1. Carroll was convicted in 2004
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2. for the murders
of 14 young women.
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3. I smell food.
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4. Claire, no!
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5. Where's Claire?
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6. We're losing her!
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7. How's Claire?
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8. This week
marks the anniversary
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9. of Joe Carroll's death.
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10. Joe Carroll lives!
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11. People of New York City
fear as five people are dead
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12. in a brutal slaying that
occurred on a downtown subway.
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13. Looks like there's a new cult.
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14. Who are they?
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15. Ryan tells me
you're law enforcement.
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16. Yep. I'm a cop.
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17. Just made detective.
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18. What am I doing here?
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19. Lily Gray, the witness,
art dealer, gallery in Soho.
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20. I take it you're Ryan Hardy.
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21. I want no part of this, Mike.
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22. This is over for me, all right?
I'm done.
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23. Did you share what
you know with the Bureau?
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24. What, this?
This is a hobby.
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25. All right, guys.
What do you got?
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26. Okay. One match.
Carlos... Perez.
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27. You were in Havenport
with Joe Carroll.
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28. Where is he?
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29. I haven't seen Joe
since the lighthouse.
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30. I picked him up on the beach.
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31. What happened?
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32. Ryan Hardy showed up
at my place.
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33. Heather Clarke. She lives in
the building across the street,
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34. where she was killed
and moved here.
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35. I mean, the murders on the
subway were a spectacle,
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36. an announcement.
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37. This is a very specific message.
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38. With regards to the subway murders
and Joe Carroll,
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39. I'm not involved.
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40. Well, now.
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41. "A woman was found in the park.
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42. She was reportedly
posed with a copy
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43. of The Gothic Sea in her hand.
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44. It is believed to be
the work of Carroll's cult.
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45. While most have been apprehended,
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46. at least eight are still
at large."
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47. Mama's up.
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48. Yes. You'd... best put that away.
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49. Morning.
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50. Morning.
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51. What you two up to?
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52. Last minute homework.
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53. Yes. Her paper is
coming along very nicely.
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54. I think Miss Givens
will be very pleased indeed.
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55. Want some breakfast, my love?
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56. Just some coffee.
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57. Was he doing your
homework for you?
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58. No, ma'am.
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59. Go on.
Get to school.
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60. Bye, Mama!
Bye, Uncle Daryl.
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61. You have a good day now,
Mandy honey.
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62. Your country voice stinks.
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63. I know. I'm still having
trouble with my hard Rs,
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64. but the speech patterns themselves
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65. are reasonably comparable
to that of the region, are they not?
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66. Want some grits
and eggs with your coffee?
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67. You better not be doing
her homework again.
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68. That girl ain't gonna learn anything
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69. if you're filling in all the blanks.
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70. Yes, yes, of course.
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71. We don't want this house
too smart,
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72. or someone will come sniffing.
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73. Not much danger of that, darling.
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74. You didn't get much sleep.
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75. I heard you up all night
watching the news.
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76. It was a natural curiosity.
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77. It was rather alarming seeing
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78. all the murders in New York,
you know?
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79. It's your cult, isn't it?
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80. Possibly.
I have really no ideas.
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81. You ain't getting itchy,
are you, baby?
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82. No. Of course not.
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83. All that is behind me,
you know that.
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84. We got a good life here, Joe.
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85. I don't want to mess it up.
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86. You are my world, my salvation.
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87. I owe you everything.
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88. What physical evidence do we have
from Heather Clarke's place?
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89. NYPD found prints on her body
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90. that match the ones
found at her apartment.
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91. Partials suggest that
there's more than one assailant.
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92. And the building security cameras?
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93. Inoperable.
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94. The perps were careful.
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95. They needed time with her.
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96. They spent the day there,
they cooked breakfast.
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97. The neighbors heard laughter,
music, male singing.
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98. And no sexual assault?
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99. No, this isn't sexual.
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100. It's an intimate experience
unlike the subway murders.
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101. That was theatrical,
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102. an announcement it's the anniversary
of Carroll's death.
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103. They miss their fallen leader,
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104. and they're letting the world know,
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105. but the girl on the park bench
is a specific message.
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106. The girl reading on a park bench.
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107. It occurred in Gwendolyn's memory
in Carroll's book The Gothic Sea,
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108. where Carroll wrote of loneliness,
isolation and solitude.
