1. They say jazz life takes
its toll. This isn't what they had in mind.
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2. The dark side of jazz,
America's greatest indigenous art form...
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3. has always been its capacity
for self-destruction.
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4. Drugs, alcohol and the road are the perils
of the life lived after midnight.
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5. But not 20,000 volts
of state-supplied electricity.
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6. After a year's worth of appeals,
the governor remains adamant...
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7. refusing to grant clemency
to jazz colossus Wayne Cotrell.
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8. Condemned to death
at midnight tonight...
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9. for the passion slaying
of his wife, songstress Linda Lake.
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10. One of the finest modern jazz stylists in
decades, Linda's first and only recording...
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11. Smoke Dreams, went triple platinum
after her death a year ago.
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12. The prosecution convinced a jury
of his peers that Linda's success...
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13. drove Wayne into a jealous rage.
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14. So with the streets of Central City,
an armed camp of hoodlums...
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15. the state enacts the death penalty
for the first time in 15 years...
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16. for Wayne Cotrell
at midnight tonight.
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17. Damn! Ow!
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18. It makes you think, huh?
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19. Ugh.
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20. I needed that analysis.
- Get off my back.
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21. - We've got a heavy caseload.
- Like the Cotrell case?
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22. That what you've spent—?
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23. Somebody's gotta look into it.
- And somebody did.
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24. He was indicted, tried, convicted.
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25. All on circumstantial evidence. You guys
never even found the babe he was with.
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26. You think we didn't try?
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27. - Wayne is innocent.
- You face the facts, Mendez.
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28. Cotrell strangled her.
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29. And then he tried to make it
look like an automobile accident.
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30. Wayne is like a brother to me, okay?
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31. Fine, he had his problems, but he
couldn't kill anyone, let alone Linda.
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32. You don't think I know how you feel?
But you didn't see her.
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33. You didn't see what was left of her
after that explosion.
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34. Linda's murderer is walking free,
when Wayne dies in less than an hour.
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35. This department did a first-rate job.
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36. We opened the case, and the jury shut it.
Now you get back to work.
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37. And I don't wanna hear
anything more about it.
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38. Julio, I'm a little worried about you.
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39. I've never seen you like this. It's like
you've been ready to erupt all week.
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40. My oldest friend dies in less than an hour,
and I can't do squat to stop it.
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41. I know.
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42. But you won't get anywhere
with Garfield.
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43. Oh, the hell with Garfield.
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44. I gotta get some air.
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45. I'll cover you here.
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46. Yeah, crime lab. Allen.
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47. I gotta talk to Julio Mendez.
- He's not available right now.
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48. - Can I help you?
- No, man. Julio's the only cop I trust.
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49. Tell him Dave Buell called.
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50. Decibel Dave Buell?
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51. Yeah, do I know you, man?
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52. Do I know you? I've been a big fan
of yours since the Black Heat sides.
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53. I love the new chart on "Sing the Blues"
you premiered at Take Five last week.
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54. Well, the song's been recorded.
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55. But now it's got a vocal track.
That's why I'm calling.
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56. Listen, man, tell Julio
I've got a tape for him.
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57. Proof Wayne didn't kill anybody.
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58. Why did you—?
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59. The man dies in less than an hour.
Why did you wait until now?
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60. Because I just now stole it.
And if it's missed, man, I'm gone.
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61. You just tell Julio to meet me at
the Take Five within the next 15 minutes.
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62. No, man. No! Back off! No!
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63. No!
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64. Buell? Buell!
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65. Hey, who was that?
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66. There he is over there!
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67. - Hey, hey.
Hey, stop!
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68. Hello?
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69. Hello?
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70. - Julio?
- Barry?
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71. I thought you were here.
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72. Wait, why is the phone off the hook?
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73. Uh, it wasn't working...
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74. so I went to another line
to check it out. Um...
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75. - Hello? Can you hear me okay?
- Yeah.
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76. Great. Listen, you had a message from
Dave Buell. About the Cotrell case.
