1. Hi, welcome back.
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2. Certainly glad you could join us today, because
I thought today we'd do something that's
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3. a little different, and I believe you're
really gonna enjoy this one.
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4. So let's start out and have them run all
the colors across the screen that you
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5. need to paint along with us, and they'll
come right about there.
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6. While they are doing that, let me show you
what I've got done up here.
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7. Today I have my standard old pre-stretched
canvas, and I've taken a little bit
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8. of black gesso, and I've painted the whole
bottom black, and up here I've just put a
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9. few designs.
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10. So I know there's gonna be some trees
up in here, and the sky.
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11. Other than that, I don't really care today.
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12. And today we're gonna cover the part
that's black here with a mixture of
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13. phthalo blue and phthalo green mixed with
liquid clear.
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14. Now the clear just makes it very, very
thin and you can cover this easily.
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15. And up here we just have liquid white
as we normally do.
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16. And you caught me sort of putting this
on.
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17. But one of the neat things about this is
you're putting on this thin paint.
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18. This is just phthalo blue and phthalo
green.
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19. Just sort of let it go right on up into
the sky area here.
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20. And it's a super easy, nice way of making
a beautiful little sky that quick.
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21. So we start out and already we have our
sky just about done.
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22. Just by doing something like that.
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23. And we just let it blend right on down.
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24. And that's about all the sky we're gonna
need for this particular little painting.
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25. I think I'm just gonna have a very plain
sky in it.
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26. And we'll work on some pretty things in
here.
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27. What the heck?
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28. Today's such a fantastic day here, I
thought we'd just do a little painting
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29. that really makes you feel good when you
paint it and when you look at it and when
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30. all your friends have come and view what
you've done.
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31. There.
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32. Just really scrubbing that on.
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33. But it is quite thin and you might just
touch it and make sure that everywhere you
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34. touch it, you get a little bit of blue on
your finger, the blue-green color.
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35. And don't allow this to dry before you
start.
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36. You want this to stay wet.
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37. We only allow the black gesso to dry.
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38. Let me wash off the old brush here.
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39. And then, if you've painted with us before,
you know that's the fun part of this
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40. whole technique, just washing the brush.
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41. Just washing the brush.
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42. And covering the whole studio.
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43. When I leave here, they just bring in a
bulldozer and clean everything out.
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44. Okay, tell you what.
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45. Today, let's have some real fun.
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46. Let me clean off this thin paint, get it
out of our way, because we're gonna use
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47. very thick paint.
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48. We'll just set it up here.
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49. I may use it later.
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50. All right.
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51. Now then, let's take, let's start with
midnight black.
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52. Just plain old midnight black.
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53. Pull it out very flat, take the knife, cut
across, and get a little roll of paint.
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54. It should live right on the edge of the
blade.
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55. Come right up in here.
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56. Maybe we'll have a big mountain today.
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57. And it lives right there.
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58. And let's just put the top of the mountain
in.
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59. There it is.
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60. Something about like so.
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61. And I'll take a little titanium white, pull
it out the same way, and I want to come
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62. back in here and just put the indication
of a little highlight on here.
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63. Just titanium white.
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64. And no pressure, barely, barely touching
it.
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65. Just let it graze that.
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66. And I'll mix up a little bit of, oh, we'll
use some, we'll use a little phthalo
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67. blue and white.
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68. What the heck, that's a nice color.
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69. This is gonna be a very bright little
painting.
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70. Once again, our little roll of paint.
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71. See, when you do that, pull that flat
and just sort of cut across.
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72. Small roll of paint.
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73. And we'll come back in here.
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74. And we'll put a few little indications
of some shadows.
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75. I don't want a lot in here.
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76. It's too far away.
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77. But just enough to create that illusion.
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78. Boy, we got a floating mountain up there
now.
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79. And we can take, I want to put a lot
of snow right in here.
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80. So we'll take just titanium white and come
right across.
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81. Zoop.
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82. Gotta make those little noises though.
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83. Just come right across.
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84. Be brave, be brave.
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85. Right up here in the sky, just drop this
in.
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86. And you can leave little of these areas
showing through.
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87. Let the paint break.
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88. Allow some of those little areas to show
through.
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89. Here I've used a little of that shadow
color, phthalo blue and white, so it'll
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90. look like a little shadow right along
that edge.
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91. And back to my black, and we begin putting
in something to hold this up.
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92. We'll put in there, like that.
