The Magic School Bus 1x8

Directed by

The class is thrilled about its upcoming concert at the Sound Museum -- until they discover the spooky mansion is more of a thrill than they bargained for. With Carol Channing as Cornelia C. Contralto.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. SEAT BELTS, EVERYONE!

2. PLEASE LET THIS BE A NORMAL FIELD TRIP.

3. WITH THE FRIZZ? NO WAY! OHH!

4. WA-HA-HA-HOO!

5. TAKE THAT!

6. WHOA!

7. ARE YOU READY, CARLOS?

8. ALMOST.

9. UM, CARLOS, WAS IT SUPPOSED TO SOUND LIKE THAT?

10. NO WAY! I DON'T GET IT.

11. IT LOOKS INCREDIBLE, BUT IT SOUNDS...

12. PLOOPY?

13. EXACTLY. WHAT DID I DO WRONG?

14. WOW!

15. SHE'S AMAZING.

16. THAT'S ONE WAY TO LOOK AT IT.

17. GOOD MORNING, MS. FRIZZLE.

18. DOROTHY ANN, I TAKE IT THAT THAT WAS YOUR NEW PIECE,

19. "CONCERTO FOR INVENTED INSTRUMENT."

20. WELL, IT WAS THE CONCERTO PART, ALL RIGHT, BUT...

21. BUT THE INVENTED INSTRUMENT WAS PLOOPY.

22. AND THERE'S ALMOST NO TIME TO FIX IT BEFORE THE CONCERT

23. AT THE SOUND MUSEUM TOMORROW.

24. YEAH, AND WE'VE GOT A REHEARSAL THERE THIS AFTERNOON.

25. SO, WHAT'S THE PROBLEM, CARLOS?

26. WELL, I HAVE A GREAT IDEA FOR A SOUND.

27. AND I SEE YOU'RE BUILDING

28. AN IMPRESSIVE INSTRUMENT TO MAKE IT. MARVELOUS!

29. THAT'S THE PROBLEM. I CAN HEAR THE SOUND IN MY HEAD, BUT I...

30. PLOOPY. PLOOPY.

31. WHAT AM I GOING TO DO?

32. WELL, IF YOU KEEP ASKING QUESTIONS, CARLOS,

33. YOU'LL KEEP GETTING ANSWERS.

34. BUT THERE'S NO TIME FOR QUESTIONS, MS. FRIZZLE.

35. WE'RE GOING TO BE LATE

36. FOR THE REHEARSAL AT THE SOUND MUSEUM.

37. AND AS WE ALL KNOW, THOSE WHO ARE GREAT ARE NEVER LATE.

38. COME ALONG, CLASS— TO THE BUS.

39. WE'RE GOING NOW?

40. BUT... BUT, MS. FRIZZLE!

41. BUT WHAT IF THE SOUND OF CARLOS' INSTRUMENT STAYS...

42. JUST LIKE THAT?

43. OH, OUR CONCERTO WILL BE RUINED,

44. ALL THE OTHER SCHOOLS WILL LAUGH AT US,

45. AND IT'LL BE THE END OF THE WORLD AS WE KNOW IT.

46. OTHER THAN THAT, NOTHING.

47. WHAT ELSE CAN I PUT ON THIS THING TO GET IT TO MAKE A TERRIFIC SOUND?

48. HMM... LET'S SEE...

49. OK! THERE!

50. IF I ONLY HAD MORE TIME!

51. HMM... MORE TIME.

52. OK, BUS, DO YOUR STUFF.

53. WA-HOO!

54. AAH!

55. WHAT'S GOING ON?

56. AN AWARD-WINNING PERFORMANCE, BUS!

57. HOLD ON!

58. WHOA!

59. AND NOW FOR THE GRAND FINALE.

60. WHAT HAPPENED?

61. Ms. NOT TO WORRY, CLASS.

62. I'LL JUST BE A MOMENT.

63. HMM HMM HMM.

64. JUST AS I THOUGHT— OVERHEATED.

