1. Hey!
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2. I just won 45O quid playing poker.
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3. - Well done.
- Saw that one coming, Mikey 73.
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4. That's my rent sorted this month.
Ooh, and I can buy that new...
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5. Oh, no, I've lost it all again.
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6. - Jen?
- Oh, Philip. Hello. Hi.
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7. This is Philip from six.
This is Moss and Roy.
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8. - Hi.
- Hi.
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9. Hiya.
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10. So, what brings you to my lair?
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11. Not that I'm some sort of animal.
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12. Or... or maybe I am.
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13. Oh dear, oh dear, oh dear.
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14. Oh, um, I was just, uh, wondering
if, uh, you, um, had the latest Heat.
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15. Ha. Yes, yes, there it is.
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16. Thanks. And... Sorry about this,
I don't suppose maybe...
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17. you'd like to come to the theatre
tomorrow night? Maybe? Or?
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18. I'd be delighted.
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19. - He means me, Moss.
- He was looking at me.
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20. - No, he wasn't.
- I think he was.
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21. - You're not even in his eye line.
- Philip, who are you talking to? Me or Jen?
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22. - Do you like the theatre?
- Never been.
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23. But I've, uh... I've always liked
the idea of the theatre -
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24. the smell of the grease,
the roar of the paint.
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25. I've often thought
if I hadn't ended up in computers,
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26. I would have gone into the theatre.
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27. - But you've never been to see a play?
- No.
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28. Why not?
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29. Never had the interest.
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30. - Are there any famous people in it?
- No.
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31. It's a pass from me, then, thank you.
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32. - You haven't been invited anyway.
- Oh, wait. Uh, Laura Knightly's in it.
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33. Laura Knightly from The Bill?
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34. She's gorgeous. You know what?
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35. I will come, Philip, thank you.
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36. There's no invitation.
Show me the invitation.
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37. I guess you could come too. I know people
in the show, so tickets aren't a problem.
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38. - Great. That's settled, then.
- Right.
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39. Well, I'll give you a call later, then,
give you the details. How's that?
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40. That is perfection itself, Philip.
Thanks for coming down, man.
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41. Catch you later.
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42. That could have been a date there.
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43. Now it's a...
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44. work outing.
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45. - Sorry, I nearly forgot the Heat.
- Oh, yes.
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46. It's, uh... That's... Um...
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47. Ahh.
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48. What?
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49. He actually did want to borrow
the copy of Heat.
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50. - So?
- Well, it's just... you know.
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51. - Huh. No, I don't. What?
- I'm just surprised.
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52. Why?
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53. It's just I don't know many heterosexual men
who read Heat.
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54. Huh. What, he's gay just because
he reads Heat magazine?
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55. Um, well, he's either gay
or a woman in her early twenties.
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56. No, no, no, no, no, no, no.
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57. Why else would he ask me out on a date?
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58. Are you sure he meant it as a "date" date?
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59. Are you sure you're not going along
as his gal pal?
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60. If you're talking about who I think you're
talking about, the answer is yes, he is gay.
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61. - How do you know?
- Oh, everyone knows.
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62. And what's more,
he's been gay since Wham!
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63. We're talking about Philip.
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64. - He borrowed Heat.
- He borrowed Heat? Ooh, la la.
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65. And he "knows people in the theatre".
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66. That's not a euphemism.
He actually does know people in the theatre.
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67. Anyway, it's a date, I'm sure it is.
Why else would he ask me out?
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68. Well, don't take this the wrong way,
but could he have thought you were a man?
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69. - Let's get a taxi.
- It's a ten-minute walk.
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70. No, I don't like walkin'.
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71. Why don't you just not come?
You wouldn't have to walk anywhere.
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72. I won't spoil your romantic evening
with the gay man.
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73. - He's not a gay man.
- He reads Heat.
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74. - Hey, where are you lot off to?
- Oh, look. Richmond's still alive.
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75. - We're going to the theatre. Want to come?
- Oh, no. No, thank you.
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76. - And you shouldn't go either.
- Why not?
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77. An ill wind is blowing.
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78. Last night I was stirred from my slumber
by a crow calling three times.
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79. Caw.
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80. Caw.
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81. Well, you know what a crow sounds like.
Passing to my window,
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82. I trod on a piece of Lego.
Oh, it went right in the heel.
