1. Come with us now on a journey
through time and space...
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2. to the world of The Mighty Boosh.
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3. - What the hell are you wearing?
- This is the mirror ball suit.
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4. I've been up for four days trying to find our
new musical direction, yeah?
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5. You're in this band as well,
what have you been doing?
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6. I do the costumes, you do the music.
That's the agreement.
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7. And this, my friend, represents
a major breakthrough on the sewing machine.
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8. - I'm not wearing that on stage.
- I knew you'd say that.
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9. That's why I've made you the tweed version.
I call it the library suit.
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10. See this pocket? That's for your library cards.
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11. See this pouch?
Loose change, in case you've got any fines.
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12. - That's pretty good actually.
- Yeah. How's it going your end of things?
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13. - I've had a breakthrough.
- Oh yeah?
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14. I think I've found a new note in between B and C.
I always knew it was there.
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15. - I'm going to call it "Howard's note".
- Wow.
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16. I'll tell you how it works, right?
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17. I took a note, a sawtooth wave,
right off this Pantomime 4,
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18. put it back here, regenned it through itself,
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19. looped it back, mixed it
with the sound of this crab committing suicide
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20. and let it stew in its own reverb
for about three hours,
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21. and then I pump it all out through this shoe
to give it that oaky timbre.
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22. - Cool. Let's hear it then.
- Now go easy, 'cause this is early days.
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23. Okay.
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24. - What do you think?
- That's pretty interesting actually.
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25. - Keep that going.
- What about this?
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26. - Huh?
- That's great.
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27. What you doing? It's the middle of the night.
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28. I think we've found our new sound, Naboo.
Sing, Vince.
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29. - Huh? What do you think of that?
- Awful.
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30. What do you mean, awful?
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31. He's right. It is awful.
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32. I've been up for four days, I don't
know what's right and wrong anymore.
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33. You've got to help us.
We've got to come up with a new sound.
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34. - These things take time. Take a week off.
- A week off?
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35. We've got a meeting with the head of
Pie Face Records at 9:00 in the morning.
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36. If we don't come up with a new sound,
we're not gonna get signed.
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37. - Have you heard of deadlines, Naboo?
- I know about deadlines.
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38. - Have you heard of a deadline for the rent?
- Yeah.
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39. Exactly, if we get signed, we'll get an advance.
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40. You'll get your money, we'll be happy,
you'll be happy, Bollo will be happy.
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41. What do you mean, Bollo?
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42. - He's going to drum for us, if we get the deal.
- What?
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43. You did clear that with Naboo, didn't you, Bollo?
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44. - Erm...
- He's not your drummer, he's my familiar.
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45. I can't have him going away.
What if I need my cauldron stirring?
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46. He's an ape, you can't keep him
cooped up indoors, it's not natural.
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47. What, it's natural for him to go
drumming around Europe with an electro band?
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48. - Oh, please.
- Shut up.
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49. Naboo, you've got to help us.
We've got to come up with a new sound.
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50. You must have something up your silky sleeves.
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51. You've got some potions and lotions, haven't you?
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52. - Come on, Naboo.
- Look, maybe there is something I can do.
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53. - Follow me.
- Yes.
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54. - See these guys?
Rudi and Spider.
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55. Genius. Bongo in the Congo.
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56. - Starship Bongo.
Bongo Ahoy.
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57. I bet they never had
any trouble with ideas, did they?
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58. That's not strictly true,
they did have some bad times.
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59. - How would you know?
- I was their dealer in the '70s.
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60. - Good friends of mine.
- Really?
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61. Let me tell you the story of how they
came up with their finest album.
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62. - El Sonido Nuevo.
What's that mean?
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63. The New Sound.
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64. Hey, Rudi van Disarzio,
why are we here in this godforsaken place?
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65. - Why do you think we are here, Spider Dijon?
- I don't know.
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66. Is it 'cause you have no new ideas
and no new songs in you
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67. and everybody's saying you are washed up?
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68. I prefer to think of it as creative drought,
Spider Dijon.
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69. It happens to only the very talented amongst us.
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70. This place is bullshit.
Where are the bars and the women?
