1. Shane's sick! He can't speak!
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2. Anita, he lost his voice!
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3. Comic-Con, big announcement,
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4. Shane can't speak,
I'm fuckin' freaking out, Anita!
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5. Poor Shane. Poor Shane is poorly.
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6. All right, Shane can't speak,
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7. and he needs me
to step up for Comic-Con.
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8. Big announcements.
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9. I'm going on stage
and I need to keep my cool.
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10. For context, here's my previous
appearance from 2017.
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11. Whoo! Whoo! Ha-ha-ha! Yeah!
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12. San Diego, yeah!
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13. Let's announce some movies!
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14. Stories! Stories!
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15. In fairness, it played good in the room.
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16. Stories!
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17. So, here's what I'll need.
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18. A stylist, a haircut,
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19. and a guy with a defibrillator
on standby just in case.
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20. All right? Let's go!
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21. Shit just got fucking real.
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22. Anita, I have a job for you.
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23. Where is it? Where is it?
Where is it? Where is it? Where is it?
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24. Where is it? Where is it? Where is it?
Where is it? Where is it? Where is it?
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25. Where is it? Where is— There it is.
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26. Can I get your eyes on my speech?
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27. It's Shane's draft.
I don't have time to go through it.
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28. It has to be in my voice.
Okay? Can you do that?
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29. Sure. What else would I do
with my master's in literature?
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30. What a fucking angel. Thank you.
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31. Got some major bombs to drop!
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32. All right, so,
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33. how do we stop me
from getting overexcited, huh?
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34. I'm psyched to hear your ideas.
I'm psyched!
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35. Uncle Pat's got some phases to announce,
and it's content time! Yeah!
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36. That, the whole punching air thing,
cannot happen.
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37. Let the content begin! Yeah!
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38. Okay, everyone, Peter's last day.
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39. Big sad day, yeah?
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40. - Happy death day. You're late.
- Yeah.
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41. How's Peter doing? 'Cause we should be
extra gentle with him today.
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42. It could be quite a confronting day.
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43. Morning, my favorite people,
and how are you doing today?
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44. - Oh, uh—
- Yeah.
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45. Great. FYI, I'm expecting
a very important call around 2:00 p.m.
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46. for another franchise, so...
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47. - Which franchise?
- Uh, Saudi money.
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48. - Bryan Singer's attached.
- Oh.
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49. I'm reading for the part
of the time-traveling pharaoh,
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50. which everybody says is the best part,
so who knows?
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51. Break a leg.
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52. Bryan Singer's not a good guy.
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53. I know today is Peter's day,
and I'm sa— so sad. Boo-hoo, he's gone.
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54. But my piece is coming out later on.
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55. The fashion one,
it's like GQ "Men in Fashion."
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56. It's really cool,
it's like knitted sweaters in urban decay.
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57. Cozy but important.
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58. And my— my team actually said
that this can bring me
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59. to the next level, over the edge.
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60. I finally cusp, make the A-list.
And when I cusp,
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61. - I cusp hard, right? Bring it in.
- Really?
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62. On three, on cusp. One, two, cusp!
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63. - Cusp.
- Whoo.
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64. Yeah, see you guys. Hey, guys.
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65. - Hi.
- GQ piece drops today.
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66. Dan, Dave VFX is asking for a day off.
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67. My hands are forming
into claws from too much laptop.
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68. Bloody hell, mate.
You're turning into a VFX monster.
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69. Hey? Franken-Dave!
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70. Like the...
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71. Yeah, I might be able
to swing you a day off, yeah?
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72. - Thank you.
- All right.
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73. So, there's an Armenian
Reddit thread about the bridge.
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74. I ran it through Google Translate.
Apparently, I might be going to prison.
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75. Dag, no one's going to prison.
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76. And then I watched a doc,
Inside Armenia's Toughest Prisons,
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77. and let me tell you, pretty bloody tough.
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78. Real eye-opener. Fucking terrifying.
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79. Probably shouldn't have watched it.
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80. Check this out.
Centurios 2 emergency rewrites.
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81. One hundred writers.
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82. I don't think I've ever seen
so many satchels.
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83. Dan, Dag, can I, uh,
panic on you in private?
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84. Well, uh, Tecto is pulled. Tecto's pulled.
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85. - Sorry?
- Shane's Comic-Con speech? "Tecto pulled."
