1. - The Beverly Hillbillies.
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2. - Quit arguin', Jed, come on.
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3. - Granny, this is a lotta darn nonsense!
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4. - Come on, it ain't no such thing!
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5. Now it ain't gonna hurt you none.
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6. - I got things to do.
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7. - The first thing you
gotta do is sit down here
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8. and get your hair cut.
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9. - My hair don't need cuttin'.
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10. - If it gets any longer,
I'll have to braid it.
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11. - I declare, you fight hair cuttin'
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12. like a steer fights brandin'.
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13. - The last time you cut
my hair you did brand me.
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14. - How did I know somebody
poured hot gravy in my bowl?
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15. - It smarted considerable.
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16. - Sure plastered your
hair down nice, though.
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17. You know, I might go
to sellin' that stuff.
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18. - Gravy?
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19. - Sure made your hair look mighty sprucy.
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20. Yes, sir.
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21. You were slicker than a peeled onion.
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22. - Smelled like one, too.
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23. - Might go to sellin' that stuff.
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24. I could put an ad in one of them catalogs.
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25. "If you want the girls to stop and stare,
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26. put Granny's Gravy on your hair."
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27. - All right, Granny, come
on, let's get on with it.
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28. - Hey, Uncle Jed, you're
gettin' your hair cut.
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29. - Thanks for tellin' me, Jethro.
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30. - That's all right.
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31. - You're next, Jethro.
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32. - What's goin' on?
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33. Is there gonna be a weddin' or somethin'?
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34. - Might could be,
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35. the way that Sonny Drysdale
is a sparkin' Elly May.
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36. He's with her right now.
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37. Out by the cement pond.
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38. - I better get right out
there and keep an eye on—
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39. - Now you sit still and
leave those young'uns alone.
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40. Can't you remember how it
was when you was a boy?
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41. - Yeah.
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42. I better get right out there.
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43. - It's broad daylight.
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44. And besides, they's swimmin'.
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45. - No, they ain't.
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46. They's a-sittin' on the bank.
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47. And he's a-holdin' her hand.
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48. - What an interesting hand you have.
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49. I see a man.
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50. A handsome man.
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51. A handsome Harvard man.
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52. - Where?
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53. - Right there, on your heart line.
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54. - Oh, that's just a wart I
got from pickin' up toads.
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55. - Elly.
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56. You mustn't let horrid,
slimy creatures touch you.
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57. - Oh, heck, you ain't slimy, Sonny.
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58. Just a mite greasy from all
that oil you smear on yourself.
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59. - What a precious paradox you are!
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60. What a charming contradiction.
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61. You look pure Park Avenue, and
you speak pure Tobacco Road.
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62. - Is that good?
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63. - Good? It's fascinating.
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64. You're a challenge to me, child of nature.
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65. You are the raw clay from which
I will mold a perfect woman,
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66. worthy of a perfect man, me.
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67. Do you know Shaw's "Pygmalion"?
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68. - I don't even know
Shaw, let alone his pig.
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69. - Oh, you woodland sprite!
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70. You forest little bird.
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71. You are so refreshing after
all those intellectual types
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72. at Vassar and Wellesley.
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73. You make me feel superior.
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74. - Is that good?
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75. - Good?
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76. It's divine.
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77. I am Caesar.
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78. And you are a fair-skinned captive,
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79. a barbarian slave.
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80. Shall I drag you through
the streets of Rome
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81. behind my chariot?
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82. Or, shall I throw you into
the arena with my lions?
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83. No.
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84. Caesar has other plans
for you, my little savage.
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85. You shall be my slave, yes.
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86. But only the invisible bonds of love
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87. shall make you my prisoner.
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88. Come.
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89. I shall strum upon my lyre.
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90. And recite odes to your beauty.
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91. What say you to that, fair maiden?
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92. How speak you now to mighty Caesar?
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93. - I declare, Sonny, you're more fun
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94. than a bucket of tadpoles.
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95. - Sit still, I'm liable to lop off a ear.
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96. - Well, doggone it, Granny, hurry up.
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97. I gotta get out there and
keep an eye on Sonny and Elly.