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109. You look surprised.
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110. I did my dissertation on Carroll
at the academy just like you.
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111. Now, what I don't understand,
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112. is why they haven't made contact.
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113. I mean, they've got
the whole world watching,
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114. and these kind of murders
come with bragging rights.
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115. My face is all over the news.
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116. FBI continue to look for...
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117. How did they know it was me?
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118. Guys, I don't understand it
when you speak French.
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119. Soon.
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120. Not soon enough.
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121. You're in a database.
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122. There were surveillance cameras
in the subway
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123. height, size, body mass,
simple deduction.
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124. I've been watching it.
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125. There's no messages.
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126. He hasn't called.
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127. Where you guys going?
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128. Sightseeing, have some fun.
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129. What? Nobody's looking
for us, Carlos.
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130. Not yet anyway.
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131. You, however, are not to
leave this room, understand?
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132. Carlos, listen to Giselle.
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133. Do whatever she says.
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134. I don't understand her!
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135. Fine. Thank you.
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136. Ryan.
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137. It's nice to see you.
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138. Yeah, you, too.
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139. I was hoping we could talk.
Do you have a minute?
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140. Of course.
What did you want to talk about?
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141. It's about Joe Carroll.
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142. Oh.
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143. I got it.
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144. Fischer residence?
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145. They're lovely.
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146. Who are they from?
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147. Carl Fischer.
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148. Thank you.
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149. Just give me a minute?
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150. Excuse me?
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151. You need to sign for them.
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152. Sign where?
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153. Here.
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154. Honey?
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155. Who are you?
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156. Where's Alice?
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157. Take care of the kid.
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158. The FBI asked
the same question.
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159. Agent Weston was his name, I believe,
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160. but I never met Joe Carroll.
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161. Is there a chance that you
don't know that you know him
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162. or that you forget having met him?
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163. He used to teach
at Winslow University,
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164. grew up in Oxford in the UK.
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165. No. I've never been
to Winslow University.
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166. I've been to Oxford,
but I've been to many places.
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167. I live in Paris half the year,
I grew up in Denmark,
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168. travel all over the place.
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169. Why would anyone think I know him?
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170. Well, you're the only
surviving witness,
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171. so it's strictly
job procedure to ask why.
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172. But you're no longer with the FBI, right?
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173. I searched you online.
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174. Before yesterday,
I knew very little about you
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175. and Joe Carroll and his cult.
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176. I was abroad most of last year,
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177. so, I read up on you.
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178. Yeah. I'm no longer with the Bureau.
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179. But you can't turn it off.
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180. What's happening,
it's hard for you.
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181. There's a certain helplessness in it all.
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182. You're an interesting man, Ryan.
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183. Woo!
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184. Miss Judy, you do a man right.
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185. Thank you, Reverend.
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186. See you on Sunday.
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187. Hey, brother Daryl.
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188. Hey, Reverend.
How are you today?
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189. Well, I feel like
I've gone to heaven and back.
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190. Yes, sir. Your sister
is a good woman, Daryl.
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191. Yes, she is.
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192. And you?
How are your nightmares?
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193. War haunts a man, Daryl.
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194. When you're ready to talk...
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195. Thank you, Reverend.
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196. I'm sure you saw a lot of ugliness
over in Afghanistan.
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197. It's not good to keep it
all bottled up inside.
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198. I'll bear that in mind.
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199. Here. Give me a prayer.
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200. Dear heavenly Father,
I ask that you bless brother Daryl
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201. and heal his suffering.
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202. Bring glory to this hero before me.
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203. In Jesus' name we pray.
Amen.
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204. Amen.
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205. Thank you.
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206. Hey, there, Mandy.
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207. You're looking prettier and prettier.
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208. Yes, ma'am.
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209. Hey.
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210. What do you think?
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211. I could sass it up with
a sharp shoulder cut.
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212. Hey, you? Emma!
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213. Hm?
Yeah, sure.
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214. Well, maybe the police got Carlos.
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215. It would be in the news.
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216. Did you check his place again?
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217. It's too risky.
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218. Ryan Hardy was there.
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219. The FBI could be
searching it right now.
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220. I don't understand why
Carlos is doing this.
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221. The guy ditched us.
