1. Welcome to the show.
My name's Howard Moon.
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2. - This is Vince Noir.
- All right?
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3. This week I'm gonna be playing
a host of characters.
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4. But don't be afraid. It's just that
as an actor I can play any emotion.
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5. - I've seen him. It's pretty powerful.
- Yeah.
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6. Here's a little taster of what I can do.
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7. - What's that?
- Grief of a sailor.
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8. - That is genius. Do another one.
- You like that?
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9. - What's that?
- Cornish guilt.
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10. - How's that? You likin' it?
- Cornish guilt? Timeless characters.
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11. - Can you act?
- Can I act?
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12. Not really, no.
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13. That was me acting then.
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14. Likin' that. The twist-around.
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15. - What else have you got?
- Loads of stuff.
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16. Go on, then. Surprise me.
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17. Welcome to the show.
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18. ..to the world of The Mighty Boosh.
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19. And now, kids, our final stop
on the tour of the Zooniverse...
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20. - lvan, the hairy Russian carpet guy.
- The bear?
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21. Well, yeah, if you wanna use the Latin.
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22. Anyway, when this guy's
not busy being a carpet,
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23. he lo-o-o-oves his dancin'.
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24. And accompanying him today
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25. is Vince Noir and his lowly assistant,
Howard Moon.
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26. - You know what we're doing?
- An electro-pop classic.
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27. No, jazz funk. We did electro
last week. It's jazz funk this week.
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28. Hey, dung-heads, let's move it along.
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29. OK. This is a track I've composed myself.
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30. It's a kind of slap-bass odyssey,
if you like.
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31. It's called, simply, Particle. Thanks.
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32. One, two, three, four.
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33. - He doesn't look happy.
- Cos he's a communist.
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34. He doesn't understand
the service industry.
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35. What he doesn't understand is,
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36. if carpet-man don't dance,
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37. carpet-man don't eat.
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38. - You seem kind of scared.
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39. But don't worry, these bars
could stop a speeding juggernaut.
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40. Head for the hills!
You're on your own, everybody!
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41. Don't kill me! I loved Lenin!
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42. Naboo, you saved my life.
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43. I have to kiss you passionately
on the mouth.
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44. Ooh! My nuts!
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45. Oh, yeah. This is more like it, eh?
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46. Getting out on the open road,
getting away from the zoo.
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47. Yeah. I feel at home on the road, Vince.
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48. It's in my blood.
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49. I think it's because, when I was young,
I moved around a lot.
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50. I lived with my parents, but on
weekends I'd visit my grandparents,
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51. and they lived over 40 minutes away,
in Wakefield.
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52. I think, from that, I developed a kind
of spiritual... wanderlust, if you like.
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53. Yeah. I always felt a kinship
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54. with the nomadic peoples
of the Kalahari.
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55. - No way.
- Mm. It's true.
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56. - No way!
- Yeah, a deep bond.
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57. They're making a Bollywood version
of The Fonz.
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58. Have you listened to anything I've said?
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59. Er... something about calamari.
I'm not hungry.
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60. I'm trying to have a conversation here.
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61. I'm trying to get some deep
conversation going. Cos I'm driving.
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62. - What d'you want to talk about?
- Well, you know, about me.
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63. I'm a free spirit. I can't be hemmed in.
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64. People try to put me in a box
but I break free.
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65. - Who's trying to put you in a box?
- That's the nature of me.
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66. - Who's trying to put you in a box?
- Well, people, you know. The man.
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67. Have you contacted the police
about this?
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68. - No. The man. You know.
- What are you on about?
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69. People try to put people in boxes.
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70. No one's trying to put you in a box.
You're the wrong size.
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71. Let's forget about this conversation.
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72. - How would you even get in a box?
- Read your magazine.
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73. - You wanted to have a conversation.
- I'm suddenly tired of that.
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74. Just check on lvan, will you?
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75. - How's he doing?
- He looks a bit bored.
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76. - What are you doing?
- Giving him something to read.
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77. - The Face? He's a Russian bear.
- So what?