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93. And tell you what, maybe, maybe, yep, right
there.
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94. Just put in all kinds of little things.
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95. Let them fade right down into nothing, basically.
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96. And I'll tell you what let's do.
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97. Yeah, right in here.
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98. We'll have all kinds of little things that
just live there.
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99. Because we have some black gesso here, we
know there's gonna be a tree.
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100. So I'm not too worried about putting a lot
of stuff in there.
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101. We're just gonna have some little stones
that live in there.
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102. Something maybe like that.
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103. And over in here, the least little touch
of the titanium white.
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104. So we can separate all these little stones
and rocks and all these beautiful little
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105. things that are happening up here in this
mountain.
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106. No pressure, no pressure.
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107. Let it float, just let it float.
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108. Little touch of the phthalo blue and white,
give us a little shadow indication.
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109. And I really don't want a lot.
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110. I want to keep this quite dark.
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111. Just a little here and there.
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112. Something like that.
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113. That's a rough looking mountain already.
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114. And in here, maybe this comes right on
down, we don't know, wherever, wherever.
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115. Take a little bit of my shadow color, the
blue and white again, and very gently put
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116. a little touch of it just coming down the
side of this mountain.
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117. That's right up in there.
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118. Now, let's take a nice clean and very dry,
be sure it's very dry, two inch brush, and
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119. I want to create the illusion of mist
right down at the base of this.
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120. Like that, so we'll just tap.
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121. And then very lightly, very lightly, lift
it upward.
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122. Lift it upward.
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123. I want a little misty area down here at
the base.
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124. And this is the way we create that
illusion.
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125. That's the way.
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126. There, a little bit over in here.
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127. Not too much here because we're gonna have
trees here.
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128. We don't really care.
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129. Doesn't make much difference over on this
side.
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130. And maybe, we're having so much fun making
mountains.
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131. And I've got several letters people
want to know how to do.
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132. Mountains that have a lot of rocks at them.
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133. So this is a nice way.
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134. Maybe there's another rock.
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135. There's right there.
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136. Just wherever you want to put in some
black.
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137. And we'll come back.
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138. with a little touch of highlight color, no
pressure.
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139. I know you get tired of hearing that, but
probably that's the biggest problem
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140. that most people have when they're trying
to make mountains, is they apply too much
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141. pressure, and then it just mushes together,
Steve says, my son, and you become a mud
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142. mixer.
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143. So, try to, try to,
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144. Just practice letting it float across
there with no pressure whatsoever.
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145. No pressure.
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146. Now we can bring this area right on up and
just sort of let it go right in there like
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147. that.
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148. Think about angles. Let it play.
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149. Let it play. There it goes.
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150. And we'll just let it come up in here
somewhere.
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151. We don't care where it goes.
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152. And all this I'm gonna just mist right
into nothing down here.
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153. So we can just go wherever you want it.
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154. Little bit showing over here, maybe.
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155. Now.
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156. Good, clean, dry brush, and I can't say
that enough.
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157. If you hit this with a wet brush, you're
gonna be in agony city, and you're
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158. gonna talk bad about me.
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159. And I really want this to work for you.
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160. I really want it to work.
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161. There, and you can do this.
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162. There really are no secrets.
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163. There are no secrets here.
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164. We try to make this where everyone can do
it.
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165. And every day, every day I receive letters
from fantastic people all over the country,
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166. and it's working for them.
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167. And that makes all this worthwhile.
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168. Just the fact that it works for people.
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169. Because it opens new worlds, new doors, things
that you never believed you could do.
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170. You can. Look at that mountain that
you made.
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171. And it's so easy.
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172. That's a very simple little mountain.
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173. But when people see your painting, they'll
think you worked for a month trying to
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174. do that.
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175. Let's take some black, some Prussian blue.
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176. I'm gonna grab some of this phthalo green.
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177. I like phthalo green in trees and stuff.
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178. And maybe a little touch of alizarin
crimson.
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179. I'm gonna throw all that in there together.
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180. And I mixed up a pretty good pile.
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181. We're gonna use that color throughout the
painting maybe.
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182. I think we'll use it throughout the
painting.
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183. Let's have a fan brush.
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184. And we'll load it full of that dark, dark
color.
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185. This color should look black on your
palette.
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186. It should be very, very dark.
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187. Very dark.
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188. All right.
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189. Now then, let's have some little trees
that live way back here in the distance, little
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190. indications.
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191. And we'll put those in just by tapping
downward.