65. WELL, I BELIEVE WE'LL BE HERE FOR QUITE A WHILE.

66. WE'RE GOING TO MISS THE DRESS REHEARSAL!

67. NOW REST UP. YOU'LL BE FINE.

68. ALL RIGHT! TIME TO WORK ON MY SOUND.

69. MS. FRIZZLE, ISN'T THERE SOMETHING WE CAN DO?

70. WELL, NOW THAT YOU MENTION IT...

71. IT'S REALLY QUIET, ISN'T IT?

72. THERE'S HARDLY A SOUND.

73. JUST US... DESPERATE, ALONE...

74. VULNERABLE.

75. WHAT WAS THAT?

76. IT WAS ME. HOW WAS THAT, DOROTHY ANN?

77. I WANT MY INSTRUMENT

78. TO HAVE THE POWER OF A THUNDERSTORM,

79. SO I PUT AN UMBRELLA ON IT.

80. THAT SOUNDED MORE LIKE DRIZZLE, CARLOS.

81. OH. HOW ABOUT THIS? I WANTED IT TO HAVE THE ROAR OF A LION,

82. SO I GAVE IT A MANE!

83. IT'S A KITTEN, CARLOS.

84. FORGET IT, CARLOS!

85. IT LOOKS BETTER AND BETTER,

86. BUT IT SOUNDS WORSE AND WORSE.

87. WHAT WAS THAT?

88. ALL RIGHT!

89. THAT'S A GREAT SOUND!

90. BUT IT WASN'T ME. IT CAME FROM THERE!

91. OH, ISN'T IT MELLIFLUOUS?

92. THAT'S NOT EXACTLY THE WORD I'D USE FOR IT.

93. COME ON, ARNOLD. IT'S JUST A HOUSE.

94. YOU'RE NOT SCARED OF A HOUSE, ARE YOU?

95. ME, TOO.

96. WHAT'S WRONG WITH YOU, CLASS?

97. WHERE'S YOUR SPIRIT OF ADVENTURE?

98. TAKE CHANCES! MAKE MISTAKES!

99. GET SCARED OUT OF OUR WITS.

100. DON'T BE SUCH A CHICKEN, RALPHIE.

101. THERE MUST BE A PHONE IN THERE.

102. WE CAN CALL A TOW TRUCK. COME ON!

103. WHAT A WEIRD PLACE.

104. KIND OF EERIE, ISN'T IT?

105. GET IT—"EARRY"? HA HA!

106. CARLOS!

107. WHOOO...

108. AAH!

109. YIKES! AH!

110. ALL I'VE GOT TO SAY IS,

111. IF I MEET ANYBODY I CAN SEE THROUGH, I'M OUT OF HERE.

112. OH, WHOA. NO NEED TO BE HASTY, ARNOLD.

113. THAT IS SOME DOORBELL!

114. OH, WELL, NOBODY HOME. LET'S GO.

115. GOOD IDEA. I'M WITH ARNOLD.

116. BUT I NEED TO KNOW WHAT MADE THAT SOUND.

117. COME ON!

118. OH, HOW NICE!

119. SHALL WE? MUST WE?

120. AAH!

121. OPEN! OPEN! OPEN!

122. IT'S STUCK! WHAT DO WE DO NOW?

123. WE SAY...

124. ♪ HELLO

125. WELL, THAT SOUNDS FRIENDLY ENOUGH.

126. UGH!

127. WHAT A PLACE!

128. WE'VE GOT TO PHONE FOR HELP.

129. OH, GOOD. HERE'S A PHONE BOOK.

130. WHAT WAS THAT?

131. THAT WAS A TANTALIZING TINTINNABULATION.

132. HMM...

133. NO, DON'T!

134. A FOGHORN! ONE OF MY FAVORITES.

135. SUCH A BIG, DEEP SOUND.

136. MAYBE ONE OF THESE BOOKS WAS MAKING THE SOUND I HEARD.

137. THAT'S IT! I DON'T NEED TO KNOW HOW THIS TURNS OUT.

138. I'M OUT OF HERE!

139. UH!

140. WHAT KIND OF PLACE IS THIS?

