use who the rest of the cast is using."

83. C.C., she is the rest of the cast.

84. God, how can you cause me such consternation?

85. Well, I think,

86. it's the banana-bran muffins myself.

87. I mean, banana, bran...

88. Your colon's confused.

89. - Don't you have something to do? - Absolutely.

90. I need to ask you for some time off.

91. I gotta get off early on Thursday.

92. I've got a date, which means I've gotta gel, mousse, pluck, blend.

93. I'll tell you, I'll be glad when this natural look is out.

94. So, now, this is how to negotiate with someone that works for you

95. that wants something. Watch and learn.

96. All right, Miss Fine, I'll let you off early

97. on Thursday if you stay late on Sunday.

98. Well, I can't stay late on Sunday but I can start late on Sunday

99. and work my regular hours, Monday, Tuesday, and Wednesday,

100. since you gave me Thursday off.

101. No. I didn't give you Thursday off. I just said that you could leave early.

102. All right. I'll leave early on Thursday, but I've still got Sunday off.

103. No. You're coming in late.

104. All right, already.

105. How does she do that to him?

106. It's a female thing. You wouldn't understand.

107. I'll get it. I'll get it.

108. Thank you, sir. What a beautiful gift box.

109. Yes. That'll be from the Tony committee. I made a fantastic speech the other night.

110. Well, it looks like I'll be bringing home a Tony before you do.

111. What?

112. Who's Tony and why is he sending you London broil?

113. London broil and sirloin and T-bone and flank. Oh, my!

114. Tony Tattori, you know, the new guy I met.

115. Miss Fine, don't you wonder about a man you've just met

116. who's lavishing you with expensive gifts?

117. Yeah. I wonder where he's been my whole life.

118. What are you gonna do with this side of beef?

119. I don't know. We'll probably go out to the theater,

120. have a couple of drinks afterwards.

121. Miss Fine, look at you. Don't you look ravishing.

122. Thanks. I'm going out with Tony tonight.

123. In that?

124. Don't you like it?

125. Well, it's just that it's freezing outside.

126. No, sir. Actually,

127. it's the warmest December day since 1902.

128. Yes, yes, but there's a cold front coming in.

129. I didn't hear that.

130. Yes. The new butler is bringing it.

131. Well, how can a butler bring—

132. Miss Fine, it's just that I'm concerned about you freezing out there.

133. Don't you worry. I've got a coat.

134. What's this Tony fellow like anyway?

135. Well, he's cute, he's rich.

136. He's got an adorable accent, and he loves musical theater.

137. I'll tell you, he's like nobody I've ever met before.

138. - What kind of car does he drive? - A limo.

139. - Town Car? - Stretch. It's enormous.

140. Bigger than mine?

141. Honey, if it's so important to you, whip yours out of the garage,

142. and we'll have a limo measuring contest.

143. Hey, Mr. Tony.

144. Never have I seen you with anyone more beautiful.

145. Bene. Molto bene.

146. Fine. Fran Fine.

147. Hey, Gino, Carmine, Mr. Tony's table!

148. Wow! You must be some big tipper.

149. The owner's in the family.

150. - A cousin? - No. No relation.

151. Would you look at those four guys over there?

152. They were sitting right behind us in Beauty and the Beast.

153. Is that a coincidence or what?

154. Hey, fellas, did you enjoy the show?

155. - Good show. Yeah. - The teapot was funny.

156. So, tell me about yourself.

157. What do you like to do besides dress like a million bucks

158. and drive around in a limo?

159. Which is all I ever really aspired to.

160. It's not important what I do. It is important who I am.

161. Who are you?

162. It is not important who I am.

163. It is important who I am with.

164. Here. This is for you.

165. Tony, you shouldn't have.

166. Yes, you should have!

167. Oh, my God!

168. Fran, you are the most lovely creature I've ever set eyes upon,

169. except for my late mother.

170. Poor woman, just couldn't keep her mouth shut.

171. Tony, would you excuse me, please?

172. I've got to go powder my nose.

173. You've gotta go, too?

174. Boy, this is getting freaky.

175. Oh, God.

176. I gotta call Val.

177. Yes. Hi, Mrs. Toriello. Is Val home?

178. I guess that was a stupid question.

179. Hi, Val. You're not gonna believe this present that Tony gave me!

180. They're not gonna get this!

181. Oh, my God.

182. Tony, what happened?

183. Jimmy Nucci said hello.

184. Oh, no. Tony, it'll never work out.

185. I'm Jewish.

186. And you're a killer.

187. Gracie, I told you to give this thing to charity. What's it doing in my bed?

188. Come in.

189. - Val, what are you doing here so early? - I want to know what Tony gave you.

