1. Now that sign says,
"applesauce."
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2. No.
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3. I'm kidding.
It says "applause."
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4. Greg, do me a favor,
you flick that once.
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5. All right.
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6. Now, remember, you're all
a big part of the show.
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7. So the better you are,
the better Larry is.
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8. Okay, now, you see this
gentleman? Yeah, he's giving
me this sign,
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9. and it says we're on
in ten seconds,
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10. so get ready
to have a good time.
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11. All right, here we go.
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12. This is exciting, isn't it?
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13. In five, four, three, two...
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14. Live on tape from Hollywood,
the Larry Sanders Show!
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15. Tonight, welcome Larry
and his guests,
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16. Val Kilmer,
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17. Valerie Bertinelli,
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18. Wynonna Judd,
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19. and me, "Hey, Now!"
Hank Kingsley
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20. And now, because
it's an FAA regulation,
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21. your flight attendant,
Karen Jackson!
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22. Good evening.
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23. Good evening, and welcome
to "The Larry Sanders Show."
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24. For your comfort and safety,
please take a moment
to familiarize yourself
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25. with some of the features
of this studio.
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26. Should the director determine
it necessary to illuminate
the applause signs,
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27. please do so immediately.
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28. To applaud, hold the hands
out and away from the body
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29. with the palms
facing each other.
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30. Bring the palms together
firmly and quickly,
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31. and continue
to breathe normally.
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32. In the event of a sudden
loss of interest in one
of tonight's guests,
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33. your seat cushion may be
removed and used as a pillow.
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34. Our estimated time on the air
will be 59 minutes,
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35. and we want
to thank you for choosing
"The Larry Sanders Show"
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36. for your late-night
talk show needs.
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37. And now,
your host for the evening,
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38. Captain Larry Sanders.
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39. Thank you,
thank you, thank you.
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40. I think the only thing
Karen forgot to add
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41. is please, do not stand
until we've come to
a complete halt,
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42. which I think we just have.
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43. You ever seen a stewardess
like that, Hank?
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44. Beautiful. Beautiful.
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45. That's a good answer.
All right.
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46. Well, we had another
earthquake here in LA,
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47. and of course, the really bad
thing about earthquakes when
they happen in Los Angeles
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48. is it makes it more difficult
to shoot straight.
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49. I was with my wife, of course,
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50. in bed at 5:00 AM.
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51. And she started to yell,
you know, "it's the big one."
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52. And I said,
"well, thank you very much."
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53. 'Cause— And then she said,
"no, it's the quake."
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54. Stay for the whole show.
Don't be like
last night's audience.
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55. You at home,
you here in the studio.
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56. Please, don't do what
last night's audience did.
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57. After the show as over—
You know, they laughed
for an hour,
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58. they had fun with us
for an hour,
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59. then they got dressed
and just left.
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60. Please, stay.
I like to cuddle afterwards.
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61. And you never know,
an hour later I may feel like
putting on another show.
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62. Stay tuned, we have
some great guests.
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63. And don't flip around,
we'll be right back.
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64. And then you'll be doing
what project after that?
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65. Uh, "Wild Palms"
that Oliver Stone's
producing for ABC.
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66. Well, Dana,
you were delightful.
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67. Come back as often
as you like.
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68. Really.
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69. Uh, we have some terrific
guests coming up this week.
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70. Uh, Winona Ryder, Joe Pesci,
comedian David Spade.
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71. Oh, great, I like him.
We have—
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72. David Spade?
Mm-hmm.
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73. As do I.
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74. This is actually his, uh,
fifth time, is that right?
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75. Fifth time.
Fifth time.
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76. Wow, that's, uh...
Five.
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77. So, see you tomorrow night,
sleep well.
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78. Remember, we'll all
be sleeping at the same time.
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79. So, what do I do now?
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80. Just pretend like
you're talking to me
till we're off the air
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81. so it won't seem weird.
Okay.
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82. So...
Blah, blah. Blah-blah-blah.
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83. You don't have
to pretend that much.
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84. How's your house coming along?
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85. My house? Uh, well,
I'm in a lawsuit
with the contractor
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86. because the walls are...
We're clear!
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87. bleeding like a miracle—
Perfect, that's great.
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88. David, I know it's torturous,
but we gotta go over this.