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86. - Three question marks.
- Wait, so he's just pulling it?
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87. - We're cancelled? The whole movie?
- I don't know, Dan.
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88. Yes, maybe.
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89. - Fuck me.
- Look, if this shit goes down,
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90. I am in producer jail.
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91. Literal jail for me.
Actual physical Armenian jail.
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92. At least in real jail,
you get three meals a day
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93. - and a gym membership.
- Shankings, though.
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94. I just don't think that
you get the shankings in producer jail.
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95. Okay. Okay, we're gonna change his mind.
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96. - Oh, great. How?
- We just pitch to Shane direct, yeah?
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97. So a whole new direction.
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98. A tonal pivot,
and instead of being dark and serious,
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99. we're— we're light and fun.
Just like the original comics.
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100. - What's all this?
- Just doodlings.
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101. Theoretically,
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102. how I would make the movie if Eric were,
you know, not around and I was—
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103. - "The Kumar cut."
- The Ku—
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104. No one's calling it that. Are they?
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105. Anyway, look.
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106. We re-cut the first act using my ideas,
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107. we animate new storyboards cut to music.
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108. I think it's gonna take more
than a Kumar cut.
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109. Yeah, I know, Anita,
but it's a moon-shot, okay?
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110. Look. A hard plan to save the movie.
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111. We re-cut the first act
like it should be. Hmm?
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112. Yeah. Okay. But we do need Eric on board.
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113. Without a director,
this looks just fuckin' hokey and chaotic.
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114. All right, I'll talk to Eric.
I'll get him on board. But we're good.
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115. - Yeah, okay.
- Can you get me Dave VFX?
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116. - Smoking area.
- Smoking area. Dave?
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117. Dave! Hey!
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118. - What is it, Dan? I'm on a screen break.
- Nothing to worry about, mate, yeah.
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119. - But that time off, yeah?
- Yeah.
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120. It is now cancelled 'cause I do need you
to animate some new storyboards!
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121. Yeah, you got 12 hours.
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122. - Less.
- You got four hours.
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123. - More.
- You got eight hours.
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124. - Little less.
- How many hours does he have?
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125. - You've got six hours.
- Great.
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126. I believe in you, Dave.
David Payne. The Payne brain!
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127. I have pain in my brain.
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128. This dry sense of humor.
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129. All right, off you go. Six hours.
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130. Dave is a slave.
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131. But Dave's my fave slave!
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132. Well, let's not.
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133. - Okay, I'm gonna back-channel...
- No.
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134. and get us a call with Shane.
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135. Okay.
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136. So, we save the movie,
and then we focus on me,
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137. because they use buckets
in Armenian jails.
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138. They're still on the bucket system.
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139. They shit in buckets, Dan.
I'm gonna be shitting into a bucket.
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140. Rusty, shared buckets.
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141. Eric. Sir, there's something
I need to talk to you about.
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142. Finally, I lost them all.
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143. - My entire crew.
- What?
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144. Even catering. My porridge this morning?
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145. - Aggressively cold.
- Catering love you, Eric. We all do.
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146. Can we just talk about...
something... which I...
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147. - Wow.
- Lordy.
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148. That's a shoelace.
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149. Yeah, I— I hear that they use them
sometimes for seasoning
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150. instead of a bay leaf. Yeah.
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151. - Shall I?
- Thank you.
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152. Yeah.
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153. I have a funny feeling
that things are happening behind my back.
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154. What? No.
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155. No, no, no.
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156. Look, it's just been
a really tough week, yeah?
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157. Daniel, my agents want to discuss
what my career will look like post Tecto.
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158. And it's my contention
that what my career will look like
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159. is a big pile of shit.
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160. No. No way. Eric—
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161. Daniel, this is why
I'm pushing you so hard.
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162. If Tecto fails, I have zero credit
in my bank account.
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163. And what is worse...
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164. I'm a joke.
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165. Like before.
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166. The Cheese Man of Dusseldorf.
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167. I can't go back. I would rather die.
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168. No.
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169. You are a big-time director, yeah?
It's in your bones.
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170. Everyone's 100 percent behind your movie.
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171. I'm gonna make it happen, I promise.
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172. I've got your back.
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173. Extra honey, no laces.
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174. Thank you, Dan.
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175. So, did you tell him that you're
re-cutting the film behind his back?