190. Who cares what he gave me? Isn't it gorgeous?

191. Honey, I gotta break up with him, though. I gotta end this relationship

192. because, you know, Tony is...

193. A nose picker?

194. They are the worst.

195. Let me guess, while he's driving? What is it with guys and cars?

196. They think no one can see in?

197. Val, I blame myself.

198. Remember when I gave you your first Toni home perm?

199. I wasn't supposed to leave the chemicals on for four hours.

200. I just wanted to watch The Thorn Birds.

201. Val, Tony is in the mob.

202. Fran, just 'cause he's Italian doesn't mean he's in the mob.

203. I mean, that's like saying just 'cause you're Jewish,

204. your mother drives you crazy, and you eat when you're upset.

205. Val, what am I gonna do?

206. Fran, I am very offended.

207. Just 'cause I'm Italian doesn't mean I know everything about the mob.

208. But if the jamook is a chooch, it means, he's gotta whack a jadrool

209. to become Cosa Nostra.

210. You better tell Mr. Sheffield right away.

211. Val, I can't tell anyone.

212. - Whoever knows is in grave danger. - But you just told me.

213. Well, I had to tell someone.

214. Yeah. But why would you put my life in danger?

215. Well, you're my best friend.

216. That is so sweet.

217. Listen, Franny, you better break up with Tony right away.

218. Val, you can't just break up with guys like this.

219. You gotta move to Idaho, take a Nordic name,

220. and never see your family again for the rest of your life.

221. What do you think of Helga?

222. Oh, slave.

223. Yes, Master Brighton. Here is your orange yogurt smoothie.

224. That's a good slave.

225. Hey, let's just hope you didn't put anything gross or disgusting in it,

226. because naturally I'm gonna make you taste it first.

227. You will be broken.

228. Fran, somebody is gonna be killed.

229. Who told you?

230. I'm talking about Brighton. He stole my diary.

231. And he says he's gonna show Dad

232. unless I do everything he wants for a week.

233. Honey, I could have made you a slave for a month off of page 26 alone.

234. I imagine.

235. Fran, what am I gonna do?

236. Sweetie, didn't he read the chapter where you caught him on tape

237. French kissing your old Lisa Simpson doll?

238. I don't have a tape of that.

239. Well, now you do.

240. Oh, my gosh, Fran, I love you.

241. How did you know to do this?

242. Sweetie, I'm a nanny.

243. Sooner or later, either you or Gracie was gonna need it.

244. Miss Fine, is there anything wrong?

245. Niles, I wish I can tell you,

246. but anyone who knows is in grave danger.

247. You mean your involvement with a mobster you're terrified to break up with

248. because you think he's gonna rub you out?

249. Val told you?

250. One Dove bar and she spilled like a cup of coffee.

251. Hey, wait a minute.

252. Tony's not the only one with muscle in his family.

253. I got relatives, too.

254. - I can have him taken care of. - You mean killed?

255. No! Audited.

256. Maxwell, calm down. So we lost Whoopi.

257. I'm sure the theater owner will let us out of our commitment. I'll just charm him.

258. Okay. Then how about this?

259. We'll just move up the next show.

260. We'll just move up the next show.

261. The one for which we don't have a director,

262. a set designer, or a tenor to sing the lead,

263. which is why we moved it back in the first place.

264. Maxwell, if you intend to get gruff with me, lock the door.

265. Mr. Sheffield, I must speak with you.

266. You know, they make estrogen in a patch now.

267. - It has to do with Miss Fine. - Yes, well, what is it?

268. Well, I can't tell you, sir.

269. Anyone who knows could be in grave danger.

270. Well, then, why did you bother to come in?

271. To tell her.

272. Listen, Tennessee Tuxedo,

273. I don't have time for you today. I have to find a tenor for our new show.

274. Wait a minute.

275. Maxwell, Niles has a beautiful voice.

276. We'll just put him in the show.

277. Can you do a southern accent?

278. It's Shake 'N Bake, and I helped.

279. Can you do a time step?

280. Can you be more naive?

281. Sucker.

282. Well, she got you that time, old man.

283. I let her have that one, sir.

284. She gets satisfaction from a man so infrequently.

285. So, what's all this about Miss Fine?

286. Well, just a minute, sir. I need to clear my throat.

287. - Forget it, Niles. - Okay.