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78. Give him some Chekov.
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79. - D'you want something to eat?
- Yeah, I'm quite hungry.
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80. I've got it all in here.
Ultraviolets, flying saucers,
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81. strawberry bootlace. Get involved.
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82. Have you got any food?
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83. - Yeah. Saturn zingers.
- No, like real food.
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84. - Neptune fizz.
- Have you ever heard of rice?
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85. I've heard of Rice Krispies.
Hey, Howard...
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86. Check this out.
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87. Wait.
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88. That's how turtles eat.
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89. This journey's gonna fly by.
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90. - I made some tapes for the journey.
- Oh, right.
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91. This is The Best Of The '60s.
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92. And this is The Best Of The '70s.
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93. And this... is Gary Numan.
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94. - No. No way. We're not having that.
- What?
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95. - Oh, come on.
- Absolutely not.
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96. I'm drawing a line under that. That's it.
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97. - Why?
- I'm driving. We're having my music.
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98. - Oh, not jazz?
- No.
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99. This, my friend, is jazz funk.
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100. Oh... The double. That's even worse.
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101. The cerebral musicality of jazz mixed
with the visceral groove of funk.
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102. - Funk? Funk?
- What a combo.
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103. Jazz's deformed cousin.
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104. - Check this out.
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105. Feeling that?
Wait till the slap-bass solo comes in.
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106. It's coming up.
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107. It's coming up now.
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108. Maybe it's on the other side.
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109. Here we are, it's coming now.
This is it. It's coming up.
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110. - Just... need to...
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111. It's coming up now. Ready for this?
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112. Ah! It's not that. Just a minute.
It's coming.
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113. The next... It sounds
the same a bit before and then...
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114. - Really?
- It's coming.
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115. It's coming up. It's coming up.
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116. - Ooh!
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117. - Feel the power of that.
- It's embarrassing.
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118. The thumb-work. Ooh!
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119. - Wow! What...
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120. - What's happening?
- lvan's going mad.
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121. It's slap bass. He doesn't like it.
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122. Doesn't like it? What does he like?
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123. ♪ Here in my car I feel safest of all
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124. - Are we nearly there yet?
- No. No, we're not.
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125. I might have a little sleepie.
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126. You're not having a little sleepie.
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127. - Oh, come on.
- No. It's your job to entertain me.
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128. - D'you want me to do a little dance?
- Well, do something.
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129. I've got something. I know exactly
what to do. You'll love this.
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130. Put him away.
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131. - Don't get him out again.
- I've got others.
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132. I don't wanna know.
Can't you just tell me a story?
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133. About what?
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134. When you were growing up
in the forests.
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135. - You've heard all those.
- I like to hear them again.
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136. All right.
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137. When I was young, I was raised
in the forests by Bryan Ferry.
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138. It was amazing. Magic times.
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139. I loved hanging out with Ferry.
We used to go hunting, fishing...
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140. We lived in a small house
made out of bus tickets.
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141. Brilliant. Problem was,
Bryan used to go on tour quite a lot.
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142. So he used to leave me
with various animals.
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143. Once he left me with
the Jahooley, the leopard,
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144. who was pretty irresponsible.
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145. He took me out killing gazelles,
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146. knowing that Bryan
was a strict vegetarian.
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147. He used to feed me
the soft, tasty meat.
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148. Afterwards, I'd be so full
I'd need a little sleepie.
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149. But just as I was nodding off,
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150. Kalooney, the dirty cobra,
came whisking up the side of the tree.
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151. He said to me...
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152. I said, "Why? What you on about?"
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153. He said, "Because the monkey-folk
plan to steal your face."
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154. "What d'you mean?"
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155. The king wanted a man's face
in order to be a proper king.
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156. He'd seen mine
and that was the one he wanted.
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157. He tried to get Columbo's,
but that was on too tight.
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158. Anyway, the problem was
it was so hot in the jungle
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159. and I was so full, I fell asleep.
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160. You idiot. Oh, no!
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161. - I know.
- Oh, no!
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162. - What an idiot.