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89. 'Cause you know Larry wants
to know everything you're
gonna say.
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90. It's fine. Um...
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91. I'm gonna do
the doggie diapers,
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92. I'm gonna do
the airline stuff, I'm—
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93. What's that?
I haven't heard it.
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94. Airline stuff? It's, uh...
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95. Give me a speed-through,
but I gotta know it.
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96. You want me to do
the whole joke?
Please.
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97. Ugh. This is an office,
not a club.
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98. David, I know this is
total torture,
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99. but you gotta do your act
for me so Larry can hear
the content.
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100. All right, it's um...
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101. Basically, I come out,
hello, hello.
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102. How's everybody?
I just flew in.
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103. I don't like to fly
'cause when you get on
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104. they immediately tell you
the name of your pilot,
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105. like anyone goes, "oh,
he's good. I like his work."
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106. That kind of stuff.
Yeah.
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107. Then I say I fly coach,
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108. I don't fly first-class.
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109. Thing about coach is
they don't want you to see
the people in first class,
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110. that's how much
of a loser you are.
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111. And, you know,
flight attendant will come by
and pull the curtain shut,
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112. "sorry."
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113. You make
that little face?
Yeah.
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114. That is so Spade,
and Larry loves that.
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115. Then I do
my dog's penis—
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116. Did you just say "penis"?
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117. I say penis. I can change it
to organ, maybe.
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118. That'll be probably good.
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119. You will not.
Hey.
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120. You will not change
a thing, that's what
this show needs:
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121. penis, and plenty of it.
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122. Hey, Mr. Sanders.
Don't get up.
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123. How's the show?
Hey, David.
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124. How are you? Eh...
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125. So you're with us
on Thursday, is that right?
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126. Yeah, yeah,
looking forward to it.
Terrific.
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127. Good, that's your...
Fifth.
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128. Fifth time, wow.
Fifth time, right?
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129. So you're like family.
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130. How many times
you been on the show, Paula?
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131. Never.
Exactly.
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132. So I'd show Mr. Spade here
a little respect.
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133. Let him say penis
whenever he wants.
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134. You got it,
you can say penis.
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135. There you go.
All right.
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136. Stop by
on your way out.
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137. Yeah, okay. Great.
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138. So, anyway,
your dog's penis?
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139. Right.
You can't say penis.
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140. Got it.
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141. Who is it?
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142. Hi. Hey, Larry.
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143. Oh, David, hi.
What's up?
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144. You wanted me to come by?
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145. Oh, that's right.
Sure. Come on in.
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146. So, things are
going well, huh?
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147. Oh, yeah, it's great.
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148. I owe a lot of that to you.
No, no, no.
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149. No, you deserve it.
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150. So, you still
driving the, uh...
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151. Oh, the Hon—
No, I've actually
got a new Mustang.
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152. It's brand new.
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153. Those are great.
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154. Yeah.
Those are great,
I love those.
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155. Yeah, everything is—
Everything's going great.
Good.
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156. Very glad. I'm really very
glad to hear that, really.
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157. Well...
I guess it's that time.
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158. Thanks for coming by.
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159. So...
Long?
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160. Yeah, so long. I'm gonna
go drive the Mustang.
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161. Hey, those are great.
Have fun.
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162. Thank you, yeah.
Okay.
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163. Hey, glad to hear it,
you know, things are
going so great.
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164. Well, they are, thanks.
Oh, good.
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165. Well, keep up the good work.
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166. Yup.
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167. You wanna close that?
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168. Nice kid.
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169. Hello, Larry Sanders.
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170. Artie, hey.
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171. Artie, he's not allowed
to talk about show business.
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172. I am not allowed to talk
about show business, Artie.
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173. Put on Leno, honey, please?
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174. Okay.
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175. David Spade:
All right. Good crowd,
good crowd.
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176. Well, I flew here tonight,
and, uh, I don't like to fly.
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177. 'Cause when you fly,
once you're on the plane
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178. the flight attendant will
immediately tell you the name
of the pilot.
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179. Like anyone goes,
"oh, he's good."
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180. Honey, that's, uh,
whats-his-name?
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181. You know,
he's been on your show?
Yeah.
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182. David Spade. He's supposed
to do the show for the fifth
time tomorrow.