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83. Turning on my television set,
I noticed the reception wasn't great.
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84. Not terrible, just not great.
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85. Hear me well - no good can come of your trip
to the theatre tonight. No good at all.
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86. And if you ask me...
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87. That's just bloody rude.
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88. Where's my Heat?
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89. A gay musical called Gay!
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90. That's quite gay.
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91. Gay musical?
Aren't all musicals gay?
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92. This must be, like,
the gayest musical ever made.
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93. It's got some pretty good reviews.
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94. "The story of a young man trying to find
his sexuality in the uncaring Thatcher years."
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95. "Warning - includes scenes
of graphic homoeroticism."
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96. Ugh! No!
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97. It's set in the '8Os.
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98. "Graphic homoeroticism."
Does that mean they're gonna get them out?
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99. - Not comfortable with your sexuality?
- I'm very comfortable with mine.
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100. I just don't want to be slapped in the face
with their sexuality.
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101. Oh, look, there's Philip.
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102. Oh, look, he's leching at that lady.
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103. Thank God for that.
He's just an ordinary ignorant man.
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104. - Oh, hey. You're already here.
- Yes.
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105. What are we doing, Roy? This isn't us.
It takes place in the past.
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106. Forget the play.
Philip knows the cast.
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107. It's all about the backstage party afterwards.
Those things are great.
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108. You go up to everyone, tell them they were
brilliant, and it's free white wine all night.
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109. And besides,
I really wanna meet Laura Knightly.
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110. Hey, the guys. Wow!
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111. Looks great, doesn't it?
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112. Right, we should really pick up our tickets.
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113. I know someone who gets the tickle.
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114. - Sorry, I love doing that to him.
- Hey!
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115. This is Jerome. He does publicity
for the show. He got us our tickets.
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116. - Oh, great. Thanks.
- This is Jen, and Moss, and Roy.
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117. - Hello, hello.
- Hello. How's it going?
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118. Oh, my God, you're Irish.
I love Irish people.
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119. They're just mad, aren't they?
They're just mad.
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120. - We're all insane, yeah.
- Well, you'll luv dis.
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121. It's groit crack.
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122. - I'm mad for crack.
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123. OK, well, quick, everyone.
Show's about to start.
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124. I hope Laura Knightly isn't gonna be
dressed up like Toyah or something.
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125. Who is she in The Bill again?
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126. She plays that heroin addict
that gets stabbed in the face.
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127. - Oh, she is lovely.
- Isn't she lovely?
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128. - Oh, God, here we go.
- It might be all right.
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129. Yeah. How bad can it be?
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130. Welcome to the United...
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131. Queendom!
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132. Brilliant.
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133. "The United Queendom"?
He can't say that. Can he?
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134. Yeah!
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135. Yeah, kick their arses!
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136. This is insanely brilliant.
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137. OK, I'm completely satisfied.
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138. Don't leave. It's rude.
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139. It's too gay for me.
Thought I could handle it, but I can't.
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140. - It'll be the interval soon.
- Well, I'm captivated, Roy.
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141. - Calm down. At least it can't get any worse.
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142. All right, get them house lights up.
Let's have a look at you.
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143. You wearing that shirt for a bet?
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144. Audience participation. Go, go, go.
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145. Ooh, what have we here?
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146. Hello.
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147. So, tell me, who wears the trousers
in this relationship?
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148. What? Oh, right. No, we're not homosexuals,
we're just very good friends.
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149. - So you never had a look?
- At what?
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150. His bum!
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151. I've seen it, um,
when he squatted in front of my desk,
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152. or should he bend over
to pick something up.
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153. I'd love to work in that office.
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154. Oh, there's nothing sexual going on.
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155. I do like Roy, but I'm not "curious".
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156. What were you engaging him for?
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157. He was asking me questions.
I couldn't just ignore him. It'd be rude, Roy.
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158. - So what do you think of it?
- I think it's fabulous.
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159. Every value I've ever held
is being questioned, and I'm loving it.
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160. - You don't like it, do you?
- The songs are good.
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161. No, they're not.
Hum one of the songs.
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162. - It's "I love willies".
- What?
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163. - I love willies.
- Sir, could you keep it down?
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164. - I'm not going back in there.
- Oh, yes, you are.