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77. What did he say?
- Something about new evidence.
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78. What new evidence?
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79. How fast can you get down
to the Take Five?
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80. I'm out of here, man.
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81. This is Joe Kline, voice of the city...
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82. with Wayne Cotrell's brother,
Elliott, asking:
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83. Why are you here tonight?
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84. I'm keeping the club open
tonight in the memory of Linda...
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85. and to bear witness
of Wayne's innocence.
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86. So you're still convinced
your brother was railroaded?
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87. Nothing in life is certain, Mr. Kline.
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88. But there's one thing
I have no doubt about:
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89. My brother never killed anybody.
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90. Do you plan to be at your
brother's side tonight, Mr. Cotrell?
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91. I'll be there.
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92. Mom—
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93. Mom would want me to be there.
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94. Thank you. I know how difficult
this can be. I really appreciate it.
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95. Wrap up that gear. We gotta get back
to the studio for a late report.
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96. How you doing?
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97. What are you doing? Get off me.
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98. It's a private affair. Invitations only.
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99. Excuse me just a second, please.
Thank you.
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100. Mendez.
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101. I didn't recognize you
with the spaghetti on your head.
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102. - Get off of me, man.
Whisper.
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103. This is Julio Mendez,
one of Central City's finest.
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104. Hey, come on. Cool it. Cool it.
He's with me.
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105. I apologize.
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106. Things have been very, very tense
around here lately.
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107. - Never mind Whisper. He's harmless.
Whisper was never harmless.
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108. Thanks for coming.
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109. Oh, Elliott, this is my friend
Barry Allen.
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110. Barry. Barry, I've seen you.
You've been a regular here for years.
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111. - Since Linda's debut.
- Linda was very special for all of us.
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112. Hey, any truth to the rumors?
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113. The, uh, unreleased tracks?
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114. All I have in the vaults are a bunch
of old jazz standards. Real chestnuts.
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115. - Well, you could make a fortune.
- I'm not in it for the money.
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116. Right now it would be real painful
to go through all those tapes...
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117. to hear her voice. It's very much alive.
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118. But when the time comes that I can,
I will release the tracks for all her fans.
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119. Wayne saved my butt too often.
If there's anything I can do...
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120. Any miracles handy?
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121. You know, I'm surprised
Dave Buell isn't here.
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122. Dave?
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123. Dave's still in Chicago.
He couldn't make it tonight.
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124. Um, Decibel in Dutch with the cops?
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125. - No.
- Nothing like that. Um...
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126. Look, we gotta blow.
We gotta try and find a miracle.
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127. Okay. Fall by a little later
for the wake.
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128. He'll have those tapes on disks
before Wayne's corpse is even cold.
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129. Elliott's all business, man.
This place is his entire life.
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130. He even has an apartment upstairs.
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131. He lied about Buell.
I found his horn case on the bandstand.
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132. We can find him later. But he said this
would prove Wayne's innocence.
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133. What the hell good is that, man?
It looks like it got run over by a truck.
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134. Where's Dave?
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135. Beats the hell out of me.
But we got 40 minutes, all right?
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136. Call me at Star Labs after you've pulled
everything you can on the case, all right?
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137. All right, whatever you say, man.
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138. You paged me in the middle
of Swan Lake.
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139. I got dirty looks climbing over knees.
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140. I'm sorry, okay? But it's a matter
of life and death, literally.
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141. We may just save Wayne Cotrell
from the chair.
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142. - But that's tonight.
- Yeah. At midnight.
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143. It's 20 past 11 already.
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144. It's 17 past,
and I need your help desperately.
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145. - I'll do anything I can.
- This is all we have to work from.
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146. Can you rebuild it?
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147. I'll try the digitizer. It's a long shot.
Especially with the time we have.
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148. Long shots are all we've got. Just do
it fast, all right? I'm off to see Cotrell.
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149. I can't understand why you keep
refusing absolution, Wayne.
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150. Nothing personal, Padre.
I got nothing to confess.