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183. Thing about coach
is they don't want you to see
the people in first class,
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184. that's how much
of a loser you are.
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185. Flight attendant
will come by and pull
the little curtain shut.
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186. "Sorry."
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187. I thought he was doing
our show tomorrow, Artie.
What the fuck is this?
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188. Huh? No.
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189. No... No.
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190. All right, I'll talk
to you tomorrow.
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191. And I realize everyone's
got a limousine in Hollywood.
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192. Everyone's got a limo,
they think they're so cool.
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193. Every time I see
a limousine, I go,
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194. "ooh, you have $80."
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195. Jesus!
What are you so mad about?
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196. You don't do
two talk shows back-to-back.
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197. My dog's penis was...
It's an unspoken rule.
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198. Well, maybe it's so unspoken
that he didn't know about it?
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199. He knows about it. Arsenio
and Leno have contracts
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200. to prevent stuff like that.
You don't. You don't
do that, right?
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201. No, I don't do that.
I don't do that.
But you know what?
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202. I expect a certain loyalty.
I found this guy.
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203. And you know what?
I discovered him
at The Comedy Store,
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204. and then...
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205. I sound like
an asshole, don't I?
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206. No, honey, you don't
sound like an asshole.
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207. Your feelings are hurt.
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208. My feelings are hurt, honey.
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209. And by a man.
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210. How did this happen?
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211. As I understand it,
Leno had a cancellation,
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212. so his people called up Spade,
and Spade jumped right on it
'cause he's a scumbag.
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213. Ugh.
Well, we're going
to rise above it.
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214. Well, what are
we gonna do?
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215. We're going
to rise above it.
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216. No, here's what
we're going to do.
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217. We're gonna book
Nell Carter on the show,
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218. we're gonna lock her in
her dressing room for three
days and don't feed her.
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219. Then we throw David Spade
in there with a piece of honey
baked ham down his pants.
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220. Stand back
and thank me later.
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221. Can we get Nell Carter?
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222. Oh, I can get Nell Carter,
and if I can't,
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223. I'm gonna dress up like Nell
Carter and get in there and
kick his little ass myself.
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224. All those years in
the Merchant Marine have
served you well, Paula.
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225. Meeting.
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226. Do you want me to make
Spade fall in love with me,
then hurt him?
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227. 'Cause he can.
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228. No. Thanks, though.
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229. By the way,
Lenny and Squiggy say hi.
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230. Fuck him,
he's off the show.
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231. Oh, calm down.
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232. Oh, screw it.
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233. Listen, I was so upset
last night I had to take
a Halcion.
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234. Aren't there side effects
to that stuff, Artie?
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235. Sure, I saw Buddy Ebsen's head
floating over my dresser.
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236. Oh, for god's sakes.
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237. Yeah, but he vanished.
Slept like a dream.
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238. What do you want to do
about the little pissant?
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239. You know, he was
in here last night.
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240. Where, here?
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241. In here.
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242. What's he
doing in here?
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243. I asked him to stop by
on his way out.
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244. Why?
I thought it was
a friendly thing to say.
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245. I didn't know
he'd actually do it.
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246. You mean come in here?
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247. Yes.
Amazing.
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248. Artie, he's just a kid. Maybe
he didn't know any better
about "The Tonight Show."
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249. Bullshit! Think about it.
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250. He taped "The Tonight Show"
an hour before he came
waltzing in here.
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251. I'm surprised you didn't
smell Leno's cologne on
the little rat-bastard.
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252. Yeah, you're right.
And he didn't even mention
anything about it to me.
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253. Fuck him.
He's off the show.
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254. I thought it'd take you
another ten minutes.
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255. What do you want
to do now?
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256. Wanna get
something to eat?
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257. Larry.
Hank.
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258. Uh, listen, wasn't Karen
great in that stewardess
sketch last night?
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259. No. No, Hank.
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260. No matter what she did
to you, we're not having
her back on the show.
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261. I wasn't asking that, sir.
I wouldn't do that.
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262. No, my pal Ray Combs,
hosts "Family Feud"?
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263. He's getting her
on his show for me.
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264. Is that right?
Uh-huh.
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265. Great. Her and her family?
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266. No, no. No, just her.