288. Miss Fine is being intimidated by a certain gentleman,

289. tall, dark, handsome.

290. What did I do?

291. Sorry, sir. It was a fly.

292. Sir, it's just that well,

293. Mr. Tony is not exactly Miss Fine's cup of tea.

294. Don't tell me Miss Fine is put off by a man who likes to say it with meat?

295. Well, you're missing the point, sir.

296. Miss Fine would like to break up with Tony,

297. - but she's afraid to because— - I know. I know, I know.

298. She doesn't want to devastate the man,

299. hurt his feelings, break his heart.

300. I'll do it for her.

301. Tony, I can't go out with you anymore.

302. I know what you do and...

303. I'll be dead before I finish that sentence.

304. Okay. Hang tough. Don't let him scare you.

305. - Baby, give me a kiss. - Okay.

306. - No, no, Tony. - Come on, let's go get something to eat.

307. No. No, I can't.

308. Usually, when I say "Jump," people say, "How high?"

309. Okay.

310. I can't leave because of the kids, and I just had a big sandwich.

311. Miss Fine, there you are. I've been looking all over for you.

312. - Mr. Sheffield, this is Tony. - Tony, this is Mr. Sheffield.

313. If he says, "Jump," just jump!

314. So, you're the infamous Tony?

315. You and I need to have a word.

316. What happened to having a word?

317. There you go, sweetheart. Take a shot at Puccini.

318. Tough family.

319. Frankie's not getting his until he's confirmed.

320. Off you go, sweetheart. Don't forget your sheet music.

321. - There was a violin in there? - Yes. Why? What'd you think it was?

322. A machine gun?

323. You thought I was packing heat like some cartoon mobster?

324. What's the matter, Miss Fine? You need a Kleenex?

325. Miss Fine, that's not very attractive.

326. You keep that up, you won't need me to break up with him.

327. You want to break up with me?

328. What— There's something going on between you and Pierce Bronston here?

329. I'll go call an ambulance.

330. Well, Tony, I do think it's all for the best.

331. Fran, I do not like where this is going.

332. Okay. I take it all back. Where do you want to live?

333. Miss Fine, would you stop doing that?

334. Now, look here, she doesn't want to see you anymore and that's that.

335. What? Are the boys doing some kind of blooper thing for my birthday?

336. What's going on?

337. Niles told me to come out here and stand in front of Maxwell.

338. By the way, I just signed Mandy Patinkin to do our new show.

339. Wait, you're Maxwell Sheffield, the Broadway producer?

340. Yes.

341. If I loved you

342. Time and again I would try to say...

343. Actually, we need a tenor.

344. All I'd want you to love

345. You tell me, if...

346. Perhaps if you weren't so involved with Miss Fine,

347. you'd have time to understudy Mandy.

348. He's not gonna break up with me to be an understudy.

349. Stay out of this, baby.

350. Where do I sign?

351. - Right this way. - Do you like steaks?

352. Cheer up, Miss Fine.

353. So, Tony wasn't the one.

354. You're a beautiful woman.

355. You shouldn't go rushing into relationships.

356. Don't chase men.

357. Find a way to make men chase you.

358. All right. I'll give it a shot.

359. Your new understudy?

360. He's in the mob.

361. Miss Fine!

362. I don't do no nudity.

363. Help, help, help!

364. Your colon's confused.

365. Don't you have something to do?

366. Absolutely, I gotta ask you for some time off.

367. I got a date on Thursday so I wanna leave early.

368. Means I've gotta powder and puff and tease and...

369. Your colon's confused.

370. I'm sorry, I was looking the wrong way. I thought we were going back earlier.

371. - That wouldn't match. That wouldn't match. - What did she say, we got... Wait, wait.

372. Yeah, this is the gentleman with the confused colon now...

373. My...

374. And then what I went up on...

375. Gel, mousse. Gel, mousse.

376. - Pluck, blend. - Pluck.

377. Gel, mousse, pluck, blend. Okay. Here we go.

378. I need some time off. I've got a date on Thursday,

379. which means I've gotta pluck and...