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71. This is a place free of those distractions.
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72. A sacred place known only to me and my family.
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73. It is a place where it is written
that a musician may find the new sound.
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74. What does it look like, this new sound?
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75. Doesn't look like anything. It is a sound.
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76. Hey, Rudi, why don't we record one of my songs?
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77. Why don't we record Spider Loving?
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78. That is not the sound
we're searching for, my friend.
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79. That is pornography with bongos.
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80. You said it could be a B-side.
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81. I think it is perhaps something to be saved
for your solo project.
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82. Hm.
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83. Now open your mind.
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84. Let us begin our quest to find the new sound.
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85. I am the eagle.
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86. Hey, Rudi, that was pretty good, huh?
Do you think that was the new sound?
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87. No, that was a song about finding the new sound.
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88. Slightly different.
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89. Hey, Rudi, I've been thinking.
Why don't we do what we usually do, you know?
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90. Get some Santana albums,
steal some licks, mix them up a little.
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91. Stop with that talk. We've turned over a new leaf.
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92. We are already under investigation
by the musicologists.
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93. You want to get that door in your head
checked out.
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94. It's letting in all kinds of mambo-jimbo.
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95. - You would not understand.
- Oh, really? Why? 'Cause I do not have a door?
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96. Exactly. The Door of Cuckundo
comes only through true wisdom.
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97. - Why can't I have a door, anyway?
- Because you are young and wild.
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98. It's not fair. You get to get the door.
Why don't I get to get the door?
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99. I am wise, I earned my door. I went into
the mountains and I studied under a master.
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100. I did not just get it at B&Q.
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101. Oh, you say you are wise.
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102. Oh, look at me,
I'm Rudi, I'm really wise, I've got the door.
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103. You did things wrong,
you stole other people's music.
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104. - Will you stop with this?
- You think you are psychedelic Jesus, huh?
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105. - There's nothing holy about you. You are a fraud.
- We all make mistakes.
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106. Some of us learn from the errors of our ways,
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107. but you never learn,
because you are stubborn like the ox.
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108. I'm not an ox, I am a lion
and if I want something, I pounce.
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109. Yes. We all know about this, don't we?
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110. What are you trying to say to me?
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111. If you want to say something,
speak the plain English.
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112. Don't run around the house in a little car.
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113. You know very well I am talking about my ex-wife.
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114. Oh, why you always go on about this?
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115. You know, it was the '60s,
you know, free love, we were young.
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116. Besides, your wife wasn't just free with me.
She was free with everyone.
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117. My wife was like all women, strange and evil.
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118. You cannot put all of the blame
on top of her head.
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119. What do you mean by this?
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120. Why do you think her eyes started to go shopping
for other men in the first place?
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121. I was a good husband.
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122. Easy to say with the benefit of hind legs.
She told me everything.
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123. - She told me of your affair.
- I did nothing wrong.
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124. Then why did she come home from work
one day, to find you with your guitar?
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125. That was a misunderstanding, I was naked,
it was dark,
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126. I was changing a string, I became entangled.
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127. You expect me to believe this?
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128. Is it so wrong for a man to love a guitar?
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129. Yes, it is, if he puts his balls inside it
and strums himself to ecstasy.
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130. I have had enough of this talk now.
I need to meditate.
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131. Go away and digest what we have spoken about.
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132. Come to an understanding
of why I was right and you were wrong
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133. and then I'll type it up,
give it back to you in a note form.
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134. I bet you will, with bullet points, you anal bastard.
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135. Why don't you take your notes
and stick them up your anus, huh?
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136. - And chew on them till sunrise.
- Oh yes, I forgot. You cannot read, can you?
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137. Maybe I can read a few names,
in my phone book here.
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138. Maybe I can read the name of Carlos.
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139. Carlos Santana. I might have known.
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140. I did not want to tell you, you know.
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141. I was protecting you
because I thought we were bongo brothers.
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142. Carlos has been trying to poach me now
for two years.
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143. He's a proper musician.
He likes to play and have fun.
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144. He doesn't ponce around the desert in a dress.
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145. This is not a dress.
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146. - This is the sacred robe of the Psychedelic Monks.
