The Joy of Painting 23x12

1. Hi, welcome back.

2. You know, we get a lot of letters requesting a very simple little seascape

3. that could show a nice sunset type sky.

4. So I thought today that's what we'd do.

5. So let's start out and have them run all the colors across the screen that you

6. need to paint along with us.

7. While they're doing that, let me show you what I've got done up here.

8. The easiest way to do a sunset seascape that I've ever found is on a black canvas.

9. So I've covered this entire canvas with black gesso and allowed it to dry

10. completely.

11. Then I've taken liquid clear

12. and I've put Liquid Clear over the entire canvas, and we've started here with a

13. little Alizarin Crimson, and we've slowly started adding Phthalo Blue all the way up,

14. and the same thing down here, which will be the water.

15. And this is just a piece of masking tape, so we'll have a nice straight horizon.

16. So we have Alizarin Crimson, and it blends up to Phthalo Blue, and the same

17. going down.

18. And that's really all there is to it.

19. I thought they would use the little small round brush.

20. And I'm just gonna put a little bit of the titanium white on it.

21. Don't need a great deal.

22. And you could do this with a fan brush or two inch brush, whatever.

23. I just, I like this little brush.

24. Decide where your light source is gonna be here.

25. And we'll just begin bouncing in a little color.

26. Just a little white and it'll pick up those colors that are already on the

27. canvas and automatically, automatically, you don't even have to worry about it or think

28. about it, this'll begin happening.

29. And just sort of think about little cloud shapes and formations and work upward here.

30. There.

31. So your brightest color is down here.

32. And this is a fantastic little painting to do for friends or relatives.

33. But don't tell them that you put color on the black canvas.

34. And all they'll do is, they'll just see you add white paint to your brush and then

35. touch the canvas and it's like, it's like magic happens.

36. We have instructors that travel all over the country doing demonstrations and stuff.

37. And a lot of times this is the way they'll do demonstrations.

38. And it's unbelievable what happens.

39. And it excites people.

40. So if you're ever doing a demonstration for friends, try that.

41. I guarantee you that you will certainly get a positive response from it.

42. There, you'll be the local hero for days.

43. Okay, of course everybody will want the painting and then you have to make the big

44. decision which person gets the painting.

45. There we go.

46. But here, all we're doing is just thinking of some basic little shapes that we're

47. looking for and just doing little circles, just sort of winding it up.

48. Just winding it up, just mixing it.

49. This is our little mix master here.

50. We just blend it and carry on.

51. I'm gonna come back with a large brush in a minute and blend it even more.

52. But this is just applying a little color to the canvas.

53. There, let me wash the little brush here.

54. Just wash it, shake it off.

55. Beat the devil out of it too.

56. Now this time I'm gonna add the least little touch of cad yellow, maybe even a

57. little yellow ochre.

58. Right to my white.

59. Little tiny bit of yellow ochre in there too.

60. And I'm gonna go right back in here.

61. This is gonna be my brightest area.

62. And just work a little of that color out.

63. Just a little. Not much, not much.

64. It's easy to overdo.

65. Not much.

66. Color shows up so much stronger on this black canvas than it does on the white

67. canvas.

68. It's almost unreal.

69. Now then.

70. A good, dry two inch brush.

71. Be sure it's dry.

72. If it's wet and you touch this, you're gonna be in agony city.

73. We don't want that.

74. Using just the corner of the brush, and just sort of wind it up, making little

75. tiny circles.

76. Little tiny circles, there we go.

77. There we go, just keep it going.

78. There.

79. And the more you blend this, the softer it'll become.

80. And you have to decide when it's blended to the degree that you want.

81. And when it is, then you stop.

82. And it's just exactly right.

83. And you can use any color here.

84. I just decided today to use the crimson and the phthalo blue.

85. But you can use any color that your heart desires.

86. Any color.

87. And it makes some of the most gorgeous things you've ever seen.

88. Try this, even if you've never done a sunset.

89. This one will work so well for you.

90. So well.

91. And you don't want to blend all these little patterns and stuff out.

92. You can just blend it until it's too smooth.

93. I like some of those little rough things in there.

94. It looks like little floater clouds that just sort of sneak around in there and

95. just play.

