1. Hi. Welcome to the show.
I'm Howard Moon, this is Vince Noir.
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2. All right.
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3. This week we're dealing with immortality.
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4. Can a man live on after his death?
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5. I'd like to think I will be remembered
many years after my own death.
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6. - What for?
- For the things I say and do.
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7. Like what? "Have you seen my
light blue trousers? Can I have a crisp?"
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8. There are many things I do
that you don't know about.
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9. Really. What things?
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10. Once a month one euro goes out of
my account straight into a charity.
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11. Direct debit. Whoosh.
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12. - That's how you'll be remembered?
- Yes.
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13. - For euro generosity?
- I don't need to be remembered
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14. - cos I'll be in the future.
- How?
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15. Cryogenics.
Are you aware of cryogenics?
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16. - I've heard people say it.
- I'll have my head frozen cryogenically
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17. and put in a jar, and 12,000 years
from now they'll revivify me
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18. and I'll be the head in a jar.
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19. They'll wheel me out at ceremonies,
consult me like an oracle.
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20. Why not get your whole body frozen?
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21. It's not the way it works in the future,
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22. it's just heads,
floating about at ceremonies.
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23. Well, I'm gonna get my hair frozen.
lmagine that.
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24. Then future generations
can get it out and look at it
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25. - and see what's possible.
- Where are my light blue trousers?
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26. - I gave them to Leroy.
- What for?
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27. He took a shine to 'em.
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28. Don't give my trousers to people.
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29. - if you've got a problem, see Leroy.
- I'm going to.
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30. - Go on then.
- Leroy!
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31. Welcome to the show.
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32. ..to the world of The Mighty Boosh.
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33. Welcome to the Zooniverse, where
all your dreams come true... niverse.
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34. I'm general manager Bob Fossil,
and I'm a human.
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35. Now, our first stop today on the tour
is the largest animal in the zoo,
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36. the Grey Leg-Face Man.
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37. - What?
- You know, the Grey Leg-Face.
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38. He's got legs,
and another leg on his face.
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39. The elephant.
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40. Well, yeah, if you want
to get technical, Mr Smarty-Pants.
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41. There he is, over there.
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42. - I can't see him.
- Well, he's camouflaged.
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43. He's adapting to
his natural environment.
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44. Look! There he went!
Oh, my God, you just missed him.
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45. - Boy, he's fast.
- Why aren't there any animals here?
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46. Well... why are you people so small?
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47. Huh? I could rest my drinks
on your head!
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48. I want my mummy.
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49. Hey, let's sing a song, huh?
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50. Everybody!
♪ Nicey nicey zoo zoo
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51. Whoa!
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52. Chin up.
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53. Nice.
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54. - Hey.
- Hey, Howard.
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55. - What you up to?
- I'm doing Bollo's portrait.
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56. - I'm doing him as Caesar.
- Nice, nice.
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57. - You can do me next.
- I can't really do people.
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58. Yeah but my face is a gift
to any portrait artist.
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59. - Could be difficult.
- Do me as a Greek god, fighter pilot.
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60. It's just you're a bit generic looking.
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61. How dare you?
What are you saying about my face?
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62. l... l didn't mean that in a bad way.
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63. - How did you mean it?
- It's good to be generic.
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64. - How?
- Spying.
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65. - Spying?
- Look...
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66. all I'm saying is look at Bollo.
Look at his face - all the lines.
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67. Look at his weather-beaten mush -
the years in the jungle, the circus,
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68. that chat show he hosted - it's all there.
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69. You haven't done anything.
Your head's like a man's thigh.
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70. What? You can have too much
going on in your face, you know.
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71. All a bit too busy.
All the features jostling for position.
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72. Yeah? The eyes screaming out, the nose.
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73. It's very visually noisy, your face.
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74. - Visually noisy?
- A brass band under a wig...
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75. - marching towards me every day.
- Look at your face. It's ambient.
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76. - It's like The Orb's third album.
- Take that back.
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77. - I'm just saying, get some accessories.
- What?