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98. - Do you want me to go out
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99. and see what they's up to, Uncle Jed?
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100. - You just sit still, the both of ya.
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101. How do you expect Elly
May to get a husband
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102. if you don't let the boy spark her?
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103. - Well, Elly ain't never been
learned about such things.
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104. - Jed, sparkin' is like breathin'.
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105. You don't learn to do it.
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106. Somebody slaps you and you go at it.
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107. - If that boy slaps—
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108. - Oh, now sit still.
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109. I declare, you're wigglin'
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110. worse than a worm in a bait bucket.
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111. You want your daughter to be an old maid?
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112. - Course not.
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113. - Next year, she'll be
too old to get a husband.
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114. She's almost 18.
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115. - Is Elly May that old?
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116. - Sure is.
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117. - She's done waited too long, Uncle Jed.
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118. Why, no boy wants to marry
up with a middle-aged woman.
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119. - Elly May can get herself a
husband any time she wants to.
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120. Why, she's the prettiest and the—
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121. - Now, don't get your
old feathers riled up,
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122. you old rooster you.
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123. Elly May'll be all right if
you just leave her alone.
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124. - Well, I ain't sure Sonny
Drysdale is good enough for her.
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125. He's considerable older than she is.
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126. - Don't worry about that, Uncle Jed.
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127. His family lives a heap
longer than most folks.
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128. - Yeah?
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129. - Yeah.
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130. Sonny told me that there's
been a member of his family
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131. a-livin' in Boston since 1632.
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132. Why, that rascal's over 300 years old.
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133. - Jethro, he was a-greenin' you.
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134. - Yeah, you sure swallowed a whopper.
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135. - No, ma'am.
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136. Sonny's honest.
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137. Why, he's so honest
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138. he has to have somebody
do his lyin' for him.
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139. - Do his lyin' for him?
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140. - Yes, sir.
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141. Why, I heard him call
through the hedge to Elly.
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142. He says, "I'm comin' over to serenade ya,
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143. and I'm gonna bring my liar."
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144. - "Veni, vidi, vici."
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145. The world lies conquered at
my feet, and yet I tremble
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146. at the nearness of this
flaxen-haired barbarian.
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147. Could it be that the invincible Caesar
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148. is about to be vanquished,
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149. not by the spears and
arrows of the Gallic tribes,
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150. but by Cupid's dart?
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151. Yes, fair maiden.
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152. You have done what your
fierce kinsmen could not.
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153. You have brought mighty
Caesar to his knees.
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154. Come.
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155. I will take you to my palace
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156. and there compose odes to your beauty.
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157. See yon window?
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158. 'Tis the Emperor's suite.
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159. There I shall woo you.
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160. Mother!
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161. That's my room!
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162. And those are my binoculars.
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163. You're not supposed to spy on the Emperor.
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164. - What are you trying to tell me, Sonny?
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165. Mumsie can see you,
but she can't hear you.
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166. Yes, darling, Mumsie is watching.
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167. You look magnificent.
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168. Like Apollo, the god of
manly youth and beauty,
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169. the god of poetry and music.
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170. Oh, look out!
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171. You're getting near the water.
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172. Be careful.
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173. Wait!
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174. Mummy will get your inner tube.
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175. - Come, fair maiden,
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176. and I shall sing of your golden tresses,
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177. and your azure eyes, and
your skin of alabaster.
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178. And your other charms that set me aflame.
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179. - You mean you're really burnin'?
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180. - Yes, dear one, and only
you can put out the fire.
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181. - Okay.
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182. How's that, Sonny?
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183. Feel better now?
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184. - All right, Jethro, you're next.
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185. Oh, hi, Elly May.
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186. Where's Sonny?
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187. - Well, he run home to his mama.
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188. - You didn't throw him down
and hurt him again, did you?
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189. - Shucks no, Pa.
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190. He caught fire, so I wetted
him down in the pond.
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191. - Sounds like you done the right thing.
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192. - How'd he catch fire?
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193. - He said it was my charms
that set him to burnin'.
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194. - What charms was you totin'?
