The Larry Sanders Show 1x4

1. Now that sign says "applesauce."

2. No, no, no, no.

3. I'm kidding. It says "applause."

4. Ray, do me a favor. Could you flick that once?

5. All right.

6. Now remember,

7. you're all a big part of the show,

8. so the better you are, the better Larry is.

9. Okay, now you see this gentleman?

10. He's giving me this sign and it says,

11. "We're on in 10 seconds,

12. so get ready to have a good time."

13. Now here we go.

14. This is exciting, isn't it?

15. In five,

16. four, three, two...

17. Live, on tape from Hollywood,

18. "The Larry Sanders Show."

19. Tonight, join Larry and his guests

20. John Stamos, Helen Reddy

21. and the national spelling bee champion,

22. and me— hey now— Hank Kingsley!

23. And now, because he's already been paid,

24. so we might as well use him,

25. Larry Sanders!

26. Thank you.

27. Thank you.

28. Well, thank you. Thanks for coming this evening.

29. And you're so much better than last night's crowd.

30. Thank you. Thank you so much.

31. The—

32. Uh, of course, as we get closer to the election,

33. Dan Quayle continues

34. to make a fool of himself...

35. while George Bush continues to claim

36. that family values will be

37. the big issue in the election.

38. Dan Quayle has gotten confused and just thinks

39. there should be more True Value hardware stores.

40. Dan Quayle, who can't spell potato,

41. but I found out you have to blame

42. the White House staff for that,

43. because they're still giving him a picture menu

44. and just letting him point at the food he wants.

45. You can never,

46. never, never have enough

47. Dan Quayle jokes.

48. Rapper Ice-T, of course,

49. pulled his controversial song "Cop Killer" off his album.

50. He has a new song coming out, however,

51. called "Die, Crossing Guard, Die."

52. And I'm sure that's gonna stir up the same kind of controversy.

53. I— all the rappers are named Ice Cube, Vanilla Ice.

54. They all have "Ice" in them— Ice-T.

55. If I was a rapper— I already have my name picked out—

56. it would be, "Hey, Put Ice On That."

57. I know I would hurt myself.

58. And my big controversial song would be,

59. "Hey, Mom, Get Off My Back."

60. Hank, if you were a rapper, what would your—

61. what would you think your rap name would be?

62. Um, Hank the Rapper.

63. And on that note, stay tuned.

64. We have a wonderful show. We have John Stamos, Helen Reddy

65. and this year's national spelling bee champ

66. and it isn't Dan Quayle.

67. No flipping.

68. Okay, we're back.

69. We just have a few seconds to wrap up the show.

70. A great show it was. I want to thank Helen Reddy

71. and of course John Stamos

72. and spelling bee champ Hai Phong.

73. The children are the future of this nation.

74. I second that. I will not be here next week.

75. I have a much-needed vacation coming up.

76. But guest-hosting will be my good friend Dana Carvey.

77. And, Hank, this will be his first time hosting the show.

78. Right, right. So I assume, of course, that you will—

79. It will be a pleasure to help him

80. and to serve him. Excellent.

81. What the fuck does Dana Carvey know about doing this—?

82. Hey.

83. about doing this show— this show?

84. He— he does funny voices. That's what he does.

85. "I'm going to give you a pump up."

86. Ha! You're funny, Hank.

87. What is that? I mean, what does he know

88. about connecting with people?

89. Hank, I hear you. Just give the kid a chance.

90. Hi, Freddie.

91. Dana Carvey does skits. That's what he does.

92. Come on, I outgrew that horseshit in high school.

93. Artie,

94. every time Larry goes on vacation,

95. you say you're gonna consider me to guest-host.

96. I'll consider you.

97. Terrific show.

98. You can't wait till that vacation, huh? Mm-hmm.

99. Great show, boss. See you later.

100. Artie,

101. Sheldon is here. The network is here.

102. Come on, let me show you what I can do out there.

103. Give me my shot.

104. When?

105. Right now.

106. Let's go.

107. Great show, Larry.

108. Oh, thank god. Hey, great show. That was good.

109. Did you watch any of it?

110. Not really, no. "Hee Haw" was on.

111. So listen, here's the plan. Five nights next week, you host.

112. Five nights next week, I host.

113. And then we go to the lake.

114. And then we go to the lake.

115. What are you doing?

116. I'm just warming up. I'm doing your show. I gotta do you.

117. Good thinking. Oh, by the way, Perot dropped out, sorry.

118. That really hurts. That really hurts, Larry.

119. When we go to the lake... Yes?

120. do not bring the trades. What?

