1. - Oh, my God, will you look at that!
- It's gorgeous!
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2. What is that?
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3. Oh, no. Fran's giving her mother's
canasta group a tour of the house.
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4. Cover your cheeks!
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5. And this is the very piano
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6. once played by Mr. Marvin
"The Way We Were" Hamlisch!
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7. Don't push, Frida.
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8. Ever since they took you off
the estrogen, you're so aggressive.
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9. Not to mention that 5:00 shadow.
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10. Sorry. My girl doesn't do windows.
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11. I thought I'd show her
it's not such a sin.
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12. Meet me in the kitchen,
and I'll clean behind the refrigerator.
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13. And this is the famous
Sheffield guest bathroom.
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14. I don't wanna drop names,
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15. but Liz Taylor did not leave
White Diamonds in there.
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16. Celebrities coming, going.
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17. I don't know how my Fran
stays so down-to-earth.
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18. Ma, please. People are people.
We're all the same under the eyes of—
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19. Ben Vereen!
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20. Oh, my God!
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21. Do Roots! Do Roots!
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22. - And who are these lovely ladies?
- I'm sorry, Ben.
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23. - This is my nanny, her mother...
- Hi.
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24. and the 1948 Israeli luge team?
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25. Do Pippin. Do Pippin.
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26. Miss Fine, please.
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27. So I guess a highlight
of Tenspeed and Brown Shoe
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28. would be out of the question?
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29. So you're the one who saw that.
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30. - Nanny Fine.
- What?
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31. Mr. Vereen is a very busy man.
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32. Coming through, coming through.
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33. Now, can I give you a lift
back to the hotel?
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34. He can ride in the basket with Toto.
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35. Ben, this show has been a passion
of mine for 20 years.
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36. And now with you,
we have a sure-fire hit on our hands.
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37. I hope I still have the moves.
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38. Bravo, bravo!
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39. I guess I do.
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40. I love you!
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41. Well, you see, people are people.
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42. He touched that. It's mine.
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43. Yes! I can't believe this play
is finally happening.
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44. Now, if we can just get
the financing in place.
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45. - Fran, come here.
- What, Ma?
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46. We wanna invest our canasta winnings
in Mr. Sheffield's play.
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47. - Your pishke?
- Yeah.
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48. Ma, don't be too fast and loose
with your pishke.
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49. What?
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50. - It hasn't been touched in years.
- All right.
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51. Mr. Sheffield, they wanna give you
their pishke.
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52. Well, she seems like a lovely woman, but—
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53. No, this is Frida.
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54. The pishke are their winnings
from playing cards.
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55. Goody, we're made.
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56. What my partner means to say is
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57. though we appreciate
your enthusiasm for the theater, ladies,
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58. we cannot possibly accept your—
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59. - Twenty-five thousand dollars?
- You're in!
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60. She was working in a bridal shop
In Flushing, Queens
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61. 'Til her boyfriend kicked her out
In one of those crushing scenes
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62. What was she to do, where was she to go?
She was out on her fanny
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63. So, over the bridge from Flushing
To the Sheffields' door
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64. She was there to sell makeup
But the father saw more
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65. She had style, she had flair She was there
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66. That's how she became the Nanny
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67. Who would have guessed
That the girl we described
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68. Was just exactly
What the doctor prescribed?
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69. - Now the father finds her beguiling
- Watch out, C.C.
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70. - And the kids are actually smiling
- Such joie de vivre!
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71. She's the lady in red
When everybody else is wearing tan
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72. The flashy girl from Flushing
The Nanny named Fran
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73. Niles, that's the spread
you're putting out
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74. for Mr. Sheffield's big investor?
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75. My mother's got money in this show.
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76. I want him walking out
with his pants spread
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77. and an Alka-Seltzer
foaming out of his mouth.
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78. Miss Fine, this is beluga caviar,
$100 an ounce.
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79. Niles, shopping tip:
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80. Lumpfish, Price Club, $1.99.
It can fill up your whole bathtub.
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81. All right, Niles. Charles Haste
will be here any minute.
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82. - What, is this all you're serving?
- Told you so.
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83. Niles, I want everything to be perfect.
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84. I've been wanting to do this play
since the beginning of my career.
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85. Now finally, C.C. has found
an investor that shares my vision.
