The Fresh Prince of Bel-Air 2x20

Directed by Rita Rogers Blye

Tim Russ as Eugene • Kenneth Tigar as Mr. Knotts • Michael Weiner as Kellogg Lieberbaum • Peggy Blow as Marge • Randy Josselyn as Student

Philip and Vivian welcome a '60s radical, who arouses the FBI's interest and influences Will and Carlton to take action over the firing of a nonconformist teacher.

Request examples:

!req The Fresh Prince of Bel-Air 2x20 [02:32]
!req The Fresh Prince of Bel-Air 2x20 [The Fresh Prince of Bel-Air 2x20]
Syntax: !req EPISODE [quote or timestamp] (max. 8 square brackets)

For quotes, now you can request by index (e.g !req The Fresh Prince of Bel-Air 2x20 [10-11]; !req The Fresh Prince of Bel-Air 2x20 [20] [24]). Keep in mind, though, that index numbers might change at any time.
You can also generate a copy command with the quotes. Hover the desired subtitle and enter the amount of lines you want to copy.

Subtitle languages: English • Spanish • Brazilian Portuguese

Note: you must use specific languages with their specific pages/discord channels.

1. Come on, Uncle Phil, vogue!

2. Oh, no, oh, no.

3. Will, sweetie, you've been snapping everything in sight

4. for days now. What's goin' on?

5. Well, it's a photography assignment, Aunt Viv.

6. I wanted to do something meaningful and artistic

7. but wouldn't nobody get naked.

8. Morning, all.

9. Carlton, the photography assignment is due today

10. and you haven't snapped a single picture yet.

11. Not to worry.

12. Carlton, this is a photography assignment

13. not a Prince video.

14. Madam, sir, there is a most perturbing person out here

15. who claims to be an old friend of yours.

16. - Who is it, Geoffrey? - She didn't say.

17. She was too busy calling me

18. "A pathetic servant of the capitalist fat cats."

19. - Marge! - Marge! Oh!

20. Marge Smallwood! Girl, give me a hug!

21. - Look at you! - Ah, woman..

22. Woman, the last time I saw you

23. was at Antiwar Rally in '71.

24. You stole my afro-comb.

25. Don't look like you be needin' it now.

26. - Hi. I'm Carlton. - Hi, Carlton.

27. Hey, hey, how you doin'? I'm Will.

28. My God, you look just like my old boyfriend El.

29. I take it El was blindingly handsome.

30. Well, hold on. Who's El?

31. Eldridge Cleaver.

32. Oh, was he related to Wally and the Beav?

33. Wait. Hold it. Look.. You knew Eldridge Cleaver?

34. Oh, we were all in the movement together.

35. Me, El, Olafemi and Adesimbo.

36. Wait, hold up. Olafemi and Adesimbo, too?

37. Oh, my.. Man, that's unbelievable!

38. Who the hell are they?

39. Phil is Olafemi and Vivian is Adesimbo.

40. Oh, okay, and I'm about to busta gutta.

41. 'Well, you two have come a long way'

42. from that fifth-floor walkup you had

43. when Olafemi and I were in law school.

44. Oh, boy, those were the days.

45. Oh, we marched on Washington

46. staged sit-ins, held hunger strikes. Oh!

47. Would that have been between breakfast and lunch

48. or lunch and dinner?

49. But we knew how to part-ay, too.

50. Ooh! Did we ever!

51. Remember Woodstock, 20 of us tried to squeeze into that tent?

52. Vivian and I jumped into that lake naked!

53. I wasn't at Woodstock.

54. Oh, yeah.

55. Well, kids, did I tell you that Marge and I

56. went to school together, that she graduated

57. near the top of our law school class?

58. So, Marge, are you with a firm or on your own?

59. On my own. I'm still in the struggle.

60. Oh, that's dope, Marge.

61. You never gave up on what you believed in.

62. - Oh, I do my best. - Hey, check it out.

63. Look right into the camera and say

64. No, no, no. You can't take my picture.

65. I mean, just wait for me to freshen up a little.

66. But speaking of pictures..

67. look at what I have here.

68. - 'Oh, no!' - Oh, oh, come on.

69. Look at this. Ah!

70. Oh, my God. Who are those two weirdos?

71. And who is that ugly little kid in thedashikidiaper?

72. Well, those two weirdos are your father and I

73. and that ugly little kid is you.

74. The bone in your hair is a good look for you, Hilary.

75. Yeah, you've got sort of a Yabba Dabba Doo.

76. Mom, look at how short your skirt is.

77. Oh, your mother's legs made the miniskirt famous.

78. I have mom's legs. Can I wear my skirt that short?

79. You have my legs and the answer is no.

80. Marge, girl, you must be tired after your trip.

81. Now you're staying with us

82. and I don't want to hear any arguments.

