1. All right, now,
how many people are here
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2. for their first
television taping
you've ever been to?
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3. Can I see your hands?
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4. Uh-huh, one, two, three...
Okay, very good.
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5. Now, uh, this is how it works.
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6. Okay, ready?
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7. Now first,
you take off your clothes.
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8. No, no. No, no, but seriously.
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9. We, uh, we really—
We couldn't do the show
without you, gang,
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10. so thank you for coming on
down here tonight.
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11. And uh... let me ask you to—
Let me ask you a favor.
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12. Can you all give me—
When I say three,
you give me a "Hey, now."
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13. Ready? One, two, three.
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14. Hey, now.
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15. That's fantastic.
Now do you see these
applause signs?
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16. Uh, uh, uh,
or does that say "applesauce"?
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17. Oh, no,
that says "applause."
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18. Okay, well—
Come on, let's hear it, gang.
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19. Hey, now!
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20. Please stay, huh?
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21. I really should get going.
just for you.
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22. Jeannie!
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23. What a delightful
surprise to have you here
on the show.
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24. We're on in 60 seconds.
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25. I hope that's what
you're planning on wearing.
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26. This tie? You like it?
It doesn't make my butt
look fat, does it?
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27. Haha! Very funny.
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28. It's gonna be
a hot show tonight.
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29. Hot show. Stay?
Uh—
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30. No, I'm gonna go.
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31. I'd be more than delighted to
stash her in the green room.
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32. Yeah, terrific.
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33. 40 seconds, Larry.
Let's go.
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34. 40 seconds, Marty.
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35. Well—
Better go find
some good jokes.
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36. And now, because
he not only owns the place...
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37. You know what, give Marty
a touch-up too.
Larry Sanders!
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38. Okay, it's time.
Thank you.
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39. Well, really,
I haven't felt, uh—
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40. I haven't felt this up
since last night.
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41. All right, so, never felt—
Actually, never felt old.
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42. And now— I gotta tell you
what happened.
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43. I'm watching television
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44. and Gilligan, Bob Denver,
is doing a commercial
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45. here in Los Angeles
on a local cable station
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46. for a boat shop.
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47. And Bob Denver,
Gilligan, is like 70 now.
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48. And it just wasn't attractive,
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49. and he was still wearing
the red sweater
and the sailor hat.
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50. And I'm going, "Oh, geez,
well, at least he's
off the island."
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51. Bill Clinton announces—
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52. Announced today that he would
make some major changes
at the White House.
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53. If elected,
he would change,
uh, well,
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54. in the Lincoln bedroom,
he would put a water bed in.
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55. So...
Uh-huh.
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56. Well...
Yeah.
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57. He fucked it up.
Uh-huh.
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58. The joke doesn't work unless
he ends with the words,
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59. "adjustable beds."
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60. His timing really
sucks tonight.
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61. He's off...
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62. and running in what looks like
another wonderful show.
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63. Hi, Mrs. Sanders.
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64. Hi.
Hi.
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65. Very funny monologue tonight.
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66. Yeah, he is on. This is
as on as I've seen him
in a long time.
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67. Right, very strong stuff.
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68. Let's go watch
at the monitors
by the um...
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69. Toilet? Mm.
Toilet.
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70. Toilet monitor
is busted, boys.
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71. Ha! Ha!
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72. He's a funny man.
Funny, funny man.
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73. Yes.
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74. Lucky us.
Yeah.
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75. Uh, so how's Elaine?
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76. She's halfway to
her ideal weight, whatever
that's supposed to mean.
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77. It's so much fun having you
here at the show.
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78. I really do wish we could
see you more often.
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79. Oh!
So, enjoy.
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80. Oh, well, you know,
you and Elaine should
come over sometime.
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81. Where?
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82. The house.
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83. Where's that?
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84. You've never been
to the house before?
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85. Not that I recall.
I have no mental picture.
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86. Oh, god, well, why don't you
come over for dinner sometime?
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87. Right, that'll be fun
sometime.