- What happened next?
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163. That's another story for another time.
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164. - What?
- That's the end.
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165. That's not. It's the beginning
of something interesting.
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166. Listen, that's the end of that saga.
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167. What? Are you lcelandic?
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168. I want the end of the story.
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169. I went so far and now I'm stopping.
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170. Who are you, dealing stories in chunks?
Johnny Segment?
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171. Yeah. I'm a storyteller.
I'll decide... You've had your fill.
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172. You can't get a man all juiced up
and leave him dangling like that.
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173. - That's my style.
- The dangler?
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174. - Yeah, the juicy dangler.
- You're ill.
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175. - You've had your word nourishment.
- I'm empty.
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176. - I need the pudding.
- You're so greedy.
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177. - What?
- Greedy for the verse.
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178. - Just... Come on.
- Slow down.
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179. Ridiculous. How much further
have we got to go?
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180. According to the map,
the Animal Offender Zoo's here.
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181. But if we take Fossil's route,
it's about six hours.
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182. Useless. So why don't we take
this short cut?
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183. - What short cut?
- The next left.
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184. - Through this forest?
- Yeah.
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185. - Are you sure?
- We'll be there in about 20 minutes.
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186. - Where the hell are we?
- I don't know.
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187. I thought if we came down this road
we'd cut out a lot of time.
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188. - What road?
- This road here.
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189. What, this thin, red road?
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190. That's a raspberry bootlace, you berk.
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191. I was just trying to help, all right?
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192. How have you helped on this journey?
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193. You bring sweets, not food,
tell stories that don't end properly
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194. and bring Gary Numan's
entire back catalogue.
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195. - A powerful body of work.
- A powerful stench.
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196. - I've had enough of your abuse.
- What you gonna do?
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197. - I'm vacating the vehicle.
- What are you doing?
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198. - I'll walk.
- Where? Down Raspberry Avenue?
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199. - You're in a forest.
- Whatever.
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200. You won't last five minutes without me.
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201. Howard! Stop the van!
Howard, stop. Wait.
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202. You couldn't walk away, could you?
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203. - My scarf's caught in the wheel.
- Right.
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204. - See you later.
- Yeah. Bye.
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205. Technically, you're not a Peeping Tom
if it's one of your relatives.
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206. - More tea, Naboo?
- No, I'm fine.
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207. Well, if you're not gonna have
any tea, I am. I love my tea.
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208. Oh, no! Howard and Vince are in danger.
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209. - How do you know?
- It's written in the tea leaves.
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210. Naboo, this is terrible!
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211. But on the bright side, we can get
together more. Where are you going?
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212. To save Howard and Vince.
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213. - I'll come.
- No, it's fine.
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214. - No, I must protect you!
- I wish you wouldn't.
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215. Who's there?
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216. Vince, it is l, Bryan Ferry.
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217. - No way!
- Look at you!
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218. Vince, my child, so many years have
passed, but I knew you would return.
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219. I love what you've done with the place.
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220. I would have tidied it
if I'd known you were coming.
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221. - These ferns, are they new?
- lKEA.
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222. Look at you! All grown up.
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223. Is this what they wear in the city of men?
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224. - Pretty much.
- Huh! Ridiculous.
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225. Let us celebrate your return
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226. with feasts and music
and the slaughtering of a hound.
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227. I can't really stay that long, Bryan.
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228. I've got a life in the city. A job.
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229. - Job?
- Yeah, in a zoo.
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230. Zoo? What is zoo?
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231. You'd love it. It's a bit like a forest
but they keep the animals in cages.
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232. No! Animals should never
be kept in cages!
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233. It's just a stopgap, you psycho.
I'm gonna be a singer, like you.
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234. But you were the least musical
of my children.
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235. Even Colto, the deaf horse,
could sing better.
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236. Colto. How is Colto?
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237. - He's working on his third album now.
- Really?
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238. Experimental stuff.
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239. - Eno is producing.
- Wow!
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240. What about my best friend,
Jahooley, the leopard?
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241. Jahooley is gone.