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192. Just drop them in and sort of tap downward.
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193. That's why this misty area right here is
so important.
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194. Without that little misty area, they
would just disappear.
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195. So that misty area right now is absolutely
your best friend.
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196. Take care of it.
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197. Treat it like you would any good friend.
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198. You care about it.
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199. Treat it with respect.
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200. And it'll always be there when you need it,
see?
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201. And it's the same here.
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202. Maybe a few of these trees you can make
out a little more detail.
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203. So we use the corner of the brush.
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204. There.
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205. See that little tree? You knew he was
there, didn't you?
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206. There we go.
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207. Give him a little friend.
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208. Maybe this one right here.
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209. You can just pick out a couple here and
there that you want to put a little extra
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210. detail
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211. Okay, and we can take another fan brush.
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212. I have several of them going.
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213. Touch the bottom here with a little of the
light color.
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214. This is just a little blue and white, but
whatever.
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215. Just happened to be there.
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216. It's a shadow color from the mountains, and
lift upward.
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217. It'll make it look like little trunks and
stuff that are back in there.
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218. And a little, once again though, it
creates that illusion of a misty area.
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219. And as we talked about, a misty area
in painting a lot of times is absolutely
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220. your best friend.
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221. All right, it's time to get crazy.
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222. Let's take the old two inch brush, and I
put a little bit of that background color
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223. on the brush that we made earlier.
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224. what we made the evergreens out of, and I'm
just gonna tap that into my cad yellow,
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225. my yellow ochre, Indian yellow, and
occasionally some bright red.
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226. We'll just vary those colors.
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227. Load a little paint right on the brush by
tapping, just tap it.
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228. Let's go up in here.
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229. Now that we have to make some major
decisions already, look how that stands
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230. out against that dark, dark background.
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231. Color just comes alive on here.
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232. Just absolutely comes alive.
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233. I love these black canvases.
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234. This black gesso is one of the most
fantastic things.
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235. It makes your painting life so much easier.
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236. It's almost unreal.
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237. There.
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238. Just happened. I want it to get darker
toward the bottom.
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239. So just by working it, tapping it, it'll
mix with that color that's underneath,
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240. the phthalo blue and the phthalo green, and
automatically, automatically, it'll get
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241. darker and darker in value.
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242. There we go.
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243. Sometimes I sneak in here and get the
least little touch of titanium white, and
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244. just, in my mind, the light's gonna come
through there
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245. Just zing right across that little hill.
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246. Zoom.
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247. And a little bit of white there will make
that stand out.
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248. Just beautiful.
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249. Just beautiful.
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250. You ready to get crazy? Okay, let's
have some fun today.
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251. I'm gonna take a little bit of liquid
white and I'm gonna go into that thin
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252. color that I saved.
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253. It's that, that's just phthalo blue.
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254. and phthalo green and liquid clear mixed
together.
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255. Let me get a little more liquid white
here.
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256. Didn't get quite enough on my brush.
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257. Isn't that a gorgeous color?
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258. Now then, let's go right up in here.
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259. You know me, I love water, so today I
thought we'd do just something
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260. Looky here.
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261. All you gotta do though is just work that
brush a little bit and just pull it
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262. across.
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263. It makes all these beautiful little water
things.
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264. You could do this with a fan brush.
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265. It'll give you a little more detail.
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266. Just depends on what you have handy and
what you want to use that day.
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267. And the water's just running along here, having
a good time.
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268. It's a wonderful day.
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269. It is having a super day.
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270. And it comes right along here, and son
of a gun, somebody pull the plug, and off
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271. it goes.
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272. There.
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273. See, it comes straight, and then falls.
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274. Just let it fall.
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275. But it's mixing with that color underneath,
and all of these beautiful tones and
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276. values will happen automatically.
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277. Maybe we'll have a big waterfall today.
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278. I like waterfalls.
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279. Like waterfalls, they're a lot of fun to
paint.
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280. And people who view your paintings will
just absolutely love them.
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281. But there's a little liquid clear in there,
and that liquid clear
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282. Makes that slide on there so much easier.
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283. Now, I'm gonna start at the bottom and
pull upward quite firmly.
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284. And this'll blend it into the color that's
already on the canvas there.
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285. There we go.
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286. And smooth it all out.
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287. And while we have that going, I'll just
tap the corner of the brush into a little
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288. titanium white, and let's begin thinking
about all the mist that would happen down
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289. here.
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290. because it would hit and splash and churn
and carry on.