96. Little windblown things that are back in the sky.

97. They just sort of make it nice.

98. And the more you blend it, once again, the more it'll pick up that color, and the

99. darker it'll become.

100. The color it picks up, I mean, is the color that's already on the canvas.

101. There.

102. All right, it's a good arm exercise too.

103. Very good arm exercise.

104. Okay, and then very gently, we just start blending that.

105. Something like so.

106. Then you can go back, put a little more color on your brush, and you can add in

107. little tiny individual type things.

108. Let's keep this one quite simple.

109. I don't want to get too carried away here.

110. But this is also an excellent sky for just doing landscapes with.

111. You don't have to do seascapes.

112. And you can't believe some of the paintings that people are doing.

113. In fact, I tell you what, let me show you some of the paintings.

114. I'm just gonna drop in a little cloud here like this.

115. But we get pictures from people all over the country, and you would not believe

116. what they're painting.

117. And a lot of these people have never had any lesson other than the television show.

118. Can you believe that?

119. They're some of the most gorgeous paintings you've ever seen.

120. And a lot of these are by young people, too.

121. They're not all older people like me.

122. A lot of them are very young people that have basically had no art lessons

123. other than the television show.

124. As I say, just from watching this series, they're producing some of the most gorgeous

125. paintings, and I'm so proud of everybody that's able to do this.

126. This is just the first.

127. If you accomplish this, my God, then you can accomplish anything.

128. All you have to do is just believe you can.

129. Just believe that you can.

130. And success with painting leads to success with many things.

131. There.

132. There, that's why it's so fantastic to see people have success.

133. Because it carries over into every part of your life.

134. You learn that you can do anything.

135. Absolutely can.

136. All I'm doing is blending the entire sky now, just to sort of take out some of the

137. little brush strokes and take a look, see.

138. Maybe, see, if you want to sparkle one, you can just take a little paint on the corner

139. of the brush and maybe put a little sparkle up in there.

140. But very tight little circular strokes.

141. Very tight.

142. Mm.

143. But isn't that a very simple and easy way

144. to make a striking, striking sky.

145. All right.

146. And I think that's about all we need for a little sunset sky.

147. Now you could go back and you could put in clouds, you can do all kinds of little

148. things.

149. Just sort of let your imagination take you where you want to go.

150. But once you start doing this, don't just stop there.

151. Keep going with it.

152. All I want to show you is an idea to get you started and to get you fired up and

153. turn you loose on the world.

154. Because once you learn this, then you can do anything.

155. Let's take our tape off.

156. And that's just plain old ordinary masking tape.

157. But now we have a very straight horizon.

158. And I saved a little bit of that crimson with the liquid and liquid clear mixture.

159. Just took a little liquid clear and put with some crimson so I could fill this

160. in right here.

161. Because naturally there was nothing, there was no liquid clear under there or no

162. color.

163. So we'll just fill that in and bring it right up to the horizon.

164. That easy.

165. Now we're ready to go. We can start playing.

166. Have to beat the brush one more time.

167. Let me just take a little fan brush, put a little,

168. A little white on it.

169. And when I'm doing seascapes, I sort of like to lay out my major wave and have an

170. idea of where it goes, because everything else is secondary to that.

171. So just use a fan brush or filbert, any old thing.

172. Decide where your major wave's gonna live.

173. Maybe here, it's gonna be here, and crash over.

174. Like that.

175. And then the waves back here will just sort of correspond with that, however you

176. want them.

177. So the eye or the transparency will be right in here, right in that area.

178. Okay, maybe that'll help.

179. See, there, it's gonna crash over right there.

180. And the rest of it's very easy.

181. Once you determine where that wave's gon na live.

182. Now then.

183. Let's just take a little titanium white.

184. I'm using a number three fan brush, but you could use whatever you have.

185. And I'm gonna start right back here under the lightest area, and just start making

186. little wave things.

