The L Word 1x4

1. I TOLD YOU,

2. DON'T MOVE.

3. LET YOUR—LET YOUR ARMS

4. FALL BY YOUR SIDES.

5. THAT'S BEAUTIFUL.

6. GOD DAMN IT.

7. ALICE, I THOUGHT

8. YOU SET THE ALARM.

9. I DID.

10. YOU SNOOZED IT.

11. I'M LATE FOR MY FUCKING

12. DUMBASS JOB.

13. I'M SORRY.

14. DO YOU WANT ME

15. TO MAKE US COFFEE?

16. NO THANKS.

17. I'LL GET SOME

18. ON THE WAY.

19. SO ARE WE GOING TO

20. GET TOGETHER LATER,

21. OR WHAT?

22. I HAVE A SCREENING

23. WITH JOANIE...

24. BUT I'LL CALL YOU.

25. BYE.

26. HEY.

27. HEY.

28. UM, COULD I SPEAK

29. TO YOU, PLEASE?

30. SURE, I'LL BE RIGHT THERE.

31. WAIT A MINUTE?

32. DO YOU WANT

33. SOME COFFEE?

34. NO. THANK YOU.

35. FINALLY, "THE FLAGELLATION"

36. BY DELMAS HOWE

37. DEALS WITH THE DICHOTOMY

38. BETWEEN MAN AS DIVINE

39. AND MAN AS CREATURE.

40. THE PAINTING,

41. WHICH IS LARGE IN SCALE

42. AND CLASSICAL IN ITS EXECUTION,

43. ATTEMPTS TO RECORD

44. THE ARTIST'S EXPERIENCES

45. THROUGH JUXTAPOSITION

46. AND NARRATIVE.

47. RICHARD MORRISSEY HAS CALLED

48. THIS PIECE "A REVELATION."

49. "PROVOCATIONS" IS INTENDED

50. TO DO JUST THAT...

51. PROVOKE.

52. IT IS DARING, IT IS INTENSE,

53. AND IT IS THE EDGE

54. WE HAVE BEEN LOOKING FOR,

55. AND WITH A LITTLE

56. FINESSING,

57. IT WILL BE THE CAC'S

58. SPRING EXHIBITION.

59. ISN'T THAT OUR SLOT

60. FOR THE IMPRESSIONISTS?

61. YES, BUT WE'VE SHOWN

62. "IMPRESSIONS IN WINTER"

63. FOR THE LAST FIVE YEARS

64. IN A ROW.

65. I THOUGHT THIS YEAR

66. WE WOULD WOW THEM

67. WITH SOMETHING

68. DIFFERENT.

69. WE CAN'T MOVE

70. THE IMPRESSIONISTS.

71. EVERYBODY LOVES

72. THE IMPRESSIONISTS.

73. WELL, THE IMPRESSIONISTS

74. NOTWITHSTANDING,

75. YOU HIRED ME TO

76. CREATE A NEW PROFILE

77. FOR THE CAC.

78. NOW, THE "PROVOCATIONS" EXHIBIT

79. WILL PUT US ON THE MAP.

80. IT PREMIERES AT MOMA

81. IN NEW YORK,

82. AND THEN AFTER THE CAC,

83. IT MOVES ON TO THE WALKER,

84. AND THEN TO LONDON'S

85. TATE MODERN.

86. OKAY, WELL, JUST

87. ASSUMING FOR A MOMENT

88. THAT WE WERE WILLING TO FOREGO

89. "IMPRESSIONS IN WINTER,"

90. DESPITE THE FACT

91. THAT IT'S OUR MOST POPULAR

92. EXHIBITION, BAR NONE,

93. FOR THIS...

94. CAUSE CELEBRE OUT OF NEW YORK,

95. WHAT MAKES YOU THINK

96. YOU CAN PROCURE IT

97. FOR THE CAC?

98. WELL, I'VE SET UP A MEETING

99. WITH GINA FERRARA,

100. WHO IS THE CURATOR OF

101. THE PEGGY PEABODY COLLECTION.

102. NOW, I KNOW THAT BOTH MOCA

103. AND LACMA ARE AFTER IT,

104. BUT I'M COMPLETELY CONFIDENT

105. THAT I CAN—

106. BETTE, IT

107. IS OBVIOUS

108. THAT YOU HAVE GONE TO

109. A GREAT DEAL OF TROUBLE

110. TO PREPARE FOR

111. THIS PRESENTATION,

112. BUT IT ISN'T WORTH THE RISK.

113. "IMPRESSIONS IN WINTER" IS...