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242. There is a curse upon the forest, Vince.
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243. Many of the creatures have disappeared.
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244. Taken by Baboo Yagoo,
the green man-witch.
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245. Who?
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246. Some say he is the devil himself.
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247. Others say he is a man
pretending to be the devil,
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248. with green make-up
and... special lighting.
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249. But that is nonsense.
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250. He is as real as this forest.
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251. - Anyway, look, Bryan...
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252. Anyway, look, Bryan, I better get going.
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253. I've got to find my mate, Howard.
We had a bit of an argument.
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254. - Is he in danger?
- Probably.
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255. He gets in danger, I go and sort it out.
That's how the show works.
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256. Take this horn.
And if you are in peril, blow upon't.
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257. I will come running as fast as
Hundoo-oo-oo, the Volkswagen.
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258. Thanks. I've got something
for you, Bryan.
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259. - Agh!
- There you go.
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260. - What is this?
- A tape. It's my new demo.
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261. - My new band. See you later.
- Thank you. Take care, child.
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262. Ah. Tape. Yes.
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263. Of course, it is all MP3 now.
These are obsolete.
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264. Oh, yeah, the open road.
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265. This is more like it.
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266. A man alone with his dreams.
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267. That's me, Howard Moon.
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268. What's that? A hitchhiker?
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269. Yeah, right, I'm gonna stop for you
in this dark wood.
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270. So... are you going far?
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271. D'you live round here, do you?
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272. Well, obviously not in the woods.
It would be weird if you lived here.
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273. What's in the box?
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274. Travel sweets, is it?
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275. Travel sweets! That's one of mine.
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276. Big box like that with small sweets
in it would be funny.
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277. Shall we have some music?
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278. Ease the tension. Let's have the radio.
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279. Too much music in the world.
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280. Quite a thumb you got there.
Bet there's a story there.
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281. You want to know about my thumb, boy?
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282. lntrigue you, does it, boy? My thumb?
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283. Let me tell you about it.
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284. I come from a long line of hitchhikers,
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285. all with bleedin' massive thumbs.
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286. The thumb is a tremendous boon
to the hitchhiker.
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287. Helps with work. You know what I mean?
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288. Only problem was, when I was a child
my thumb was tiny.
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289. Not just tiny,
like a single Sugar Puff. Disgusting.
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290. Even me own mother would
reel back in horror like an anaconda.
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291. "What is it? Get it out of here!
It's tiny! It's horrible! It's revolting!
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292. "Take your tiny thumb
and get out of here
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293. "and never darken my door again,"
she'd say.
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294. I had to leave the family unit,
in search of a miracle.
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295. I wandered the streets,
looking for the answer.
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296. People told me of a magic shaman,
part man, part hornet.
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297. So I went looking for him.
I went everywhere.
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298. I combed the universe
in search of the stripy-insect shaman.
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299. It turns out he was
in a local primary school, in the bin,
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300. reeling about with the apple cores,
like they do.
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301. I stood there with my thumb out
and he stung it, he grabbed onto it.
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302. It was like he was making love to it
with his sting. In and out!
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303. In and out! More and more!
Oh, the pus, the pain!
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304. The black voodoo, the wet jigsaw puzzle.
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305. I didn't know what was happening.
For days I was in a trance.
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306. But when I came to, there it was,
like a fleshy maraca.
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307. A thumb of gigantic proportion.
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308. "A miracle!" I said, "A miracle.
You're a true wizard.
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309. "How can I ever repay you?"
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310. He said to me, "500 euros."
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311. "500 euros? You won't see
penny-one from me, you slag!"
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312. And as I raised my thumb up
to smash his tiny skull in,
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313. I could see in his little insect face.
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314. I could see him thinking,
"Oh, I created that monster.
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315. "l created that thumb
and now it's killing me.
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316. "My own beast in creation
killing me dead! The sweet irony."
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317. I think he was saying that
but it was a long time ago.
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318. In hindsight, he could've
just been shitting himself.
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319. Anywhere here?
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320. Stop the car!
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321. - Don't kill me!