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88. No, really,
what about tomorrow night?
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89. Tomorrow?
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90. That's very kind of you, I...
I'll have to check with
my better half.
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91. Splendid Book, John.
Beautiful pictures.
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92. Wonderful. Wonderful.
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93. Oh, Larry, can I
ask you something?
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94. Sure.
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95. Your wife invited Elaine
and me to dinner tomorrow.
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96. Oh, okay.
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97. What restaurant are we
going to?
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98. Your house.
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99. "Your House"? What is that,
a new Chinese place?
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100. No, it's, uh,
your house.
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101. The place where
you live.
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102. The place I sleep in?
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103. Larry, if this makes you
uncomfortable, I know how
you value your privacy
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104. and Elaine and I can have
other plans.
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105. Do you?
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106. Well... good.
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107. No, I think it would be fun
to have dinner. Don't you?
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108. Absolutely.
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109. Good.
Excuse me.
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110. All right, Artie,
well, be there
or be square.
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111. I can do both.
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112. Honey, it won't
be like work,
it'll be fun.
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113. It will be like work,
it will be a pain
in the ass.
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114. I'll be sitting there
on a couch talking to people,
entertaining,
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115. without being able to say,
"Hey, we'll be right back."
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116. It'll be great.
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117. Ah, it will not be.
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118. Oh, honey. Look, it's just
one evening, right?
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119. Two people for four hours?
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120. That's one person
every two hours.
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121. Half a person
every hour.
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122. All right.
Put it that way,
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123. but don't let Artie
make these drinks.
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124. He makes these drinks
that are half salt
and half vodka.
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125. Swear to god,
the olive floats
at the top.
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126. Oh, ladies, I can not
go to the meeting tonight.
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127. Excuse me.
What, do you have
a date or something?
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128. You can not cancel
Sister Circle for a man
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129. 'cause that is, like,
such the reason that
we even go—
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130. It's not a man,
it's Larry.
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131. He invited Arthur and his wife
over for dinner and he wants
me to come, too,
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132. you know, kind of like
a buffer.
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133. He invited you
to his home for dinner?
Yeah.
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134. Has anyone ever been
to Larry's house for dinner?
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135. Oh, not that I know of.
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136. That is so weird,
there has to be
a reason for that.
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137. I don't know. Look, I gotta
go, but I'm really sorry about
the meeting, okay?
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138. Yeah.
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139. She's getting a promotion.
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140. Damn it!
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141. We're still going to
Sister Circle, right?
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142. Whatever.
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143. Beverly's being elevated?
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144. Mm-hmm.
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145. Oh, yes, I remember.
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146. We discussed that.
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147. Hmm.
Yeah, what has Larry decided?
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148. I thought maybe,
a segment, uh, producer.
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149. Ha!
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150. It's all happening at
his house?
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151. His, uh...
his actual house, huh?
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152. That's...
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153. interesting.
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154. Hank?
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155. Come in.
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156. I hope you're sitting down.
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157. Oh, geez,
I am sitting down.
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158. Well, then,
don't get up
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159. because I have here...
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160. two tickets for tonight's
Holyfield-Bowe Fight,
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161. and I would like
to bring...
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162. you.
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163. Let me see 'em.
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164. That's great, lemme see 'em.
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165. Let me see 'em.
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166. Come on, Hank.
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167. Let me see.
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168. This is...
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169. These are vitamins.
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170. Please invite me
to your party.
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171. I don't have any tickets,
there are no tickets.
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172. Hank, I was just
going to invite you...
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173. when you came in.
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174. Hey, now.
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175. Well, I accept.
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176. I am, uh... I'm very honored
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177. and I would never miss
a Larry Sanders event.
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178. Half-past eight.
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179. Excuse me, just, um,
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180. and Beverly can give me
the address, right?
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181. Beverly, give it to him.
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182. See? Told you.
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183. Uh, give Shawna a buzz
and see if she's free tonight.
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184. Smokehouse?
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185. Oh, no.