114. IS TOO IMPORTANT

115. TO US.

116. WITH ALL DUE RESPECT, FRANKLIN,

117. IF I'M NOT THE ONE

118. SELECTING THE SHOWS,

119. THEN I DON'T UNDERSTAND

120. WHAT I'M HERE FOR.

121. TO DO WHAT'S BEST

122. FOR THE CAC.

123. I WOULD THINK

124. THAT WOULD BE FAIRLY OBVIOUS.

125. NOW, WHAT I NEED YOU TO DO

126. IS TO FOLLOW UP

127. WITH SHELDON TOMLIN

128. OVER AT HOYT AND IRON OUT

129. THE DETAILS.

130. WE WOULDN'T WANT

131. ONE OF OUR RIVALS

132. RUNNING OFF WITH IMPRESSIONS

133. BECAUSE WE WERE

134. A LITTLE SLOW ON THE UPTAKE,

135. NOW WOULD WE?

136. WAIT, WAIT, WAIT.

137. I'M SORRY.

138. FOLLOW UP?

139. YOU'VE BOOKED IT ALREADY?

140. I, UH, HAPPENED TO HAVE

141. LUNCH WITH SHELLY LAST WEEK,

142. AND I THOUGHT I'D

143. SAVE YOU THE TIME.

144. WELL, EVERYONE,

145. THANKS, AND HOW ABOUT

146. THANKING MS. PORTER

147. FOR ALL HER HARD WORK.

148. GREAT JOB.

149. COULD I, UH, SEE YOU

150. A LITTLE LATER?

151. DO YOU WANT TO GO

152. TO MY OFFICE?

153. NO, THIS IS JUST GOING

154. TO TAKE A MINUTE.

155. HEY...

156. HOW ARE YOU?

157. HEY.

158. HOW ARE YOU?

159. HEY, JENNY.

160. CAN WE GO INTO YOUR OFFICE,

161. PLEASE?

162. YEAH, SURE.

163. THANK YOU. OKAY.

164. SHANE.

165. HEY, JENNY.

166. HOW ARE YOU?

167. WHATEVER.

168. CAN WE HAVE HER TABLE?

169. YEAH.

170. YEAH?

171. DID YOU SEE THAT?

172. YOU CAN'T TELL ME,

173. RIGHT?

174. RIGHT, AL, I CAN'T TELL YOU.

175. WHAT'S ON YOUR

176. MIND, JENNY?

177. I CAN'T BE

178. AROUND YOU ANYMORE.

179. IT'S CONFUSING TO ME,

180. AND IT MAKES ME

181. FEEL INSANE.

182. YOU KNOW,

183. TIM HAS BEEN

184. SO WONDERFUL TO ME...

185. AND I THINK THAT THIS

186. IS THE VERY FIRST TIME

187. IN MY LIFE...

188. THAT I'VE ACTUALLY FELT SAFE.

189. DO YOU WANT TO BE SAFE?

190. I'M GOING TO MARRY TIM.

191. I CAN'T IMAGINE MY LIFE

192. WITHOUT HIM.

193. I DON'T WANT TO IMAGINE

194. MY LIFE WITHOUT HIM.

195. IS THAT WHAT YOU WANT?

196. YES.

197. THAT IS WHAT I WANT.

198. THEN I WISH YOU WELL.

199. I'M GOING TO GET ANOTHER.

200. YOU OKAY?

201. EASY WITH THE 80's POP

202. THIS EARLY

203. IN THE MORNING.

204. TELL ME YOU DIDN'T.

205. OKAY, THINK WHAT YOU WILL,

206. SHE'S AMAZING.

207. SHE'S AMAZING LOOKING,

208. SHE'S AMAZINGLY SMART,

209. SHE'S AMAZING IN BED—

210. SHE TREATS YOU LIKE SHIT.

211. NO, SHE DOESN'T.

212. SHE DOES.

213. NO, NOT THIS TIME,

214. TOTALLY CHANGED.

215. I DON'T KNOW, AL.

216. SHE STILL SEEMS PRETTY

217. COLD IN THE STREETS TO ME.

218. COLD IN THE STREETS,

219. HOT IN THE SHEETS.

220. SHE'S HAPPIER.

221. SHE'S WRITING

222. HER LESBIAN COPS SCREENPLAY.

223. SHE'S A WHOLE NEW GABBY.

224. WHAT?

225. NOTHING.

226. NO, NO, NO, NOT SAYING "NOTHING"

227. WITH THAT FACE.

228. ALL RIGHT, LOOK.

229. LET'S SAY,

230. HYPOTHETICALLY,

231. THAT I SAW GABBY

232. ALL OVER NADIA MEIRTSCHIN

233. ON THURSDAY NIGHT.

234. WHERE?

235. MILK.

236. WHAT WERE THEY DOING?

237. UH...

238. I'D PREFER NOT TO GIVE YOU

239. THE DETAILS THIS TIME.

240. YOU GUYS, KEEP AN EYE

241. ON THE SAUCE.

242. HEY...

243. HEY!

244. AH!

245. OH, MY GOD!

246. OH, MY GOD! I'M SORRY.

247. IT'S OKAY.

248. JESUS, YOU'RE DISFIGURED.

249. I'M NOT DISFIGURED.

250. BUT I COULD'VE KILLED YOU

251. WHEN YOU WERE, YOU KNOW...

252. IT HAPPENS ALL THE TIME.

253. SHOULD WE CALL A DOCTOR?

254. DANA!

255. SECOND-DEGREE BURN

256. FROM THE BECHAMEL SAUCE,

257. RUNAWAY

258. SHISH KEBOB,

259. AN ATTACK FROM A PARTICULARLY

260. HOSTILE LIVE LOBSTER,

261. AND, UM, ELECTRIC CAN OPENER.

262. IS THERE ANYTHING I CAN DO?

263. YOU COULD KISS IT

264. AND MAKE IT BETTER.

265. UM...

266. I WAS WONDERING

267. IF MAYBE SOME—

268. I WOULD LOVE TO.

269. REALLY?

270. OKAY.

271. OKAY, IS THURSDAY NIGHT OKAY?

272. THURSDAY NIGHT IS GREAT.

273. WHERE DO YOU WANT TO GO?

274. ANYWHERE YOU'RE GOING.

275. YEAH, BUT YOU'RE

276. A FOOD PERSON,

277. SO I WANT TO TAKE YOU SOMEPLACE

278. REALLY GOOD, LIKE L'ORANGERIE.

279. NO, NO, NO,

280. THAT'S WAY TOO EXPENSIVE.

281. I KNOW,

282. BUT I'LL TAKE CARE OF IT—

283. WE'RE NOT STARTING OUT

284. THAT WAY.

285. UM... THERE'S THIS LITTLE PLACE

286. IN KOREATOWN

287. THAT I'VE BEEN DYING

288. TO CHECK OUT.

289. DO I NEED TO MAKE

290. A RESERVATION?

291. HOW ABOUT IF I TAKE CARE

292. OF THAT PART,

293. AND YOU JUST PICK ME UP

294. AT 8:00?

295. OKAY.

296. OKAY.

297. OKAY.

298. OKAY.

299. OKAY, BYE.

300. HEY...

301. YEAH?

302. THANKS FOR ASKING ME OUT.

303. OH, YEAH. NO PROBLEM.

304. OOH!

305. SORRY.

306. YEAH, GINA FERRARA, PLEASE.

307. IT'S BETTE PORTER.

308. WE'RE HAVING DRINKS.

309. CAN YOU JUST LET HER KNOW

310. THAT I GOT HER MESSAGE?

311. AND THE FOUR SEASONS

312. IS FINE.

313. YOU BROUGHT DINNER.

314. YOU GOING OUT?

315. I HAVE A DRINKS

316. MEETING.

317. THE BOARD DIDN'T GO FOR IT.

318. WHAT?

319. HELLO. IS

320. GREG MASSEY IN?

321. YEAH, IT'S BETTE PORTER

322. FROM THE CAC.

323. YES, I'LL HOLD.

324. CAN YOU JUST HAVE HIM

325. CALL ME BACK, PLEASE?

326. THANKS.

327. I HATE THEM ALL.

328. THEY DIDN'T GO

329. FOR "PROVOCATIONS"?

330. YEAH, AND THEN,

331. TO POUR SALT ON THE WOUND,

332. FRANKLIN WENT BEHIND MY BACK

333. AND BOOKED

334. "IMPRESSIONS IN WINTER."

