1. Well, tomorrow's opening night,
and we are completely sold out!
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2. Thank God Miss Fine
has a large family.
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3. Now all we need is some good reviews,
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4. and I think we might just have
another hit on our hands.
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5. I've sent gift baskets
to every critic in town.
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6. Are you telling me
you're bribing the critics?
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7. Trying to buy us a good review?
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8. Good thinking.
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9. Oh, Mr. Sheffield, my entire family
is so excited
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10. about being invited
to opening night.
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11. They want 12 chicken dinners,
two prime ribs
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12. and two kosher meals,
if it's not too much trouble.
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13. Nanny Fine, this is not dinner theater.
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14. No food? Big mistake.
If you feed them, they will come.
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15. If your relatives
won't come without a feedbag,
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16. I'll be happy to sell their tickets
on the street.
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17. I'll drop you off at your usual corner.
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18. Miss Fine, I can assure you,
your relatives are gonna love the play.
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19. It's a brilliant post-modern
exploration of despair.
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20. No food and despair? Geez, it sounds
like my Weight Watchers meeting.
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21. Niles, what's all this?
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22. I knew you were going to the park.
I thought you might take a picnic.
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23. Oh, you doll, you!
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24. The refrigerator's broken,
and if we don't eat it, it's garbage.
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25. Tattletale.
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26. Well, it beats hanging out
on the fire escape
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27. with a can of franks and beans.
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28. You had your picnics
on the fire escape?
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29. Hey, with that menu,
we were better off outside.
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30. Niles, my little Chester's hungry.
Make him something.
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31. You're a Doberman, attack.
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32. Oh, Chester!
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33. I haven't seen you
in such a long time.
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34. Nanny Fine, please,
he doesn't like strangers.
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35. Hi.
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36. C.C., how come
your dog hates you?
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37. Well, after all, he is a male.
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38. Not for long.
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39. She must get a group rate.
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40. Why's this basket here? It was meant
to go to Frank Bradley, the critic.
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41. It did. He sent it back with a snide note,
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42. saying that he couldn't be bought
and if he could,
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43. he'd cost more than
a tin of smoked oysters.
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44. There has got to be some way
to get to Frank Bradley.
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45. I know a Frank Bradley.
He's in my arts and crafts class.
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46. Maybe that's his son.
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47. - He said my ashtray was derivative.
- That's him.
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48. Oh, I was the queen
of arts and crafts.
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49. Then one day I left
my favorite brush in the shellac,
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50. and it hardened overnight.
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51. I just walked away,
never looked back.
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52. I have a fun idea.
Why don't we call up Frank Jr.,
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53. and invite him to go
to the park with you?
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54. Because I hate him.
He's a big bully.
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55. He's always teasing me
and calling me names.
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56. Oh, you know what they say:
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57. Sticks and stones can break my bones,
but bad reviews can kill you.
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58. She doesn't like the kid. You want her
to play with someone she doesn't like?
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59. If I had to like every one of my friends,
I wouldn't have any.
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60. I'll flip you for it.
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61. Grace, dear, Frank's father is going
to review our play on television,
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62. and he can either make it
a big hit or a big flop.
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63. She doesn't play well under pressure.
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64. - I'm shutting down.
- All right, I'll do it myself.
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65. You must have that kid's number.
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66. Where's all that school junk
you're always bothering Maxwell with?
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67. Would it be on the "Pitah" phone list?
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68. That's PTA, Mother Hubbard.
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69. Here it is.
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70. "Pitah."
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71. Hello. Is this Mr. Bradley?
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72. We haven't met, but your little Frank
is in the same class as my Gracie.
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73. I'm not hers. Am I?
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74. No, angel. You don't shed your skin.
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75. It is such a beautiful day,
and we were wondering
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76. if little Frank would like to go
to the park with Grace.
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77. Marvelous!
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78. You know, there is
a brilliant theater critic
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79. by the name of Frank Bradley.
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80. You are?
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81. Oh, can that woman ever suck up.
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82. If she came with attachments,
we could throw out the Hoover.
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83. Come on, Gracie. Move it along.
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84. There's been a change of plans.
You're taking Frank Jr. to the park.
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85. Forget it! We're going
to the park by ourselves.
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86. I forbid it.
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87. Forbid? Is that the F word I hear?
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88. That's the F word?
What's the big deal?
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89. Who's the nanny here anyway?
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90. I was there when this child was born.
Where were you?
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91. In high school.
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92. Ladies, isn't there a more grown-up
way to settle your differences?
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93. I'm thinking mud wrestling.
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94. Actually, there is a more grown-up way.
I'm telling Maxwell on you.