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176. - Not yet.
- Didn't think so.
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177. Okay folks,
let's head into the center of the earth.
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178. Enclosed set. Cozy! Like a prison.
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179. We're re-cutting the first act
using all-new storyboards,
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180. and we run this out of the DIT truck.
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181. Eric doesn't know yet.
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182. "The Kumar cut," or whatever.
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183. Got it. We're lying to Eric again.
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184. Becoming quite the habit.
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185. Excuse me, Pinocchio.
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186. Did the PA just become a real boy?
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187. - Just do it, Jaz, please. Thank you.
- Sorry. Yeah.
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188. Okay, gather round, people.
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189. A very big day,
a very somber day for Peter.
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190. For all of us.
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191. - The death of Eye.
- Finally, a piece of acting.
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192. Great big meaty death scene.
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193. Mortality. Yum!
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194. We'll be exploding Peter's head
practically, yeah?
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195. Jaz, please.
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196. There it is. There's my head.
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197. My God, look at that thing.
It's so lifelike.
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198. Peter, can I put my finger in,
have a fiddle?
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199. - Wow, real teeth?
- Of course.
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200. - Come on, let me have a hold.
- Mm, careful.
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201. Ugh! Capillaries. That is gruesome.
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202. Poor fucking wife
has to wake up next to that.
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203. So, Eye removes his helmet,
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204. and then Peter, if you would be so kind
to match the grimace
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205. on the prosthetics,
and eyeline to the ball, please.
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206. Uh-huh.
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207. Bit more.
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208. More, more, more, more, more, more.
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209. Yeah. No, less. Less, less.
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210. No, no, much less. Less.
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211. - It's like, ah...
- No. Daniel, show him.
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212. - He cannot see it.
- Like this.
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213. It has to be very, very precise.
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214. - No, I cannot see it.
- It's like this.
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215. - Yeah. A bit more.
- Like that.
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216. Yeah. More. No, no.
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217. No, less. Less.
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218. I'm sorry.
It's just not like the dummy head.
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219. I'm a fucking actor!
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220. A trained fucking actor
from the RS fucking C!
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221. And you've got me dressed
in a fucking Japanese dressing gown,
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222. grimacing into a fucking tennis ball!
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223. Eyeline is important.
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224. This is the worst fucking
production of my entire career!
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225. And trust me,
there have been some shockers.
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226. Fat Janitor to name but one.
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227. Yeah! Wanna laugh at that?
Go ahead! Nobody else did.
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228. - I did.
- That's it, I'm done.
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229. I'm wrapped. You already scanned me.
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230. Fix it in post.
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231. That's a wrap
on Peter Fairchild, everyone.
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232. - Speech!
- Got you all wrap gifts.
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233. Jaz! Come in all different sizes.
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234. There you go.
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235. It says "Cunt" on the front.
And on the back,
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236. "This is a fair estimation of my ability
and not an in-joke among friends."
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237. - Mm, bit rude.
- What's going on?
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238. So fuck you all!
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239. Goodbye and good fucking riddance.
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240. Apologies. Reports
of a breaking security incident.
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241. Oh my God.
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242. We're being asked to shelter in place.
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243. - There's a man with a carpentry knife.
- Oh shit.
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244. What is this? Let me out.
I just wrapped myself.
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245. Sorry, are we locked in?
Am I in prison already?
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246. Oh my God!
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247. The GQ article just dropped.
Guys, check it out.
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248. Check it out. Look at that.
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249. Daniel, can you tell the crazy guy
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250. that we have five more setups
before lunch?
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251. - Dan. Check it out. Fuck.
- Okay, look, everyone. Guys.
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252. It's not...
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253. This is not our first rampage, is it?
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254. Remember Suzie? The travel coordinator?
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255. She went berserk,
set fire to the makeup tent.
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256. Just settle in.
We're gonna be out in 20 minutes.
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257. Suzie? Was she the goth one?
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258. Donna was the goth one.
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259. Speared a runner with a lighting stand.
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260. God. I wonder who the maniac is.
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261. Should we do a sweepstake, just for fun?
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262. Bryson. I bet it's Bryson.
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263. Do you know, I see that.
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264. 'Cause he's either the adorable grandson
or the last face you'll ever see.
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265. Possibly both.
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266. If it's Bryson, we're already dead.