335. SO WHO'RE YOU HAVING

336. DRINKS WITH?

337. GINA FERRARA,

338. THE CURATOR

339. OF THE PEGGY PEABODY COLLECTION.

340. I THOUGHT YOU SAID

341. THEY DIDN'T GO FOR IT.

342. I'M NOT ROLLING OVER.

343. RIGHT AFTER THE MEETING,

344. I CALLED SHELDON TOMLIN,

345. AND I UN-BOOKED

346. THE IMPRESSIONISTS SHOW,

347. AND NOW I'M GOING TO

348. PROSTRATE MYSELF

349. TO A WOMAN

350. WHO HATES MY GUTS.

351. WHY DOES GINA FERRARA

352. HATE YOU?

353. WE HAD A RUN-IN OVER AN ARTIST,

354. MEGAN FRIEDMAN,

355. WHEN WE WERE

356. BOTH GALLERISTS.

357. THAT SCULPTOR YOU SLEPT WITH?

358. AND SHE'S HATED ME

359. EVER SINCE.

360. SO GINA FERRARA'S

361. A LESBIAN?

362. NO...

363. BUT SHE WANTED THE SHOW,

364. I GOT IT, AND NOW

365. SHE HATES ME,

366. BUT I AM GOING TO KISS

367. HER ASS.

368. SHE'S LUCKY.

369. HEY, JEN. HEY, IT'S ME.

370. LISTEN.

371. I HAD A REALLY

372. SHITTY DAY.

373. MY 200-YARD FREE RELAY TEAM

374. ATE SOME BAD SUSHI.

375. THEY WERE UP ALL NIGHT PUKING,

376. AND TRISH IS NOW OFFICIALLY

377. ON ACADEMIC PROBATION,

378. SO IF YOU GET THE MESSAGE,

379. I'M AT THE PLANET.

380. I MISS YOU. I HOPE YOU JOIN.

381. BYE.

382. OOH.

383. HO HO HO.

384. SHE'S GOOD.

385. ANYONE ELSE?

386. NO, THANKS.

387. COME ON.

388. NO.

389. COME ON.

390. I'M OBVIOUSLY

391. NO MATCH FOR YOU.

392. WELL, YOU NEVER KNOW

393. UNTIL YOU TRY.

394. COME ON, HURRY UP.

395. YOU LOOK GREAT!

396. COME ON.

397. YOU WANNA GO OVER THERE?

398. YEAH.

399. HEY.

400. HI.

401. HI.

402. OH.

403. HOW ARE YOU?

404. YOU KNOW NADIA.

405. YEAH. HEY.

406. HEY.

407. OH, MY GOD.

408. HAVE YOU SEEN THIS?

409. LACEY...

410. LOOKS LIKE SHANE

411. FINALLY TANGLED

412. WITH THE WRONG

413. CRAZY BITCH.

414. HARSH. THERE'S, LIKE,

415. A WHOLE STACK OF THEM

416. OVER BY THE DOOR.

417. GABBY...

418. GABBY?

419. I WAS KIND OF HOPING

420. WE COULD BE ALONE.

421. WE CAN BE ALONE

422. WHEN WE'RE DEAD.

423. IS THAT FIONA

424. OVER THERE?

425. I CAN'T BELIEVE SHE'D EVEN

426. SHOW HER FACE IN HERE.

427. TIM. TIM, YOUR PHONE

428. IS RINGING.

429. CAN YOU GET IT?

430. HELLO?

431. TIM?

432. UH, WHO IS THIS?

433. HI, JENNY.

434. IT'S MARINA.

435. WHERE'S TIM?

436. TIM IS PLAYING POOL, AND HE

437. ASKED ME TO ANSWER THE PHONE.

438. I DON'T THINK SHE'S HAPPY.

439. JENNY?

440. SHE GOT CUT OFF.

441. I GUESS

442. SHE'LL CALL BACK.

443. YES!

444. DID YOU JUST HUSTLE ME?

445. YES!

446. JEN, HEY!

447. YOU OKAY?

448. JENNY...

449. JEN, WHAT'S GOING ON?

450. JENNY, CAN

451. YOU HEAR ME?

452. JENNY, BABY,

453. CAN YOU HEAR ME?

454. JEN...

455. CAN YOU HEAR WHAT I'M SAYING?

456. EVERYBODY, GET BACK.

457. GIVE HER SOME AIR.

458. SHE'S COMING AROUND.

459. I'VE GOT TO GET HER

460. SOMETHING FOR HER HEAD.

461. JEN, HEY...

462. IT'S OKAY.

463. IT'S ALL RIGHT.

464. IT'S OKAY.

465. OKAY.

466. WHOA.

467. WHAT HAPPENED

468. TO HER?

469. SHE PASSED OUT.

470. WAS SHE DRINKING

471. OR SOMETHING?

472. I DON'T KNOW.

473. BUT SOMEBODY ELSE WAS.

474. YOU'RE KIDDING.

475. WHY DIDN'T YOU STOP HER?

476. IT'S NOT MY PLACE.

477. HOW WAS YOUR MEETING?

478. THERE WAS AN ACCIDENT

479. ON LA CIENEGA.

480. I WAS 15 MINUTES LATE.

481. I GOT THERE,

482. SHE'D LEFT ALREADY.

483. OH, BABE, I'M SORRY.

484. WE'RE GOING TO

485. RESCHEDULE TOMORROW.

486. COME ON, LET'S GET

487. YOU SOMETHING TO EAT.

488. WELL, WE'RE DEFINITELY GETTING

489. YOU TO A DOCTOR TOMORROW.

490. IT'S LOW BLOOD SUGAR.

491. YOU SCARED ME, YOU KNOW.

492. WELL, YOU KNOW, YOU

493. FUCKED EVERYTHING UP,

494. BECAUSE YOU DECIDED TO GO

495. TO THE PLANET

496. WHILE I WAS MAKING YOU DINNER

497. AND GO AND FLIRT

498. WITH MARINA.

499. DON'T BE RIDICULOUS.

500. WELL, WHAT WERE YOU DOING, TIM?