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222. We haven't heard from him
for a year now.
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223. Looks like he's made new friends.
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224. I want to know who they are.
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225. If there are others out there,
we should know.
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226. Is there any other way to find Carlos?
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227. Maybe one.
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228. Awesome.
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229. Dear Lord, thank you for this food
we're about to eat.
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230. Thank you for such an amazing family
to share it with.
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231. We are truly blessed.
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232. Amen.
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233. Amen.
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234. What was that, Dad?
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235. Oh, I'll let Mark tell you.
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236. Tell him about the girl we met.
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237. You do it.
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238. You liked her more than I did.
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239. I thought she was a little talky.
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240. Her name's Heather.
She's really beautiful.
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241. She has the long legs
that go on for days.
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242. She's a dancer, a chorus girl.
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243. You would like her.
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244. Sure, Mom.
You can meet her.
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245. We'll invite her over next time.
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246. We should do this more often, guys.
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247. Family time is important.
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248. It's me.
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249. Don't shoot!
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250. What are you doing here?
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251. I left messages.
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252. You don't call me back,
I storm your place.
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253. That's how it works.
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254. I was gonna call.
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255. What happened with Carlos Perez?
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256. I went to his place, he saw me,
he ran, I lost him.
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257. That's it?
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258. And I was hit by a cab.
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259. But you found this?
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260. I want my keys back.
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261. Too bad. You know that mask
has its own task force?
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262. Silicone, hand-painted,
using materials obtained
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263. from a thousand different
vendors online and elsewhere.
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264. Good luck.
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265. You're withholding information
that you obtained illegally.
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266. You've got to stop playing
Dirty Harry and go to the FBI, Ryan.
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267. They're your people.
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268. That mask is not gonna help them.
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269. Tell them about Joe Carroll.
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270. I have no evidence.
You know that.
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271. You have a theory, a good one.
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272. Crazy one.
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273. They'll listen.
They have to.
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274. And they won't believe me.
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275. Tell me the truth.
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276. Do you believe me?
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277. I think it's worth investigating,
and so will they.
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278. I was wrong to involve you.
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279. I'm sorry.
I won't do it anymore.
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280. Don't.
That's not what this is about.
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281. I offered to help,
but we're in an iffy place right now.
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282. I want to help you,
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283. but this isn't just research anymore,
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284. and I don't think you
should take this on.
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285. It's too much.
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286. You know what I'm talking about.
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287. Okay. I'm taking off.
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288. Don't wait up.
It's Travis,
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289. so he's liable
to keep me all night.
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290. You keep that TV off, okay?
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291. Don't work too hard now.
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292. Where's your tablet?
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293. I did what you said.
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294. I accessed Baltimore Gazette.
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295. Here's the classifieds.
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296. Ah...
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297. Is this how leave messages
for your friends?
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298. No. It's how they leave them for me.
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299. All right.
So it's a New York number.
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300. Your friends killed
all those people, didn't they?
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301. I suppose they did, yes.
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302. What's it like to kill someone?
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303. Your mother would kill me if...
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304. If I answered that question.
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305. I know what you've done.
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306. That's why mom wrote you
all those letters in prison.
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307. She told me she could fix you.
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308. And she did.
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309. And here I am.
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310. Are you gonna leave?
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311. No. No.
I'm never gonna leave you, pumpkin.
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312. - Promise?
- Mm-hm.
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313. Because I don't want you to go.
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314. It's better with you here.
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315. Come here.
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316. I know I don't really
open up much.
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317. Mark's the sensitive one.
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318. He wears his heart on his sleeve,
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319. and I'm not good at this stuff, but...
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320. I love you, Dad.
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321. Hope you know that.
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322. You ready?
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323. Yeah.
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324. What happened to that guy
you were dating?
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325. Really? We're gonna have
a normal conversation?
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326. I was trying.
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327. Hello?
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328. Hello, Ryan.
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329. Yeah. Who's this?
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330. You can call me Luke.
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331. Trace this call.
Now, now.
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332. What? Why?
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333. Yeah. What can I do for you, Luke?
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334. You have to ping the number
to my phone.
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335. I thought it was time to call
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336. and introduce myself.
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337. Yeah. I'm glad you did,
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338. but, phone calls are so impersonal,
you know what I mean?
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339. I'd much rather meet you face to face.