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267. All of us. Mark my words.
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268. I need to take this off.
Can I, um, have your shirt, Dag?
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269. - Thank you.
- Does anybody have any water?
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270. The actor's thirsty from all that shouting
that you made me do.
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271. You're all terrible bastards.
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272. Approach set stage with caution.
Suspect might be armed. Over.
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273. Oh. Peter Fairchild.
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274. Ooh, Bryan. Mr. Singer, sir. Hi.
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275. Okay. Uh...
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276. What about the other part?
The clockwork butler?
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277. Understood.
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278. Jaz, get an update on my new opening.
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279. They have to follow
my notes exactly, okay?
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280. And if they need Dave VFX to work faster,
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281. just feed him a doughnut,
play techno really loud.
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282. One bucket for every 30 inmates.
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283. And I'm being told that's actually
relatively high for the region.
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284. Yeah, Armenia
is a bucket-rich environment.
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285. Dag, I'm sorry, we can't waste a whole day
worrying about you rotting in prison.
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286. Got it. I talk too much.
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287. This pretty little mouth
is gonna get me in a lot of trouble.
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288. Dan, I, uh... I back-channeled
some time with Shane.
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289. - You talk to Eric?
- Yeah, I'm working up to it.
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290. Now, Daniel. This needs to happen now.
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291. D— Da— Dan, you got to look
at the article, right?
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292. - The high fashion piece I did?
- Not yet, not yet.
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293. It's, like, really... brilliant.
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294. - Great. Excellent. I can't wait.
- But, um, just quick question.
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295. Does this sweater look too long to you?
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296. It doesn't look like a dress, right?
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297. Mm. No, it's... fine.
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298. - It's just a sweater that's long.
- Looks great.
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299. Okay, 'cause this person on Twitter said
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300. I looked like a hospice nurse
on a dating show.
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301. I can't see that myself.
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302. Yeah.
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303. And then this other person did
one of those, like, "Who wore it best."
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304. There's a picture of me
and then Whoopi Goldberg.
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305. Mate, I think, honestly, you win.
Hands down.
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306. 'Cause Whoopi looks frumpy.
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307. Yeah, I thought so too.
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308. - And I should own it, right?
- Yeah, yeah, yeah.
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309. I can do it again and get a longer one
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310. and then higher boots with— Oh my G—
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311. Get some horse riding boots.
That would be great.
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312. - Right.
- Yeah, and I'd like Chalamet it.
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313. Yeah, yeah, that'd be Chala-mazing.
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314. - I'm not the punchline, Dan.
- No.
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315. - I'm not the butt of any joke here.
- No.
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316. I am cusping. I'm there.
I know where I'm at.
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317. - And I can taste— taste it coming.
- Yeah. Mm-hmm.
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318. Yeah, and— and when I go
to the Oscars, you're gonna be my date.
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319. - I'm serious. Yeah.
- Okay, yeah.
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320. Tecto's gonna catapult me, right?
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321. - Yeah, yeah.
- Thanks.
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322. - I can't wait. It's gonna be great.
- Yeah.
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323. Eric, um, can we have a chat?
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324. There's a situation with the studio.
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325. Holy fuck, he's out there!
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326. The knife-wielding maniac.
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327. Oh my God, it's Dave. It's Dave VFX.
He's gone loco in the coco.
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328. Oh my Christ, I'm actually going to die.
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329. The shankings have started early.
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330. Poor Dave VFX.
What did you do to him, Daniel?
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331. Me? I asked him to do his job.
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332. What if Dave killed Bryson?
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333. What if Bryson killed Dave
and now Bryson is wearing Dave?
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334. Dave, mate. It's all right.
You're not hearing voices.
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335. And we can see you on camera. Hiya.
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336. Yeah, look, I know... I know
the biz can be tough, all right?
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337. Trust me, I do. Just...
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338. put the knife down.
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339. It's not a knife, Dan! It's a pen.
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340. I've stabbed myself with it
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341. and now it's stuck in my leg
and now I can't get it out.
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342. Okay. Uh...
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343. Well, that's both reassuring
but also obviously very distressing.
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344. Maybe try just pushing it
all the way through?
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345. - What?
- That's terrible advice.
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346. - Try. Put...
- Dan!
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347. I want something back, Dan.
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348. For all the sacrifices I've made.
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349. Okay mate, what are you asking for?