141. I WONDER WHO LIVES HERE.

142. LIVED HERE, KEESHA.

143. PROFESSOR CORNELIA C. CONTRALTO,

144. ECCENTRIC AND COLLECTOR OF SOUNDS—

145. BORN 1807, DISAPPEARED 1892.

146. HOW DO YOU KNOW THAT, MS. FRIZZLE?

147. BECAUSE AFTER SHE VANISHED,

148. THEY TURNED HER HOUSE— THIS HOUSE—

149. INTO THE SOUND MUSEUM.

150. THIS IS THE SOUND MUSEUM?

151. I KNEW IT! WE MISSED THE REHEARSAL!

152. WHERE IS EVERYONE?

153. GONE FOR THE NIGHT, TIM,

154. WHICH MEANS WE HAVE THE WHOLE PLACE TO OURSELVES.

155. OH, BOY!

156. OH, BOY.

157. UNH! AAH!

158. PROFESSOR CONTRALTO DEVOTED HER ENTIRE LIFE TO SOUND.

159. HUH? WHAT HAPPENED TO HER?

160. NO ONE KNOWS.

161. I'LL BET YOU ANYTHING SHE'S A GHOST

162. WANDERING AROUND THIS HOUSE,

163. SEEKING THE PERFECT SOUND...

164. AAH! AAH!

165. SEEKING THE PERFECT SOUND,

166. JUST LIKE ME!

167. WELL, CARLOS, YOU'LL HAVE PLENTY OF TIME TO FIND IT.

168. WE'RE SPENDING THE NIGHT.

169. THE NIGHT? HERE? BUT OUR PERMISSION SLIPS

170. DIDN'T SAY ANYTHING ABOUT HAUNTED HOUSES.

171. BESIDES, THERE'S NO PLACE FOR US...

172. AAH! AAH!

173. TO SLEEP!

174. Ms. OH, WHY, LOOK—

175. 8 STUDENT-SIZED BEDS

176. AND A TEACHER-SIZED ANNEX.

177. IT'S ALMOST AS IF SOMEONE WERE...

178. EXPECTING US.

179. BE SURE TO GET LOTS OF REST, CLASS.

180. WE HAVE A CONCERT TOMORROW.

181. NOW MAYBE IT WILL SOUND LIKE A GHOST.

182. CARLOS, THAT'S THE PLOOPIEST YET.

183. IT'S TOO LATE ANYWAY.

184. YOU'LL NEVER FIND A SOUND NOW.

185. CORNELIA, IF YOU'RE OUT THERE,

186. WILL YOU HELP ME MAKE THIS THING SOUND RIGHT?

187. UH, CARLOS, MS. FRIZZLE SAID

188. IF YOU KEPT ASKING QUESTIONS,

189. YOU'D KEEP GETTING ANSWERS.

190. WAS THAT AN ANSWER?

191. NO, BUT THAT WAS!

192. DON'T BE SILLY. IT'S JUST...

193. YIKES! YIKES!

194. A CRAZED GHOST, BOUND FOREVER

195. IN THE CHAINS OF ETERNAL TORMENT,

196. COMING TO GET US!

197. LISTEN! IT'S... IT'S...

198. YEAH, YEAH, TERRIFYING. WE KNOW.

199. NO. IT'S THE CALL OF CORNELIA!

200. CARLOS, WHERE ARE YOU GOING?

201. I'VE GOT TO FIND OUT WHAT'S MAKING THAT SOUND.

202. UM... SHOULDN'T SOMEBODY TELL MS. FRIZZLE?

203. YIKES!

204. LISTEN. IT'S GETTING LOUDER.

205. AND ACCORDING TO MY RESEARCH,

206. IF IT'S GETTING LOUDER, WE'RE GETTING CLOSER!

207. IS THAT GOOD OR BAD?

208. BAD.

209. ♪ YODEL-A-HE-HOO

210. WHAT IS THAT?

211. IT'S COMING FROM IN THERE.

212. I'M GOING IN!

213. NO, CARLOS! NO!

214. WOW!

215. INCREDIBLE!

216. THIS IS ONE WEIRD HOUSE.