121. I'm tired of you looking at the numbers for your movie.

122. You can't believe what it's doing in Malaysia. It's through the roof.

123. It's so much, so much money. So sad, so sad.

124. Huge, huge, huge. So sad, so sad. Rub it in.

125. And you're gonna bring your own sleeping bag, right?

126. Why? The one-sleeping-bag thing— it didn't work.

127. Oh, this is the first time I've heard a complaint.

128. Last summer it was, "Oh, the sounds of the woods."

129. You want a Coke? Yes, please.

130. Thank you.

131. That's very interesting, Marty,

132. but can you do this with your cards?

133. How much longer are we to endure this?

134. Listen, I know Hank's a little unorthodox, Shel,

135. but you have to admire his determination.

136. Oh.

137. Now my next friend is a good guest.

138. And—

139. I'm gonna— I'm gonna take that over, okay?

140. You just take your time. Okay.

141. My next guest is a good friend

142. and a great talent.

143. Come on, put your hands together

144. and give a big welcome for Phil the writer.

145. Everybody move down one.

146. Hey, Darlene. Hey, Marty.

147. So— ooh—

148. Phil, what have you— what have you been up to lately?

149. Well, Hank, I— Uh-huh.

150. I saw some friends... Great, great.

151. over the weekend... Right.

152. down in Riverside. Uh-huh.

153. And— Yay!

154. Hey, beautiful country out there.

155. Thank you, gentlemen. I think that we have a good idea.

156. Shel, please, go easy on him.

157. I mean, he has a fragile ego.

158. Don't mention the name Rupert Pupkin.

159. So what do you think?

160. The first one— it was off, I know it.

161. I was nervous, you know?

162. But, ah, I feel good about that second one.

163. I felt centered. And I felt like—

164. I could go another way, the whole thing, if you want to—

165. no, I feel good. I feel good.

166. So who is it gonna be? Is it gonna be me

167. or is it gonna be Dana Carvey?

168. Schwinnng!

169. Artie, that's good. That was really good.

170. Dana, so delighted to have you hosting tonight.

171. Let me give you the tour.

172. Alrighty.

173. This is Darlene. Darlene. Hello.

174. You remember Paula... Oh, yes.

175. in charge of bookings and pre-interviews.

176. Yeah, I remember Paula well.

177. She is the one who always reminds me

178. I can't say "cocksucker" when I'm a guest.

179. Well, now you're the host, so feel free.

180. Cocksucker.

181. Don't listen to her. She's a kook.

182. She's cuckoo crazy.

183. You're funny. Oh, thank you.

184. This is Larry's office.

185. It's yours now. Make yourself comfortable.

186. Oh, I couldn't use Larry's office.

187. Oh, sir, you're a big shot now. Sit down.

188. Well, you are right.

189. Yeah, a big shot— I like that, okay.

190. And Larry left that for you.

191. Oh, that was nice of Larry.

192. "And the winner is Estelle Getty for 'The Golden Girls.'"

193. "Have a good show. Love, Larry."

194. Hmm, nice.

195. Dana, this is Barbara Kirsh from the network.

196. Hi, Barbara. Nice to meet you.

197. Nice to meet you. Listen, we have one small request.

198. If you must mention your other show... "Saturday Night Live."

199. please don't mention the specific network. NBC.

200. NBC can eat shit and die.

201. A little promotion on our show

202. won't help that sinking ship.

203. Charming as always, Arthur.

204. Let me see you out, milady.

205. Don't touch anything in the fridge... Mm-mm.

206. and open or closed? Open.

207. Happy you're aboard, sir.

208. Yes.

209. Hmm.

210. Man, he's got a lot of awards.

211. Special citation from the US Marine Corps

212. for entertaining the troops

213. during the Gulf War.