501. PLAYING POOL.

502. WITH YOUR ARMS

503. AROUND EACH OTHER?

504. YOU KNOW,

505. THAT'S EXACTLY RIGHT.

506. WE WERE MAKING OUT,

507. RIGHT THERE IN THE MIDDLE

508. OF THE PLANET,

509. WHILE EVERYONE WAS WATCHING.

510. YOU NEED TO GET SOME SLEEP.

511. BETTE PORTER'S OFFICE.

512. HI, JAMES.

513. YEAH, IT'S ME.

514. CAN YOU JUST, UH,

515. FORWARD MY CALLS TO MY CELL?

516. THANKS.

517. HEY, GUYS, CHECK THIS OUT.

518. MY GOD,

519. IT'S THE UNABOMBER.

520. WHAT'S GOING ON?

521. LACEY IS ON SOME SORT

522. OF RAMPAGE.

523. SHE'S PUTTING THESE

524. ALL OVER TOWN—

525. GUYS, YOU GUYS...

526. THERE'S A GIANT BILLBOARD

527. OF SHANE ON SUNSET.

528. JUST KIDDING.

529. SO HOW'S YOUR

530. LADY FRIEND?

531. GOOD.

532. I HAVE MY DATE

533. TONIGHT.

534. OH, MY GOD,

535. DANA'S GOT A DATE.

536. WHAT ARE YOU WEARING?

537. UM, WELL, I WAS

538. THINKING I'D WEAR THAT—

539. THAT BLUE SUNDRESS, YOU KNOW,

540. WITH THE—

541. NO!

542. NO.

543. NO.

544. NO.

545. WHAT?

546. HOW MANY TIMES DO I HAVE TO

547. TELL YOU, NO SUNDRESSES.

548. BUT I'M GOING TO

549. A NICE PLACE, YOU KNOW.

550. SOMEBODY MIGHT SEE ME.

551. ONE GUY

552. RECOGNIZES YOU,

553. AND ALL OF A SUDDEN,

554. YOU'RE LIKE TIGER WOODS—

555. BITE MY HEAD OFF. GOD.

556. JESUS, AL,

557. IT'S NOT DANA'S FAULT

558. GABBY'S MACKING

559. ON NADIA MEIRTSCHIN.

560. OH, GOD,

561. NADIA MEIRTSCHIN?

562. I HATE THAT GIRL.

563. I'VE BEEN INTRODUCED TO HER,

564. LIKE, 24 TIMES,

565. SHE NEVER REMEMBERS

566. MY NAME.

567. DIDN'T SHE TRY

568. TO HIT UP ON YOU ONCE,

569. NADIA MEIRTSCHIN?

570. SHE WAS DRUNK.

571. STILL...

572. IT HAS TO END.

573. SERIOUSLY, ALICE.

574. YOU CAN'T LET GABBY CONTINUE

575. TO TREAT YOU THIS WAY.

576. YOU GUYS DON'T KNOW HER.

577. I KNOW IT LOOKS LIKE

578. SHE'S TREATING ME LIKE SHIT,

579. BUT SHE'S JUST, YOU KNOW...

580. TREATING YOU LIKE SHIT, AL.

581. MAYBE. IT'S JUST—

582. NO "IT'S JUST."

583. YOU DESERVE BETTER.

584. I DO?

585. ALL RIGHT, I DO,

586. BUT I JUST FEEL LIKE AT TIMES,

587. SHE'S, LIKE, SO RIGHT THERE,

588. AND I FEEL LIKE WE CONNECT,

589. AND THEN ALL OF A SUDDEN, SHE

590. ACTS LIKE I DON'T EVEN EXIST.

591. THAT'S BECAUSE

592. SHE'S AN EMOTIONAL CRIPPLE.

593. YEAH, EMOTIONAL CRIPPLE

594. SLASH NARCISSISTIC

595. PERSONALITY DISORDER.

596. AND THE NEXT TIME

597. SHE CALLS YOU,

598. YOU HAVE TO END IT.

599. I KNOW, IT'S JUST—

600. "IT'S JUST" NOTHING.

601. WHAT ARE YOU GOING TO DO?

602. WELL, I WAS GOING TO

603. ASK HER—

604. NO ASKING.

605. NO, YOU'RE GOING

606. TO TELL HER.

607. YOU'RE GOING TO SAY,

608. "GABBY, I REALLY ENJOYED

609. THE TIME WE SPENT TOGETHER,

610. "BUT IT IS

611. OBVIOUS TO ME

612. "THAT WE ARE IN DIFFERENT

613. PLACES IN OUR LIVES,

614. "AND WE WANT DIFFERENT THINGS

615. OUT OF A RELATIONSHIP,

616. "AND I RESPECT MYSELF

617. TOO MUCH

618. TO LET YOU CONTINUE

619. TO TREAT ME THIS WAY."

620. "IT'S CLEAR TO ME NOW

621. "THAT YOU ARE

622. AN EMOTIONAL CRIPPLE

623. WITHOUT ANY KIND OF CAPACITY

624. TO UNDERSTAND TRUE LOVE..."

625. "AND I'M NO LONGER

626. WILLING

627. TO WASTE MY VALUABLE TIME

628. ON YOU."

629. "SO STEP OFF, BITCH."

630. YOU CAN DO IT.

631. HELLO?

632. GINA... HEY.

633. I'M SO SORRY

634. ABOUT LAST NIGHT.

635. I HOPE YOU GOT THE MESSAGE,

636. THERE WAS

637. THIS TERRIBLE ACCIDENT.

638. YEAH, I'M REALLY

639. LOOKING FORWARD

640. TO TALKING TO YOU

641. ABOUT "PROVOCATIONS."

642. I THINK THAT THE—

643. OH...

644. OH, REALLY?

645. WELL, IS THERE

646. ANY WAY

647. THAT I COULD GET YOU

648. TO RECONSIDER?

649. BECAUSE I THINK

650. THAT THE CAC—

651. OKAY.

652. ALL RIGHT.

653. NO. NO, NO, NO, NO.

654. THANK YOU.

655. BYE.

656. WHAT HAPPENED?

657. "PROVOCATIONS" WENT TO MOCA.