83. Oh, you aren't getting any.

84. Just tell me where to plug in my 8-track.

85. Well, Geoffrey will take your bags up to the guestroom.

86. I carry my own bag.

87. My brother, you have been oppressed

88. repressed and suppressed by capitalism.

89. Don't you know you can be free?

90. I have known freedom. Don't like the health plan.

91. Geoffrey is not oppressed.

92. He's, uh, more.. Our friend.

93. Aren't you, Geoff?

94. Whatever you say..

95. Phil.

96. So you can see how Ansel Adams created a work of genius

97. just by using light and shadow

98. which brings me to your work, geniuses.

99. Alright. Let's see those homework assignments.

100. I like that.

101. Will, that wouldn't happen to be gum in your mouth, would it?

102. Yeah, yes, Mr. Knotts.

103. Oh, cool. Do you have any more?

104. Thanks. That's good.

105. Carlton, this is..

106. It's a very..

107. It's..

108. What the hell is it?

109. Our assignment, sir.

110. You asked us to experiment with shadow.

111. I call this Bunny On A Wall.

112. And I'm going to call this Midget At A Desk.

113. oh, uh, everybody, um, before you go

114. there's something I'd like you to remember.

115. I think that there is something very special

116. about every single one of you.

117. Class dismissed.

118. Oh, whoa, wait, wait, hold up, hold up.

119. Oh, What about our trip to the Mapplethorpe exhibit?

120. Uh, don't you want our permission slips?

121. Mine ain't forged this time.

122. Come on, cornflake, where's your permission slip?

123. Are you kidding, my parents won't let me

124. look at naked photos.

125. Look they thought the "Little Mermaid"

126. was pornographic.

127. It turned me on.

128. I can't go see the Mapplethorpe exhibit either.

129. Actually, none of us is going.

130. It seems that a lot of your parents

131. just don't approve of this exhibit.

132. And since going was my bright idea

133. I've been fired.

134. What? Hold up. They can't do that.

135. This is an outrage.

136. They can't give us a new teacher now.

137. I mean, I've spent the whole semester sucking up to you.

138. - Oh, hey, Marge. - 'Hey.'

139. I still can't believe they fired the best teacher

140. that Bel-Air Prep ever had.

141. You know, you've been talkin' about this for past two days.

142. Move on it.

143. You know what Malcolm said.

144. "By any means necessary."

145. Yeah, you know, Marge, you're right.

146. - I'mma move on it. - Good.

147. I like having you around.

148. You get me all hyped and everything.

149. Hey, I bet that's how you felt when you roomed

150. with Angela Davis, right?

151. Ooh, yeah. But we had a lot of huge arguments.

152. Word? What? About her political views?

153. No, about how she used to always put her name

154. on everything in the refrigerator.

155. Got on my nerves.

156. Yeah, and I bet with that big old afro

157. she probably had a lot of hair and afro sheen

158. and stuff all over the place..

159. Boy, don't get me started.

160. You know what?

161. I'm going to call you Hasani.

162. Oh, what, you're gonna just dis me

163. right in my face like that, Marge?

164. No, no. It'sSwahili.

165. It means, handsome.

166. Ah. I like how you talk, Marge.

167. I like how you think, too. Hey, you know what?

168. I got a name for you, too. It's, uh..

169. It's Too Legit To Quit.

170. Hey, that's pretty clever.

171. Did you just think of that?

172. Uh..

173. Yeah. Why, you like it?

174. YourPerrier..

175. my sister.

176. Hey, Marge, listen, we just got tickets

177. to the Roberta Flack concert tonight.

178. Come on, we'll grab a bite to eat first.

179. No. I don't feel like going out tonight.

180. Oh, come on, you haven't been any place

181. since you've been here.

182. I mean, we'll make it another time, okay?

183. Greetings, Sister Adesimbo.

184. Greetings, Brother Olafemi.

185. Power to the people!

186. Oh, Ash.

187. You kind of look like Winnie the Pooh Mandela.

188. Mom, daddy

189. I am a depressed minority

190. and I want my allowance increased.

191. No.

192. Then I'm staging a sit-in

193. and I won't eat my peas.

194. You will eat your peas.

195. Come on, daddy. Suppose Gandhi's parents treated him like this?

196. Gandhi ate his peas.

197. Then I shall spray-paint my demands

198. on the pool house wall.

199. We like to encourage free speech.

200. We certainly do.

201. 'Ashley! Girl, are you crazy?'

202. 'Get your butt back here!'