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86. - Well, what's he do?
- He's a garbage man.
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87. But a very wealthy and acclaimed one.
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88. Mr. Sheffield, look at you. You seem
like a virgin on your wedding night,
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89. not that I would know.
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90. Because I've never been married.
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91. Where the devil is C.C.?
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92. Well, it is raining outside, sir.
Perhaps she melted.
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93. Shall I see if there's a pointy hat
and Chanel suit lying in the street?
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94. Well, let's just hope my trashman
comes through...
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95. or we'll lose the theater,
lose Ben Vereen,
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96. and it could be 20 years before
the pieces come together again.
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97. Well, then, what would happen
to my mother's pishke?
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98. Surely, Miss Fine, your mother realizes
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99. that investing in the theater
is a risky business.
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100. You're talking about a woman
whose idea of risk
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101. is wearing white pants to Tony Roma's.
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102. Besides, she's already decided
how to spend the profit.
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103. She's gonna get her whole face redone.
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104. - Well, Miss Fine, it's a little premature.
- I thought she was long overdue.
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105. No, Miss Fine, it's premature to spend it.
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106. I mean, you never know
which way a play is gonna go.
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107. Well, I don't like
the sound of this at all.
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108. You said it was a sure-fire hit.
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109. That's my job, to get investors.
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110. Believe me, I've tried all
the other arguments:
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111. "Why not throw your money
down a rat hole?"
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112. "Theater is dying," all of those.
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113. Oddly enough, the "sure-fire-hit" routine
is somehow more enticing.
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114. Well, how much of your own dough
did you stuff down this turkey?
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115. Well, I never invest in my own plays.
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116. It would be rather like
a doctor operating on himself.
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117. Although I got a cousin
who's a urologist—
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118. Yes.
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119. Poor Pee-wee's off the air,
and my cousin's still practicing.
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120. Maxwell, is he here yet?
Because I am hot today.
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121. Some twit of a tourist
tried to cheat me out of a cab.
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122. I stunned him with my umbrella
and kneed him right in the big apple.
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123. I don't know why some nice guy
hasn't snatched her up.
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124. Oh, my God, my hair!
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125. Look, C.C., I'm counting on you.
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126. Haste fancies himself
a bit of a ladies' man.
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127. So please do what you have to
to make yourself presentable.
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128. Shall I open the roof and strap her
to a lightning rod?
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129. No pressure, Miss Babcock, but you
know if you don't make this happen,
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130. I know 12 canasta ladies
that are gonna come after you
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131. like the last piece of pastrami
on a tray full of headcheese!
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132. - Miss Fine, please!
- I'm going, I'm going.
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133. All right. Let's just hope Mr. Haste's
in a generous mood.
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134. I hate show business already!
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135. I had a harder time getting here
than I did coming down the birth canal.
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136. Charles Haste, how you doing?
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137. Maxwell Sheffield, hello.
What on earth happened to you?
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138. Well, I was getting into a taxi
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139. when some big, blond woman
kneed me in the groin
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140. and then she clobbered me
with some hideous, green umbrella.
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141. So...
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142. where's your partner, C.C.?
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143. You know, she's the best fax I ever had.
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144. Well, Charlie, what do you say
we just keep this between us boys.
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145. I gave that up in camp, Sheffy.
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146. Let me tell you why
I'm getting into show biz.
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147. I have made zillions in waste management,
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148. but you just don't see a lot of leg.
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149. And if you do, you're calling homicide.
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150. What exactly are you saying?
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151. Well, I'm saying no chick,
no check, no deal.
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152. Maxwell, is he here yet—?
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153. - Who was that?
- That?
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154. You might as well know,
that was my partner, Miss Babcock.
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155. All right, come on out, C.C.
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156. Oh, no.
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157. Do I have a run in my Hanes?
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158. Well...
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159. that's not a run.
That's just a little snag.
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160. You got some clear polish?
I'll fix it for you.
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161. - Miss—?
- Babcock, how do you do?
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162. - What?
- You sounded different on the phone.
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163. I switched to MCI.
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164. Why?
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165. Because I have a lot
of friends and family.
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166. - What's that?
- The dog.
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167. We put her away because we didn't want her
to jump your leg.
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168. We really need to have her fixed.
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169. Shall we?
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170. Maxwell, Nanny Fine
can't possibly pass for me.