658. THAT'S WHERE GINA

659. WAS LAST NIGHT

660. WHEN I WAS SITTING ALONE

661. AT THE BAR AT THE FOUR SEASONS.

662. OH, BABY, I'M SO SORRY.

663. I KNEW GINA WOULD SCREW ME.

664. I AM SO FUCKED.

665. IS THERE ANYONE

666. WHO CAN OVERRULE HER?

667. JUST PEGGY PEABODY,

668. THE BILLIONAIRESS

669. RAVING LUNATIC.

670. PEGGY PEABODY,

671. UNIFIED STEEL

672. HEIRESS?

673. YEAH...

674. SHE'S IN TOWN, YOU KNOW.

675. SHE'S STAYING AT

676. THE LOS ALAMENDROS,

677. SANTA BARBARA.

678. SHE'S HERE ON SOME CRAZY

679. ART-BUYING SPREE,

680. SPENT, LIKE, 6.3 MILLION

681. BUCKS YESTERDAY.

682. HOW DO YOU KNOW ALL THIS?

683. I WAS EAVESDROPPING

684. AT "L.A." MAGAZINE.

685. DO YOU GUYS KNOW,

686. THEY WANT ME TO DO A STORY

687. ON THE 45-MINUTE ORGASM...

688. AS IF.

689. I MEAN, BY DEFINITION,

690. THEY'RE SHORT

691. AND INTENSE, RIGHT?

692. BETTE PORTER'S OFFICE.

693. HI, JAMES?

694. CAN YOU GET ME

695. DIRECTIONS

696. FOR THE LOS ALAMENDROS

697. IN SANTA BARBARA?

698. FRANKLIN FOUND OUT

699. YOU PASSED ON

700. "IMPRESSIONS IN WINTER."