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151. I didn't kill Linda. That's the truth,
so help me God.
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152. - I'll pray for you anyway, brother.
- Thanks.
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153. But you better pray in double time.
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154. Nice.
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155. I know you.
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156. You're the guy they call the Flash.
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157. What are you doing here?
What do you want with me?
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158. Some people I know
think you're innocent.
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159. - I'm here to help you.
- Thanks, but it's a little late for that.
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160. I don't think so.
But I need to hear your side.
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161. Oh, man.
I've been over this, like, forever.
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162. Nobody believes me.
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163. Man, I love—
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164. Loved Linda. She was the best thing
ever happened to me...
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165. on or off the stage.
Man, that night...
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166. we fought like cats and dogs.
But that was just us.
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167. There's no way I could have killed her.
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168. I worshiped Linda.
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169. I mean, I was angry that night,
man, not homicidal.
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170. Later on, I left the club
with this girl named Suzi Storm.
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171. I know it was a stupid thing to do,
but I was feeling bad.
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172. Feeling sorry for myself.
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173. We went back to her place,
but all we did was talk.
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174. We talked about how much
I loved Linda.
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175. And the next day...
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176. Linda's dead...
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177. and Suzi, my alibi,
is nowhere to be found.
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178. But Linda was leaving you.
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179. She'd booked a one-way flight to L.A.
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180. She wasn't leaving me, man.
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181. You see, Linda cut her first record
for my brother.
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182. But she didn't wanna do
her second album with Elliott.
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183. She wanted to get out
from under his shadow, you dig?
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184. So there was this bigtime producer
out on the West Coast...
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185. said she could do whatever
she wanted.
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186. The songs, hire the session musicians,
everything.
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187. But she was coming back.
She was coming back to me.
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188. The prosecution insists she
walked out on you...
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189. - ... because you were seeing Suzi Storm.
- I couldn't help seeing Suzi Storm.
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190. She followed me everywhere.
She was after me for sure.
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191. She even had these earrings
custom-made. Little gold saxes.
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192. - But we weren't having an affair.
- Why didn't she come forward to testify?
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193. She was a band chick, man.
In and out of town all the time.
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194. No permanent address.
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195. Suzi Storm was probably
one of a half a dozen names she had.
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196. Who knows what happened to her.
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197. If I have anything to say about it...
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198. this won't be your last meal.
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199. No big deal.
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200. I don't much want to live
without Linda anyway.
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201. The tape wasn't on
Buell's body or at his crib either.
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202. Now we got Mendez
nosing around on us.
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203. - If that tape gets out, we got nailed tight.
- Relax, Elliott.
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204. That tape's not getting out
till we say so.
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205. Uh-uh.
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206. That's not enough.
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207. I want a guarantee.
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208. A personal guarantee.
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209. Make that call on Mendez.
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210. Yeah.
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211. He and I got a lot
of catching up to do.
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212. Mendez!
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213. Forensics, let me in!
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214. Did Julio call in?
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215. Not yet. But listen.
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216. I transferred the magnetic pattern
to the tape fragment on the digitizer.
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217. I let the computer run millions
of possibilities...
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218. organizing according to algorithms.
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219. That's Linda.
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220. - Are you sure?
- Yeah, no question.
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221. But that's not from her album.
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222. What is this?
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223. Coming through.
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224. Wait. That's Dave Buell.
Where'd you find him?
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225. Vacant alley near Feather and Grants.
He was strangled.
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226. Like Linda. Wait up, guys,
I want to go with you.
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227. Wait.
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228. That's Dave Buell's new chart
from the Take Five gig he did last month.
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229. But if the arrangement is new,
how can it be Linda?
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230. I guess it can't.
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231. Last time she did the Five,
I caught her act.
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232. Last night...
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233. last show.
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234. Three days later,
I was handling forensics in her murder.
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235. It's Julio.
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236. Dave Buell's dead. I just saw his body
at the morgue.