217. ONE WEIRD HOUSE...

218. YOU MEAN YOUR HOUSE DOESN'T HAVE

219. A JUNGLE, AN OCEAN, A CITY,

220. AND AN ALPINE WONDERLAND?

221. NAH. THE LANDLORD WOULDN'T GO ALONG WITH IT.

222. AN ECHO!

223. MAYBE IT WAS AN ECHO WE HEARD!

224. YEAH, BUT WHO MADE IT?

225. AAH!

226. CLASS, DID I WAKE YOU?

227. MS. FRIZZLE, WAS THAT YOU?

228. YES. NOTHING LIKE A GOOD YODEL BEFORE BED.

229. LISTEN! THERE IT IS AGAIN—THE CALL OF CORNELIA!

230. HOW DO WE GET OUT OF HERE?

231. THE ONLY WAY IS UP.

232. WHOA!

233. COME ALONG, CLASS. TWO BY TWO, PLEASE.

234. HA HA HA!

235. AAH!

236. AAH!

237. WHERE ARE WE?

238. PROFESSOR CONTRALTO BUILT EVERY ROOM IN THIS HOUSE

239. TO SHOW DIFFERENT THINGS ABOUT SOUND.

240. Ms. SIMPLY SONIFEROUS!

241. HEY! I'VE ALWAYS WANTED TO PLAY A HARP.

242. LOOK AT THAT STRING MOVING BACK AND FORTH.

243. THAT, CLASS, IS A VIBRATION. YOU CAN FEEL IT.

244. VI-B-BR-A-A-TION.

245. LET'S GET THE FACTS.

246. WHEN THE STRING STOPPED VIBRATING,

247. THE SOUND STOPPED.

248. THE VIBRATION OF THE STRING.

249. THAT'S WHAT'S MAKING THE SOUND!

250. VERY GOOD, CARLOS. SOUND IS VIBRATION.

251. HEAR IT! FEEL IT!

252. ARE ALL SOUNDS MADE BY SOMETHING VIBRATING?

253. OH, GOOD QUESTION, CARLOS.

254. COME ON, PHOEBE, LET'S TRY OUT THAT DRUM.

255. WHOA! WHOA!

256. TH-TH-THERE'S YOUR A-A-ANSWER, C-C-CARLOS!

257. SO I'VE GOT TO MAKE MY INSTRUMENT VIBRATE

258. TO MAKE MY SOUND... BUT HOW?

259. AS I ALWAYS SAY,

260. BEHIND EVERY SUCCESSFUL SOUND

261. IS A VIBRATION.

262. WHAT'S HAPPENING?

263. NOW WHAT?

264. YEOW!

265. AAH!

266. CAN I LOOK NOW?

267. HEY, IT'S SHOWTIME!

268. WHY THE GLASSES?

269. YOU HEARD SOUND.

270. YOU FELT SOUND. NOW...

271. WHOA!

272. CARLOS, WHAT IS IT?

273. I CAN SEE SOUND!

274. WATCH THIS!

275. LOOK AT ME!

276. LISTEN.

277. HEY! THEY'RE DIFFERENT!

278. YEAH. WHEN YOU SING...

279. LOOK. THERE ARE LOTS OF VIBRATIONS CLOSE TOGETHER.

280. BUT WHEN YOU SING...

281. THERE ARE FEWER VIBRATIONS FURTHER APART.

282. AH, EXCELLENT. HIGH SOUNDS ARE MADE

283. BY SOMETHING VIBRATING FAST...

284. AND LOW, BY SOMETHING VIBRATING SLOW.

285. YOU KNOW WHAT? THESE VIBRATIONS MOVE

286. KIND OF LIKE RIPPLES ON A POND.

287. HA HA HA! THE WAVES START IN ONE PLACE

288. AND MOVE OUT IN ALL DIRECTIONS.

289. IF SOUND IS A VIBRATION AND IT MOVES THROUGH THE AIR IN WAVES

290. AND DIFFERENT VIBRATIONS MAKE DIFFERENT SOUNDS...

291. STOP THE VIBRATION, AND YOU STOP THE SOUND.