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340. Patience. I think we
may be meeting very soon.
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341. So, talk to me.
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342. What have you been up to?
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343. This and that.
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344. Have you enjoyed our show thus far?
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345. Well, the subway was
a great opening number,
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346. and there was a certain poetry
to the girl in the park.
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347. I'm glad you enjoyed it.
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348. What about Joe?
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349. Did he enjoy it?
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350. I mean, that's who all this is for, right?
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351. Joe Carroll?
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352. Anything?
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353. West Side, 80s.
It's still searching.
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354. Come on, come on, come on.
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355. - 438 West 88th Street.
- I'm on my way.
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356. I'm calling the police.
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357. No! Let me go first and check it out.
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358. Ryan!
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359. They knew I was gonna trace the call.
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360. Which is exactly why
we need to involve the police.
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361. Then they show up, sirens blazing.
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362. These guys are gonna disappear. Worse
than that, someone's gonna get hurt.
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363. We're gonna have nothing.
They called me. They want me.
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364. Let me go first, check it out,
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365. and you can call whoever you want.
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366. Damn it, Ryan!
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367. What's going on?
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368. It's an empty brownstone.
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369. We have a signal?
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370. Signal is still there.
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371. You're on top of it.
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372. I think it's on top of me.
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373. I'm gonna hang up now.
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374. Nope. Ryan, keep me on the phone.
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375. All right. Hang tight.
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376. You still there?
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377. Must still be above you.
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378. I think it's on the roof.
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379. What was that?
What rang?
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380. I see you made it.
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381. Well done.
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382. Max, you need to send
units to 437 West 88th, now!
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383. Hi.
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384. I want my mom.
Where's my mom?
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385. What's your name?
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386. Ben.
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387. Hey, Ben. I'm Ryan.
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388. I need you to come with me.
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389. It's all right.
It's gonna be okay.
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390. In 2002,
a brutal series of murders
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391. rocked a Virginia university
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392. and shocked the nation
to its very core.
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393. For over a year,
literary professor Joe Carroll
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394. attacked 14 college girls.
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395. Did you play too many
video games growing up?
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396. No, sweetie.
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397. Did you watch a lot of
horror movies growing up?
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398. No, sweetie.
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399. with bloodthirsty lawyers,
outraged citizens...
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400. Evening, Mandy.
Where's your mama?
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401. She's out.
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402. When's she coming home?
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403. I got some time.
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404. Brother Daryl, how are you?
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405. Not good, Reverend, not good.
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406. I'll just sit down for a while and wait.
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407. Hey, Mandy.
Will you grab me a beer?
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408. They called me.
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409. Why you?
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410. I don't know.
Ask them.
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411. How exactly did you get here?
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412. I was lured here by phone.
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413. They give you the address?
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414. They engaged me.
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415. Tell me why I shouldn't
arrest you for obstruction.
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416. Uh, because that would
be very stupid of you.
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417. Excuse me?
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418. I seem to be only one
they want to speak to.
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419. Sir.
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420. Look. I recognize your
special relationship to this case,
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421. but you keep this up,
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422. and I will personally
pull your head through your ass.
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423. Hm...
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424. Still surprises me
how people are so drawn to you.
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425. Ryan, it's the same MO.
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426. The cigar, the cognac,
another homage to The Gothic Sea.
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427. It's Gwendolyn's parents
living under the same roof
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428. but isolated,
disconnected from each other.
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429. But hidden within these tableaus,
the killers' own pathology
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430. is starting to emerge.
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431. Spent time with them post-mortem,
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432. just like Heather Clarke
the dancer.
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433. This time they're playing house,
creating a family dynamic.
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434. Hey, Ryan!
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435. Hello.
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436. How'd it go at the crime scene?
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437. Did they find lots of prints and DNA?
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438. Does it matter, Luke?
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439. They won't identify you because
you don't exist, do you, Luke?
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440. I saw what you did to that family.
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441. The Gothic Sea symbolism
was a bit obvious,
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442. but it goes deeper than that.
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443. You're lonely,
and you're searching for an identity.
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444. Am I warm?
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445. You think that if you lure Joe
out of hiding
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446. he will magically become
the father that you never had.
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447. Wow. Just...
Wow, that's impressive.
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448. So insightful, Mr. Death.