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195. - Well, just my sack of
crawdad bones and my buckeye.
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196. - Ain't never heard of crawdad bones
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197. and a buckeye startin' a blaze.
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198. - What happened to you rabbit's foot?
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199. - (gasps) I didn't have it.
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200. - There ya are.
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201. You can expect trouble
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202. when you ain't totin' a rabbit's foot.
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203. - You know what my teacher
over at Pott School
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204. said about totin' a rabbit's foot?
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205. - What?
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206. - She said it's a superstitious invocation
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207. contradicted by scientific knowledge.
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208. - Hmm, it's always nice to know
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209. you ain't been doin' somethin' foolish.
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210. - Don't you worry none, Elly.
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211. You go jump into a perty dress
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212. and I'll whomp you up a love charm
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213. that I guarantee will
bring Sonny Drysdale back.
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214. - Yes I am, Mother,
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215. I'm going back.
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216. - Sonny, darling, you're delirious.
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217. Uh, oh.
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218. Here, breathe some of
this penicillin mist.
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219. I'll send for an ambulance.
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220. - Mother.
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221. I am perfectly all right.
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222. - Of course you are, precious.
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223. A nice rest in an oxygen
tent is all you need.
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224. - I don't need an oxygen
tent or an ambulance.
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225. - All right, all right.
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226. Just relax and Mumsie
will call the police.
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227. - Police?
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228. - But of course.
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229. I mean to have that violent,
dangerous girl arrested
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230. for attempted drowning.
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231. - Mother, you will not call the police!
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232. I'm going back there
right now to see Elly May.
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233. - Aw, darling.
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234. That's very brave of you,
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235. but you're in no condition
to make a citizen's arrest.
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236. - Mother, I'm not going to arrest her,
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237. I want to help her.
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238. To work with her, to tutor her.
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239. - What?
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240. - She's like a wild, wonderful jungle cat,
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241. and I'm going to tame her.
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242. - Sonny, you are delirious.
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243. I'll call a doctor.
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244. - Mother! My mind is made up.
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245. That girl needs me.
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246. For the first time in my life
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247. somebody really needs me.
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248. - I need you.
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249. The whole world needs you.
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250. - Elly May Clampett
needs me, and I need her.
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251. I'll be her Pygmalion
and she'll be my Galatea.
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252. Ow!
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253. - Sonny, you're not becoming
emotionally involved
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254. with that creature?
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255. - She's not a creature,
Mother, she's a girl.
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256. A wild, wonderful,
beautiful, ravishing girl!
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257. Yes, I am becoming emotionally involved!
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258. - Sonny, I forbid it.
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259. She's not socially acceptable for my baby.
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260. - Mother, I'm not your baby anymore.
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261. I'm a man in search of a woman.
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262. - Where did he learn that language?
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263. - Hello, Duke, you noble
veteran of the chase.
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264. Are you homesick for your forest
paths and mountain trails?
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265. You look like a cashier
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266. waiting for the bank examiners to arrive.
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267. You know, if you were a cashier,
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268. you could hide a million dollars in here.
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269. - There goes that music again.
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270. Jethro, did you ever find
out where that's coming from?
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271. - No, sir, I didn't.
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272. Every time I went to lookin' for it,
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273. somebody always come to the door.
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274. This time, I'm gonna find it for sure!
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275. You see?
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276. - Oh! Bonjour, Jethro.
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277. - Oh, howdy, Miss Hathaway.
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278. - No, no, no, no, no.
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279. When I say, "Bonjour, Jethro,"
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280. you say, "Bonjour, Mademoiselle Jane."
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281. Now say it.
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282. "Bonjour, Mademoiselle Jane."
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283. - Bone-jure, mad-mazell Jane.
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284. - That's very good, except
for the "moi" sound.
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285. It must be soft.
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286. Moi.
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287. - Mm-wah
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288. - No, no, watch my lips closely.
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289. Moi. Try that.
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290. - Mm-wah.
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291. - Try it again.
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292. - Mm-wah.
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293. - That's closer.
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294. Try again.
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295. - Mm-wah.
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296. - Once more.
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297. - Mm-wah.