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291. Probably make a lot of noise too.
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292. But just by tapping with the top corner of
the brush, we can create the illusion
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293. of little clouds of mist that are floating
right down at the base of it here.
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294. Something like that.
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295. Something like that.
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296. There.
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297. Now, let's have some fun.
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298. I'm gonna take, I'm gonna take liquid
white, liquid white, take some Van Dyke
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299. brown and dark sienna, both, and mix them
with liquid white.
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300. I wanna make them very, very thin.
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301. It's just a thin color.
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302. Let me clean the old knife here.
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303. Nice thin color.
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304. And we'll find a filbert brush.
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305. I'm gonna run it right through a little
bit of the
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306. And then I'll come up, there we are, put a
little bit of brown in there.
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307. I want a very dark color.
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308. Okay, now we'll go over here, and that
thin color, I'm just gonna pull one side
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309. of the brush through.
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310. Light on one side, dark on the other.
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311. Let's go up here now.
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312. Maybe there's a lot of little stones and
rocks and stuff that live right along here
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313. on the edge.
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314. They sort of hold the waterfall in so it
didn't get away.
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315. There we go.
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316. And by loading the brush, that way we
can make both of these little deals at one
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317. time, the highlight and the shadow.
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318. And you can put just as many or as few
little rocks in your world as you want.
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319. Maybe there's some way up in here.
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320. I don't know, wherever you think they
should live.
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321. And sometimes it's even fun, maybe there's
one that lives right out here and the
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322. waterfall plays right around him.
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323. He has the best view of all of them.
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324. Maybe except this one.
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325. We're not gonna leave him out.
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326. So we'll take a little bit of our
waterfall color on a fan brush and just
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327. clean the edges up on the rocks.
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328. There we go, now we have water that's
just coming along and falling right
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329. over there, having a fantastic day.
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330. Let's go back into our dark tree color.
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331. Very dark, mostly black, Prussian blue, a
little crimson, and a lot of phthalo green.
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332. Now, let's begin making big decisions.
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333. We have a tree that lives right there.
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334. Corner of the brush, just the corner, and
there we go.
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335. There he comes, see?
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336. Take him out.
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337. Sometimes you have to sort of really scare
him out.
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338. Give him a little push.
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339. That old tree is right there.
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340. Right there. And he's got a little friend
right there.
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341. Down there we don't care.
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342. We'll separate that with a little
highlight.
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343. And maybe there's a big one that goes
right on off the canvas.
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344. We don't know where it goes.
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345. Don't know where it starts.
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346. We'll have to tack another canvas on the
top to find out where that one lives.
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347. But see if you don't hit every bit of it.
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348. It doesn't matter because you have the
black gesso back here.
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349. Let's go on the other side and put a
little tree over there too.
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350. There.
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351. If you haven't tried this black gesso, you
should really try it.
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352. It is one of the most fantastic things.
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353. I know I talk about it all the time, but I
really like this.
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354. It has made painting so much easier.
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355. And we just drop in the indication of a
few little trees.
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356. Maybe there's another big one on this side.
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357. We don't want it left out.
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358. But once again, we're not worried about a
lot of detail.
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359. It really doesn't matter.
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360. Because you can't see it against that dark
color.
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361. But we'll take that brush, same brush, and
go right through a little bit of the cad
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362. yellow.
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363. And immediately, we have a nice, nice dark,
dark green.
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364. And that's what we're looking for.
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365. And for that, we can come up in here
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366. And just put the indication of a little
highlight here and there on some of these
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367. big evergreens that are looking out over
that mountain.
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368. Darker, darker, darker as it works down.
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369. And there we are, a little bit back in
here.
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370. Let's go back to this old big one.
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371. There he is.
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372. There he is. Darker, darker, darker.
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373. Till it gets almost to where you can't see
it.
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374. We don't want this one left out.
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375. Same thing in here.
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376. Sometimes when you're putting these
highlights on, it gets to be nice and it's
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377. fun and you get carried away and cover
up all your dark.
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378. Shoot, this'll be just a super place, these
trees for my little squirrels to live.
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379. I gotta show you my little squirrels
again.
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380. You know, in one of the earlier series, I
showed you these little rascals when they
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381. were tiny little babies.
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382. They looked like drowned rats.
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383. And here just recently, we turned them
loose, and they moved far, far away from
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384. home.