- Whatever.
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147. Maybe I'll go to Carlos.
He is a better guitar player than you, anyway.
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148. - What did you say?
- You heard what I said.
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149. He's a better guitar player than you.
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150. - Oh, really?
- Yeah.
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151. Well, can he do this?
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152. - Oh, my pancreas.
- Feel the power of my fusion lick.
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153. This is the last time you ever raise
your guitar to me.
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154. There was a time when we used to play together
and that was enough.
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155. Look at you now.
You think you are some kind of priest.
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156. Better a priest than a beast.
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157. Easy.
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158. Do not worry, Miranda, we are alone now.
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159. - I forgot my congas.
- I was just changing a string.
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160. Hey, Carlos, baby.
Yeah, man, it's me, Spider Dijon.
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161. Yeah, I've been thinking about your offer,
you know.
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162. Maybe it's time we could hook up a little?
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163. Yeah, oh, you know Rudi, wandering around
like a huge purple lollipop.
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164. Hey, Carlos, man, hang on a sec.
There's some weird chick out here.
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165. Hey, lady, this is an important call for me,
you know. Why don't you bamoose?
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166. Well, maybe I shall go back to my town,
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167. which is populated exclusively by women
desperate for a man.
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168. Hey, Carlos, you're breaking up.
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169. - I am Spider.
- That's a very strange name.
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170. - Yeah, it is a nickname, you know.
- Oh!
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171. Because I have eight of something.
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172. - Eight fingers?
- No.
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173. - Eight toes?
- No.
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174. Well, is it because you have eight...
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175. Why are you here?
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176. Well, I shouldn't really tell you this,
but I came with a friend, you know,
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177. he's looking for The New Sound.
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178. - Not another one.
- What do you mean?
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179. Everyone comes here to find a new sound.
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180. I thought it was some kind of family secret.
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181. No, look over there. There's Razorlight.
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182. And that's Kevin Rowland.
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183. And over there, Chris de Burgh.
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184. - He's been here for 10 years.
- Look at Chrissie.
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185. Hey, lady, lady.
You know, this town you speak of, is it close?
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186. Very close.
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187. You like porn?
Very much.
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188. Hey, lady, why don't you come
and have a drink with Uncle Spider?
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189. Little tequila.
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190. Oh, man. What's wrong with the woollen bullet?
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191. Oh, that is Monkey. She is strange.
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192. She has visions and she drinks her own urine.
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193. She smells of peanuts. We leave her alone.
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194. She should meet my friend Rudi.
They get on like a house on fire.
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195. He loves complicated women.
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196. But not me, I like simple women.
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197. Yeah. Oh, look, if it isn't Rudi the Prudy.
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198. What brings you here?
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199. Just passing through. Sparkling water please.
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200. I thought you'd gone to Carlos.
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201. Whether I go this week or next week,
what's the big deal?
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202. Typical of you to waste your time
on these baubles.
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203. Why don't you stick around?
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204. You know, a town full of women,
even you could get laid.
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205. I like your dress.
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206. This is not a dress.
This is a sacred robe of the Psychedelic Monks.
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207. Why don't you stay a while?
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208. Put away those fiery biscuits.
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209. - What's wrong with him?
- He's a little upset, you know.
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210. I tell you why,
because he's looking for The New Sound.
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211. Why is that so funny? I am on a musical quest.
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212. Don't get your robe in a twist, you know.
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213. Why don't you stick around, little tequila,
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214. little bit of free love.
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215. How naive you are.
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216. If there is one thing I have learnt in all my life
as a travelling musician,
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217. it is that love is never free.
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218. It makes a mockery of humanity
the things men will do
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219. for those one and a half minutes of pleasure.
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220. One and a half minutes?
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221. Two minutes, whatever.
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222. When Spider makes love,
it is for a month-and-a-half at a time.
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223. You beast. You drummers are all alike.
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224. I do not understand.
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225. Perhaps the moon knows the secret
of The New Sound.
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226. When you are the moon,
there is a person people say is the sun.
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227. I saw the sun once, it came past me, really fast
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228. and it was called the eclipse.