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267. You see, sometimes
when they have a family
with just four people,
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268. they slap on
a fifth person
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269. and, you know, make them
a cousin or whatever.
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270. They do that?
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271. Hush, hush, you know.
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272. Ooh, by the way,
while I got you here,
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273. You know, I'm a friend
and I don't usually—
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274. I don't usually ask
for favors,
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275. but, uh, this afternoon
the regional presidents of
the Hank Kingsley fan club
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276. are visiting the studio.
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277. And I throw a little
wingding, you know,
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278. and, oh, if you could
say hello...
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279. Hank, I don't do
the wingding thing.
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280. You know, a quick hello.
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281. Uh, well, gee, maybe a few
words about your old buddy
Hank, you know?
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282. Uh, well, that would
be really a— Oh—
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283. Oh, I got it.
I got it. Go ahead.
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284. You know, that would really
be— That would be—
That would be great.
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285. I mean, I am talking a—
What, I'm talking a minute.
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286. I don't know,
a minute 30, tops.
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287. Here, I got that.
I got it, I got it.
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288. Look, look.
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289. It's just not
a good day, Hank.
I'm not in the mood today.
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290. I never ask you for favors.
You know, I mean...
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291. Hank, for god sakes, why—
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292. Mean a lot
to the ladies, really.
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293. Can't you hear my voice,
that I'm saying no to you?
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294. Please?
I'm saying no.
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295. We're such good friends
and you can't hear that
I'm saying no to you?
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296. Don't make me
say the words, Hank.
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297. Please?
No.
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298. For god sakes, no, Hank.
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299. Um...
You know, I talk to you,
and you don't hear!
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300. Enough said.
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301. Hey, Darlene.
Hey.
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302. Guess you heard
David Spade's off the show.
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303. Why is Larry so mean?
What is he, "sag"?
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304. Look, Larry can do
what he wants to do.
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305. You know, Spade really
hurt his feelings.
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306. Typical "sag."
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307. What's all this stuff?
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308. I had to make extra copies
of Hank's fan club newsletter.
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309. "Hank's for the memories."
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310. We have another stewardess
skit for tonight?
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311. I hope we do.
I love those stewardess skits.
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312. I don't know if you heard,
William Shatner's doing
a sketch with us.
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313. Mr. William Shatner?
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314. He's across the hall
doing "News at 5."
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315. That's great.
Yeah, and so I wrote up
a "Star Trek" sketch for him.
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316. And Paul went over
to run it by him.
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317. Good. So...
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318. Jerry, William Shatner's
on line four for you.
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319. He wants to talk to me?
Yeah.
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320. Can we put him
on the speakerphone?
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321. Yeah, I love his voice.
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322. All right.
Okay.
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323. I'm trying to get him
to say "Klingon."
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324. Mr. Shatner, Jerry Capen.
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325. No, wait.
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326. Tell him you put him
on speakerphone.
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327. Mr. Shatner,
I'm gonna put you
on speakerphone.
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328. Mr. Shatner,
Jerry Capen.
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329. The volume.
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330. Mr. Shatner?
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331. Yeah, Jerry, am I
on a speakerphone?
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332. Yeah, well, the handset's
broken, but we're alone.
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333. Uh-huh. Well, Jerry,
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334. I'd like to come over and do
something with Larry,
but Paula tells me
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335. you guys are thinking about
some "Star Trek" thing?
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336. Come on.
Yeah, well, you know,
we're kicking the idea around.
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337. Well, you know,
I've written three novels.
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338. "TekWar,"
"TekLords,"TekLab."
Copy !req
339. They're really taking off.
Marvel comics is turning them
into a series of comic books.
Copy !req
340. I got a new novel out there
called "Believe" right at
the book stores right now.
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341. Maybe we could do
something with that?
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342. I mean, isn't "Star Trek"
the most obvious, unoriginal
choice you could make?
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343. I mean, come on.
Well, actually,
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344. you know,
it's very much in—
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345. Bill? This is Larry.
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346. Larry! Larry, how you been?
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347. Good. I was just walking by
and I heard your voice
on the speakerphone.
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348. I thought I'd pop in 'cause,
Bill, I'm really excited
Copy !req
349. about doing this
"Star Trek" thing the guys
have written tonight.