Let me help you.
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350. I want... I want you to change the title
in honor of my daughter.
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351. Instead of Tecto: Eye of the Storm,
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352. Eye of the Storm.
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353. No. No, no, no, no.
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354. Yeah. I think we're all agreed.
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355. - Uh, we'll... we'll do that.
- No, no, no, no, no.
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356. Tecto.
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357. - Tecto: Eye of the Storm.
- Yes, mate. Okay? We're all agreed here.
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358. - We'll absolutely do that.
- No—
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359. Or Emily: Eye of The Emily. Any of those.
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360. No, no, no. Dave. Dave. Easy, tiger.
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361. I'm not compromising my title for anyone.
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362. I am not negotiating with you, Eric!
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363. Put Dan on. He's in charge.
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364. He's the one keeping me away from my kids
for the fucking Kumar cut!
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365. "The Kumar cut?"
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366. Daniel Kumar. Oh.
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367. It's his last...
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368. How was I supposed
to re-render the opening act in six hours?
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369. - Look, Eric...
- The Kumar cut?
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370. Eric, can I...
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371. Eric?
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372. Eric. The studio's gonna pull our movie.
I was just trying—
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373. - D... Dave? Dave?
- Eric? Eric?
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374. Dave, whatcha doing?
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375. I'm lowering the rocks! Crushing you all.
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376. - Eric, please.
- Like you crushed me!
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377. Okay, Dave, we've all just taken
one step to the side
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378. - and now everyone's fine, so...
- Eric. Eric.
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379. The studio's gonna pull us.
We had to offer them something new.
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380. - You went behind my back.
- Yes, but only to help you.
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381. You've been sabotaging me
all along, haven't you, Dan?
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382. - The shoelace, was that you?
- N— No.
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383. - You let me veer off the rails.
- Hang on, hang on.
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384. I have sacrificed my life for your movie.
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385. I just got the pen out of my leg!
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386. Yay! Well done, Dave.
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387. I have the Golden Leopard
of Locarno, Daniel.
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388. What do you have?
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389. - I don't know. Nothing.
- You're not a director, Dan.
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390. You're just a schedule man
who sometimes does this, yeah?
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391. I saw you when you thought
I wasn't looking.
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392. Yeah, okay. I'd like to direct one day.
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393. You wouldn't know how to frame
a poster of the movie The Police Academy.
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394. Or maybe, Eric, I just had a better idea.
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395. Ah! The truth, yes.
You think you're the better guy.
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396. You think you're Mr. Bigshot, yeah?
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397. You think you're fucking Spielberg.
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398. Fucking Bong Joon-ho.
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399. You don't have my brain, Dan.
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400. No.
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401. This... This is your brain.
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402. And it's not a nice brain. Hmm?
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403. Great.
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404. You're just a bitter man
because I'm making movies
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405. and you gave up your life
to stand there all day
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406. and shout, "And we cut."
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407. Thank you. Great.
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408. I— I thought you were gonna punch him.
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409. What? And quit show business?
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410. Update. Dave VFX has fled the stage.
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411. We're, uh— We're, uh, cleared to leave.
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412. That's a wrap on Peter Fairchild.
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413. By the way, Adam. Whoopi wore it best.
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414. Why would you say that?
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415. I don't know how to drive!
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416. He stole the DIT truck.
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417. There goes your new opening.
We have no pitch.
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418. We're done. We're done, yeah.
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419. 'Cause by the time I get paroled,
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420. AI will have finally kicked in
and taken all the work,
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421. and we'll all be giving hand jobs
in phone booths.
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422. Only there aren't
any phone booths anymore,
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423. so we'll be doing it out in the open.
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424. Giving open-air hand jobs
for free in the metaverse.
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425. - What a life.
- Dan, you pitch it.
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426. Fuck it. We do it without Eric,
just the three of us.
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427. Come on.
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428. Yeah. Yeah.
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429. Maybe just change your T-shirt first.
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430. What? Oh.
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431. Okay, let's tidy. Clean up a little.
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432. - Oh my God, Dag.
- Sorry. Sorry.
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433. I'm dialing. Okay, everybody ready?
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434. No, no, I'm not ready. I'm not ready.
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435. No, no, no. You got this.
This is in your wheelhouse.
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436. This is your... your end act one
and adventure begins, yes?