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229. And it came past, but as it came past
I licked his back.
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230. He didn't know I licked his back,
all on his yellow suit.
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231. I'm the moon.
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232. Thanks.
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233. Why do you sit here alone?
Why you not in the bar with your friend?
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234. I am not interested in base pleasures.
Though I see it is tuppence a pound in this town.
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235. You are not like other men.
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236. - I am a priest.
- Yes.
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237. A high priest of the Psychedelic Monks.
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238. - Perhaps you are aware of our order?
- No.
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239. But I know there was something about you.
Something in your eyes,
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240. it reminds me of someone.
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241. Who?
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242. Someone who died for what he believed in.
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243. - Who was that man?
- He was my father.
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244. - Where is he?
- He is dead.
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245. - Oh yes, you mentioned.
- He was killed when I was but a young girl.
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246. The town was attacked by an evil bandit, Betamax.
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247. - Betamax?
- All the menfolk fled this village in fear.
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248. Only my father remained to defend us.
He was killed.
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249. But he had that same look in his eye.
That same look that you have.
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250. This is him.
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251. I too have seen eyes like yours before.
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252. Yes. Where?
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253. When I was young I had a pig.
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254. I'm sorry, I meant no offence, I loved that pig.
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255. - I understand.
- You do?
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256. I too love pigs.
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257. Sometimes I wish I could marry my pig
and dress him up and ride him around the town.
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258. I kind of know what you mean.
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259. I feel as though I can tell you these things.
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260. - Maybe I shall stay in this town a while.
- No.
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261. You must leave this town. Betamax will kill you.
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262. Who is this Betamax?
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263. He is an obsolete format
and wreaking his revenge on the world.
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264. He kills all our menfolk
and takes his fill of the women.
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265. - Even of you?
- No.
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266. I cover myself with peanut butter.
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267. He has an allergy.
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268. Do you have an allergy?
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269. Only to wheat.
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270. There is no time. Quick, go.
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271. There is a secret way out of the village
through this barn. Save yourself.
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272. The next time you see that pig
or have a peanut sandwich,
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273. think of me.
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274. Your name?
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275. Monkey.
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276. Monkey?
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277. Ladies! Ladies!
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278. Ladies.
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279. Where are you? Ha ha!
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280. Psst!
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281. Spider.
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282. Huh?
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283. - Psst!
- Huh.
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284. Oh, yeah. I'm a coming.
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285. - Get...
- Come on.
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286. Get off me, you beast.
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287. - Rudi, it is you.
- Yes, it is me.
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288. Oh my God, in the dark in this dress...
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289. How many times do I have to tell you?
This is not a dress, it is a robe.
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290. What are you doing in here, anyway?
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291. Sneaking around in the dark
like some kind of pervert.
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292. I know, you like to watch, that is your game?
Peeping through the slats.
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293. Shut up. You do not understand
what is going on here.
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294. The town is under a curse from the evil bandit
Betamax and he is coming now.
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295. I don't like the sound of him,
he sounds like a whole heap of bullshit.
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296. - Come on, let's go.
- We're not going anywhere.
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297. We shall stay and fight the evil that is Betamax.
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298. You're insane, Rudi, you know.
This is all like Woodstock all over again.
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299. The idea is you play and then you scram,
but, oh no, you wouldn't listen, would you?
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300. You wanted to hang around, didn't you?
And then we got roped into tidying up.
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301. Me, you and Carlos Santana
hoovering for six weeks.
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302. - Somebody had to clean up that mess.
- We should have split like The Who.
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303. They were off in a shot,
I didn't see Roger Daltrey in no flipping apron.
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304. They are selfish men.
What goes around comes around.
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305. What do you mean by this?
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306. Well, maybe one day Daltrey will do the hoovering.
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307. You're absurd.
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308. Roger Daltrey doesn't hoover for no one,
he's his own man.
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309. - Well, we shall see.
- Listen to me, Rudi.
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310. - I am just a drummer, you know.
- No, you are much more than this.
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311. I cannot be this thing
you want me to be, you know.
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312. You always trying to mould me into the shape
of something. I'm not that shape.