187. Let me exaggerate.

188. I'm doing like that, and I'm really exaggerating.

189. And that way, you get these little wave-looking characters way back in the back.

190. Don't just go straight across.

191. Make it so it's got a little wiggle in it.

192. There, see?

193. And then we get further along the painting, we'll go back and add a little detail

194. to that, and son of a gun, instant waves.

195. So I say, this is a very easy, nice, simple little seascape that you can do without

196. any problems.

197. There, and we'll wipe all the excess paint off that brush.

198. Just wipe it on a paper towel.

199. And I'm gonna take this light color and blend it back.

200. Just blend it back.

201. There we go.

202. See, blend it, blend.

203. But once again, we're making an angle stroke like that.

204. Blend it back.

205. There.

206. See, that's all there is to it.

207. But try to retain a dark area right along this line here.

208. Right along there.

209. And it'll all make sense here in just a second.

210. I know sometimes it looks a little strange when you start a seascape like this.

211. But of all the seascapes I've painted, this is probably the easiest, simplest method

212. that I have found to paint a very effective seascape.

213. And you can paint one that just has the little, you know, the little tiny waves.

214. Everybody does that.

215. This will come out, you can make a very nice, real looking seascape.

216. Quite, quite easy.

217. See there, already it should be beginning to give you the impression of water

218. moving in there.

219. All right, let me grab a little filbert here.

220. We said the eye of the wave was gonna be right there.

221. So I'm gonna take a little of the titanium white, put the least little bit

222. least little bit of cad yellow into it.

223. Not much.

224. Not much cad yellow. Load the bristles full of color.

225. Let's go up in here.

226. If this is gonna be the transparency or the eye, go right in here and start

227. scrubbing some color in.

228. Just scrub it hard.

229. You wanna push it right into the fabric.

230. Right into the fabric.

231. And then we'll work outward.

232. Cause a little light's gonna play right along that wave there.

233. See, just sort of blend that in like that.

234. And that'll give us an idea of where our transparency's gonna be.

235. I'm gonna wash the old brush.

236. Now then.

237. Okay, we'll go back to our little, for some reason I keep picking up the number

238. three fan brush, and it works just as well.

239. Maybe it works better, who knows.

240. Whatever, whatever works for you.

241. Let's make the top of the wave, there it comes.

242. See it just crash over?

243. Gotta make those little noises.

244. Just think about water crashing right over there.

245. There it comes, right over the top.

246. I'm gonna add a little touch of that

247. cad yellow to it, just a little bit.

248. Just so it separates it from the background a little better.

249. Oh, that's nicer.

250. That's nicer.

251. Like that, see?

252. And that's basically all we need.

253. And let's see, let me grab another fan brush here, I have several of them going.

254. Let's take a little of our phthalo blue, a little crimson, make a little lavender

255. type color, maybe even a little black in there.

256. There we go.

257. Touch of the white.

258. That'll make a nice shadow color.

259. Nice shadow color for our foam here.

260. We can go back up in here.

261. Decide where your foam's gonna live.

262. And we can just begin scrubbing in here just using the corner of the fan brush.

263. Or you could use a filbert.

264. Filbert might even work a little better.

265. Depends on what you like.

266. Just try them both and see which one works the best for you.

267. After a while, after you've painted for a little while in this technique, you

268. become so comfortable with it, you can literally just about pick up any brush

269. and do anything.

270. There, I'm going back to my little filbert.

271. We'll put a little more of that white with a touch of cad yellow into it.

272. And maybe, maybe, maybe right in here, push upward.

273. And let's put a little foam splashing right on top of that shadow there.

274. Just put it in, something like so.

275. And we wipe that off.

276. Get some nice clean color on there, there.

277. Bring it right on up, something like that.

278. Now then, I can use a one inch brush, take just the corner of it and very gently

279. blend that until it's just as soft as silk.

280. Just blend it very gently.

281. until it's just very, very soft in there.