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78. Bring your face out -
get a pipe, a pink cowboy hat.
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79. Bring my face out?
I should knock yours back.
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80. - All right.
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81. - Easy.
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82. - It's all right, Bollo.
- I don't need accessories.
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83. I'm Howard Moon -
the man, the myth, the maverick.
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84. - Hi, Vince.
- Hey, Mrs Gideon.
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85. - Have you seen my python?
- No.
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86. Only he's not in his cage
and I thought maybe he was here.
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87. - Hi, Bollo.
- Quite slippery characters, snakes, eh?
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88. That's a popular misconception -
snakes are dry.
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89. Anyway, if you see him, his name's Tony.
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90. All right, cool, I'll bring him round.
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91. - I didn't know you were a painter.
- I've got a BTEC National.
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92. - I could do your portrait.
- Yeah, maybe.
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93. You're head of reptiles, yeah?
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94. I'd probably do you as Medusa.
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95. Oh, that sounds good.
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96. - You can't do people.
- I'm branching out.
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97. - Are you?
- Who are you?
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98. Howard. Howard Moon. I work here.
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99. - You're new.
- No, I've worked here for ten years.
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100. - Part time.
- Full time.
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101. I see you every day, Mrs Gideon.
It's me, Howard, crazy Howard.
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102. - OK.
- I'll keep an eye out for the snake.
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103. You know, if I see it I'll let you know.
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104. I love snakes. Real big fan
of the snake, you know. Yeah...
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105. - You're scared of snakes.
- I've got great stories about snakes.
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106. One got out, went down the street,
went AWOL, ended up in a launderette,
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107. got into one of the driers
and when they got him out it was small.
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108. Really small, the whole...
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109. Anyway, if you see Tony
you let me know.
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110. - Yeah. Having fun, are you?
- Yeah.
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111. - Gonna do her portrait?
- I might try a nude.
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112. Let me tell you - you go near her and
I'll come at you like a mighty bazooka.
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113. I love that lady, right?
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114. - Listen, start any funny business...
- Or else?
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115. Bollo'll rinse you out like a hot flannel.
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116. Where is he?
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117. - Bollo?
- Bollo?
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118. Who the hell is that?
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119. Bobby Bob Bob,
king of the doughnut people!
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120. Get inside.
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121. Hey. Wow!
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122. This place is amazing.
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123. Don't touch that!
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124. - I got the animal you wanted.
- Excellent.
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125. - Get me another one.
- Well, we can't do that,
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126. there aren't any more left.
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127. Get me a person then.
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128. - A human person?
- A human person.
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129. Everybody's been bugging me
about Joey Moose.
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130. - Who?
- The Australian keeper
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131. who disappeared in the reptile house.
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132. Make something up.
Say he got eaten by the python.
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133. - The who?
- The windy man! The long mover!
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134. Oh, yeah.
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135. Hey, Bainbridge,
what are you up to in here?
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136. I'd really like to get involved
in your shady operations.
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137. if you can keep your stupid mouth shut
you stand to make about 100 euros,
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138. maybe more,
depending on the bureau de change.
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139. - Wow.
- Take a look in there.
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140. No!
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141. Who are you?
How can I understand you?
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142. Shut that door, you idiot!
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143. He got out! I'll take care of it.
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144. - I'll go get him.
- I'll get him.
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145. You smooth things over with the staff.
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146. My nuts.
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147. OK, people, bad news on two fronts.
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148. First, our turnip shipment
arrived 25 minutes late
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149. so consequently
there will be no turnips for lunch.
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150. No!
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151. Second, Joey Moose,
one of our most beloved zoo keepers,
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152. has been killed.
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153. But the good news is
we found out who the culprit is!
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154. - So who was it?
- It was the long mover.
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155. - (Man) Who?
- You know, the windy man.
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156. - The python?
- Yeah.
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157. - We're gonna hang him tonight.
- You can't.
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158. Course you can, he's all neck.
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159. - Who's with me?
- I run a safe reptile house
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160. and I know my python wouldn't do that.