214. Wow, you guys went all the way over there?

215. Oh, yeah, yeah.

216. Well, we sent a video tape, but nonetheless...

217. Hey, good work, Hank.

218. Well, thank you. Video tape. Good stuff.

219. Thank you, Dana. Yeah.

220. Jeez, it's good to see you.

221. Really?

222. Um, look, I know you haven't done this kind of thing before.

223. No, no, not exactly.

224. Yeah, so you might be a little nervous.

225. Yeah. Yeah, so I thought

226. I'd drop by and just maybe just give you some tips?

227. Oh, all right, yeah.

228. Because I— I have been doing this for four years.

229. Yeah.

230. And before that I was a cruise director,

231. so, all told, that gives me 12 years' experience

232. getting people to interact.

233. Yeah, that's good, 12 years.

234. Yeah, the key is, um...

235. listening.

236. Yeah, you mean when the guest is—

237. Shh, shh.

238. Listening. Yeah.

239. Does that help you at all, or should I—

240. should I just go fuck myself?

241. No, no, that's a great help. That's good.

242. You sure? Yeah.

243. Okay, that's great. You're gonna do great out there.

244. Good luck to you, yeah. Yeah, yeah.

245. Hank. Yeah?

246. Listening... That's right.

247. is the key. That's very good.

248. Shh.

249. Oh, one last thing, okay? Mm-hmm.

250. Ow!

251. And, golly, this is— this is crucial.

252. Now if at any time you're talking to a guest... Right.

253. and you don't know what to say next,

254. you just give me a glance— I'm gonna jump right in there.

255. Great. Because that's how

256. I carry half the show.

257. Now it's got to be a little glance, so the camera

258. won't notice it, okay? No, yeah.

259. Now here's how it goes, all right? Okay.

260. You get in trouble, all right? Yeah.

261. Watch this. Now ready?

262. You see that? Good, now once more.

263. You get in trouble.

264. You see that? Yeah.

265. Okay, now you try it. Oh, yeah, yeah.

266. You want me—? I'll see if I can pick it up.

267. Me try it? Okay, so I'm talking and I'm in a hole...

268. Right, okay. I don't know what to say, and then...

269. No, what are you doing? What— what—?

270. I can't see that. It's to the left.

271. That's to the band. I know.

272. I'm in trouble. I got you.

273. Hey now. All right, hey.

274. Yeah, okay.

275. Oh, I'm really looking forward to this.

276. Having fun. You really fooled me.

277. I went a little crazy. Okay, all right.

278. Alrighty. I'm really—

279. Yeah. You're gonna do great.

280. You need anything?

281. No, no, I got it all in the fridge. It's great.

282. All right, see you on the ice. Thank you.

283. All right. Thanks.

284. That snotty little shit.

285. He's not gonna even do the glance.

286. I'll bet he's like that twit Leno,

287. doesn't think he needs a sidekick.

288. Gargle.

289. Tell you one thing— he doesn't give me the glance,

290. I'm gonna leave him standing there with his tallywacker

291. right in his hand.

292. How am I?

293. Live from Hollywood,

294. "The Larry Sanders Show."

295. Tonight, please welcome Janine Turner,

296. Hervé Villechaize, chef Paul Prudhomme,

297. and me— hey now—

298. Hank Kingsley!

299. And now, because Larry's on vacation,

300. Dana Carvey!

301. Thank you.

302. I'm not worthy.

303. Wow.

304. Wow.

305. I feel— I feel funny,

306. like when I used to climb the rope in gym class.

307. Schwinnng!

308. Well, I had to get that out of the way.

309. Well, this is incredible. This is my first time

310. guest-hosting for Larry. And if you're watching...

311. No flipping.

312. Is this funny, Hank? Is this funny hair?

313. Is that good?

314. No flipping-ing-ing-ing.

315. Yeah, this is a very attractive audience,

316. but they're so flabby.

317. Look at this little man here.

318. You'd better not undo your belt.

319. You might cause a flab-alanche.

320. Yeah. Thank you.

321. Thank you. Thank you.

322. This is fun. Thank you, Larry. This is a good—

323. I did guest-host— I don't know if you ever saw it—

324. uh, uh—

325. Sorry, I had a little Satan twister, sorry.

326. I—

327. Well, well, well, so many sluts and whores, oh my.

328. Sluts and whores, oh my.

329. Well, we're rather scantily clad, aren't we?

330. We can't wait to go down Melrose

331. and just wag our little bulbous bottom.

332. This woman is looking at me like,

333. "You shut up. That's not true."