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186. You tell her it's a big
Larry Sanders shindig.
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187. A real time
of your life blowout.
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188. You tell her
everybody's gonna be there.
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189. Ah.
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190. You know, Darlene,
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191. why don't you come?
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192. No, no. No, no.
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193. Now, it's been a long weekend,
by god, you deserve it!
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194. I wasn't invited.
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195. Hey.
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196. Hey. Hey!
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197. Hank'll make it right.
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198. Hi, Jeannie,
Bev again.
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199. Yeah, it's up to eight people.
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200. Ah...
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201. You better make that nine.
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202. Yeah.
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203. Why don't we just
say ten, and—
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204. No, I promise.
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205. Come in.
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206. Oh, hi. Where's Beverly?
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207. She's at lunch. Can I
talk to you for a second?
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208. Yeah, you don't mind
if I eat, do you?
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209. No.
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210. Listen, is there
some kind of,
um...
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211. communication problem
between us or, like,
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212. some problem that you have
with the way I do my job?
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213. No.
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214. I mean, I'm really sorry
to get so emotional,
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215. but there is just no justice
in Beverly being promoted
ahead of me.
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216. That just doesn't
make sense to me.
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217. As the Talent Booker,
I work hands-on
with the people.
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218. That's like
a Segment Producer.
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219. I mean, to be blunt, she's,
like, a glorified secretary,
Larry.
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220. Who said— Who said Beverly's
getting promoted?
It doesn't make sense!
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221. You don't have to say it,
I mean, the dinner invitation
kind of speaks volumes.
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222. Oh, shit!
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223. God, that fucking dinner.
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224. You know, for once, I try
and join my personal life
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225. with my work life and I end up
having fucking dinner. Jesus!
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226. Look, now you're mad at me
and I'm totally blowing it.
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227. That's now what I came
in here for—
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228. I'm sorry.
No, it's me, listen.
Now you're really mad at me.
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229. In my own unique way,
I was trying to invite you
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230. to what I believe will be
a very fun dinner.
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231. Really?
Yes, and I would love
for you to be there.
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232. Will you please come?
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233. Yes.
Good.
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234. Now please, go.
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235. Well, it's up to 12.
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236. Oh, 14,
to be on the safe side.
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237. Would you not invite
any more people?
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238. Geez, it's my—
it's my dinner.
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239. My house, my... sofa.
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240. Right. Larry Sanders
has spoken.
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241. Ugh!
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242. Larry, I'm gonna bring
my Tarot cards tonight
and do your wife.
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243. Oh, I'm so excited
about your party.
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244. Thank you, Darlene,
but just the Tarot reading
will be fine.
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245. And Darlene, would you
please keep this
to yourself?
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246. We want to keep
this thing small,
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247. so please, if anybody else
asks, just keep—
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248. Hello.
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249. Oh, Larry,
what should I bring tonight?
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250. Ice, chips, salt?
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251. Phil, you know, uh,
I've got this...
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252. Ulcer?
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253. Uh, party.
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254. Oh.
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255. Right off of Benedict Canyon.
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256. Jeannie? Look, I have only
one word for you:
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257. Catering.
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258. We have to keep it
down tonight, honey.
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259. I don't want Martin Mull
to come over to see
what's going on.
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260. I hate the way he's always
gotta know what's going on.
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261. Do I look all right?
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262. Sure, you look great.
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263. Honey.
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264. Is that dressy enough?
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265. It's lace!
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266. Good. No, it's perfect.
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267. What are you doing?
It is perfect. Nothing.
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268. You're— You're putting
everything we own into a box.
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269. Just a couple of things,
like "Aquarium Digest."
Honey.
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270. I don't think they
need to know this kind
of information.
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271. Well, what about this picture?
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272. You're in a toga.
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273. Well, so what, it's adorable.
Leave it out.
All right, leave it out,
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274. but you're gonna see
they poke around here
like some sort of museum,
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275. and then they'll decide
we're not as happy as
Burt Reynolds and Loni.