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161. Why? Cos he gives you chocolates
and kisses your lady lumps?
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162. No, because my python couldn't kill Joey
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163. because to kill a man
you need a much bigger bite radius.
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164. Well, bite my radius, lady-us!
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165. You've been a great crowd!
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166. - Fossil, you're an idiot.
- I resent that.
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167. Is anyone going to stand up to this man
or are you scared of him?
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168. I stand with Mrs Gideon.
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169. Who are you?
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170. Howard Moon.
We just spoke ten minutes ago.
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171. Hm.
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172. - Anyone else?
- Where's the lemur?
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173. - He's lost.
- Where's the squid?
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174. - Where's the what?
- Where's my frog?
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175. - You smoked it last night!
- Oh, yeah.
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176. - Where's the cow?
- Shut up!
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177. - Where's Bollo?
- Stop it!
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178. Nicey nicey zoo zoo zoo zoo!
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179. - Don't worry, I'm sorting things out.
- Where are the animals?
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180. - I'm gonna get to the bottom of this.
- Shut up, Moon.
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181. - You want a piece of me?
- A piece of you, Moon?
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182. - You haven't got it to give.
- You're lucky Vince is a delicate flower
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183. - who doesn't like violence.
- Get him!
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184. And I've got flu. I had flu.
I'm not quite 100% yet.
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185. if it wasn't for that I'd be on you
like a powerful moss.
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186. - You're pathetic, Moon.
- Yeah?
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187. - Well, step on in whenever you're ready.
- Now.
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188. - Er, now?
- Right now.
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189. - What do you mean?
- Right now.
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190. - Now?
- You and l, right now!
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191. - if you want to go now, we can go now.
- Let's go.
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192. - Come on! Mano a mano!
- Whenever.
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193. - I can pencil you in later.
- Right now!
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194. - Next Tuesday? Today?
- Right now!
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195. This morning? In this actual place?
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196. - Now!
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197. Yeah! You better run -
don't mess with the power of the Moon!
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198. Try and capture that look
I gave Bainbridge before he ran.
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199. - What look?
- You know, that mean look.
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200. - My signature look.
- He wasn't running away from you.
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201. He was running from something,
and that something was me.
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202. - My mean look.
- I'm not sure that was it.
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203. - How's it coming on?
- It's almost there. Come and look.
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204. - What do you reckon?
- Where's my face?
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205. - What?
- Where's my face exactly?
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206. There.
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207. Could you make me look
less like a balloon?
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208. - What?
- There's nothing there.
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209. - I paint what I see.
- And you see that?
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210. - Don't you like it?
- No.
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211. There's a space
where my face should be.
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212. Space? That's not a space,
that's your face.
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213. That is nothing. That is
a featureless ball on top of a suit.
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214. - Oh, hi.
- Vince, help me!
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215. Don't touch my hair.
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216. - I need your help.
- Can I help at all?
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217. - That's very good, it's just like him.
- Yeah.
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218. - You have an affinity with animals.
- I'm pretty good. Who told you that?
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219. - Everyone knows.
- I'm not a circus freak.
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220. I need you to talk to the cobra -
he's opposite the python
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221. so maybe he knows what happened.
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222. I don't get on that well with snakes.
I'm small monkeys and lizards.
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223. I understand but can you try?
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224. All right. For you I'll give it a go.
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225. Thank you, Vince.
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226. Can I touch your hair now?
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227. Go on then, quickly.
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228. I said touch it, not grab it.
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229. Well, I'll send him over and...
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230. Something funny?
Something funny, is there?
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231. Oh...
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232. - That's a good one.
- What's he saying?
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233. I'm just getting him loosened up
with some gags about rattlesnakes.
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234. It's an amazing gift, isn't it?
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235. Yeah. Well... yes, it is a gift.
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236. I could talk to the cobra myself,
chose not to.
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237. I thought I'd let him have a go.
I'm training him up.
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238. I have a real simpatico
with the snake, you know?
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239. Real... yeah. I respect it,
and I love the way they move.