292. I'VE GOT IT! IT DOESN'T MATTER HOW MY INSTRUMENT LOOKS,

293. AS LONG AS IT CAN VIBRATE.

294. D.A., I KNOW WHAT TO DO!

295. I'VE GOT TO GET MY INSTRUMENT.

296. IT'S GONE!

297. WHERE COULD IT BE?

298. THERE'S AN EXPLANATION, CLASS.

299. THE QUESTION IS... WHAT IS IT?

300. FIRST, CARLOS' INSTRUMENT DISAPPEARS.

301. THEN, EACH OF US, ONE BY ONE.

302. YAAH! YAAH!

303. THERE'S THAT SOUND AGAIN!

304. IT'S COMING FROM IN...

305. HE-E-E-ERE!

306. OOF!

307. CARLOS, ARE YOU ALL RIGHT?

308. I'M FINE. I'M JUST IN SOME SORT OF DUNGEON OR SOMETHING.

309. WELL, IF THEY TORTURE YOU,

310. DON'T TELL THEM ANYTHING!

311. I'LL LEARN TO BE A LAWYER

312. AND MEET YOU BACK HERE WHEN WE'RE GROWN UP!

313. THIS WAY, ARNOLD.

314. WEE-HAH!

315. HA HA HA! HA HA HA!

316. COMING, ARNOLD? WE'RE WAITING.

317. I THINK I SHOULD HAVE STAYED HOME TODAY.

318. ARGH!

319. THANKS, MS. FRIZZLE.

320. DON'T MENTION IT, ARNOLD.

321. WELL, CARLOS, YOU GOT US INTO THIS.

322. ANY IDEAS HOW TO GET US OUT?

323. LISTEN.

324. WHERE'S IT COMING FROM?

325. IT'S HARD TO HEAR EXACTLY. WAIT HERE.

326. IT'S COMING FROM ALONG THERE.

327. HE CAN'T GO DOWN THERE ALONE.

328. YOU'RE RIGHT, KEESHA.

329. WHY DON'T YOU GO WITH HIM?

330. COME ON, YOU BUNCH OF WEASELY WIMPS!

331. LET'S FOLLOW MS. FRIZZLE.

332. YOU CAN SEE THE SOUND WAVES

333. BOUNCING OFF THE WALLS, THERE...

334. FROM THERE... FROM THERE!

335. SOUND WAVES BOUNCING.

336. I BET THAT'S HOW AN ECHO IS MADE.

337. THOSE SOUND WAVES ARE TRAVELING THROUGH THAT DOOR!

338. GOOD OBSERVATION, DOROTHY ANN.

339. JUST SO LONG AS WE DON'T TRAVEL THROUGH THAT DOOR.

340. NO. WE'VE GOT TO SEE WHAT IT IS!

341. HELLO!

342. IT WAS YOU?

343. WAIT A MINUTE. IS IT JUST ME, OR ARE YOU...

344. PROFESSOR CORNELIA C. CONTRALTO...

345. THE SECOND!

346. AND THAT IS MY GREAT-GRANDMOTHER.

347. NOW, LISTEN.

348. YOU'VE GOT A CONCERT TOMORROW, RIGHT?

349. ARE YOU READY TO MAKE YOUR INSTRUMENT

350. SOUND RICHLY RESONANT AND RESOUNDINGLY REVERBERANT?

351. HOW DID SHE KNOW ABOUT CARLOS' INSTRUMENT?

352. YOU ASKED THE QUESTION.

353. LET'S SEE...

354. DON'T YOU MEAN "LET'S HEAR"?

355. RIGHT. TO MAKE A SOUND,

356. I NEED TO MAKE SOMETHING VIBRATE.

357. MY INSTRUMENT COULDN'T VIBRATE

358. BECAUSE THERE WAS TOO MUCH STUFF ON IT.

359. I DON'T NEED THAT. DON'T NEED THAT.

360. THAT GOES. THAT GOES...

361. I THINK HE'S GOT IT! I THINK HE'S GOT IT!