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171. She isn't in my class.
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172. She doesn't have my breeding.
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173. Well, then perhaps she won't lick herself
in front of company.
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174. Maxwell, are you gonna let him
talk to me like that?
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175. Yes.
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176. You attacked our investor.
That's bad, C.C., very bad.
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177. - Maxwell—
- Sit.
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178. Is he gonna hit her
with a rolled-up newspaper?
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179. All right, we have exactly three minutes
to teach you everything
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180. Miss Babcock knows about the theater.
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181. We can do that and make a two-minute egg.
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182. First, we open in Philadelphia.
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183. Philly, great.
My Aunt Selma lives in Philly.
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184. She's the one with the Miracle-Ear.
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185. - A bit deaf?
- No! She has a miracle ear.
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186. When you look way inside,
you can see the Virgin Mary.
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187. She can't even get her ears pierced
because they keep healing.
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188. This is absurd.
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189. Miss Fine, please.
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190. - Miss Babcock.
- Miss Babcock.
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191. - What?
- What?
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192. You better call me C.C. After all,
we have been partners for over ten years.
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193. She's right, there needs to be
a certain level of intimacy.
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194. - I've always said that.
- Sheffield!
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195. - Get out, get out! Out, out!
- Maxwell. Maxwell, it's raining.
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196. So where did you guys disappear to?
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197. We had to put the dog out.
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198. All right, Sheffield, now, I got a couple
of questions about the play.
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199. Now, the first—
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200. Does she ever wear pants?
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201. Because then I'm out.
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202. Now, second, where's the play open?
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203. I know that. I know that.
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204. I...
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205. Miss Babcock, would you like
some cream cheese?
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206. We open in Kraft.
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207. We open in Philly, Miss Fine— Babcock.
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208. The fine Miss Babcock.
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209. That she is. Well, now moving on...
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210. Act one, it's trash.
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211. I beg your pardon. It's a touching,
well-crafted—
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212. It's got flies on it, Sheffy.
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213. I mean, we need
a rock-them-sock-them opening number.
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214. Yeah, people go to the theater
after dinner.
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215. They got gas. They need cover.
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216. Besides, we need a big number so people
can open their candy wrappers.
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217. Which they'll then throw on the floor.
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218. More garbage!
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219. That intermission is gonna sound
like Massachusetts in the fall.
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220. Now, about that check...
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221. I'm gonna give you that check
tomorrow evening over dinner.
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222. I've made reservations
at the Rainbow Room.
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223. I love that place!
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224. What a success story. They must do
20, 30 dumpsters a night.
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225. - No!
- C.C., C.C.
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226. I'll pick you up at 8:00.
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227. - Where do you live?
- Live?
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228. You'd think I live here,
I'm such a freeloader.
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229. Perhaps you have a business card
in your purse.
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230. Good.
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231. No. Your purse. That's...
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232. my purse.
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233. It's the rage in Europe.
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234. Okay, let's see.
We've got Retin-A and collagen.
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235. Here. What's this?
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236. The bill from my shrink.
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237. Am I unhappy!
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238. 407 East 86th Street. I'll send a limo.
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239. - Niles, didn't you forget something?
- Yes. Quite right, sir.
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240. Oh, man, I'll never get this game.
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241. What do you do if you have four queens?
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242. Gather around the piano
and sing songs from Gypsy.
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243. Hi, guys.
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244. Fran, you look so hot in that dress.
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245. I'm supposed to look like Miss Babcock.
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246. I tried to dress conservatively.
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247. Niles, can you picture Miss Babcock
in this dress?
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248. Not if I ever want to function
as a man again.
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249. Sorry, Maggie, but three kings
beat four queens.
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250. - They do?
- Brighton, that is a big, fat lie.
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251. Didn't I teach you anything?
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252. I don't know, C.C., did you?
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253. Well, that's an entirely different thing.
I am not lying.
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254. I'm just pretending,
like in one of your father's plays.
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255. So you're pretending to be an actor?
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256. No, you're thinking of Steven Seagal.
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257. Besides, why aren't you playing
hide-and-seek with your sister, Gracie?
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258. She's been up in that hamper
for three and a half hours.
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259. She'll show. How many days
can she go without food?