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240. - Oh, beautiful creatures.
- Yeah.
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241. I sometimes feel very much like
a snake myself sometimes,
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242. the way they shed their skin and...
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243. Sometimes I'd like to take all my skin off
and just writhe about.
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244. That's disgusting.
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245. I meant like a metaphor for...
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246. It's still disgusting.
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247. .. identity.
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248. Speak English, fool.
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249. - Sorry.
- Your face is confusing enough.
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250. All right. Mr Rogers, you gotta tell me
what you saw last night.
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251. I do something for you,
you do something for me.
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252. - What do you want?
- In lndia I danced for the king,
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253. I want to dance again.
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254. - Snake charming.
- Yes.
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255. We can make it more modern,
bring it up to date,
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256. mix in some harsh tasty beats -
drum'n'bass style.
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257. Drum'n'bass? What is drum'n'bass?
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258. Leave that to me.
We're gonna make a fortune!
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259. We can split the profits 50/50.
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260. - 60/40.
- What?
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261. Nothing, my pretty.
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262. Now what do you want from me?
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263. - What happened last night?
- Look into my eyes...
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264. all will be revealed...
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265. It was Bainbridge.
He took the python and Joey Moose.
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266. - I knew it.
- Let's get him.
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267. Whoa there, Mowgli,
it's time for me to take over.
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268. I'll track him down.
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269. This is a dangerous mission,
Mrs Gideon, but I'll do it.
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270. I may not come back from it -
all I ask is that you remember me.
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271. Who was that?
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272. That's a filthy habit you've got, Moon.
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273. where am l?
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274. The idiot has awoken.
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275. - Times have changed, Moon.
- What's going on?
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276. Zoos are over - you see a rhino, big deal.
You see a wolf - who cares?
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277. You see a rhino with a wolf's head -
that's a kind of twisted poetry.
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278. I have devised a method
of splicing animals together.
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279. - What's that got to do with me?
- I'll tell you.
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280. Earlier this morning
you foolishly squared up to me,
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281. asked if I wanted a piece of you.
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282. I'll take that piece now -
the head, to be precise.
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283. - You can't have my head.
- I'm gonna take your head
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284. and splice it onto the body of a snake.
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285. Thus.
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286. Couldn't draw the face
but it's self-explanatory.
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287. You won't get away with this,
I'll come after you.
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288. Oh, really? I'd like to see that with the
body of a snake and the balls of a chimp.
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289. Love to chat but I arranged
to meet Max for a ploughman's.
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290. Back in half an hour - to splice you silly.
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291. Yeah? You'll never get away with this,
Bainbridge!
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292. Joey Moose disappears, nobody cares.
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293. Howard Moon disappears,
you got a riot on your hands!
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294. Crowds of people will be
tearing this place apart in a frenzy!
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295. .. sitting in a tree
K-l-S-S-l-N-G...
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296. Can you keep still, you batty crease?
I'm trying to do your portrait.
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297. I'm having visions.
They're coming thick and fast.
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298. - What visions?
- My shaman senses are tingling.
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299. - What are you on about?
- I see a shark with knees.
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300. - What?
- A bat with the face of a spider.
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301. And something else.
Bainbridge has got Howard.
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302. He's in danger.
We have to go and save him.
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303. - Where is he?
- A secret lab somewhere in the zoo.
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304. - Where?
- The vision's fading. I can't see.
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305. Oh, it's coming back.
Oh, no, that's athletics.
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306. How am I gonna find the secret lab?
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307. The answer lies within your painting.
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308. Ah.
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309. Oh, right. Secret lab.
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310. Yeah. Cool.
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311. So... that's where that is, you're there,
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312. It's over there.
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313. Oh, right. Excellent.
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314. No. No!
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315. - It's me, you idiot.
- No!
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316. - What?
- You got something between your teeth.
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317. Oh, yeah. I had broccoli for lunch.
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318. - Oh, right.
- How's it going on your solo mission?
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319. - Very well, thank you.
- Yeah?