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385. There's a big tree that hangs right over
my back door, and they built a nest
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386. right in the tree that hangs over the back
door, so every time somebody walks out, there
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387. they are.
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388. But aren't those the cutest little devils?
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389. That's two little boy squirrels.
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390. They're my friends. I really like these
little rascals.
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391. Now we can come back in here and begin
putting in all kinds of little grassy
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392. areas.
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393. Oh, I'll show you.
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394. I'll show you something that's fun.
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395. Take a little white, little bit of the
browns, both browns, cut a little roll
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396. of paint off, and then we're gonna see how
delicate you can touch.
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397. Just barely touch and sort of pull it
down here and there.
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398. See it?
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399. Like that.
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400. Something like that.
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401. There we go.
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402. Just here and there.
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403. Here and there.
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404. And maybe over here on the other side, there's
a little... It's because the black's
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405. there once again.
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406. All you gotta do is just drop in the
highlight.
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407. There, let it get darker down here toward
the base.
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408. Something like that.
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409. Then we'll come back.
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410. And let's take the old two inch brush
and let's have all these little grassy
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411. things that just sort of hang over here.
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412. There, they just sort of hang around.
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413. Like that.
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414. Go everywhere.
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415. There.
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416. If there's this much mist and water
here, you're gonna have a lot of ferns
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417. normally and stuff like that.
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418. Very nice, hangy down type things.
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419. And they're very easy to make with this
brush.
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420. All you gotta do is just sort of tap them.
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421. Let's go on the other side.
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422. And we'll do the same thing.
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423. We need some over here.
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424. And just let them sort of drip right off
there.
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425. Right off there.
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426. There they go.
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427. Something about like that.
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428. But see, you just leave some of these
little areas showing and they look like
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429. rocks or big cliffs in there that are
showing through.
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430. Now, let me grab my old knife again.
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431. Maybe in our world there lives another big
rock right there.
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432. That's all you have to do.
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433. The black gesso gives you all your dark
colors automatically.
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434. There, maybe that comes right down.
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435. I tell you what, shoot, maybe that rascal
just comes right on out here.
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436. I don't know, wherever.
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437. Let me grab a fan brush here.
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438. Little bit of the liquid white, little bit
of our thin color.
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439. Maybe right in here.
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440. There's a little watery fall right in
there, like that.
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441. Comes right down and splashes and carries
on, off it goes.
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442. And you can really get crazy.
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443. Maybe there's a stone lives right there.
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444. Take a little bit of our brown and white.
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445. Put a little highlight on it.
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446. Then we go back in here, and here comes
our water again, choom, right over.
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447. Gotta make those little noises.
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448. But you can just make all kinds of little
things that are happening down here in our
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449. water, and then just sort of slide the
brush around.
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450. And it's mixing with that color, once
again, that's on the canvas, and it'll
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451. just make all these beautiful effects,
almost automatically.
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452. Something like so.
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453. Now we can go back, and let's begin, let's
get crazy.
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454. Let's bring that right on out, like there's
a big overhang here.
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455. Take a little touch of our rock color.
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456. Maybe there's a little rock right there.
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457. Don't need much though, don't need much.
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458. We'll bring this one right on through.
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459. See, and now you can tell there's a cliff
there, but you didn't have to hardly do a
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460. thing.
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461. Sometimes it's nice just to tip the brush
into a little blue and white and use that
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462. for highlight.
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463. Isn't that gorgeous?
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464. I like to do that.
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465. Just put a little cool color on there.
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466. Just sort of surprises the senses.
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467. There we go.
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468. And begin filling all this in.
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469. Just tap it and work it.
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470. And as I mentioned earlier, the more you
tap and work on this, the darker it'll
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471. become because it's picking up that
color that's on the canvas.
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472. There. And you can do this until it's
just smooth as velvet.
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473. It looks like silk.
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474. The more you tap it, the softer it becomes.
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475. or a little softer than we have it here.
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476. It's up to you, however you want it.
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477. There, maybe let that hang down.
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478. Maybe it'll hang clean down into the water,
over the water.
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479. You have to decide.
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480. Shoot, I think we better have a finished
painting.
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481. Maybe we'll sign this one.
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482. Take a little bit of the paint thinner, some
bright red.
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483. Let's sign it right up here in the bushes.
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484. Really hope you've enjoyed this one.
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485. If you have time, send us a picture
when you try it.
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486. I'd love to see what you're doing.
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487. And from all of us here, I'd like to wish
you happy painting, and God bless, my
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488. friend.
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