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95. Not if I get there first.
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96. Brighton, block her!
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97. Well, of course, we'd love to have
Mayor Guiliani there opening night.
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98. But please ask him
to leave his son at home.
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99. All right, Thigh Master!
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100. Mr. Sheffield, would you please
explain to Miss Babcock
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101. that I am
in charge of the children?
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102. Well, of course you're in charge.
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103. If Gracie doesn't want to play
with a little boy, she doesn't have to?
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104. No, of course not.
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105. Miss Babcock, come in.
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106. It's Frank Bradley's son.
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107. - On the other hand—
- What?
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108. Well, it might be good for Grace
to play with him.
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109. But she doesn't like him.
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110. How does she know she doesn't
if she doesn't spend time with him?
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111. That's good!
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112. Yeah, it's important for Grace
to learn how to get along
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113. with all kinds of people—
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114. Even people she doesn't
particularly care for.
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115. Too bad we didn't have this
conversation in the garden.
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116. The plants would've loved
the fertilizer.
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117. Come on, Frank,
don't shoot at the birds.
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118. You call this a park? I find it dull.
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119. The scenery is totally lacking
in imagination.
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120. Why did we have to bring him?
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121. Well, the more the merrier.
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122. Except when you're talking
about chins.
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123. My Aunt Miriam had more chins
than the Chinese phone book.
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124. That joke's so old I heard it
on The Flintstones.
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125. Which, by the way, was a pale
imitation of The Honeymooners.
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126. His father is a critic. It's hereditary.
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127. I'm bored. Give me food
to feed the squirrels.
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128. You don't need food. Just lie down
and make believe you're dead.
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129. My, does that kid have a mouth
on him or what?
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130. - Does he take after his father?
- Who knows?
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131. I met his father for five minutes
and that was enough.
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132. Apparently.
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133. I didn't want him, next thing I knew,
he was on his way,
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134. and now I'm stuck with him.
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135. I'm just furious with Mr. Sheffield.
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136. - The little boy's father?
- No, the little girl's father.
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137. The little boy's is Mr. Bradley.
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138. You call them both "Mister"?
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139. Well, I don't really know
either of them that well.
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140. What?
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141. Oh, you think that me
and them are their?
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142. I'm the nanny.
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143. Hey, Frank, don't aim that at her.
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144. Good boy.
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145. You're very patient.
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146. Maybe I should get a nanny.
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147. Oh, you really should, with one
baby and another one on the way.
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148. And two more at home.
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149. Oh, honey, you don't need a nanny.
You need a hobby.
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150. Stop it. You're gonna make her bald!
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151. Hey, Frank, quit it!
There's no Hair Club for Dolls.
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152. Frank, did you hear me?
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153. Are you going to make me walk over there?
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154. He's gonna make me walk over there.
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155. Fran, get him off me!
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156. Oh, Calgon, take me away.
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157. Giddyap, little donkey.
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158. Fran, he's pulling my hair!
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159. Frank, get off of her
before I count to three!
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160. One, two,
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161. two and a half,
two and three-quarters.
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162. Three, three, three!
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163. Frank, get off!
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164. - You hit me!
- I did not!
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165. Did so. I'm gonna tell
my father on you.
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166. Oh, I'm really shaking.
What's he gonna do?
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167. I hear your boss
has a new play coming up.
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168. Who are you, Siskel and Ebert?
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169. Niles, have you seen my yellow
notepad with all my notes on it?
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170. Not recently, sir.
Where did you have it last?
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171. Why do people always ask that?
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172. If I remembered where I had it last, I'd
go get it and not bother you, wouldn't I?
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173. The mantle. I was pacing
and I left it on the—
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174. Niles, you're a genius.
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175. Honored to be the wind
beneath your wings, sir.
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176. Hi! We're back.
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177. - How was the park?
- Oh, you know,
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178. birds, trees, muggers. The usual.
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179. So, sweetheart, did you and Frank Jr.
have a good time together?
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180. - We hit it off. We broke bread.
- All right. I'm glad.
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181. And I really appreciate you doing this.
Because, well,
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182. Bradley's father's review could
really make or break our play,
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183. and we've worked so hard on it.
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184. And it's not just me. I mean,
there's all kinds of jobs at stake:
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185. The cast, crew, ushers,
Old Pops at the stage door.
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186. Not Old Pops.
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187. Telephone, sir. It's Mr. Bradley.
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188. Probably calling to try
and steal you away.
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189. Oh, I might be available.
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190. Hello, Frank.
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191. What?
Well— I'm terribly sorry. I—
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192. There must be some mistake.