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260. Well, about as long as you can go
without that Playboy magazine
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261. that's rolled up inside your Lincoln Logs.
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262. Ready or not, here I come!
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263. Okay, Niles, I'm off to be Miss Babcock.
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264. Help me get into character.
Hit me with your best shot.
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265. - Oh, no, Miss Fine, I couldn't possibly.
- Come on.
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266. Hello, hello, I'm C.C. Babcock,
off to go to work.
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267. On your usual corner?
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268. I'm sorry.
Miss Fine, don't make me do this.
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269. I'm Miss Babcock,
and I'm off to get money from a man.
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270. Don't forget your change belt. Oh, God.
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271. I hate myself.
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272. Do it again.
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273. - No, I have to go.
- Come on, one more. I'm hot.
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274. All right, and I'll make this one easy.
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275. Niles, get me a drink. I'm dog-tired.
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276. - Dog-tired.
- Come on.
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277. - A drink for a dog.
- I don't hear anything.
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278. Niles, get a life.
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279. I got it, I got it!
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280. I'll leave the lid up on the toilet bowl.
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281. Officer.
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282. - Hi.
- You finally got here.
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283. This is nice. Very warm.
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284. Which way to Radiology?
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285. Let me guess. The Heidi Fleiss collection?
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286. You told me to wear something designer.
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287. All right. I have prepared
a short dossier on myself.
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288. Where I grew up, went to prep school,
when I came out.
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289. You came out?
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290. So, what are you always
sniffing around Mr. Sheffield for?
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291. My coming-out party, Miss Fine.
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292. I know. I heard you.
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293. You know, now you and your special friend
can dance together at Disneyland.
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294. Aren't these lovely.
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295. Who are these people in the picture?
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296. That's my brother, and that's my sister.
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297. Isn't he gorgeous.
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298. Yes, he is, isn't he?
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299. Come on, who is he?
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300. - Just someone. It's not important.
- Tell me, tell me.
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301. He came with the frame, okay?
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302. Honey, there's nothing to be ashamed of.
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303. A lot of grown women do that.
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304. So pathetic.
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305. All right, now, what do I do
if Haste wants something to drink?
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306. I've got gin, vodka, bourbon.
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307. - You don't have anything a little softer?
- Rum?
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308. It's a good thing that I carry
a can of Clamato with me.
Copy !req
309. - Plus, if ever you hit a skunk—
- Nanny Fine.
Copy !req
310. Meanwhile, Miss Martha Stewart,
Copy !req
311. with half a million dollars coming,
would it have hurt
Copy !req
312. to squeeze a little cheese on a Ritz?
Copy !req
313. Please, concentrate.
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314. - Who is it?
- Who do you think it is, Ed McMahon?
Copy !req
315. Get in the closet.
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316. - Charlie, hi. Come on in.
- Hello.
Copy !req
317. Take a load off. That check must be heavy.
Copy !req
318. So this is your apartment?
Copy !req
319. Doesn't look like you at all.
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320. Go hire a straight decorator.
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321. - For you, C.C.
- How lovely.
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322. Thank you so much.
Did you bring the half a mil?
Copy !req
323. C.C., I've been thinking.
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324. I don't want to invest that much.
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325. - You don't?
- No.
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326. I wanna double it!
Copy !req
327. Poltergeist.
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328. I got the apartment really cheap,
but I can't watch TV.
Copy !req
329. - Gonna put those flowers in a vase?
- Yeah. Sure, of course.
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330. If only I could figure out
where I put my vases.
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331. - Perhaps in the kitchen.
- Right. The kitchen, of course.
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332. - That's a linen closet.
- The maid was here today.
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333. She never puts anything back
where it belongs.
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334. Now, if I were the maid,
where would I put the kitchen?
Copy !req
335. Bingo!
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336. Aren't you gonna get that?
Copy !req
337. No. It's just my idiot neighbor.
Copy !req
338. You live in six-B!
Copy !req
339. Maxwell, what are you doing here?
Copy !req
340. C.C., I've come to my senses.
This is not how I do business.
Copy !req
341. Are you crazy?
He is throwing money at her,
Copy !req
342. and she didn't even have to put out.
Copy !req
343. Hors d'oeuvres, the cat, anything really.
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344. I don't care how important
this play is to me.
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345. - Nothing is worth this.
- He's up to a million.