334. Anyway, I probably should wind this up.

335. We've got Hervé Villechaize here, who's—

336. I'm really excited to talk to him.

337. And so stay tuned.

338. We'll be right back.

339. That's really amazing.

340. It's like he's born to do it.

341. Well, you know, come on, anyone can do a monologue.

342. Byron Allen did the monologue.

343. Let's see how he does with the interviews.

344. My main concern really is that I catch more fish than him.

345. Now the beard is— when did you acquire this beard?

346. Well, about four months ago I got tired of my face.

347. So— so I grew a beard

348. so I don't look like a little boy.

349. Do you think it would help me?

350. Some people say that I have sort of—

351. I always feel like I look like I should be in the window at Sears—

352. "All boys' wear, half off."

353. You know? Do you think I should—

354. how many women think Hervé is sexier

355. with the beard as opposed to—?

356. With the beard first.

357. He made Hervé Villechaize seem funny,

358. but without making fun of him.

359. But, you know, he's—

360. it's not like he's doing anything special or—

361. I don't think that this is really

362. Dana's thing—

363. hosting.

364. De plane, de plane!

365. Thank you.

366. Thank you. Thank you, Hervé.

367. Pretty insane. She thought you were a Danish carver.

368. That's impossible. It's insane. Hey, Larry.

369. Hey, Larry.

370. Hey, Dana, just great job last night, great job. You think so?

371. Oh, Jeez. Well, there was a little quarter-second lull

372. between Garth and Hans and Franz. Yeah.

373. But other than that, I thought it was great.

374. Hey, thanks for the office. I threw up in it.

375. Oh, where? In the—

376. In the top desk drawer. No, that's what that's for.

377. So what are you doing here?

378. Actually, Artie called me in for some fucking network meeting.

379. Yeah, well, I'm glad you're here,

380. 'cause I got to talk to you. I was gonna call you.

381. Okay, I'll catch you when I come out. Yeah, that's great.

382. God, really funny. Yeah, thanks.

383. Really funny. You think so?

384. Don't diminish yourself.

385. All right. I can't tell.

386. You're funny. You're funny.

387. You are. No.

388. Hey, you clods.

389. Who died?

390. Hey, I'm just kidding. If someone did die,

391. I was making a joke. Sorry.

392. Larry,

393. CBS has offered Dana Carvey

394. a talk show of his own, and it's against you.

395. After one night?

396. I saw this coming.

397. If you saw this coming, Artie,

398. why didn't you say something?

399. If I said something every time I saw something coming,

400. we'd never get anything done.

401. All right, let me— let's digest this a minute.

402. Larry, I'm sorry— I'm still digesting.

403. Are you— are you—

404. who moved my desk?

405. What is this?

406. Mr. Carvey said there was a draft in this corner.

407. A draft? Wanted it right there.

408. And he wanted it over here? Yes.

409. Do we know if he's taking this CBS offer?

410. I've made some calls, done some leg work,

411. developed some leads— nothing yet. Oh, thanks, Mannix.

412. Mike Connors is a good friend of mine. He'll be on next week.

413. Oh, for god's sakes, all I— look, we have a problem here.

414. I can't let a potential competitor host this show, can I?

415. Correct. Well, so what—?

416. Who's gonna tell the little old Church Lady?

417. Don't look at me. I thought you two were friends.

418. Oh, fine, I'll tell him.

419. Where's this draft, by the way?

420. Here.

421. You know, boy, I do not—

422. yeah, there's a little something.

423. Yeah.

424. Anyway... Anyway,

425. are you ready for this? Are you ready for this?

426. And then you just explode— I'm out of control!

427. Yeah, it's a real— that's the rhythm. "Out of control!"

428. It's a triple— it's a triple kind of thing.

429. Hey, let me ask you guys a question, 'cause I'm just kind of curious.

430. Are you— are you— are you locked into this—

431. this show or what?

432. Hi.

433. Um, can I ask you something?

434. Is it true that Dana will not be doing the show the whole week?

435. Hank... Really?

436. When was this known? I don't know.

437. Hey, let me get that. I got it.

438. I do not know.

439. I have it.

440. Did Arthur and Barbara say anything

441. about the work that we've been doing together?