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437. - Yeah.
- Great.
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438. I am connecting now.
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439. Bryson?
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440. Hey, guys. I caught a flight out
to aid Shane's recuperation.
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441. And my mom's, she's had a hysterectomy.
Your fruit plate, sir.
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442. Uh, great, Bryson.
But we actually only have
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443. a small window with Shane,
so if you could just—
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444. Sure, Anita.
I was just giving you some color.
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445. And my mom is fine. Thanks for asking.
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446. You kick off your pitch,
I'll relay his feedback.
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447. Great, Shane, before you make a call
on the future of Tecto...
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448. Uh, as you can see, Eric's not here.
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449. But actually,
Dan has a real handle on this.
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450. So he's gonna lead.
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451. Uh, yeah, hi. Um, so Eric's not here,
but he was thinking,
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452. uh, a new tone.
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453. Uh, like in act one,
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454. don't play it for horror,
play it for wonder.
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455. So when Tecto falls into the Earth
and he... and he finds his powers,
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456. you know, he should be like...
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457. - um...
- You, uh, let me do it.
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458. "Oh my God, something's shaking."
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459. Yeah, and then he's got
his earthquake powers.
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460. Targeted reshoots, tandem unit,
not expensive at all.
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461. Yeah, and then into act two,
The Invisible Jackhammer.
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462. I think it can work, we just
have to be more playful with it.
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463. - So it's, you know, hammer time.
- "It's hammer time!"
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464. You know, yeah.
We're gonna redo the score,
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465. because a new score changes everything.
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466. Oh. Yes, like that.
But, uh, faster. And more exciting.
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467. Also, just completely better.
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468. And the composer is on an overall deal,
so no additional funds needed.
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469. We're gonna re-cut act three.
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470. Gotta strip away the subtext.
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471. We've gotta keep it simple.
It's a buddy movie in space.
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472. It's like nine days of re-shoots, max.
We can bring this home for 300K.
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473. - Is that all?
- Look, I...
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474. I am really into this. I am.
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475. Tecto can be a new beginning.
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476. Restore this franchise to what it was.
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477. Uh, Shane's trying to speak.
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478. Oh, he's... he's writing
something down. Hold, please.
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479. Uh, he's saying... he's saying...
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480. he'd like some orange juice.
With or without pulp, sir?
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481. Show's over, guys.
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482. Uh, Dan, Pat's asking everyone
to gather on the apron.
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483. Big announcement. Sounds serious.
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484. Absolutely.
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485. Time for the firing squad.
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486. Dan. Dan, what are these rumors?
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487. What— What— What's going on?
What are— Are we being pulled?
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488. - Is Tecto being pulled?
- Honestly mate, I don't know.
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489. Don't— Just tell me the truth.
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490. - I d...
- Am I done?
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491. Is this— I'm done.
As an actor, I'm just done?
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492. Hi, guys. Anita, we all here?
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493. - Yeah. All met.
- Yeah?
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494. Okay.
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495. Um, hello.
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496. Uh, friends, women, craftspeople.
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497. Due to circumstances
elsewhere in the universe,
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498. uh, this year at Comic-Con,
I will be announcing
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499. that Tecto is to be pulled... Jesus.
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500. Excuse me.
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501. It's like parsley or something. Um,
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502. that Tecto is to be pulled forward
to a summer tentpole release.
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503. An unfortunate incident on Centurios 2
has suspended production indefinitely.
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504. Oh my God.
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505. Many Man. A pervert.
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506. - What is happening?
- No idea, Dag.
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507. So we're promoting you
to summer tentpole!
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508. Uh-huh! Tecto has been chosen!
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509. So congratulations to the man
who made it all happen.
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510. The genius!
Our director, maestro Bouchard.
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511. - Let's fuck!
- Oh-ho-ho! Wow.
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512. Congrats also to the new face
of our summer tentpole,
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513. Adam Randolph.
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514. It's me! Oh God, it's happening!
It's happening! Oh, fuck yeah!
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515. Fuck yeah! I'm cusping so hard!
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516. Also, to Mr. Peter Fairchild,
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517. who has agreed to open up discussions
possibly for a contract extension, huh?
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518. I love you all.
You're the greatest crew ever.
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519. Class. All class, huh.
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520. And, uh, to all the actors,
the, uh, the— the— the woman one
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521. whose name I'm totally
blanking on right now.