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449. Since we're talking identity,
everyone around you dies.
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450. You know all about lonely.
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451. Did I touch on something
too personal?
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452. I'm sorry.
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453. You know,
I bet Claire's death hurt.
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454. Well, too bad,
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455. but it's nice to see you
getting back out there again.
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456. You really have a thing for blondes.
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457. I don't know what you're talking about.
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458. We followed you, Ryan.
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459. We know you're crushing on a certain
blonde art dealer from Soho,
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460. the little victim that got away.
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461. She looks lovely in red.
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462. I'd hurry if I were you.
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463. So what are we watching?
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464. We had enough of the TV for...
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465. a desire to belong.
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466. Carroll manipulated
that desire to get...
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467. It's horrible stuff, ain't it?
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468. Because of his followers' admiration,
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469. Carroll's ego grew
and eventually led
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470. to his demise.
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471. You see, Carroll believed
himself to be
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472. a grand and visionary author...
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473. Yep, sure is.
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474. That's why we've had enough.
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475. He was a lousy writer
and an even lousier husband.
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476. Well, if Judy ain't coming home soon,
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477. I guess I'll mosey.
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478. Sure you don't want to just
hang around for a while?
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479. I appreciate the offer,
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480. but I got a sermon to write.
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481. He knows.
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482. I think you're right.
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483. Damn. Let me deal with this.
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484. No, Joe.
Don't hurt him.
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485. Excuse me, Reverend.
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486. Can I have a moment, please?
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487. Hey. Hold on now.
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488. Get out! Get out!
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489. Hey, Reverend.
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490. Finally, you're awake.
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491. You have presented us with
quite the conundrum, Reverend.
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492. I feel as if you forced my hand.
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493. Dear God!
It's really you.
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494. Please, Joe.
Don't kill him.
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495. Help me, dear.
Untie me.
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496. You see,
the trouble is I just don't know
Copy !req
497. what to do with you.
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498. Hell, I barely know what to do with me.
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499. I've been stuck in this...
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500. dystopian squalor for a year now.
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501. In fact, I'm rather off my...
Off my game.
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502. Granted, it has been good
to have the time
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503. to... to reflect,
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504. but all I've been doing
is hiding my failures
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505. while wallowing in a pit
of clinical depression.
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506. Best laid plans and all that.
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507. See, I failed.
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508. Yeah. I failed as a writer,
I failed as a husband,
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509. and I failed...
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510. I failed as a father.
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511. These are not easy things for me
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512. to admit to you, Reverend.
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513. You said you would listen to me.
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514. You said you would help me.
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515. Now is the time.
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516. Now is the time.
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517. Help me.
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518. What am I to do, Rev? Hm?
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519. Am I gonna kill you or not?
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520. Again, thank you so much
for coming here tonight.
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521. Let's raise a lot of money
for this wonderful cause.
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522. Thank you.
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523. You got here fast.
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524. Did you run the whole way?
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525. Don't worry about it.
I'm here now.
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526. So how about you leave
the lady alone and come after me?
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527. I'm the one you really want.
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528. Well, yeah,
but killing her would get you.
Copy !req
529. Guilt kills, Ryan.
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530. I mean, you must blame yourself
for Claire's death.
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531. How do you sleep at night?
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532. That's what's motivates you.
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533. You really think
that if you can save
Copy !req
534. all the world's victims
that will ease your suffering.
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535. I think killing you would.
Copy !req
536. It's nice to officially meet you.
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537. See that? I told you it would
be quick and painless.
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538. Sweetie, I'm exhausted.
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539. Can we just go right now?
Copy !req
540. - Of course.
- Thank you.
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541. The car's waiting in the back.
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542. Hey. How many agents
on the scene?
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543. I don't know what you're talking about.
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544. You're FBI. Don't pretend you're not.
We got a situation here.
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545. How many?
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546. Three including myself.
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547. You need to find Lily Gray,
make sure she's secure, now.
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548. This way.
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549. I'll have you home before you know it.
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550. Down here.
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551. It's just around this way.
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552. Wait.
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553. Who is that?
Hello?
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554. Who are you?
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555. He was in the subway!
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556. He was in the subway!
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557. This way!
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558. Stay behind me.
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559. Run!
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560. Help!
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561. Shh. It's okay.