- What?
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322. Don't kill me. I've got so much to give!
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323. I ain't gonna kill you, mate.
I need a sprinkle, you onion.
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324. Oh. Right.
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325. I'm gonna slash like a powerful horse.
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326. Whoa!
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327. Whoa! Whoa!
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328. Comin' out of me like yellow cable.
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329. Ohh!
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330. Whoa, yeah!
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331. I've been backed up for some time, boy.
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332. Come back here! Oi!
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333. Yeah, right. I'm not hanging about
while you relieve yourself.
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334. I'm Howard Moon, man of action.
With things to do.
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335. Can't hurt to have a little look inside,
can it, eh? Why not?
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336. - Oh, me back's gone.
- Not again.
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337. - It's totally gone.
- Grab his legs.
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338. - Ohh!
- Easy.
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339. That's why you should never
bring a cricket bat to Greece.
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340. - Where to, Naboo?
- Left at the lights.
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341. Hello?
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342. Hello?
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343. - Hey.
- Aah! Oh... Vince.
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344. - How's it going?
- Good. Great. It's going well.
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345. What are you doing here?
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346. A weird bloke picked me up,
put me in his box.
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347. Yeah. He was hideous, wasn't he?
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348. Hideous? I thought
he had a certain bony charm.
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349. - I can't believe we're trapped in a box.
- Yeah.
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350. I thought you couldn't
get trapped in boxes.
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351. That was a metaphorical box.
This is an actual box. Slight difference.
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352. It's massive, this box. Check this out.
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353. Hello?
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354. Hello! Welcome to my zoo
for animal offenders.
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355. We get all kinds of garb in here.
Behold... the Nazi turtle.
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356. A freshwater fascist for all the family.
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357. Over on the left, the Ku Klux goose.
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358. - You all right, boy?
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359. But our finest exhibit... is over here.
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360. Feast your eyes... on Trevor Robinson,
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361. the shire horse
with over 37 parking tickets!
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362. All unpaid, mind. Evil hooves.
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363. - What d'you want with us?
- I'm gonna slice you up.
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364. Oh, I'm a Cockney nut-job.
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365. He slashes one way,
he slashes the other.
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366. He slashes diagonal,
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367. he's like Connect Four in dagger terms.
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368. I'm gonna cut you up
and feed you to my menagerie.
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369. But I ain't all evil.
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370. Any last requests,
I'll be happy to service 'em.
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371. - Young lady, anything?
- That's you.
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372. I've got an idea.
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373. - Is it all right if I blow this?
- I don't see why not.
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374. Leave this to me.
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375. - What was that?
- Give it to me a minute, boy.
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376. Oh, it's a lovely horn.
Let me have a go at this.
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377. Great.
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378. What about you, squire?
Anything I can do before I cut you up?
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379. Well, I always thought I'd fade away
to... some slap bass.
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380. But I don't suppose that's
music you're familiar with.
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381. I beg your pardon?
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382. What do you think this is?
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383. I'm a leading exponent
of the jazz-funk movement.
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384. I'm the slap-bass president,
for God's sake.
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385. Oh, yeah, it used to be Mark King,
but we had a thumb duel.
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386. I smashed him into the ground
like a blond tent peg.
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387. "Get back to Level 42
and go about your business."
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388. You love it, you slags!
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389. - He's all right, this guy.
- Can you feel the funk?
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390. Wahey!
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391. Oh, no!
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392. - Look at that.
- He's melted.
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393. I ain't melted, you onion. I'm over here.
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394. You'll never catch me. I'm off!
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395. Well, that was a narrow squeak, eh?
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396. Yeah. Let's get back to the zoo quickly.
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397. - You sure you know how to drive?
- Yeah, it's easy.
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398. You don't have to do that with
your hands. It's a straight road.
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399. You fools, you smashed me
with your iron horse.
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400. - Who are you?
- Bryan Ferry, ruler of the forest.
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401. - Have you ever seen Bryan Ferry?
- Yeah. What's your point?
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402. You look like Terry Wogan.
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