Copy !req
346. They're coming. Get in the closet.
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347. I wouldn't eat that shrimp, if I were you.
Copy !req
348. God knows how long it's been in there.
Copy !req
349. C.C., I'm an expert on garbage.
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350. This baby's got two, three hours
before it turns.
Copy !req
351. - Want a bite?
- No.
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352. As appealing as hepatitis sounds...
Copy !req
353. yellow is just not my color.
Copy !req
354. Well...
Copy !req
355. let's talk about us.
Copy !req
356. See, I think you and I see eye to eye.
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357. Those aren't my eyes.
Copy !req
358. Well, don't you know that little,
bald, middle-aged men
Copy !req
359. have very high levels of testosterone?
Copy !req
360. An ironic twist of fate.
Copy !req
361. You see, I say, let's dump Sheffield
and make this a duet.
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362. You said on the phone
that you're the brains
Copy !req
363. and he's just a pretty face in a blazer.
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364. I said that?
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365. How dare... me!
Copy !req
366. I said you were pretty great
and a trailblazer.
Copy !req
367. Damn cellular phones.
Copy !req
368. Let me tell you something.
Maxwell Sheffield is a man of vision.
Copy !req
369. Sure, he passed on Cats—
Copy !req
370. Not one of his finest hours.
Copy !req
371. But when everybody was going crazy
Copy !req
372. wondering where to put the fiddler,
he's the one that said:
Copy !req
373. "Stick him on the roof!"
Copy !req
374. What does Sheffield really have
that I don't have?
Copy !req
375. Well, for starters, he doesn't have
a shrimp vein hanging out of his tooth.
Copy !req
376. Mr. Sheffield is a man of integrity.
Copy !req
377. When he believes in a play,
Copy !req
378. he will stick by it
even if it takes him 20 years to mount.
Copy !req
379. Whilst I, C.C. Babcock,
will mount just about anything.
Copy !req
380. There must be a gun in here.
I'll say she was a burglar.
Copy !req
381. If you're gonna stick
with that no-talent, limey loser, then—
Copy !req
382. - Hey, hi, Sheffield.
- She goes in, he comes out.
Copy !req
383. This is like a David Copperfield special.
Copy !req
384. Mr. Sheffield, what are you doing here?
Copy !req
385. Just throwing out the trash.
Copy !req
386. Don't leave!
Copy !req
387. Do you wanna hear a really funny story?
Copy !req
388. - Hello there.
- Mr. Sheffield.
Copy !req
389. You were worried about me
so you were peeking through the keyhole?
Copy !req
390. How sweet.
Copy !req
391. You don't do that at home, do you?
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392. Niles, my mother's
gonna be here any minute.
Copy !req
393. How am I gonna tell her
that she doesn't have a pot to pishke in?
Copy !req
394. Just tell her the truth.
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395. Right, the truth. Of course.
Copy !req
396. I'm a grown woman. I don't have
to be afraid of my own mother.
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397. Besides, she's slowed down
ever since her thighs met.
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398. She wears corduroy slacks,
she could roast a marshmallow.
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399. - Hi, Ma. How you doing?
- Hi.
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400. Ma, I got something to tell you,
but I'm scared you're gonna yell.
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401. Darling, you're scared of your mother?
I could just smack you.
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402. Be afraid. Be very afraid.
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403. Meanwhile, when's the last time
you called your poor mother,
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404. an ocean away in a drafty country
eating french fries from a newspaper?
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405. Mommy?
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406. Just promise me you're not gonna yell.
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407. - Why would I yell?
- Good evening, ladies.
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408. I was just gonna tell my mother
about her investment.
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409. Yes, as a matter of fact,
I have some good news on that front.
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410. I found a new investor,
and you are looking at him.
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411. Well, I thought that you never invested
in your own plays.
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412. Which, frankly, I always found
to be very fishy.
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413. Well, I hear this one's being produced
by a man of vision and integrity.
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414. Sylvia, you'd have been very proud
of your daughter.
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415. We don't need to tell her this.
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416. She turned down
one of the wealthiest men in the country,
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417. and she did it out of loyalty to me.
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418. So that's what you were afraid to tell me,
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419. that you turned down a millionaire?
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420. Franny, you don't know
your mother very well.
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421. Excuse me, is this oven gas?
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