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276. Burt and Loni,
Burt and Loni, that's all
I'm gonna be hearing.
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277. Now, why would they think
that we were unhappy?
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278. Because, they project, honey.
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279. They're unhappy,
and they project.
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280. Sarah, could you bring
Larry a drink, please.
I don't want a drink.
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281. Then they'll smell it
on my breath and they'll think
that I drink.
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282. You do drink.
You do.
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283. I do not drink.
You know,
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284. I'm the one who
should be nervous, I don't
even know these people,
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285. and I am perfectly relaxed.
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286. Goody for you.
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287. Hello.
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288. Did you clean out
the medicine chest?
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289. No. All— All we had was—
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290. God!
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291. Oh. Thanks.
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292. Oh, you're not
my beautiful wife.
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293. Oh, hey, hey.
Hey.
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294. Hey, hey, welcome.
What, no dates?
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295. Well, we were having Chinese.
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296. We were watching "Ghost."
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297. Right.
And—
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298. "Ghost"? "Ghost" is Larry's
favorite movie.
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299. Is that right?
Yes.
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300. Well, that is not true.
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301. It is, you cry
every time at the end
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302. when he finishes with
his mission on Earth
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303. and he has to go back
up to Heaven.
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304. Is that true?
I do not!
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305. It's so sweet.
It's sad. It's really sad.
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306. No, really. Just thinking
about it makes me—
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307. Bars this way?
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308. Yeah, help yourselves.
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309. Honey!
What?
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310. Hey, boys.
Hey.
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311. You two look like
you need a salty...
Oh.
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312. Oh. Oh.
dog.
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313. Thank you.
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314. That bartender doesn't
even know the proportions.
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315. Just because "Cheers" was
a hit, every asshole thinks
he can mix a drink.
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316. Excuse me a sec.
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317. Is that
a Martin Mull painting?
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318. Yeah, it is.
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319. Do you think he gave it
to Larry or Larry had
to pay for it?
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320. Oh, no, Larry paid
for it.
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321. Cost him
a few thousand dollars.
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322. A few thousand dollars?
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323. That's right.
It's not that funny.
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324. Hi, girls.
Hey, Jeannie.
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325. We were just wondering how—
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326. Oh, you and Larry met.
How you met.
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327. Oh, that's a great story.
Really?
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328. I wrote— Listen, I wrote
some party jokes for you.
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329. What?
I wrote some party jokes
for you to use
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330. later on tonight.
You wrote some party jokes?
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331. Yes.
That's ridiculous.
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332. Take it.
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333. Honey!
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334. The girls wanna hear
the story of how we met.
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335. Yeah.
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336. Oh, you tell them, honey.
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337. No! No, come on.
Yeah. You tell them.
You tell them.
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338. You tell them the story,
you're better than me.
No, no, no, no.
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339. Oh, come on.
We met in Aspen.
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340. No. That's it.
We met in Aspen.
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341. Oh!
No, we were both
beginning skiers.
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342. We met on the T-bar
and he asked me out
the first night.
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343. Aw!
That's it.
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344. No, come on.
That is it.
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345. Well, and then of course,
that night, he wanted
to have sex.
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346. Oh!
And I said no, so you know,
we ended up dry-humping
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347. on the couch all night.
Oh, no.
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348. Whoo!
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349. All right, that is not—
He's an animal.
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350. I am an animal.
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351. He is.
I'm an animal.
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352. I'm an animal, huh, Artie?
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353. I'm an animal.
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354. Definitely, definitely.
It's a great story.
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355. I got to pee real bad.
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356. Hey, would you mind
using the bathroom downstairs?
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357. Hi.
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358. Oh, Martin.
Oh, Larry.
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359. Hey. Hey, is the noise
bothering you?
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360. No. Listen,
Good.
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361. I just saw more than one car.
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362. You know, so, you know,
I got to thinking
that's not right.
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363. Just having a party.
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364. So I was hoping Larry's okay.
You're okay?
I'm okay. Having a party.