282. Now, good clean, dry brush.

283. And back to this transparency that we were working on.

284. We have an idea of where it's at, it's right in here.

285. We have our white with a little bit of cad yellow in it.

286. And take the corner of the brush, I'm using a two inch, but you can use

287. whatever.

288. And just blend that, tiny little circles.

289. And you can blend this, you will not believe how smooth it'll become.

290. Just blend it.

291. There.

292. And now we can begin thinking about the shape of our wave.

293. There, we can grab that and begin pulling it a little bit.

294. Time to make some big decisions here.

295. Let me find my liner brush.

296. I'm gonna go into a little of that white paint thinner.

297. This is the white that had the little bit of yellow in it, and let's just put a

298. little highlight right up here on top of this.

299. Just a little highlight.

300. There it comes, a little bit of splashing up here.

301. There.

302. And back in here.

303. Right, all kinds of little foam patterns that are living back here.

304. And at home, when you have a lot of time, you can just go in here and put all kinds

305. of little details.

306. They yell at me here if I go over 30 minutes, so we have to hurry a little.

307. No sense of humor.

308. Don't understand that.

309. I'd like to have an hour of shows.

310. I could show you a lot more.

311. But see how that makes that little bit back here just pop right out at you?

312. That easy.

313. Seascapes really don't have to be hard, and you don't just have to do the little

314. simple looking ones that we see so often.

315. There, maybe that comes down.

316. This is where you begin forming all the little things that are happening in here.

317. a little bit darker color, and we'll put a line right under here.

318. That line will separate it from the eye.

319. It really makes it jump out.

320. And back in here, a few little things that you can see through the wave, through

321. the transparency.

322. Let's get crazy, what the heck.

323. What the heck?

324. Maybe, maybe, I just had another idea.

325. Let's have that crashing against something.

326. I'm gonna go into my Van Dyke brown, black, dark sienna, just mix them up on the

327. brush, all three of the very dark colors here.

328. Let's have a great big stone that lives out here in the water.

329. Maybe this is off the coast of California, Oregon or somewhere.

330. So just take the fan brush, decide where you want this stone to live and come right

331. up in here, touch, and let's just make a basic, maybe this is one of them big

332. beautiful rocks that lives out in the water.

333. Something like so.

334. Just let it go wherever.

335. And the old fan brush is good for forming rocks like this.

336. Maybe it's got a little point out here, who knows.

337. Gotta have a place for the seagull to set up there.

338. Yeah, I know.

339. I like seagulls too, what the heck.

340. Like any kind of old bird or critter.

341. They're all very special.

342. Maybe I'll put a little projection out here.

343. Ooh, almost covered up all my little foam.

344. That's all right, we know it's back there.

345. We know it's back there, no big deal.

346. Put a little of that brown down in here, too.

347. Maybe we'll have a little beach down here.

348. So we put a little brown, so we put white on there, and we'll have some sand.

349. Now then, while I have that, I'm just gon na reach up here and grab a little of the

350. white, a little dark sienna into it.

351. It's the same old dirty brush.

352. And maybe there's a little highlight on top of this stone.

353. I don't want much, because this is almost a silhouette.

354. It would almost be a silhouette.

355. If you have a sunset, there would not be a lot of color up here.

356. And just by changing strokes, you can make this look rough and jagged, and can

357. actually almost, like you're forming a rock, just by changing some of the strokes.

358. Make all kinds of little projections and stuff.

359. See how easy that is to make a rough looking old rock?

360. It looks like seagulls have been living up there for a long time.

361. Yeah, there.

362. There we go, maybe, shoot, who knows, maybe there's another big old rock right here in

363. the, sort of in the front, and you can just form it.

364. Just decide what shape it is,

365. Just begin forming the basic indication.

366. Once again, don't let this get too bright on you.

367. Don't do too distinct of a rock, because as dark as this is, this would basically

368. be a silhouette.

369. You would only make out a little tiny bit of detail.

370. And it'll lose that illusion.

371. There.

372. Shoot.

373. You know, a lot of the nice rocks and stuff that

374. out around California and Oregon, sometimes maybe that seagull drops a seed up there.