203. You're on the mic. What's your beef?

204. Oh. Uh, no, sir. He just stepped out.

205. Uh, yeah, sure. I'll tell him.

206. Alright.

207. Ooh, that was the FBI

208. looking for Uncle Phil.

209. I wonder what they want.

210. They want me.

211. The FBI wants me.

212. - What? - The FBI?

213. Really? Could you put in a good word for me?

214. I'm thinking of applying.

215. She means they're after her, Carlton.

216. She's a fugitive.

217. We're harboring a fugitive?

218. Look, no offense, Marge, but I'm not going to prison over this.

219. No way am I sharing a cell

220. with a woman called Big Mama.

221. Marge, I don't understand. What do they want you for?

222. Take your pick, I helped a bunch of migrant workers

223. bust out of an internment camp

224. broke into some federal buildings

225. shredded a few files

226. and made life pretty damn difficult

227. for the South African Embassy back East.

228. Man, and I thought I was doing my part

229. by going to Spike Lee movies.

230. Does the government know where you are?

231. They probably know I'm in the area.

232. And they're checking out everybody I know.

233. Oh, no, it's cool, Marge.

234. We're gonna stand right behind you, right?

235. Marge, you know we love you

236. but we've got a family to think about.

237. Why don't you give us some time to think this over?

238. I understand.

239. Marge.

240. We're behind you 200 percent.

241. Peace.

242. Operator, get me the FBI.

243. Carlton, what are you doin', man?

244. Come on, Will, we're harboring a fugitive.

245. She's not a fugitive. She's our friend.

246. Yeah, and ever since she got here

247. my diary has been a lot more interesting.

248. Well, I agree, Ashley's diary is a lot more interesting.

249. But it's not worth going to jail over.

250. Okay, that is enough, Carlton.

251. Your mother and I will handle this.

252. I hate to sound paranoid

253. but do we really know

254. if mom and dad are who they say they are?

255. Or if their names are really mom and dad?

256. Gentlemen, we all agree

257. that Mr. Knotts' dismissal is wrong.

258. But we have the rights to redress our grievances

259. 'which is why I urge you to sign this petition.'

260. 'Sometimes a man has to be willing'

261. to put his name on the line

262. for what he believes in.

263. "Ricky Ricardo?"

264. Lucy, you got some 'splainin' to do.

265. Hey, look, fellas, there ain't no point

266. in trying to reason with the man

267. when the man is not trying to reason with you.

268. Right on.

269. What we gotta do is get up in his grill

270. and show him that we got the power.

271. Yes. Power to the people.

272. Say it loud. I'm black and I'm proud.

273. Alright. My man cornflake got the spirit.

274. He a little confused, but he got the spirit.

275. Hey, look. What we gotta do is take over this classroom.

276. We gotta nail that door shut

277. and we gotta chain ourselves together

278. to show them that we mean business

279. each and every one of us. Now, y'all with me?

280. Will, I think I speak for all of us when I say..

281. Let's get the hell out of here.

282. Don't worry, Will. They'll never take us alive.

283. Hey, calm down, man. I already bought my suit for the prom.

284. Hey, look, what we gotta do is nail that door shut.

285. I-I I'll call the handyman.

286. Come on, man, we radicals. We got to do things for ourselves.

287. You're right, my brother.

288. Where are the safety goggles?

289. Man, my butler forgot to pack them.

290. Here. Here you go.

291. No. Here, man. It's easy. It's like this.

292. Yo, yo. You alright, man?

293. Yeah. I'm just hyperventilating.

294. This is so exciting. We're like the "Mod Squad" without Julie.

295. Yeah, well, this ought to show them we mean business.

296. Yeah!

297. - Will? - Yo.

298. What do we do now?

299. Oh..

300. We-we-we-we chant.

301. Uh..

302. Attica!

303. Attica! Attica!

304. - Attica! - Attica!

305. Oh, man!

306. You smell that?

307. Damn! It's Chimichanga Day in the cafeteria.

308. Yo, Marge, you should've seen me. It was dope!

309. Me and my man, cornflake, barricaded ourselves

310. in Mr. Knotts' classroom, right.

311. Took the football team to break down the door.

312. And when they came in, we was chantin'

313. "Make love, not war!"

314. Right on, Hasani!

315. But why were you chanting "Make love, not war?"

316. Well, we was kind of hoping the cheerleaders would overhear.

317. Sweetheart, this is not a joke.

318. Now, your antics got you suspended for three days.

319. Now go to your room.

320. Looks like I've had quite an impact on your kids.

321. You're proud of getting a high school kid suspended?

322. If you mean, am I proud to have told him

323. to do anything you have to

324. for what you believe in, then yes, I am.