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365. Come on, seriously.
If there's something wrong,
man, you can—
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366. No, I'm having a party.
Just, you know...
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367. some people over
from the show.
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368. You're having a party?
Yeah.
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369. Oh, so it's not like
it's friends.
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370. Oh, okay.
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371. People from the show.
Is that onion dip?
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372. Yeah.
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373. Didn't scrimp on anything,
did you?
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374. Well, listen, if—
You can write this all off.
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375. If that noise gets too bad—
Come on in.
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376. Oh, it's fine.
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377. No, no, no.
You see, when I was
a kid,
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378. Uh-huh.
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379. I used to say, "Hey."
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380. And then, uh, later,
I said, "now."
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381. But I never put it
together until much later.
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382. Are you talking about,
"Hey, now"?
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383. Uh, yes.
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384. Because I have always
wondered about that.
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385. Which writer came up with,
"Hey, now"?
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386. Hank did.
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387. It's brilliant. Really.
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388. Have you ever thought
about changing it?
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389. No.
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390. Just listen to this. Okay?
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391. Instead of saying,
"Hey, now,"
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392. you'd say,
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393. "Come Here!"
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394. Try it. Just... give it a try.
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395. Come here.
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396. It's g— It's wonderful!
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397. It's kind of good though.
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398. It's wonderful. It is!
No, it's good. I like it.
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399. That is what you can use
if the show goes off the air.
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400. What do you mean
when the show—
What show goes off the air?
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401. Larry's always talking about
moving to Montana, leaving
the business, you know.
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402. The show's going off the air?
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403. Building, or something
out there.
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404. She's kidding.
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405. No!
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406. I'm not going camping.
Really.
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407. Excuse us.
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408. What? Is something wrong?
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409. Yes, you are telling people
all about our lives.
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410. What are you
talking about?
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411. About dry-humping,
about Aspen, about moving
to Montana.
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412. You were spying on me?
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413. I was standing nearby.
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414. I embarrass you?
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415. You do not embarrass me,
I just want you
to be yourself.
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416. I am being myself.
You're not being yourself.
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417. I will tell you when
I'm being myself.
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418. I will tell you when you
are being yourself.
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419. You know, I thought
that these people
were your friends.
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420. Work friends.
Oh. Oh.
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421. Well, excuse me,
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422. I'm from Chicago
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423. and when we have parties,
we invite actual friends
and we have fun.
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424. And we talk about
whatever comes up.
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425. You know, maybe you should
give me a list of what
I can and can't say.
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426. You know what?
Maybe I should give you— Shh.
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427. They— Keep it down.
They will think
we're fighting.
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428. We are fighting!
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429. Yeah, well we are supposed
to be out there hosting
a party.
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430. I do not want them
to know that we are
in here fighting.
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431. So, would you—
Are you coming?
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432. Give me a minute.
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433. And by the way, it was you
who wanted it in Aspen.
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434. Oh!
You were the one
who was going
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435. "Oh, hi, nice to meet you."
Oh, you—
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436. What is this? I—
You know that's not true.
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437. Tch!
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438. It's a toga.
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439. Oh, must be
a white thing, huh?
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440. No, I don't get it either.
It's a stupid thing.
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441. Hey.
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442. Hey, listen.
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443. What the— Get out of here.
Oh, what the—
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444. What is that?
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445. I don't know, but as soon
as I finish this Salty Dog,
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446. I'm gonna rip that camera
from his hands and tear him
a new a-hole.
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447. All right.
Having a good time, huh?
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448. Yeah.
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449. All right, all right.
All right.
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450. All right, listen—
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451. Is Jeannie still changing?
She's, uh—
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452. She is still—
She is still changing.
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453. Listen, I don't
understand women.
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454. I agree. Here.
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455. Have a Salty Dog.
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456. No.
Drink it, you pussy.
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457. No. No, no, I-I—
I had a lovely time.
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458. It's just that, you know,
Shawna's a little tired and—
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459. That is, uh, something more
than tired, Hank.