362. READY, CARLOS?

363. GO!

364. BRAVO!

365. BRAVO!

366. CARLOS, THAT WAS THE PERFECT SOUND!

367. THANKS, D.A.

368. AND SO, YOUNG MAN, IF IT'S ALL RIGHT WITH YOU,

369. I WOULD LIKE TO ADD THAT WONDERFUL SOUND

370. TO MY GRANDMOTHER'S COLLECTION.

371. I COULDN'T HAVE DONE IT WITHOUT YOU, DR. CONTRALTO.

372. AS I ALWAYS SAY...

373. HIT IT, CORNELIA!

374. HA HA HA!

375. IS THIS "THE MAGIC SCHOOL BUS"?

376. IS THIS "THE MAGIC SCHOOL BUS"?

377. "MAGIC SCHOOL BUS"? "MAGIC SCHOOL BUS"?

378. "MAGIC SCHOOL BUS"?

379. "MAGIC SCHOOL BUS"?

380. "MAGIC SCHOOL BUS"?

381. "MAGIC SCHOOL BUS"? "MAGIC SCHOOL BUS"?

382. I WANT THE MAGIC SCHOOL BUS.

383. I WANT THE MAGIC SCHOOL BUS.

384. HELLO. "MAGIC SCHOOL BUS."

385. HI. ARE YOU THE ONE RESPONSIBLE FOR THAT SHOW ON SOUND?

386. MM-HMM. YOU MIGHT SAY THAT. YES.

387. WELL, WHAT'S THE DEAL WITH THAT HOUSE?

388. I MEAN, YOU COULD NEVER SEE SOUND.

389. IT GOES WAY TOO FAST.

390. OH, YOU'RE RIGHT.

391. THAT'S WHY THEY HAD MAGIC GLASSES.

392. I DON'T GET SOMETHING.

393. IF SOUND IS A VIBRATION, JUST WHAT'S DOING THE VIBRATING?

394. THIN AIR.

395. A SOUND IS MADE WHEN SOMETHING

396. PUSHES BACK AND FORTH ON THE AIR

397. AND MAKES THE AIR VIBRATE.

398. THIS VIBRATION TRAVELS THROUGH THE AIR

399. TO YOUR EAR AS A SOUND WAVE.

400. SO A LOUD SOUND IS JUST A BIG VIBRATION?

401. RIGHT, AND A SOFT SOUND

402. IS A VERY TINY VIBRATION.

403. AND WHAT ABOUT OUR EARS? YOU HARDLY MENTIONED THEM.

404. EARS ARE VERY IMPORTANT.

405. THEY TURN SOUND WAVES INTO SOMETHING OUR BRAIN CAN HANDLE.

406. THAT'S HOW YOU HEAR.

407. BUT NOT EVERYBODY'S EARS WORK THE SAME, DO THEY?

408. MY GRANDMOTHER WEARS A HEARING AID TO HELP HER HEAR BETTER.

409. AND SOME PEOPLE CAN'T HEAR ANYTHING EVER,

410. EVEN WITH A HEARING AID.

411. THEY USE THEIR BRAINS WITH THEIR OTHER SENSES TO REPLACE HEARING.

412. AND ANOTHER THING, THERE ARE LOTS OF DIFFERENCES

413. IN SOUNDS BESIDES LOUDNESS AND PITCH.

414. A VIOLIN AND A SAXOPHONE SOUND VERY DIFFERENT,

415. EVEN WHEN THEY'RE PLAYING THE SAME NOTE.

416. TRUE.

417. THERE ARE ENOUGH DIFFERENT KINDS OF SOUNDS

418. TO FILL THE WORLD, BUT WE ONLY HAD

419. HALF AN HOUR, AND WE HAD TO LEAVE ROOM

420. FOR ALL THOSE...

421. HILARIOUS JOKES.

422. OK, BUT ONE LAST THING. YES?

423. ABOUT THAT GHOST,

424. WELL, THAT CAN'T HAVE BEEN TRUE.

425. I MEAN, EVERYBODY KNOWS THERE'S NO SUCH THING AS GHOSTS.

426. CERTAINLY NOT.

427. TAKE THAT!