325. Marge, when you talked to Will about when we

326. chained ourselves together at sit-ins,

327. you're only giving him the romantic part of the struggle.

328. Girlfriend, you're leaving out everything that went before it.

329. The leaflets, the petitions

330. the years of trying to work through the system.

331. Uh, the system doesn't work!

332. You have to blow the door down.

333. Looks like you forgot that.

334. You talk as if I wasn't there with you in Birmingham

335. facing dogs and fire hoses.

336. This is me, Olafemi.

337. The same Olafemi that was with you

338. the night Harlem went up in flames.

339. But now I have a family

340. and I choose not to fight in the streets.

341. I have an office to fight from.

342. And I have fought and won cases for fair housing

343. affirmative action, health care.

344. And I am not ashamed to write a big fat check

345. for something I believe in.

346. And that doesn't make me any less committed than you.

347. So don't you dare look down your damn nose at me, Adebola.

348. Well..

349. I guess I've overstayed my welcome.

350. Marge.

351. You're welcome to stay here until you can

352. figure out where you want to go.

353. But if you ever want to stop running

354. Viv and I will be here for you.

355. Psst. Marge? Where Uncle Olafemi?

356. He's in the study with Adesimbo.

357. Oh, yeah.

358. Good thing he ain't in here!

359. 'Cause if he was, I might just have to run back up to my room.

360. Oh, what you doin'?

361. Oh, now that the man's after me

362. I think it's best for me to split.

363. Yeah, well, you know, you got to get back to your work.

364. Hey, I heard that there was an anti-apartheid rally in D.C.

365. Yeah. I may swing by.

366. I knew you'd understand, Will.

367. Alright, I'll be ready in about ten minutes.

368. - For what? - Yo, I'mma go with you.

369. Man, if we are going to be underground though

370. I'll probably need another name.

371. How about, uh, Akbar Shabazz Jenkins?

372. Will, you're a kid. You belong at home.

373. You're only 17.

374. Oh, by the time you were 17

375. you burned your first bra.

376. Baby, you can't do what I did.

377. But I could go get one of Hilary's.

378. What I mean is, you have to find your own way, Will.

379. Do you know, when I was your age

380. there weren't many doors open to us.

381. Some of them we had to blow open.

382. And because we did, you've got more opportunities.

383. Uh, don't get me wrong. I'm not saying that things are perfect.

384. It's just that now you can fight our battles

385. in the boardrooms, too.

386. And in the classrooms, the voting booths

387. and the courtroom, just like your uncle.

388. Wait. Well, hold up, hold up.

389. I thought you said, "By any means necessary."

390. Right, but it's up to you

391. to figure out what's necessary.

392. And, Will, when the courtroom doesn't work

393. come find me.

394. You're a deep sister, Adebola.

395. And you..

396. are the future, Hasani.

397. Agent Marcus Collins of the FBI.

398. If you need me, I'll be upstairs saluting the flag.

399. Philip Banks. My wife Vivian.

400. - Hello. - How do you do?

401. I understand you're acquainted

402. with a woman named Margaret Smallwood.

403. I have reason to believe she's been

404. in contact with you, Mr. Banks.

405. Really? What would that reason be?

406. We tap every black person's phone

407. in the United States of America.

408. Just a little FBI humor.

409. But seriously, folks.

410. Harboring a fugitive can have grave repercussions.

411. Margery Smallwood is a very close personal friend of mine.

412. I consider myself privileged to know her.

413. She was here, but she left sometime this afternoon.

414. Do you have any idea where she was headed?

415. As a matter of fact, she said she was going

416. to a nuclear power plant in Texas.

417. 'Ah, but then again, she did mention'

418. a migrant workers' camp in, uh, Salinas.

419. No, honey, she said she was going

420. to a voters' registration drive in Biloxi.

421. Well, I thought she was just going to Saks.

422. Oh, get the heck outta here.

423. Y'all mean she ain't in the bathroom?

424. I must say, I'm disappointed in you, Mr. Banks.

425. I would've thought a man in your position

426. would be more aware of his responsibilities.

427. I know exactly what my responsibilities are.

428. Son, would you show Agent Collins to the door?

429. Hmm. By the way, I don't think we've met.

430. Ricky Ricardo.

431. Yo, Hil, check out my horoscope.

432. "You will become a famous rapper

433. with your own TV show." That's dope, right?

434. Those things are ridiculous.

435. What does mine say?

436. Uh, it says, "You are headed for a fall.

437. Beware. Accidents can happen."

438. Oh, those things are so stupid.

439. I wonder what I'll call my TV show.