It's me, it's me.
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562. They're here,
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563. the people from the subway.
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564. They took David.
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565. - FBI, Ms. Gray!
- Get Ms. Gray secure!
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566. It's okay. It's okay.
They're FBI.
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567. - Keep her safe.
- You're gonna be fine.
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568. Ryan. Help.
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569. Hey, Ryan!
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570. Come on. Let's go. Luke.
Copy !req
571. Surprised, huh?
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572. Okay. Hang on.
Hang in there.
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573. Hang in there, hang in.
Copy !req
574. Luke, you're bleeding.
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575. Damn straight!
I've just been shot.
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576. Damn that Ryan Hardy.
He shot me.
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577. Come on. Let's go!
Copy !req
578. Traffic cams caught
them leaving in a car.
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579. They taped over the license plates.
Copy !req
580. They know how to avoid cameras.
Copy !req
581. What happened to the man?
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582. David Roland.
He's gonna be okay.
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583. Paramedics are taking him to
Memorial Hospital.
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584. Ms. Gray will be
under tight security.
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585. Excuse me.
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586. Hey. Give us a minute.
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587. Yeah.
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588. You screwed up tonight.
Copy !req
589. But you had agents here.
Good move.
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590. She was the only
surviving witness, Ryan.
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591. She was a target.
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592. Of course we were gonna watch her.
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593. But you?
What are you doing here?
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594. They called me.
They're engaging me.
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595. So you call us.
Hey. Call me.
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596. Engage the FBI. You almost got
two people killed tonight.
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597. I'm sorry.
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598. No. You want to get these guys
so bad, you don't care who gets hurt.
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599. What happened to you?
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600. Hey.
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601. You're looking for brothers, okay,
identical twins. I can ID...
Copy !req
602. Tell it to Mendez.
I'm done with you.
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603. Hey.
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604. Hi.
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605. I have to go see
David at the hospital.
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606. I could take you.
Copy !req
607. Thank you.
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608. I'm sorry about tonight.
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609. Why are you apologizing?
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610. I took risks with your safety.
I was reckless.
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611. You saved my life.
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612. If you hadn't been here...
Copy !req
613. My judgment was clouded,
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614. and I put you in danger.
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615. No. You saved David.
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616. You helped.
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617. That's all I know.
Copy !req
618. Human beings can rise above
their instincts, Joe.
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619. The fact that you're
struggling with your choices
Copy !req
620. is proof of your humanity,
your goodness.
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621. Except there is no struggle.
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622. There's...
Copy !req
623. There's patience, but I'm rapidly
running out of that.
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624. You may not be a religious man,
Copy !req
625. but you're an intelligent one,
Copy !req
626. - a philosophical one.
- Mm-hm.
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627. Socrates tells us that
we cannot be better
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628. than in seeking to become better.
Copy !req
629. But he also tells us
that death may be
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630. the greatest
of all human blessings.
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631. Joe, don't.
Copy !req
632. You see the trouble is...
Copy !req
633. I thought
Copy !req
634. I was gonna be reborn,
Copy !req
635. that I could start anew,
Copy !req
636. but the reality is that
Copy !req
637. I am inevitable.
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638. Stop, stop!
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639. Yes! Yes!
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640. Yes!
Copy !req
641. My God.
Copy !req
642. Shh...
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643. No! I should answer it.
Copy !req
644. He'll know me.
He might hang up on you.
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645. Okay.
Copy !req
646. Hello?
Copy !req
647. Hello?
Copy !req
648. Who's this?
Copy !req
649. Carlos?
It's Emma.
Copy !req
650. How did you know
about this number?
Copy !req
651. I found it in the paper.
It's the failsafe.
Copy !req
652. Where are you?
Who are you with?
Copy !req
653. - Who is it?
- It's Emma.
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654. Carlos?
Copy !req
655. Emma, are you with Joe?
Copy !req
656. What?
Copy !req
657. Carlos...
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658. Joe's dead.
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659. Wait. Carlos, no!
Copy !req
660. Hey.
Copy !req
661. Hey.
Copy !req
662. Shh, shh, shh...
Copy !req
663. It's okay, it's okay.
Copy !req
664. It's okay, sweetheart.
Copy !req
665. Mama's gonna be home soon.
Copy !req
666. She's gonna be mad.
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