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237. I can't believe this. Dave had evidence
Wayne didn't kill Linda. Now he's dead.
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238. - Julio, I'm sorry.
- I gotta get it out of my mind...
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239. if we're gonna save Wayne, right?
Any luck on that tape?
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240. Well, it sounds like Linda's voice,
but the music is new. Can't figure it out.
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241. Probably some kind of phony.
It's a bootleg. So what?
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242. No need to speculate.
Linda's Smoke Dream disk.
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243. Voiceprints are as individual
as fingerprints.
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244. Now the new tape.
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245. The sine waves are identical.
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246. How could she be singing an arrangement
that's only a month old?
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247. There's more on the tape.
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248. I'd like to help you
to remember by having you sing a little.
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249. - Hey, that's— That's Elliott Cotrell.
- Are you sure?
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250. Yeah, I'm sure that's him.
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251. Suppose that wasn't Linda
in the car wreck.
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252. All we had to identify her
with were dental x-rays.
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253. - Which could have been switched.
- Exactly.
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254. Now, Wayne told me
that Suzi had earrings...
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255. - ... custom-made to look like saxophones.
- We just assumed they were Linda's.
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256. But what does this all mean?
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257. It means that Suzi Storm
was murdered and put in the car.
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258. It means that Linda Lake is not dead...
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259. - ... and somebody framed Wayne.
- Elliott.
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260. I knew those were crocodile tears.
It's Elliott.
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261. Good Lord. Wayne Cotrell is gonna die
for a murder that never happened.
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262. I'm headed to Take Five
to have a talk with Elliott.
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263. - I'm with you.
- Uh...
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264. Uh, Julio, listen, you call the governor,
all right? Wayne dies in 30 minutes.
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265. Tina, you call the governor, all right?
This is my deal. I'm coming with you.
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266. Come on!
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267. Hello?
- Statehouse, please.
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268. - Clearance?
- Security 150.
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269. - Can I help you?
- I need the governor.
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270. - He's asleep.
- No, this is an emergency.
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271. I'll see what I can do.
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272. Why don't you take it
to the Statehouse...
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273. - ... and I'll go to the Take Five.
- I want a piece of Elliott, man.
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274. - And his bodyguard.
- This isn't about revenge, Julio.
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275. Maybe not for you.
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276. - Dr. Christina McGee, Star Labs.
I can help you.
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277. - No, I have to talk to the governor.
- The governor's out.
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278. A man's life is at stake here.
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279. - Well, whose life is that?
- Wayne Cotrell.
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280. - The governor is out.
- I don't give a damn if he's out.
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281. Don't use foul language with me.
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282. Give me your name, you idiot,
or give me that number now.
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283. Hello? Hello?
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284. Damn it all. Not now.
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285. Oh! Gee.
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286. Use both hands, all right?
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287. You know, I never knew how much
Wayne meant to you till this week.
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288. I tried to put it behind me after
the appeals failed, but it hurt too much.
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289. Wayne and I go back, man.
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290. He was like a brother to me.
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291. You had Jay. I had Wayne.
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292. See, I grew up real middle class, but
my dad, he had this ghetto head, man.
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293. Refused to leave the neighborhood,
even when he could afford it.
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294. He said he owed something
to where he came from.
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295. Wayne was the only guy
who didn't bust on me...
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296. for having a couple extra bucks.
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297. Not like the local homeboy
gangsters, the Railers.
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298. Their warlord told me I was in, like it
or not. I told him to forget it, man.
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299. He threatened my family.
I just freaked out.
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300. I attacked a whole bunch
of Railers by myself, man.
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301. Until Wayne saw what was happening
and helped me out.
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302. Got the hell kicked out of us, man.
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303. But the Railers never
bothered us again, man.
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304. - The warlord, what happened to him?
- Believe it or not, he became a singer.
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305. What?
- Yeah.
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306. He was owned by a couple of mob guys.
He rolled over on them to the feds...
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307. and they just cut his throat
from ear to ear.
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308. Severed his vocal cords.
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309. Never sang again.