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193. No, no, Frank, there's absolutely no
reason to bring any lawyers into this.
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194. Frank. Frank? Hello? Hello?
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195. You wouldn't hit
the woman carrying your child.
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196. All right, I'm trying to stay calm.
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197. That's good, because you are entering
those dangerous heart-attack years.
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198. Miss Fine, you struck a child?
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199. Struck a child?
Oh, God, let it be Grace.
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200. It was little Frank Bradley.
Miss Fine hit him with a baguette.
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201. She nailed him.
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202. Don't help, honey. You can't nail
someone with a baguette
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203. unless it's stale, of course,
or sourdough,
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204. or a nice hard crouton
aimed at the Adam's apple.
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205. Do you have any idea what you've done?
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206. Well, it's been a very busy day.
Can you be more specific?
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207. I'll tell you what we'll do.
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208. We'll invite Mr. Bradley and his son over
so Miss Fine can apologize to them.
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209. So even though the kid deserved it,
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210. I'm gonna have to beg and grovel
and completely debase myself?
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211. Miss Babcock will show you how it's done.
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212. I don't think a gift basket
is gonna get us out of this one.
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213. I may have to offer myself.
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214. Might as well close the play now.
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215. Don't touch that door!
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216. Is it just me,
or does he need a vacation?
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217. We're conserving the cold until
that wretched repairman gets here.
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218. Now, tell me what you want.
You get one request.
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219. - Milk.
- Yogurt.
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220. - Miss Grace?
- I'm not that hungry.
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221. Suit yourself, but I warn you,
the door won't open again until 6:00.
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222. Okay, pudding.
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223. Two seconds.
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224. That's a new personal best.
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225. This isn't pudding.
This is cocktail onions.
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226. I'd make you a martini,
but the ice has melted.
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227. I know these measures
may seem a bit harsh,
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228. but in order to ensure
that no more food spoils,
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229. the refrigerator doors
must remain shut at all times.
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230. Niles, something smells
like it died in here.
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231. Oh, Miss Fine!
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232. All right, I'll have a bagel.
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233. Get back! She's armed.
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234. Put the bagel down and step away
from the bread box!
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235. This is all your fault, Niles.
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236. You had to pack
that stupid baguette.
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237. Baguettes don't hurt people.
People hurt people.
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238. I can't believe Mr. Sheffield
is making me do this.
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239. All you have to do is apologize.
I have to make the refreshments.
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240. Thank you, Niles. It's nice to know
that we're in on this together.
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241. Well, meanwhile,
the caviar is sweating,
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242. the brie is running
and my crudités is limp.
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243. You know, they got an operation
for that now.
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244. I can't believe that you're making me
apologize for something,
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245. when I really didn't do anything wrong.
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246. Look, if you really
didn't do anything wrong,
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247. just smile and be charming
and lie through your teeth.
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248. Oh, well, if you put it that way,
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249. I suppose I can make believe
that I'm at a tax audit.
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250. Hello, hello. Maxwell, this is
Frank Bradley.
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251. Well, of course, it is.
Good to meet you, Frank.
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252. Hello, Sheffield.
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253. I do apologize
for this whole ugly mess.
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254. - I feel terrible.
- Really?
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255. I thought you'd be used to
disasters by now.
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256. You've certainly produced
enough of them.
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257. Oh, there's that Bradley wit.
Oh, and you must be Frank Jr.
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258. - Nice to meet you, young man.
- Your hand's sweaty. Nervous?
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259. What a charming little snot.
Tot!
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260. Don't you have something you want
to say to Mr. Bradley and his son?
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261. Yeah, but then I'd have something
else to apologize for.
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262. - Miss Fine.
- Oh, all right. Okay.
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263. Mr. Bradley, things might've gotten
a little out of hand at the park,
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264. and whosever fault it was— Not mine.
- I suppose I would be sorry.
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265. Well, that's that, then.
A heartfelt apology. Shall we?
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266. Well, I think it needs some work.
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267. What do you think, son?
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268. It left me cold, much like
Robert Goulet in Cyrano.
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269. That's my boy!
How fast they grow up.
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270. Soon he'll be closing plays
and destroying careers.
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271. You must be very proud.
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272. Well, I'd love to stand here and grovel,
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273. but I'm afraid I have
to walk the dog. Chester!
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274. Come on, boy. Come on, boy.
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275. Good boy. Yes!
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276. Where do you want to go?
Oh, Pomerania. Well, I'll get my coat.
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277. That dog's ugly.
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278. He's got beady little eyes
and a pointy little nose.
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279. It looks like her!
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280. They're from the same litter.
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281. Finger sandwich?
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282. What idiot made these?