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350. Oh, great, a "Star Trek"
sketch. That'll be fun.
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351. I'm really looking
forward to it.
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352. Good, me too.
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353. Say, uh, Bill?
Yeah?
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354. What were those—
What was your biggest
enemy on "Star Trek"?
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355. Uh... DeForest Kelley and I
had some problems.
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356. No, I mean, um...
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357. alien-wise. Who were
the evil aliens who were
always after you?
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358. Uh, Romulans? There were
some Romulans, salt suckers,
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359. Klingons! There were
some Klingons.
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360. I think that's it, Bill.
Thanks a lot.
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361. What's so funny?
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362. All right, here we go.
Right down this way.
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363. Now, right down here
is the makeup room.
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364. And this is where
they make me beautiful.
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365. Oh, you're beautiful enough
as it is, Hank.
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366. You're a married woman,
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367. don't try and
tempt me, Margaret.
Copy !req
368. And, uh, down— Oh!
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369. Well now, here comes
one of our writers.
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370. Now, this is Phil.
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371. Hey now, Phil!
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372. How's it going, Phil?
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373. Ah, you see that?
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374. It's very sad.
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375. When they respect you
too much, there's a distance.
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376. Aww.
Oh, yeah.
Copy !req
377. Okay, let's move on, shall we?
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378. Yes.
Yeah.
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379. How's it going, Ray?
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380. Now, this is where I say...
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381. Applesauce!
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382. Now this is
where it all happens.
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383. This is what I like
to think of as "Hank Central."
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384. Who wants to?
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385. Me, me, me, me, me!
You do?
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386. You had your hand
up first, come on.
Me, me, me.
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387. Oh! Oh...
There we go.
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388. Oh. Oh! Oh, wait
until you get up here.
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389. I mean, you can feel
the energy.
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390. Uncover it all, Hank.
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391. Yes! Please?
Oh, no. No, no, no.
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392. Please, uncover—
No, I'm not allowed to.
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393. Next. Who's next?
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394. Is that Orlando?
Okay, come on.
Yes!
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395. All right,
watch your step.
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396. Watch your step.
Thank you.
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397. Live on tape from Hollywood...
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398. Ooh, that gives me the chills.
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399. Um, where's
the bathroom?
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400. Uh, we're gonna have
a bathroom break in just
a little bit, okay?
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401. Hank!
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402. You didn't tell me
there'd be babes.
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403. Oh!
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404. Hey now! And now, ladies,
because he's my pal,
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405. Larry Sanders!
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406. Hey now, Larry!
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407. Thanks.
Thank you.
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408. I haven't heard this many
women applaud since my bris.
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409. Where you from?
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410. Chicago.
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411. Chicago.
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412. Okay, ladies,
Larry's very busy,
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413. so we gotta let him...
Larry!
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414. Why does Hank have to sit
so far down on the sofa?
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415. We can barely see him.
It's not right.
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416. I know it isn't,
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417. but if people could see Hank,
who would look at me?
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418. Oh, that's right.
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419. What's my name again?
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420. Larry!
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421. Okay, so when I push
the button, Ritchie,
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422. they're both gonna wiggle
at the same time, right?
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423. 'Cause if just one wiggles,
I don't think it's quite
as funny.
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424. Oh, Ritchie'll
make it work.
I know.
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425. It's a cute gag.
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426. However, Spock's were
a little more pointy,
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427. unless we're talking
about that first season
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428. before he made his
return to the planet Vulcan.
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429. Don't know the time frame
of the sketch, Artie.
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430. Uh, just so you know,
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431. Paula got a fervid
call from David Spade.
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432. David is a very
upset young man.
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433. Well, you know,
we're all a little upset.
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434. And he would like
to come over
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435. and explain
the situation to you.
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436. You know, Artie,
I'm not one who demands
blind loyalty,
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437. but this guy
really hurt my feelings.
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438. You don't want to talk
to the little prick?
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439. No.
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440. Good.
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441. I can't wait
to see him wiggle.
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442. Me and my cold, Vulcan logic.
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443. Okay. These will work.
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444. Knock, knock.
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445. Who's there?
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446. What do you mean?
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447. You said "knock, knock."
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448. No, no, no,
I was just saying that.