375. A little of that phthalo blue, brown, crimson.

376. Maybe he drops a little seed up there from his lunch.

377. Maybe a little tree grew up there.

378. Maybe a little old scraggledy, is that a word, scraggledy?

379. Maybe a little old scraggledy evergreen tried to grow right up here on the side of

380. this rock.

381. And there he comes.

382. I want him to be pretty rough.

383. And notice that most of the limbs here I'm putting on one side, because sometimes

384. around that area the wind blows so hard that limbs only grow on one side of the

385. tree.

386. Yeah, that's true.

387. Ugly little things sometimes, but they only have

388. limbs and branches growing on one side.

389. The wind just sort of wraps them all around, I guess.

390. It's sort of strange looking when you first see it.

391. But that really is the way they look.

392. When I first, I was born and raised in Florida, so I'd never seen anything

393. like Oregon and California.

394. When I first went out there, I almost couldn't believe how funny some of the

395. little trees looked.

396. But they're beautiful.

397. Absolutely beautiful.

398. There we go.

399. Now then, let's put some water down there.

400. I'm gonna take white and get a little touch of that phthalo blue.

401. That's so pretty. A little touch of phthalo blue.

402. Something, yeah, maybe about like that.

403. I'll wipe the old knife off.

404. Now I wanna take and pick up a small roll of paint right on the edge of the knife

405. there, little knife, got the little knife.

406. And you have to make a big decision here.

407. Maybe, maybe, maybe, yep.

408. Push very hard.

409. Very hard. We'll have a little, little doer right there.

410. Okay, just put it on with a knife, something like so.

411. Then take, let me wipe this fan brush off and get the excess paint off of it.

412. Better wash it clean.

413. You really need a clean fan brush, it's good and dry.

414. You grab that, there, see?

415. And sort of pull it to shape and form your waves.

416. Just like so.

417. Then a nice, easy way of making a little way, and I'll show you something else here.

418. Watch here, watch here.

419. Sometimes you want reflections in your water.

420. This water's very thin.

421. It's almost on the beach.

422. So just by pulling down like that, just pulling down and going across.

423. Put a little right there too.

424. Go across.

425. It'll create that shine like you get when water's reflecting.

426. Now then, let's take our small knife, a little bit more of that blue and white, come

427. right up under that rock.

428. And maybe there's another happy little ripple right there.

429. But push very hard with this knife, very hard.

430. Make it bend.

431. Make it bend.

432. And then, back to our little fan brush, grab this, and it needs to be straight, because

433. this is very flat here.

434. See, and just pull those back.

435. Isn't that the easiest way you've ever seen of making that?

436. There.

437. See, so all you gotta do is just pull it back.

438. Shoot, who knows, I'll tell you what.

439. One more for practice.

440. One more for practice.

441. Here's one right here.

442. Really, really push hard though.

443. So you get that little ridge of paint there.

444. I guess that's what you'd call it, a little ridge.

445. Maybe there's some little doers that come out in here.

446. This one's really getting shallow in here.

447. Really getting shallow.

448. Grab it once again and pull it back.

449. That's just one of the nicest little ways of making that.

450. Now back to our little liner brush.

451. A little of that blue and white with paint thinner on it.

452. Make it very thin.

453. And we can come in here and just begin adding all kinds of little details.

454. And the more of these that you put in, the better your painting will look.

455. Just drop some of these little doers in.

456. Right around our rocks here.

457. See there?

458. That easy though, you can make all kinds of little things.

459. We could take, we could take, just put a little rock here and there, use a filbert

460. brush, dark on one side, a little bit of light on the other, and just, see there, pop

461. in a little rock or two.

462. Something like that.

463. Take our liner brush with that thin blue, and just clean up the edges.

464. And that easy.

465. You got some little rocks laying up here on the beach.

466. All right.

467. As I say, this is one of the nicest, easiest, simplest little seascapes that you've

468. ever tried.

469. You'll like it.

470. From all of us here, I'd like to wish you happy painting, and God bless, my friend.