701. WHAT ELSE?

702. WELL, HE'S IN A RAGE THAT—

703. THAT YOU LEFT THE OFFICE

704. IN A TIME OF CRISIS.

705. TELL HIM

706. TO BITE ME.

707. I DON'T THINK I CAN SAY THAT.

708. TELL HIM THAT ALL GREAT ART

709. IS A RESPONSE

710. TO SMALL-MINDED

711. CORPORATE FASCISTS

712. TRYING TO IMPOSE THEIR IGNORANCE

713. ON THE SHEEPLIKE MASSES.

714. WHY DON'T I JUST TELL HIM

715. YOU HAVE A DENTIST APPOINTMENT?

716. JUST TELL HIM IT'S

717. NOT OVER UNTIL IT'S OVER.

718. OKAY, CALL ME BACK

719. WITH THE DIRECTIONS.

720. THANKS.

721. YOU'RE GOING

722. TO SANTA BARBARA?

723. GOOD LUCK!

724. HI. HOW ARE YOU?

725. HEY, HOW YOU DOING?

726. HEY, WORD TO THE WISE,

727. WATCH OUT FOR THAT WOMAN.

728. MA'AM, HOW YOU DOING?

729. KEEP AN EYE ON YOUR DAUGHTER.

730. YOU NEVER KNOW.

731. HI. HEADS UP.

732. SO WHAT DO YOU THINK?

733. I LEARNED PHOTOSHOP.

734. LACE, WHAT ARE YOU DOING?

735. WHATEVER I FEEL LIKE.

736. ISN'T THAT WHAT YOU DO?

737. ALL RIGHT, ENOUGH.

738. COME ON.

739. I THINK WE HAVE A BIG

740. MISUNDERSTANDING.

741. I MEAN, YOU AND ME

742. HAD A REALLY GREAT

743. TIME TOGETHER, BUT—

744. I KNOW.

745. THAT'S WHY I DON'T UNDERSTAND

746. WHAT HAPPENED.

747. BABE, NOTHING HAPPENED.

748. OKAY, IT'S JUST ABOUT

749. HAVING A GOOD TIME

750. AND ENJOYING

751. EACH OTHER'S COMPANY.

752. I KNOW, BUT THEN YOU WENT OFF

753. WITH THE OTHER GIRL.

754. YEAH...

755. I DON'T SEE WHAT THE PROBLEM IS

756. WITH THAT.

757. LOOK, LACE,

758. YOU'RE BEAUTIFUL,

759. AND I LIKE YOU A LOT,

760. BUT I LIKE A LOT OF PEOPLE.

761. WHAT DOES SHE HAVE

762. THAT I DON'T HAVE?

763. NOTHING.

764. IT'S NOT ABOUT

765. HAVING SOMETHING

766. OR NOT HAVING

767. SOMETHING.

768. DID YOU LIKE

769. FUCKING HER BETTER?

770. NO.

771. BECAUSE I REALLY LIKED

772. FUCKING YOU.

773. YEAH, I LIKED

774. FUCKING YOU, TOO, LACE.

775. SO, THEN,

776. WHAT'S THE PROBLEM?

777. I DON'T DO RELATIONSHIPS.

778. I'M NOT ASKING

779. FOR A RELATIONSHIP.

780. LOO—LA—

781. LOOK, DON'T—

782. HEY, DON'T CRY.

783. I AM NOT CRYING.

784. YES, YOU ARE.

785. LOOK, I HATE IT

786. WHEN GIRLS CRY.

787. ALL RIGHT, COME HERE.

788. COME HERE.

789. I JUST REALLY LIKE YOU,

790. IS ALL.

791. YEAH,

792. I LIKE YOU, TOO.

793. I DO.

794. I GUESS I GOT CARRIED AWAY

795. WITH THE POSTERS

796. AND THE FLIERS

797. AND THE... BANNER.

798. WHAT, YOU MADE—

799. YOU MADE BANNERS?

800. JUST ONE, BUT THEY WOULDN'T

801. LET ME HANG IT AT GIRL BAR.

802. HONEY,

803. YOU HAVE A LOT OF FEELINGS.

804. I KNOW, AND THEN YOU WENT OFF

805. WITH THE OTHER GIRL.

806. OH, NO, SHH, DON'T, LOOK.

807. PLEASE DON'T—DON'T.

808. FORGET ABOUT IT, OKAY?

809. DON'T EVEN THINK ABOUT THAT.

810. I DON'T WANT A RELATIONSHIP

811. WITH YOU, I JUST—

812. I JUST WANT TO BE WITH YOU

813. ALL THE TIME.

814. OH. HEY, OH.

815. OH, I'M SO DUMB.

816. I AM ALWAYS DOING THIS.

817. I JUST WANT TO KNOW WHY

818. EVERYBODY ALWAYS ABANDONS ME.

819. WAIT—

820. NO ONE'S ABANDONING YOU.

821. EVERYBODY LEAVES.

822. MY FATHER LEFT

823. WHEN I WAS FIVE.

824. MY MOM DIED...

825. AND MY SISTER...

826. WHAT HAPPENED

827. WITH YOUR SISTER?

828. SHE MOVED TO WEST COVINA.

829. I'M NOT GOING ANYWHERE, OKAY?

830. I'M NOT GOING ANYWHERE.

831. OKAY?

832. OKAY.

833. YEAH?

834. YEAH.

835. ALL RIGHT?

836. AL, IT'S DANA.

837. AL... ALICE.

838. NO, DON'T WORRY,

839. I'M WEARING PANTS.

840. NO, THEY'RE NOT PATTERNED.

841. LOOK, I'LL CALL YOU AFTER, OKAY?

842. NO, I'M NOT GOING TO HAVE—

843. HOLD ON.

844. JUST HOLD ON.

845. I'LL BE RIGHT DOWN.

846. OKAY, LOOK, SHE'S COMING.

847. I GOT TO GO.

848. HMM?

849. NO, I'M NOT GOING TO HAVE SEX

850. WITH HER TONIGHT.

851. IT'S OUR FIRST DATE. GOD.

852. I'LL CALL YOU LATER.

853. BYE.

854. HI!

855. I OVER-DRESSED.

856. NO, NO.

857. OH, GOD,

858. I FEEL LIKE SUCH A GEEK.

859. NO, NO.

860. MY FRIENDS

861. MADE ME WEAR THIS.

862. WHAT?

863. MY FRIENDS SAID THAT—

864. THEY THOUGHT THAT YOU

865. WOULD THINK I WAS A GEEK

866. IF, YOU KNOW,

867. IF I WORE A DRESS.

868. SO I AM A GEEK.

869. NO, I'M A GEEK

870. FOR LETTING MY FRIENDS

871. TELL ME WHAT TO WEAR.

872. WELL, I COULD GO CHANGE,

873. SO YOU DON'T FEEL SO GEEKY.

874. NO, YOU LOOK BEAUTIFUL.

875. OH, GOD.

876. SEE, THAT WAS

877. TOTALLY...

878. JUST A TOTAL GEEK.

879. I'M JUST...

880. SHALL WE GO?

881. YEAH.

882. THANK YOU, SIR.

883. HELLO, AND WELCOME

884. TO LOS ALAMENDROS.

885. HOW MAY I HELP YOU?

886. YES, I'M HERE TO SEE

887. MRS. PEABODY.

888. THE CODE WORD?

889. YOU NEED

890. A SECRET CODE

891. TO SEE PEGGY PEABODY?

892. THAT'S CORRECT.

893. SHAZAM.

894. HMM...

895. PERHAPS YOU'D LIKE

896. TO LEAVE A NOTE?

897. THAT'S HER, ISN'T IT?

898. RIGHT?