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320. I followed Bainbridge into his secret lab,
I found Mrs Gideon's python,
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321. - it's all sorted.
- Wow. So it's all good, yeah?
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322. - Yeah.
- How come you're lying down then?
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323. It was quite tiring.
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324. - How come you strapped yourself in?
- Didn't want to fall off.
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325. Well, I'll see you back at the hut.
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326. Vince, get me out of here, will you?
Vince. Vince! Vince!
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327. Vince!
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328. - Get me out of here.
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329. - Something funny?
- You idiot.
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330. Never try and go on a solo mission
on your own.
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331. - Hey, what's that?
- Don't look there.
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332. - What's going on there?
- There's some bad juju afoot. Oh!
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333. - Who's there?
- Don't look at us, we are ashamed.
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334. - Who are you?
- We are ugly.
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335. We are mutants. Oh, shame.
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336. - No, do not be ashamed.
- Oh.
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337. We're trained zoo keepers.
Come forwards.
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338. Oh, you're grotesque.
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339. Oh!
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340. Sorry.
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341. Sorry about that.
Please, do not be afraid.
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342. Come forwards. Come into the light.
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343. Further.
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344. - Split the difference?
- Oh, double shame.
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345. - What are you?
- We don't know what we are!
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346. - Are we postmen?
- Shut up, dingball!
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347. We are mutant animals.
Dixon Bainbridge made us.
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348. He is the lord.
He brings the pain and the heal.
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349. We're gonna give you something now.
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350. Something Dixon Bainbridge
can never take away -
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351. - your freedom.
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352. Freedom? What is freedom?
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353. Freedom is a place.
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354. A place without bars.
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355. Without keys, without locks.
A place without...
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356. - Cops?
- What?
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357. Are there cops?
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358. Er, yeah. It's not really about that.
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359. ls there bacon?
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360. It's not about what there is and isn't,
it's more of an abstract concept.
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361. - What is bacon?
- Shut up!
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362. I am speaking to the five finger.
I am the prettiest one here.
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363. I am the only one bright enough.
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364. Look, it's time for you
to break free from the zoo now.
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365. (All) # Nicey nicey zoo zoo
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366. Shut up! It's time for you
to sing your own song now.
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367. Time to march to the beat
of your own drum.
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368. Who are you
that would give us our freedom?
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369. Who I am is not important.
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370. - Oh, OK then.
- It's Howard Moon, if you want to know.
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371. - Harry Moon?
- Howard Moon.
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372. We're gonna leave you now
but never forget
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373. it was Dixon Bainbridge
who turned you into
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374. the hopeless race
of despicable freaks that you are.
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375. - See you then.
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376. - Take care.
- Single file.
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377. ls there bacon outside?
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378. OK, Max, bye.
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379. Give my love to Cindy. Cheers.
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380. Stupid asshole.
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381. Pucker up, Moon, it's splicing time.
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382. - Surprise!
- Get back in your cages!
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383. We will obey you no longer, Bainbridge.
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384. Listen, I am your lord! You will obey me!
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385. Chigwack, Aleready,
get in your cage!
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386. Jet, Patrick, Bonocute!
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387. - What do you want?
- Sign here, please.
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388. Shut up! We want our freedom.
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389. Freedom? Don't make me laugh!
You're nothing!
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390. Oh, we are much more than that.
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391. Here you go, Mrs Gideon, he's in there.
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392. - I don't know what to say.
- Don't say anything, it was nothing.
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393. Oh, all right then.
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394. Well, it was quite a dangerous
life-threatening mission.
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395. - Oh, right. Thanks, Vince.
- It's all right.
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396. And thank you too...
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397. Howard.
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398. Our pleasure.
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399. This one's going out
to the cobra massive!
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400. MC Rogers, big it up now!
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401. MC Corn Snake, DJ Gecko,
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402. DJ Spit-In-Your-Eye, DJ Venom -
they're all here!
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403. Let's go! Funk it!
The vibe is big, the room is small.
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404. Yeah! Shed your skin!
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