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449. But you said knock, knock
when you came in.
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450. Right.
Who's there?
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451. Uh, Hank.
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452. Hank who?
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453. Hank Kingsley.
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454. Come in.
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455. Where are the babes?
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456. They're out there
looking at my parking space.
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457. And you, sir,
are a true—
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458. Boy, you really gave 'em
a thrill out there.
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459. No, no, it was fun.
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460. Yeah, it was, huh?
I want to thank you again.
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461. I mean, you're a true mensch.
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462. No, no, I—
I mean that.
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463. Hey, Hank?
Yeah?
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464. Uh, you know about
this David Spade thing, right?
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465. Yes. I mean, I heard about it.
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466. And you've kicked his ass
off the show is the word
around campus.
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467. Too harsh?
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468. Well, it's hard to say.
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469. I mean, you remember
the first time you did
"The Tonight Show"?
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470. Yeah.
Well,
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471. you, uh— How do you
think Merv felt?
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472. What's your point?
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473. My point is you did Merv
a couple times before you did
"The Tonight Show."
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474. But Merv was on in
the afternoon, Johnny
was on at night.
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475. There wasn't a conflict.
I don't think the unspoken
rule applied.
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476. Okay. But Merv gave you
your start, right?
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477. Where are the girls, Hank?
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478. Listen, thank you again.
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479. Beverly?
Hmm?
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480. No, no.
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481. Would you call
David Spade?
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482. Make sure they don't use that
oil soap on the dashboard
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483. 'cause it makes it
look all slippery.
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484. And don't touch anything
in the glove compartment,
okay?
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485. Okay, thanks. Bye.
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486. So, go on.
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487. I... It just—
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488. I don't expect you
to totally forgive me,
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489. or not think I'm an asshole
for what I did,
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490. but honestly, my manager
and my agent,
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491. I went over it with them,
and they said it would
be fine.
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492. And you gotta trust someone,
I trusted them.
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493. Oh, come on.
You know, look,
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494. David, you're a bright guy,
and I can understand all that,
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495. but I can't put
all the blame on them.
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496. You're right, but, you know,
I'm out there sweating it out
in the clubs,
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497. and that's what you're after,
you know,
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498. night after night
you want "The Tonight Show."
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499. And I finally get it—
Even though it's just
fucking Leno now.
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500. It was your
big break, too.
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501. That is not true.
I happen to have
started on Merv.
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502. Merv gave me a couple
of good shots before I ever
did "The Tonight Show."
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503. That's a fact.
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504. Jesus, Merv must
have been pissed off.
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505. He was not pissed off.
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506. They were on
at different times of the day.
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507. One was on in the afternoon,
one was on...
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508. Look, let a couple
months go by,
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509. let things settle down,
and then we'll book you
again on the show, okay?
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510. That'd be great.
That's very generous.
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511. All right, well,
thank you, and I'll get
out of your way now.
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512. Thanks, Mr. Sanders.
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513. Hey, call me...
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514. You want me to call you?
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515. No, I was gonna say,
"call me Larry."
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516. Okay. Bye.
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517. How'd it go?
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518. Good. I gave him that
whole manager/agent shit.
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519. And he bought it?
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520. Of course.
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521. And he claimed
it was his manager
and his agent, huh?
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522. That's what he told me.
You bought that horseshit?
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523. Are you kidding?
I told him we'd wait
a couple months,
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524. and then we'd book him again.
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525. We'll bump him a few times,
he'll get the message.
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526. Little rat prick.
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527. Larry, Arthur,
we have a huge problem!
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528. Joe Pesci just canceled,
what are we gonna do now?
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529. My next guest
is a good friend and
a wonderful young comedian.
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530. Tonight marks his fifth
appearance on the show.
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531. Please give a warm welcome
to David Spade.
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532. Whoo!
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533. Good crowd!
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534. Thank you.
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535. Good crowd, good crowd.
All right.
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536. Well, uh, hey,
first I flew here.
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537. I don't like to fly
'cause once you get
on the plane
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538. they immediately tell you
the name of the pilot.
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539. Like anyone goes,
"oh, he's good.
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540. He's good. Love his work."
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541. And I sat in coach.
I never sit in first.
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542. Thing about coach is
they don't even want you
to see the people in first...
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