899. MRS. PEABODY?

900. MRS. PEABODY...

901. HI.

902. WELL...

903. MY DRIVER WAS LATE.

904. THAT'S MY EXCUSE.

905. AND IT'S GOING TO

906. HAVE TO STAND.

907. YOU HAVE SO MUCH TRAFFIC

908. IN THIS INFERNAL CITY.

909. I DON'T KNOW

910. HOW YOU STAND IT.

911. YOU KIND OF GET

912. USED TO IT, ACTUALLY.

913. ABSURD.

914. PENTHOUSE.

915. COME HERE.

916. HOLD HIM FOR ME,

917. WOULD YOU?

918. HERE WE GO.

919. GOOD DOG.

920. THERE, GO AWAY.

921. DON'T COME BACK.

922. I LET JOSE OFF.

923. JOSE?

924. WELL, HE'S MY HELPER.

925. HE'S IN LOVE

926. WITH THIS GIRL

927. WHO WORKS

928. FOR THE WEINTRAUBS—

929. OR IS IT THE FLEISHMANS,

930. I'M NOT CERTAIN—

931. MAD, OBSESSIVE LOVE.

932. I TOLD HIM, "GO! BE IN LOVE!

933. TAKE THE NIGHT!

934. SHOW HER THE SEA!"

935. I THINK PEOPLE IN LOVE

936. SHOULD SEE THE SEA.

937. MRS. PEABODY, I—

938. CALL ME PEGGY.

939. I DON'T LIKE "MRS."

940. IT'S SO FRUMPY,

941. LIKE I'M AN OLD MARE.

942. PEGGY...

943. YOU'RE HERE

944. ABOUT THE KANDINSKY.

945. KANDINSKY?

946. WHAT ARE YOU DRINKING?

947. NOTHING. I'M FINE.

948. NONSENSE.

949. I HAD THIS RIDICULOUS DRINK

950. THE OTHER NIGHT.

951. JOSE MADE IT FOR ME—

952. MANGO JUICE AND VODKA, I THINK.

953. JUST RIDICULOUS.

954. JOSE!

955. I THINK JOSE IS OUT...

956. AT THE SEA.

957. OH, OF COURSE.

958. HE'S IN LOVE.

959. RIGHT.

960. NOW, THIS DRINK...

961. HAS A VERY SALUTARY EFFECT.

962. IT'S CALLED

963. A "ROAD KILL."

964. LET'S SEE IF YOU LIKE IT.

965. YUM.

966. MM. DELICIOUS.

967. SO... WHEN CAN I SEE IT?

968. SEE WHAT?

969. THE KANDINSKY.

970. YOU HAVE A REPUTATION

971. FOR DRIVING

972. A VERY HARD BARGAIN,

973. MISS REYNOLDS...

974. I THINK YOU HAVE ME

975. CONFUSED WITH—

976. BUT I WILL HAVE IT.

977. I'M AFRAID

978. THAT YOU HAVE ME CONFUSED—

979. HOW DOES THIS

980. DAMN THING WORK?

981. UGH, NASTY LITTLE MACHINE.

982. THIS IS

983. MS. PEABODY'S ROOM.

984. LEAVE A MESSAGE

985. AT THE TONE.

986. HI, PEGGY...

987. THIS IS ABBY REYNOLDS.

988. I'M SO SORRY,

989. BUT I'M GOING TO HAVE TO CANCEL

990. ON OUR APPOINTMENT

991. THIS EVENING.

992. LET'S RESCHEDULE

993. THE TALK ABOUT THE KANDINSKY.

994. WHO THE HELL ARE YOU?

995. I'VE BEEN TRYING TO TELL YOU.

996. I'M...

997. I'M BETTE PORTER,

998. AND I AM THE DIRECTOR

999. OF THE CALIFORNIA ART CENTER.

1000. CALIFORNIA—OH.

1001. OH, YES.

1002. THAT LITTLE MUSEUM

1003. IN BERGAMOT STATION.

1004. RIGHT.

1005. OBSCURE.

1006. AND THAT

1007. WILL ALL CHANGE SOON,

1008. ESPECIALLY IF YOU,

1009. IN YOUR INFINITE WISDOM,

1010. DECIDE THAT THE "PROVOCATIONS"

1011. EXHIBIT SHOULD GO—

1012. YOU'RE THE LESBIAN.

1013. EXCUSE ME?

1014. THE LESBIAN MUSEUM DIRECTOR.

1015. I'M SORRY?

1016. I WAS A LESBIAN IN 1974.

1017. JUST 1974?

1018. JUST 1974.

1019. THAT WAS ALL I NEEDED.

1020. WELL, YOU KNOW,

1021. THAT IS WHAT WE REFER TO

1022. AS A "HAS-BIAN."

1023. A HAS-BIAN...

1024. THAT'S HILARIOUS!

1025. I MUST TELL JOANNE

1026. THAT ONE.

1027. ARE YOU HUNGRY?

1028. I'M JUST FAMISHED.

1029. WHY DON'T YOU

1030. ORDER US SOMETHING?

1031. THERE'S A MENU IN HERE

1032. SOMEWHERE.

1033. THANK YOU.

1034. HEY, STRANGER.

1035. YOU RAN OUT THE OTHER NIGHT.

1036. YEAH, WELL, 12'S A CROWD.

1037. I KNOW,

1038. AND I'M SO SORRY.

1039. I MEAN,

1040. IT WAS JUST THAT I MISSED

1041. CLARISSA'S BIRTHDAY

1042. THE OTHER NIGHT,

1043. AND THEN NADIA CALLED,

1044. AND THEN

1045. BEFORE I KNEW IT,

1046. IT WAS LIKE A WHOLE BIG,

1047. YOU KNOW...

1048. I KNOW ABOUT YOU AND NADIA.

1049. THERE'S NOTHING TO KNOW.

1050. HALF OF HOLLYWOOD

1051. SAW YOU GUYS

1052. MAKING OUT, SO...

1053. THAT WAS NOTHING.

1054. ALICE, IT MEANT

1055. NOTHING TO ME.

1056. OKAY, HERE'S YOU,

1057. AND HERE'S THE LIES

1058. YOU'RE TELLING ME.

1059. OKAY, I WON'T SEE HER ANYMORE.

1060. I SWEAR.

1061. IT'S JUST—

1062. YOU AND ME

1063. ARE REALLY GOOD TOGETHER.

1064. WE'RE BOTH WRITERS.

1065. WE'RE ON

1066. AN INTELLECTUAL PAR.

1067. I CAN'T HAVE THE SAME

1068. KIND OF CONVERSATIONS

1069. I HAVE WITH NADIA

1070. THAT I HAVE WITH YOU.

1071. GABBY...

1072. I'VE REALLY ENJOYED

1073. THE TIME

1074. WE'VE SPENT TOGETHER,

1075. BUT IT'S OBVIOUS

1076. YOU AND I

1077. ARE ON TWO DIFFERENT LEVELS,

1078. AND WE REALLY WANT

1079. TWO DIFFERENT THINGS

1080. OUT OF A RELATIONSHIP.

1081. I RESPECT MYSELF TOO MUCH

1082. TO LET YOU TREAT ME

1083. LIKE THIS.

1084. ARE YOU SERIOUS?

1085. AND IT'S PRETTY CLEAR,

1086. YOU'RE, LIKE, SOME SORT OF

1087. EMOTIONAL CRIPPLE

1088. WITHOUT THE CAPACITY

1089. TO REALLY UNDERSTAND

1090. TRUE LOVE,

1091. AND I, UH...

1092. I'M NOT GOING TO LET YOU

1093. WASTE MY VALUABLE TIME, AND...

1094. STEP OFF, BITCH.

1095. "EMOTIONAL CRIPPLE"?