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165. Oh, no. I'll wait out here for you, but there is
no way I'm going anywhere near that thing.
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166. Oh, you can't leave me alone.
I don't know what the hell's going on.
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167. He's laughing like an idiot
at every single gay reference.
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168. - Why didn't he come out for a drink?
- He doesn't want to miss anything.
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169. I need to wee-wee.
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170. Yeah, me too.
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171. - Oh, what's wrong?
- They've got a toilet guy.
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172. Ohh! I hate toilet guys.
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173. Oh, let's just get it over with.
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174. Thank you.
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175. Cheers, dude.
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176. - Did you go?
- No. Did you?
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177. No. How could I with that bloke
stood looking at us? What was that?
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178. - It's not my fault he works in a toilet.
- How much did you give him?
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179. A pound. I just paid a pound
not to go to the toilet.
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180. He's a terrible toilet guy.
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181. He should work somewhere
where people don't want to go to the toilet.
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182. - I'm gonna use the disabled.
- You can't use the disabled.
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183. - What? Why not?
- You're not disabled. You'll get in trouble.
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184. It's not like a parking space, Moss.
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185. I think... I think it's OK. Isn't it?
It's OK, I'm always using the disabled.
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186. It's illegal.
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187. I don't think so.
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188. Oh!
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189. Ah...
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190. - (man) Hello? Hello? You all right in there?
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191. Um...
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192. (man) Do you need help?
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193. - I'm disabled.
- He sounds disoriented.
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194. - (man) Move back from the door.
- What? No.
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195. - Oh!
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196. - What are you doing?
- Don't panic.
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197. Whoa, whoa, whoa, whoa.
What's happening?
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198. - Someone's had an accident.
- What?
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199. Well, you'd better keep going, then.
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200. - Oh, my God. What happened?
- I fell off the toilet.
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201. Well, come on, let's get...
let's get you upright.
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202. Thank you.
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203. So, uh, what happened?
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204. - I'm disabled.
- How?
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205. - How what?
- How are you disabled?
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206. - Uh, leg disabled.
- Uh, wh-which?
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207. Do you have a wheelchair?
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208. - Yes.
- Where?
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209. Stolen.
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210. How did they get in?
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211. - I don't know.
- All right, all right, all right.
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212. Let's get you out of here. Come on.
Give me a hand.
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213. There you go. There you go.
There you go, mate.
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214. All right. You're all right. You're all right.
There you go.
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215. All right. That's it.
There you go. Easy, now.
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216. - (man) That way.
- Right. Nice and steady.
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217. Easy. Gently, gently.
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218. All right, bring him.
Careful, careful. That's it, that's it.
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219. Excuse me,
you know this is the staff toilet?
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220. Yes. I'm staff.
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221. I really am feeling much better.
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222. You can all go now.
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223. We're not going anywhere
until we've got you sorted out.
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224. - Ah, here's Paul with the wheelchair.
- Oh, right. What?
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225. I keep one in the office for emergencies.
Let's get you up.
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226. Nice and gently now.
That's it, that's it. There we are.
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227. - OK? There we are.
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228. - Oh, the police.
- Everything all right here?
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229. I'm disabled.
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230. - So, someone stole your...
- My wheelchair.
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231. I... I'm disabled.
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232. - Some lazy bastard just waltzed in there.
- Can you describe him?
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233. - It was all over so quickly.
- Well, just tell us what you can.
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234. Caucasian male.
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235. Um... bearded.
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236. Red hair.
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237. Glasses.
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238. Possibly a disguise. I...
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239. All right, thank you.
Do you need any help getting home?
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240. No, I'm fine. I'm with people.
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241. Here they are now.
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242. Hey, fellas.
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243. - I'll take it from here.
- Nonsense. It's the least I can do.
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244. OK.
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245. - You slacking off in there?
- Um...
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246. Go and get changed.
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247. Excuse me, sir.
Can I have a word with you, please?
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248. Amazing. So powerful.
Thanks.
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249. The... The grit of it.
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250. - Five stars.
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251. - So what did you think?
- Of the musical?
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252. Did you not just love it?
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253. - Well, no. Sorry.
- Why not?
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254. I don't know. It's just,
maybe you have to be...
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255. gay.
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256. - I loved it.
- I guess it's more of a... gay thing.
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257. You know, you have to be gay.
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258. A gay man.