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310. You don't want to know what he did
to the guys who sliced his throat.
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311. They call him Whisper now.
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312. Fair warning. I'm armed.
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313. Give me the tape.
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314. I think you need fresh batteries.
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315. Oh!
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316. Hey, bro, don't forget, I get your sax.
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317. Oh, yeah? Well, says who, little man?
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318. Says you. You said I was
your most promising student.
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319. Yeah? Well, with the time
you got left...
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320. you shouldn't be making
no promises you can't keep.
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321. Man, you know you can't
take it with you.
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322. Man, with all the great cats there already,
I'm gonna put together a band.
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323. - Julio.
What?
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324. - That's Elliott's apartment, right?
- Yeah.
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325. - What's it doing boarded up?
- I don't know. Beats me.
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326. Maybe he had something to hide.
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327. See if Elliott's in the club.
I'll check the living quarters.
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328. - All right.
- Julio, be careful now, all right?
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329. If they killed Suzi and framed Wayne,
they'll be unhappy we know it.
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330. Okay. All right.
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331. All right, that was wonderful.
Wonderful.
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332. Tomorrow we'll fill in the earlier track.
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333. When will I be better?
I still can't remember a thing.
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334. Linda, you had an accident.
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335. It was a terrible shock to your mind.
Do you understand?
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336. Sometimes when I sing, I can
almost remember lights, people...
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337. - But then it just fades.
- You see?
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338. Singing is just what
the doctor ordered.
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339. Singing's gonna help
get back your memory.
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340. Yes. I love the songs.
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341. But how could I forget
everything about my life?
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342. I have something to do.
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343. But I'll be right back in a while
to tuck you in...
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344. and give you your medicine. Hmm?
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345. Elliott, Mendez and the other cop
had this.
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346. It's a reconstruction
of Dave Buell's tape.
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347. Shh, shh.
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348. She might hear. Let's talk
about this outside. Come on.
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349. Damn it! Fifteen minutes away
from being home free.
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350. We don't know what else Mendez
and his partner have on us.
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351. As far as I'm concerned,
those guys are dead.
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352. My pleasure. Elliott, we're
gonna have to lose Linda too.
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353. No. She is a gold mine.
I'm not throwing that away.
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354. Hey, we've taken this
as far as we can.
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355. The heat is up, my man.
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356. And if you fry,
I'm on the burner beside you.
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357. I don't know.
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358. Linda's voice built this club.
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359. And the minute the record
came out, she was gonna leave you...
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360. and sign with a big label.
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361. You made that tramp.
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362. She was more mine
than she ever was Wayne's.
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363. Yeah, that night she tried to split...
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364. you would've beat the life
out of her if I hadn't stopped you.
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365. Now, don't you play sentimental on me.
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366. I lived up to my end.
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367. I did Suzi. Put her in Linda's car.
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368. And you set Wayne to take the fall.
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369. Now it's time to do Linda for good.
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370. We gotta do her for real.
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371. Elliott, we got enough new song tapes.
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372. We're gonna be in business
for a long, long time.
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373. Do it away from here.
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374. Make sure that the body's
unrecognizable. I, uh...
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375. I don't want any reopened investigations.
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376. - I gotta go play the grieving brother.
Elliott.
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377. Give Wayne my regards.
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378. - Linda, I'm your friend.
- Who are you?
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379. - You've got to come with me.
Get back.
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380. - Back. I won't go with you. I won't!
- Wayne, your husband, will die...
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381. - ... if you don't come with me.
Wayne?
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382. - I can't. Stay away!
Please.
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383. Why did you do that?
You killed that man.
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384. I was only protecting you, honey.
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385. It's time for your medicine, Linda.
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386. - Elliott was gonna give it to me.
- Elliott's not here. Come on.
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387. There.
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388. Who am I?
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389. Who are you?
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390. I don't even know who I am.
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391. Come on, let's take a ride.
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392. Showtime, huh, Father?
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393. Bless me, Father.
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394. Bless me.