442. The Hannibal Lecter thing sounds good.

443. Yeah? We'll write it down. Okay.

444. See you. All right, take it easy.

445. Yeah, you too.

446. Hi.

447. I heard the good news. Congratulations.

448. Oh, thanks, yeah. That is great.

449. Yeah, I was gonna tell you in the hallway earlier,

450. but, you know, I didn't get a chance, so...

451. Yeah, well, so— so are you gonna do it?

452. I don't know. I mean, these offers come up all the time.

453. You know how it is. You know.

454. So what are you gonna do?

455. Well, I—

456. I gotta do "Wayne's World 2" in a few months.

457. And Universal's got this deal to produce a show.

458. And I'm gonna do a stand-up tour.

459. So I'm— yeah.

460. Wow, got a full plate.

461. Things are going good.

462. Turn it down? Turn it down?

463. I don't know, the talk show format—

464. it's—

465. I think I could do some innovative stuff with it.

466. Well, not that you aren't doing innovative stuff with it.

467. No, huh? Yeah, thanks. Yeah.

468. I just feel weird all of a sudden.

469. Do you— should I not host this show? Huh?

470. No, no. If you want me out— I understand.

471. Is this—?

472. No, it's the network.

473. They're— these assholes—

474. all they're worried about is you're my competition.

475. You know? Yeah.

476. Well, I understand. I just—

477. the last thing I want to do is get in the way of the friendship,

478. become this thing, you know. That's exactly how I feel.

479. That's exactly how I feel. God knows I'm not friends with Arsenio.

480. And I swear to god, Leno tried to hit me

481. with one of his big cars the other day.

482. But I don't think that will happen to us,

483. you know, 'cause I think— Yeah, good. No, I agree.

484. You know. Yeah.

485. Good, good. Hey, so...

486. So I'll host. Don't host.

487. No, host. That's fine.

488. I'll host. Fine.

489. All right, okay.

490. Yeah. Yeah, that's great.

491. Yeah, okay. Okay.

492. Oops, you all right?

493. Yeah, schwinnng!

494. Carvey's hosting tonight.

495. Let's move the dwarf palms stage left.

496. Oh, your left.

497. Keep them going.

498. Listen, if you find out who's fucking with these plants— I want to know.

499. Artie.

500. Okay,

501. come on, a little more.

502. That's it. Hold it. Mark it.

503. I'm sorry to bother you.

504. What, a problem with the plant alignment again?

505. Yep. Damn.

506. Everybody thinks this is an easy job. Ha!

507. Listen, um...

508. Yeah?

509. Oh, boy. I wanted to ask you something about my—

510. You got it. Walk away.

511. Your audition?

512. Well, no. I mean, you know, my—

513. well, my presentation.

514. Okay, sure.

515. Well, you and Sheldon said that I—

516. I wasn't quite right.

517. And I slept on that note.

518. And when I woke up, I realized, um,

519. it wasn't very specific.

520. Okay, let me be more specific.

521. Uh...

522. some of the things you do

523. are not quite right.

524. But what?

525. And I— I— I am open

526. to any constructive criticism.

527. Please help me to help you.

528. Where the hell should I start?

529. Hank,

530. you speak very slowly.

531. There is a slow cadence to your speech

532. that's great in a supporting position,

533. but you—

534. Oh, Hank.

535. Larry, it's 11:30.

536. Yeah?

537. What are you doing?

538. Nothing.

539. Aren't you gonna watch the show? No.

540. You know, I don't get it.

541. You guys are all buddy-buddy

542. when you're coming up in the clubs together,

543. but then as soon as there's a hint of competition,

544. your friendship just goes out the window.

545. You don't understand the complex dynamic

546. of a showbiz relationship.

547. Yeah, well, I'm gonna watch it upstairs.

548. Hey, does this stuff at the Franklin Mint

549. really go up in value?

550. All right.

551. Hank, didn't you at one time own a race horse yourself?

552. Yes, I did, sir. What, is that funny?

553. And Hank's Kerchief was her name,

554. perhaps best known for jumping the rails at Santa Anita,

555. three races in the row. The lovable old nag never did jack for me.

556. Hank, Hank, Hank. I loved her nonetheless. I tell you—

557. Hank, after the show, remind me

558. to turn you on to a little thing called "decaf."