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522. - Quinn.
- Finally,
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523. there are people in the shadows
who never get their names up in lights.
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524. And we all know how important
and brilliant they are.
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525. Yeah. Looking at you, Daniel.
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526. - Oh. Well...
- Yeah.
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527. I'm looking at you
because I can't remember the name
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528. of our production accountant.
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529. - Lydia.
- Linda!
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530. Lydia! Linda! Whatevs.
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531. - Okay.
- Eat, drink, but do not be merry,
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532. and instead return to your place of work.
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533. We're tripling your budget.
What else? We're halving your schedule.
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534. The squeeze starts now!
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535. Thank you. All right.
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536. Come on, Tecto team!
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537. Tecto team! Let's— Tecto! Tecto crew!
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538. What the hell!
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539. - Oh my God.
- Whoo!
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540. Amazing how the universe works, isn't it?
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541. Well, congratulations.
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542. It was between you and Toxic Man 2
over who got bumped up to tentpole.
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543. Guess your little call finally swung it.
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544. Well, "In Shane we trust," right?
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545. So I guess that means I've, uh,
got a director who's wrong
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546. for the new vision, right?
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547. Let's see what the man says.
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548. Shane. Hey, it's me.
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549. Dag?
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550. From legal. It's good news.
No one's going to prison.
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551. - Oh my God, really?
- Yeah.
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552. Well, so— someone is going
to prison, but it's, uh...
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553. it's the demolition guy.
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554. - Aw.
- Tiny Pat, yeah.
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555. Eight years.
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556. Poor little guy.
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557. Horrible. Maybe I should
send him a gift of some kind.
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558. A muffin basket.
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559. Or a bucket. A muffin bucket?
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560. - Yeah.
- Okay.
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561. So, it seems you've saved my movie.
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562. Yeah. Yeah, I'm just glad to...
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563. Unfortunately, the trust
is irrevocably broken.
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564. I can forgive, but I cannot forget.
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565. I cannot continue
working with you, Daniel.
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566. I wish you the very best.
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567. Oh.
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568. Yorgos?
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569. Dan, I am so sorry.
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570. Nah. Yeah, well.
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571. All right, well, I'm going to go home, uh,
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572. have a lager in the shower maybe.
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573. And raise my son. Not at the same time.
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574. Good luck.
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575. It's gonna be great.
You're gonna be great.
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576. Say goodbye to Anita from me.
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577. Yeah.
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578. Hey, mate. Yeah, now.
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579. I'm gonna be home
in time for, uh, the match.
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580. Yeah.
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581. So, listen, shall I get some ice cream?
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582. All right mate, yeah.
I'll see you in half an hour.
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583. All right, bye.
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584. Hey.
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585. What, are you clocking out early?
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586. - Pat, um, I've been fired.
- Yeah, I know.
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587. Shane just called.
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588. He was pretty taken
with your little pitch.
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589. Oh.
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590. Well, Pat, I've gotta get home.
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591. Um, Eric hates me.
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592. Who, the maestro? Sure.
We'll see how that plays out.
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593. Either way, we'll make something work.
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594. I'll tell you something, Dan.
Uh, every once in a while, not often,
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595. you get to ask for exactly what you want.
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596. Now, my boss, the God of the Universe,
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597. wants for you to get out of your car.
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598. So what's it gonna take?
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599. Ladies and gentlemen,
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600. - Mr. Pat Shannon!
- Whoo! Whoo! Ha-ha-ha!
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601. Yeah! Yeah! San Diego, yeah!
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602. Ha-ha!
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603. I got phases! I got lots of phases!
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604. I'm gonna tell you all about phases.
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605. Yeah! Get up!
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606. Get up! Get up! Get up!
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607. Yeah!
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608. Stories! Stories!
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609. Give it up for the writers!
We got the best writers!
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610. We got J.F. Brisenden!
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611. Sky Caesar! Jake Green!
What's up, Ky Brasey?
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612. I got the Cobra, Garrett Leathey! What?
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613. We sure do have Steve Griffiths!
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614. My favorite, Dara Thomas!
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615. That's a girl's name, and he's a guy!
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616. Oh. Oh God. All right.
I've got phases to announce,
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617. but, you know, I gotta do it
or it's gonna kill me, right?
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618. It's gonna kill me!
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