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395. Linda!
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396. You're under arrest, Whisper.
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397. Don't make me laugh.
It hurts my throat.
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398. Look, I know all about
what you did to Suzi and Dave.
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399. And I know how you and Elliott
set Wayne up.
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400. You should have stayed at home.
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401. Nobody's here to help you this time.
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402. Not Wayne, not anybody.
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403. You never should have messed
with me, Mendez.
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404. Not then, not now.
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405. Look, you killed Suzi Storm
and you framed Wayne.
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406. Mendez, I'm gonna enjoy
tearing you apart.
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407. You're not gonna get away with it!
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408. You see who's there, right?
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409. Hey.
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410. - Is that Linda?
No, that can't be.
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411. Look.
Who is that?
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412. I don't know, man.
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413. Old scores come to tonight.
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414. I'm gonna teach you
about the quick and the dead.
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415. - Julio, you okay?
- Yeah. Did you take him out?
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416. Me? No, man. You were all over it.
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417. - I was?
- Yeah.
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418. - That's Linda.
- They're gonna kill her.
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419. We gotta get her to the prison.
We've got five minutes.
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420. I'm Wayne's brother.
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421. Warden, may I speak to my brother,
please?
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422. I'm glad you could make it.
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423. You quit that, little brother.
Listen, before they strap me in...
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424. I want to apologize.
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425. Apologize? For what?
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426. I didn't always treat you right, Elliott.
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427. Left you to do the chores,
taking care of Mama.
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428. You got stuck being the responsible one.
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429. Always playing the straight man to me.
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430. Of course, you also got stuck
with all the brains in the family.
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431. Yeah, but you always had the genius.
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432. No, but I was always
putting you down.
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433. Bird-dogging all your chicks.
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434. I'm really sorry, Elliott.
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435. No kidding.
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436. Forgive me, okay?
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437. - I know you didn't do it.
- Oh, God, that means a lot.
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438. Whenever you gentlemen are ready.
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439. Excuse me! Stand back!
Get away from the stage!
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440. - We have to get to the prison.
Prison? Why?
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441. To save your husband.
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442. - I'll take her.
- You won't make it in time.
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443. - Then call Garfield, man.
- Listen, listen! I can make it.
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444. - Because I'm—
- Damn it, Barry, just get to a phone!
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445. You're not going anywhere.
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446. What happened?
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447. Please, it's one to midnight.
You have to get her to the prison.
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448. I can try.
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449. - I'm a friend. Really.
- I know that now.
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450. - Don't shoot!
Where did he come from?
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451. I think you'll agree...
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452. - ... there's been some mistake.
Stay calm, everyone.
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453. - Wayne?
I don't know, I don't know.
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454. Wayne?
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455. Linda? Linda? Linda!
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456. - Time to face the music, Elliott.
- No, I am not going down for this.
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457. I'm walking out of here!
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458. No.
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459. I think you're gonna be around
for a long while.
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460. Beautiful, baby.
Wonderful.
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461. Whoo! All right, yeah!
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462. Jazz has never been my cup of soup,
but I gotta tell you, this was very cool.
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463. - Not bad, Wayne. Not bad.
- Not bad?
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464. Yeah, considering your junior
high school teacher...
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465. - ... wouldn't trust you with a woodblock.
- Look at this guy.
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466. This place is absolutely packed.
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467. If this keeps up,
I won't be able to get in anymore.
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468. - Yes, you will, Barry.
- Yeah?
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469. There'll always be a table
for you and Julio.
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470. Thanks, Linda.
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471. But you may notice a few changes
next time you're here, though.
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472. Yeah. After what I went through,
all these clocks around here...
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473. just gotta go. Except that one.
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474. Of course, that one I can live with.
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475. What's this?
- A new item to the menu.
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476. In honor of our mysterious friend.
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477. - Buffalo wings?
- No, no. Flash wings.
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478. Oh, I get it. Kind of like: whoosh!
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479. Subtitles by
SDI Media Group
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