559. Well, thank you, sir. 'Cause Hank is a little hyper.

560. Thank you, sir. I'm looking forward to a decaf.

561. I remember once when I was in Polynesia,

562. I had a drink called a piña colada.

563. I'm hosting the show tonight.

564. What?

565. That's right. I'm hosting the show tonight.

566. I was bored on vacation anyway.

567. Beverly, get me Dana Carvey.

568. Would you— would you help me?

569. Okay, but no, sir.

570. We're not putting you on the air this week.

571. It will make it look as if you regard him as a genuine threat.

572. Besides, we might be twisting our shorts

573. in the knots for nothing.

574. He may have turned the offer down.

575. I'm telling you, I know Carvey.

576. He didn't turn down this offer.

577. He doesn't turn down anything. I'll bet you right now he—

578. Oh, hey. Hey.

579. So what's going on?

580. Listen, this is a little awkward.

581. We— would you like something from the fridge?

582. Something's wrong, right?

583. No, nothing is wrong. What?

584. We just need to know if you're gonna be taking that talk show offer.

585. Oh, that. I don't know.

586. Just answer the question, you little asshole.

587. What?

588. I don't want to put too much pressure on you, Dana,

589. but the truth is, it's a business thing,

590. and we need to know if you're taking the other talk show.

591. I just— I don't know. I know you.

592. I know you know.

593. All right, I can't say.

594. You can't say? Mm-hmm.

595. Oh, Artie, he can't say. No, he can't say.

596. He can't say. What are you doing?

597. All right, all right, I'm not taking the deal at CBS.

598. I apologize, sir.

599. Thank you.

600. Why?

601. Well, 'cause I'm taking the deal at NBC.

602. I didn't even know about the NBC thing.

603. I saw it coming.

604. I hate this business.

605. I'm telling you, I saw it coming.

606. And I'm telling you I hate this fucking business.

607. Barbara Hershey is gonna be your first guest tonight.

608. Okay, is she with lips or without lips?

609. Well, that's what I wanted to talk to you about.

610. One of her lips is thin and the other one's still fat.

611. And it's kind of funky, so don't even bring it up.

612. Okay, all right, okay.

613. Okay? Okay, thanks.

614. Have a good show. Okay.

615. Larry, I know it's a bad time and everything,

616. but I just wanted to tell you

617. I'm sorry I didn't mention the NBC deal.

618. That's all right. I was gonna mention it on the fishing trip.

619. When we were on the boat, having a few beers, catching the fish,

620. I was gonna tell you everything. Okay.

621. So I'm sorry. Hey, it's okay.

622. It's okay. You still want to go on the fishing trip?

623. Well... Or do you have another deal?

624. You have another offer? Yeah, I got a big offer.

625. Another fishing trip offer? Yeah, Bob Saget called.

626. It's a huge overall fishing offer and it's multifaceted—

627. So you'll probably be taking that. Yeah.

628. A big boat. I'm not at liberty to say. It's gonna be great.

629. Hey, what, you guys— Hank.

630. You guys are okay? Yeah, we're fine.

631. I mean, really, you patched things up?

632. You're talking to us like we're Martin and Lewis,

633. for god's sakes. Yeah, it's fine.

634. We're fine. You sure?

635. I mean, there is someone definitely to host tonight?

636. There is someone to host. Yes, yes, someone.

637. Great, all right. Okay.

638. Well, very good. I have to warm up the audience,

639. so I'll see you out there on the ice.

640. Alrighty. Thanks, Hank.

641. He calls it the ice. He's so cute.

642. He thinks he's a rapper or something. I know.

643. You know, by the way,

644. the NBC deal— I just want to let you know—

645. it's primetime. It would be hours before

646. you'd ever be on television, so don't feel threatened.

647. I wasn't threatened. You seemed a little threatened.

648. I was never threatened. Oh, you were never threatened.

649. I was never threatened. I'll prove it to you.

650. Why don't you host the show with me tonight?

651. There's not room for two guys behind the desk.

652. Okay, guest sidekick. Be the guest sidekick.

653. What about Hank? 30 seconds.

654. Hey, Artie... Omaha.

655. Tell Hank... Is that where Dorothy is from?

656. Oh, I see— Kansas.

657. Yes, I spent a week in Kansas one day. Okay.

658. Okay, all right.

659. You know what? Larry, one last thing—

660. I just want to be totally honest here.

661. You know the overall deal at NBC? Yeah.

662. Well, it could be late-night.

663. Live, on tape from Holly—