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313. I am the shape of an animal,
I have eight cocks, you know.
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314. There's nothing I more like to do
than to drum, drink tequila,
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315. and make love, until I fall over in the dirt,
and then the next day I do it again, you know.
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316. You cannot make milk into cheese.
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317. Yes, you can.
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318. Bad example. I should have gone to Carlos
when I had the chance.
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319. Maybe you still have that chance.
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320. What do you mean?
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321. - What are these?
- Tickets to Brazil.
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322. Backstage passes to Santana in Rio.
Go to him, he shall take you on.
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323. - I don't know what to say, Rudi.
- Don't say anything, just go.
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324. - I'm out of here, man.
- Goodbye.
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325. - I cannot leave!
- Why ever not?
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326. Because we are bongo brothers.
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327. We have been through too much.
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328. I know I can never be a priest like you,
but I can stand by you and fight.
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329. - You have passed the test.
- What test?
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330. The backstage pass test.
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331. Most men would have taken the passes,
gone to Santana, had a good time,
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332. but you refused in order to stay with me
and die like a dog in the sand.
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333. Spider Dijon, for the first time in your life
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334. you have made a noble gesture.
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335. Oh.
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336. Oh! What is happening? Oh, my head hurts.
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337. - You have a door.
- Yeah, Rudi, I got a door like you.
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338. Check me out.
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339. Let us go and kick some ass.
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340. Prepare to die, pigdogs.
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341. Betamax.
- What?
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342. You are obsolete but that is no reason
to take revenge on these innocent people.
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343. That's not the reason, jerk-off.
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344. The reason why I'm angry is that many years ago
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345. someone slept with my wife.
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346. It was him and he shall pay.
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347. Spider, is there no one you have not slept with?
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348. He's lying. I never slept with his wife, you know.
I would remember such a thing.
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349. Oh, no, yeah, I did.
I remember now, she was one hot piece of tape.
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350. Silence!
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351. When we made love it was for 60 minutes,
sometimes 180.
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352. That does it. You shall die.
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353. Not without a fight.
Prepare to feel my fusion wrath.
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354. I'm out of tune, just a minute.
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355. Okay.
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356. - Ah! What's happening?
- Yeah.
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357. This shouldn't be happening. Oh!
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358. Oh, shit-nuts!
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359. Look at him go.
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360. Not good enough. Feel my vinyl tendrils.
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361. I thought you would never shut up.
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362. Right.
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363. What's happening?
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364. Help me, Spider.
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365. - How?
- Use your door.
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366. - But I haven't read the instructions.
- Open your mind.
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367. Here you go. Come to papa.
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368. I paused him. I paused Betamax.
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369. Rewind him, Spider.
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370. And now I'm going to rewind you,
like the bitch you are.
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371. Oh, no, this can't be happening. Oh, please no!
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372. Please no, don't do that. Please!
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373. A little to the left. Oh, shit.
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374. They have defeated the Betamax Bandit.
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375. What will you do with him?
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376. We will tape over him with the snooker.
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377. We have searched all over this world, Spider,
to find a new sound.
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378. But there is one place we forgot to look.
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379. Oh, yeah? Where?
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380. Inside our own minds.
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381. And that's the end.
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382. - That's the end?
- And the lesson is
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383. you can only find The New Sound
at the end of a long journey.
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384. How does that help us, you berk?
We've got to meet the record label in 10 minutes.
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385. - Good point.
- You'd better get some magic potions out, Mowgli,
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386. - or we're going to hurt you.
- All right, calm down.
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387. This is liquid music,
it will turn you into musical geniuses.
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388. - What is this?
- It's the tears of Mozart.
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389. Mixed with the urine of Mark Knopfler.
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390. - How long does it last?
- Three hours. Quick, run.
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391. Play like you've never played before.
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392. You are truly wise, Naboo.
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393. Do you think with magic potion
they will get record deal?
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394. - I doubt it, that was just Lucozade.
- Oh.
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395. Come on, mind your feet. Mind your feet.
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396. Thank you.
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397. - No, it couldn't be.
- I think it was.
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398. What did I tell you before, huh?
What goes around comes around.
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