1096. WHERE'D YOU GET THAT,

1097. DR. PHIL?

1098. WHY DON'T YOU

1099. GET OUT OF MY HOUSE?

1100. WHATEV.

1101. SUIT YOURSELF, BUT I THINK

1102. YOU SHOULD KNOW, ALICE,

1103. THIS IS NOT A GOOD MOVE

1104. FOR SOMEONE LIKE YOU.

1105. EVERYONE KNOWS

1106. YOU'RE DESPERATE.

1107. YOU'RE NOT GOING TO

1108. BOUNCE BACK FROM THIS.

1109. OH, HEY.

1110. HEY.

1111. I JUST WANTED TO SEE

1112. HOW YOU WERE DOING.

1113. GOOD, GOOD, GOOD.

1114. ARE YOU WORKING?

1115. I DON'T WANT TO BOTHER YOU

1116. IF YOU'RE WORKING.

1117. NO, NO, I HAVEN'T REALLY

1118. BEEN ABLE TO FOCUS,

1119. BUT I'M DOING GOOD.

1120. NO MORE DIZZINESS?

1121. MM-MM, NO.

1122. I DON'T KNOW

1123. WHAT HAPPENED.

1124. I WAS JUST

1125. SORT OF STANDING THERE,

1126. WATCHING TIM AND...

1127. MARINA.

1128. MARINA.

1129. YOU KNOW, JENNY,

1130. I KNOW IT'S NONE OF MY BUSINESS,

1131. BUT I WANTED

1132. TO TELL YOU

1133. THAT IF YOU WANT

1134. TO TALK TO SOMEONE

1135. ABOUT ANYTHING,

1136. YOU CAN TALK TO ME

1137. IF YOU WANT TO.

1138. I KNOW

1139. HOW INTENSE THIS CAN BE.

1140. KEEPING IT PENT UP

1141. CAN MAKE IT WORSE.

1142. IT'S NO WONDER YOU PASSED OUT.

1143. I DON'T KNOW

1144. WHAT YOU'RE TALKING ABOUT.

1145. OKAY... I'M SORRY.

1146. UM...

1147. HEY, DID, UH...

1148. DID MARINA

1149. SAY SOMETHING TO YOU?

1150. NO.

1151. SHE DIDN'T.

1152. LOOK, I KNOW IT DOESN'T

1153. SEEM THIS WAY,

1154. BUT THIS CAN BE A SMALL TOWN.

1155. SOMETIMES IT'S—

1156. OKAY, BECAUSE, YOU KNOW,

1157. WHATEVER YOU HEARD,

1158. IT'S JUST, LIKE...

1159. IT'S A LIE, YOU KNOW.

1160. IT'S JUST A RUMOR.

1161. THE LESBIAN COMMUNITY,

1162. IT JUST CAN BE

1163. A HOTBED OF RUMOR

1164. AND INNUENDO.

1165. I MEAN,

1166. YOU COULD LOOK AT SOMEONE,

1167. AND 25 PEOPLE

1168. WOULD KNOW ABOUT IT

1169. WITHIN AN HOUR.

1170. IF MARINA

1171. CONFIDED IN SOMEONE,

1172. I'M SURE

1173. IT WAS JUST AS SIMPLE

1174. AS HER SAYING

1175. SHE WAS ATTRACTED TO YOU...

1176. I JUST CAN'T BELIEVE

1177. SHE DID THAT, YOU KNOW?

1178. I DIDN'T SAY SHE DID.

1179. LOOK, THANK YOU.

1180. I'M JUST SAYING, WORD TRAVELS.

1181. THANK YOU VERY MUCH.

1182. PHOTOGRAPHY

1183. IS MY NEW PASSION.

1184. I BOUGHT A SALVADOR DALI

1185. ETCHING THIS WEEK,

1186. AND A DUCHAMPS,

1187. BUT MY FAVORITE PURCHASE BY FAR

1188. IS MY NEW CARLA MARIE FREED.

1189. OH, GOD.

1190. SHE WAS BRILLIANT.

1191. SHE WAS COMPLETELY BRILLIANT.

1192. POOR, WRETCHED ADDICT.

1193. WHAT IS YOUR FAVORITE

1194. CARLA MARIE FREED PHOTOGRAPH?

1195. THAT'S JUST...

1196. THAT'S SO DIFFICULT.

1197. OH, PLEASE,

1198. DON'T BE SUCH A PUSSY.

1199. FAVORITE CARLA MARIE FREED

1200. PHOTOGRAPH, POST HASTE!

1201. UM...

1202. I WOULD HAVE TO SAY,

1203. IT'S THE LAST TIME I AND YOU.

1204. I'VE NEVER SEEN

1205. THE ORIGINAL.

1206. I MEAN, SHE DESTROYED

1207. ALL OF HER NEGS, YOU KNOW.

1208. EVEN THE REPRODUCTIONS

1209. ARE JUST...

1210. I MEAN, SHE PHOTOGRAPHED

1211. THE SAME WOMAN

1212. FOR 12 YEARS.

1213. CAN YOU IMAGINE THAT?

1214. I MEAN, CAN YOU IMAGINE

1215. THAT ACT OF LOOKING?

1216. LOOKING, AND SEEING,

1217. AND THEN RE-SEEING,

1218. JUST TO TRY TO GET

1219. TO THE TRUTH OF SOMEONE.

1220. I MEAN, THERE IS INCREDIBLE

1221. MYSTERY AND PASSION

1222. IN THAT WORK, YOU KNOW?

1223. I MET HER

1224. JUST BEFORE SHE DIED.

1225. YEAH, IT WAS IN

1226. SOME LITTLE BISTRO IN NEW YORK.

1227. SHE WAS HIGH AS A KITE,

1228. AND, YOU KNOW,

1229. I WAS INTRODUCED TO HER,

1230. AND SHE TOLD ME

1231. TO GO FUCK MYSELF.

1232. I TOTALLY

1233. LOVED HER.

1234. OH, THAT'S FUNNY.

1235. JUST LOVED HER.

1236. I LOVED HER.

1237. COME HERE. FOLLOW ME.

1238. CLOSE YOUR EYES.

1239. KEEP THEM CLOSED.

1240. OPEN THEM.

1241. I'M SO HAPPY.

1242. WHERE ARE YOU GOING?

1243. YOU PROMISED.

1244. ALL RIGHT.

1245. SEE YOU.

1246. BE GOOD, OKAY?

1247. YOU CAN'T IMAGINE

1248. HOW JEALOUS I AM

1249. OF YOU RIGHT NOW.

1250. YOU'VE BEEN WAITING

1251. TO BURST INTO TEARS AND MAKE

1252. A COMPLETE FOOL

1253. OF YOURSELF?

1254. YOU KNOW STENDHAL?

1255. THE FRENCH ART CRITIC.

1256. HE WENT TO FLORENCE,

1257. HE SAW THE CARAVAGGIO.

1258. AND HE BURST INTO TEARS,

1259. AND THEN HE FAINTED.

1260. THE WORK OF ART

1261. WAS SO BEAUTIFUL AND MOVING,

1262. HE COULDN'T WITHSTAND

1263. THE IMPACT.

1264. THE STENDHAL SYNDROME...

1265. "MY HEAD THROWN BACK,

1266. "I LET MY GAZE

1267. DWELL ON THE CEILING.

1268. "I UNDERWENT THE PROFOUNDEST

1269. EXPERIENCE OF ECSTASY

1270. I HAD EVER ENCOUNTERED."

1271. "I HAD ATTAINED THAT SUPREME

1272. DEGREE OF SENSIBILITY

1273. "WHERE THE DIVINE INTIMATIONS

1274. OF ART

1275. MERGE WITH THE IMPASSIONED

1276. SENSUALITY OF EMOTION..."

1277. YOU HAVE UTTERLY EXHAUSTED ME.

1278. I HAVE TO GO TO SLEEP.

1279. MRS. PEABODY...

1280. PEGGY.

1281. "PROVOCATIONS"?

1282. IS THERE ANY WAY

1283. THAT I COULD

1284. PERSUADE YOU TO...

1285. I HIRED GINA FERRARA

1286. TO DO THAT JOB.

1287. I KNOW YOU WOULD HATE IT

1288. IF YOUR EMPLOYERS

1289. INTERFERED WITH YOUR AUTONOMY

1290. RUNNING YOUR LITTLE MUSEUM.

1291. WHY WOULD...

1292. WHY WOULD YOU DO THAT?

1293. ARE YOU TRYING

1294. TO HURT ME?

1295. HOW DID I HURT YOU, JENNY?

1296. BECAUSE YOU TOLD SOMEONE.

1297. EVERYBODY KNOWS.

1298. SOME PEOPLE GUESSED

1299. FROM THE WAY YOU WERE BEHAVING.

1300. LISTEN...

1301. I CAN'T HURT TIM, OKAY?

1302. I UNDERSTAND.

1303. I DON'T KNOW WHAT TO DO.

1304. EVERY TIME

1305. I LOOK AT YOU, I...

1306. I FEEL SO COMPLETELY

1307. DISMANTLED.