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283. I did. And they came
from a real little boy.
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284. Yes, finger sandwich, Mr. Bradley?
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285. A man like you deserves
a good finger every now and then.
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286. Sheffield, I can't believe
that you employ this woman.
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287. She's rude, she's insolent,
and totally unfit to be a nanny!
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288. And keep this damn beast
out of my eyes!
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289. - Your dog bit me.
- He's not my dog.
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290. - Yes, he is.
- What?
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291. That dog has no connection whatsoever
to myself, Maxwell or our play.
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292. That dog is a menace
and ought to be put to sleep!
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293. - Sure. No problem.
- Hey!
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294. Listen, Cruella, nobody
is touching this dog!
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295. - He's my dog.
- I thought he was hers.
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296. I forgot.
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297. Maxwell gave him to me.
It was a gift from the heart.
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298. So if I want to kill him, I can.
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299. Niles, quick! Get a bucket of water.
Let's see if she melts.
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300. Sheffield, if you want
to avoid a lawsuit,
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301. I suggest that you muzzle that dog
and muzzle the nanny as well!
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302. You know, Frank, I'm getting
bloody tired of kissing up to you.
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303. I'm not. Let me do it.
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304. Miss Fine was right
from the beginning.
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305. I should never have forced
my little girl to play with your son.
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306. Quite clearly, he deserved
everything he got.
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307. I don't care what you think
about my play,
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308. and, frankly, I don't care
much for you either.
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309. Now, let me show you the door.
It's over there.
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310. Son, let's go!
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311. You'll never work in this town again.
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312. Oh, Mr. Sheffield.
You know, it takes you a while,
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313. but when you see the light,
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314. boy, you just jump on that white horse
and you go.
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315. And you, my little fluffy protector.
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316. You were just like Kevin Costner
in the Bodyguard.
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317. Except you have a better haircut.
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318. Oh, I thought the play was just excellent.
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319. Put in a seafood buffet,
and you've got yourself a hit.
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320. If you enjoyed it that much, how come
you snuck out before the curtain call?
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321. Well, because nature called.
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322. And by the way,
not to knock your theater,
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323. but two stalls, 600 women.
It's like Tokyo in there.
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324. I hate waiting for reviews.
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325. My stomach has been in knots
all day long.
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326. Oh, we really don't have anything
to be concerned about.
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327. I mean, whatever else he might be,
Frank Bradley is a professional.
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328. Right. He's not gonna let personal
feelings get in the way of his judgment.
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329. - We're doomed.
- We're doomed.
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330. I thought these pictures were
supposed to be of famous people.
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331. Who's Ethel Merman?
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332. - Never heard of her.
- How about Mary Martin?
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333. Beats me.
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334. Hey, hey, hey, how about this one?
Groucho Marx?
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335. Oh, he must be Marky Mark's grandfather.
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336. Oh, look! Here it is, here it is!
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337. I can't look. Tell me which way
his thumb is pointing.
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338. Well, it's time for Critic's Corner.
Unfortunately, Frank Bradley
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339. - is out with food poisoning tonight.
- Yes!
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340. The finger sandwiches.
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341. I ate the finger sandwiches.
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342. That darn refrigerator.
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343. So we went right to the theater
to get the opinion of the common man.
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344. Hi!
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345. - Fran, that's you!
- I know. Do I look a little chunky?
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346. I loved it. It was a masterpiece!
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347. Compelling, riveting,
a sheer enchantment.
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348. Two thumbs up.
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349. Bartender, I think there's
something wrong with your set.
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350. I sound so nasal.
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351. It was a perfect evening of theater,
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352. although adding a few stalls
to the ladies' room wouldn't kill them.
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353. Hi, Ma! Hi! Hi, Daddy!
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354. Well, it looks like a hit to us.
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355. Oh, thank you, Miss Fine.
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356. Any time, Mr. Sheffield.
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357. Any time.
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358. Well, that makes it official.
Our final perishable has perished.
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359. And there's the repairman,
in the nick of time.
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360. Well, listen, the man
is highly in demand.
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361. This is a very sensitive piece
of equipment.
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362. - Who you gonna call?
- Frost Busters.
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363. - I'll just have a look at the Frigidaire.
- Well, actually, it's a Sub-Zero.
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364. Not anymore.
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365. Could be a condenser problem.
I think you got a crack.
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366. We got a crack.
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367. You know, I think these repairmen
must all shop at the same store.
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368. Yeah, the Gap.
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369. Oh, thank you so much! And I'd like
you all to thank my dear friend,
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370. a man that I'll kiss any day
on both cheeks, Mr. Dan Aykroyd!
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