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460. She's overtired.
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461. Yeah. Yeah.
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462. You don't need to ask
my permission to leave.
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463. Well, thank you.
I appreciate that.
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464. The thing is, uh...
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465. you see, our coats...?
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466. Yeah.
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467. They're in the bedroom
and, um, well the...
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468. the bedroom door
is locked and Jeannie
is in there.
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469. Yeah, she's changing.
She's in there changing.
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470. Oh! Oh!
Yeah.
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471. I see.
Yeah, she's changing
in there.
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472. All she's doing
is changing.
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473. Okay.
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474. I'll get your coats.
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475. Thank you. Thank you.
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476. You're a pal.
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477. Jeannie, come on.
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478. Come on, hon,
could we talk about
this, please?
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479. Could we— Could we
talk about this, please?
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480. Come on. This is—
Don't do this.
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481. Don't do this.
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482. Open the door.
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483. It's Larry.
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484. It's Larry.
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485. It's Larry.
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486. Did you say
something to her?
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487. I knocked
on the door.
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488. Well, was she—
She wasn't even in there.
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489. But she's crying.
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490. Shh, shh!
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491. She is, um, uh,
has fallen asleep.
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492. Oh, do you want me to say
something to her?
And— Uh, no.
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493. No, no, she's asleep.
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494. Listen, I'm gonna go.
I don't even need my coat.
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495. We're fine.
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496. I didn't even
like that coat.
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497. Okay, no, I'll get that stuff.
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498. Except... car keys.
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499. Oh.
I can give you—
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500. Yeah.
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501. I can give you
a ride.
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502. Yeah.
That's great.
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503. I never put my keys
in the bedroom, you know,
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504. in case someone gets in
a sleepy mood.
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505. That sounds like fun,
I didn't even want
my keys anyways.
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506. Later, Larry.
Yeah, it's better this way.
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507. No, you know,
it's not better this way.
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508. This is bullshit.
I want my coat.
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509. I mean, she's your wife,
could you go in there
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510. and tell her to open
the goddamn door?
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511. Jeannie, sweetheart?
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512. It— Jeannie!
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513. The last thing this house
needs is tough love!
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514. Jeannie!
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515. Open this door!
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516. Jeannie!
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517. Hey!
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518. Five marriages.
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519. And now, I'm going downstairs.
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520. Thanks.
Gonna take care of that
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521. sack of human shit
with a camera.
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522. Nice job.
Now everybody knows
our dirty laundry.
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523. This is about you and me
and all you care about
is what they think.
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524. That is not true.
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525. Then why are you whispering?
I am not whispering.
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526. You know, this is so sad
that you think that you
have to hide our life.
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527. Would you please—
That is what everybody does,
by the way.
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528. Oh, I don't want
to talk to you.
Would you please come out
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529. and just—
No.
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530. 'Cause everybody is leaving,
could you just come out?
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531. No.
Could you just come out
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532. for the return of the coats?
No.
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533. Go, "Here's yours,
here's yours."
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534. N-O.
And then it's—
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535. Just come out
with one of those little
Lady Di smiles.
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536. I will not.
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537. That's all I'm asking
from you.
No.
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538. Okay. One more fake moment,
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539. and then we're out
of this thing.
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540. That's all— please?
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541. I'll be—
I'll wait right here.
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542. Please?
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543. Ugh!
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544. Hey—
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545. No!
What?
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546. All right.
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547. So we're fighting, okay?
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548. That's it.
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549. What, you—
You don't— You think we're
the only ones who fight?
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550. Everybody fights.
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551. Everybody has fights.
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552. I'll bet Letterman fights
with that woman who claims
to be his wife.
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553. I don't care
what you think.
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554. I love my wife
and I don't care.
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555. I love my wife
and I don't care
what you think!
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556. Morning, Larry.
Morning.
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557. Morning.
Morning.
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558. Morning.
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559. Morning.
Hi, Larry.
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560. Good morning.
Great party.
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561. Morning.
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562. It was great.
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