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259. - A homosexual.
- All I know is I loved every last second of it,
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260. and I'm not...
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261. usually a fan of musicals.
Hey, do you wanna meet the cast?
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262. - Come on.
- The thing is, I have to meet Moss and Roy.
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263. Hey, listen.
I told the cast about what happened,
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264. and they told me
to get you all to come back and meet them.
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265. - Yeah!
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266. Come on, everybody, off the van.
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267. Hey, James!
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268. Oh, wow, Edgar.
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269. Hi.
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270. Oh, brilliant.
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271. Jeremy!
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272. How do you know all these...
young, good-looking men?
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273. Oh, you know, just from around.
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274. Hey, Jerome.
Come here, you.
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275. - Great show.
- Hello, darling.
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276. Can't talk at the mo. Got a disabled group
coming in for a chat. Here they are now.
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277. He's had quite an evening.
Someone stole his wheelchair.
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278. Really?
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279. Did you see who it was?
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280. - Red-bearded man.
- Uh-huh.
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281. How long have you been disabled?
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282. - Ten years.
- Ten years.
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283. And how did it happen,
if that's not a rude question?
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284. Acid.
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285. What are the chances of that happening?
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286. Ooh, a hundred to one.
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287. - You look like you could do with a drink.
- Whisky, please. Double.
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288. - Excuse me.
- Yes, Miss?
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289. OK.
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290. Can I have a double whisky, please?
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291. - Double whisky.
- And a glass of white wine.
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292. - Glass of white wine.
- Thank you.
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293. You're very welcome, madam.
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294. - Hello.
- Hello, Laura Knightly.
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295. - How are you?
- I'm disabled.
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296. It must be so difficult
being gay and disabled.
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297. It's very difficult.
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298. Yeah.
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299. Oh, come here, my little soldier.
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300. - Oh, what's the matter?
- I don't know.
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301. - You're from telly.
- I am.
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302. And do you know, a little birdie told me
that you couldn't make the show tonight.
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303. So I've got you two tickets for tomorrow.
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304. Brilliant.
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305. - You're doing so well.
- Yeah.
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306. - High-five.
- High-five.
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307. Laura, couple of photos?
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308. - Is he from the newspaper?
- Yes, he's from the Standard.
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309. Oh, good.
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310. What? What's?
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311. I... I get it. Very funny.
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312. You Irish!
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313. Oh, I'm a bit tired.
Can I have a wheelchair too? Ha-ha! Hilarious!
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314. Oh, me ligs don't work.
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315. Help, help! I need a wheelchair.
Come on, get up.
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316. Come on, stop mucking around.
I want a go.
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317. Oh!
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318. And then it goes like that...
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319. Well, uh, I guess this is good night.
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320. Yeah.
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321. Oh, for God's sake! Are you gay?
Are you a gay man?
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322. - No!
- Are you?
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323. - No!
- No, brilliant, good.
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324. Cos that's all I wanted to know.
I don't mind one way or another.
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325. It's just, I like being clear.
I don't want any... ambiguity.
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326. What on earth made you think I was gay?
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327. Well... Well, you know,
I didn't just pull it out of the air.
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328. You know, you've just brought me
to a gay musical called Gay!
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329. You've been laughing like mad
at every gay reference.
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330. Your friends... all of who are gay,
say hello by tickling you.
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331. Jen! What century are you living in?
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332. Do you think that a man has to be gay
to like a gay musical?
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333. Can a straight man
not have homosexual friends?
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334. And since when was tickling gay?
I missed that meeting.
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335. Jen. Jen, come here.
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336. I'm sorry. You just threw me
when you borrowed that copy of Heat.
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337. Oh, God, it's true, it's true.
I'm gay! I'm a gay man.
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338. I tried to run from it, to deny it,
but I can't, I can't, I can't!
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339. Oh, Jen, what am I gonna do?
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340. I thought I could make it work between us
because you looked a bit like a man.
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341. Oh, God!
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342. Taxi!
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343. Hello there.
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344. I didn't see you on the way out.
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345. All right, lads, let's get a singsong going.
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346. It's a long way back to Manchester.
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347. (men) # Willies, willies, I love willies
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348. - Good night, Steve.
- Good night, Moss.
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349. - Good night, Milly. You be good.
- Not if I can help it.
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350. The theatre!
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