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298. - Close in on her, Jethro.
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299. - Oh.
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300. Oh, Mr. Clampett, I was
attempting to teach Jethro
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301. to articulate the Gallic diphthong.
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302. - No matter what fancy name you call it,
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303. he ain't very good at it.
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304. - He'll learn.
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305. But now to the purpose of my visit.
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306. Is Sonny Drysdale here?
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307. - No, but he will be.
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308. Granny's out in the kitchen
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309. whompin' up a love charm
for Elly to give to him.
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310. She says it'll bring him on the run.
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311. - Mr. Clampett, I am
reluctant to disillusion you
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312. about so-called love charms,
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313. but they are mere
superstitious invocations
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314. and have been proved to
be completely ineffective.
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315. - Granny sets great store by 'em.
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316. - Here ya are, Elly.
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317. One guaranteed love charm.
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318. Guard it with your life.
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319. - What's in it, Granny?
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320. - Oh, I dare not tell ya.
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321. Leastways not just yet.
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322. But I'll give you the secret
before I go on to my reward,
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323. like my Granny done to me.
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324. - I'll guard it too, Granny.
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325. - Granny?
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326. Granny, Mr. Clampett tells
me that you've conjured up
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327. some sort of love charm for Elly May.
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328. - Right here it is.
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329. Made outta all secret stuff.
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330. - That is ludicrous, irrational,
sophomoric, and pure hokum.
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331. - (chuckles) You didn't
even guess one ingredient.
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332. - Oh, now, Granny.
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333. - Don't you come spyin'.
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334. I'm tellin' you for the
good of the country.
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335. If the secret of this
love charm ever got out,
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336. I shiver to think what might happen.
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337. I wouldn't want it on my conscience.
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338. - Hear me now, mongrel.
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339. Neither sleet nor snow nor vicious beast
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340. shall keep me from the side of my beloved.
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341. Here I come, ready or not.
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342. - So you still think it won't work, huh?
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343. - That is correct.
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344. - All right, Elly.
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345. Open up the pouch a might.
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346. Now when I drop this startin'
powder in it, quick close it,
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347. press it to your heart and say,
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348. "Darlin', darlin', my true love,
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349. come a-swoopin' like a dove."
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350. - Darlin' darlin', my true love,
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351. come a-swoopin' like a dove.
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352. - This is absolutely—
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353. - Elly!
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354. Elly, my beloved.
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355. I have flown to your side
in spite of all danger.
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356. What fate, what power have I to thank
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357. for giving wings to my feet?
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358. - That little old charm maker, me.
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359. - And now we shall begin the transition
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360. from Tobacco Road to Park Avenue.
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361. Now you watch me closely
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362. and I'll show you how to
develop perfect posture
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363. and grace of movement.
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364. Ah, Kipling.
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365. Well.
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366. Do you like Kipling?
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367. - I don't know. I ain't never kippled.
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368. - Oh, you are a challenge,
you ravishing rustic.
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369. You child of nature.
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370. Now, here, you try it.
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371. There we are.
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372. Now walk.
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373. Oop!
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374. You'll have to try that again.
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375. Now sit down.
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376. Now watch me.
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377. We walk as though upon a cloud,
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378. and we glide with lissome grace.
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379. And as we walk we always
keep a smile upon our face.
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380. - What's he doin'?
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381. - That there is somethin' called kipling.
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382. He's tryin' to learn it to Elly.
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383. - This is how you sit in a
chair smoothly, and gracefully.
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384. - There ain't no chair
where he's a-sittin'.
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385. - I know.
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386. - What do ya reckon's
wrong with that rascal?
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387. - 'Pears to me he's about
two bricks shy of a load.
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388. - Yeah.
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389. - Turn ol' Duke loose
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390. so he can go in there and protect Elly.
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391. - Now we'll practice
diction and intonation
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392. at the same time.
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393. How now brown cow.
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394. How now brown cow.
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395. - What's he talkin' about?
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396. - He thinks old Duke is a cow.
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397. You'd best fetch Granny.
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398. Appears to me she's threw too
strong a charm on that boy.
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399. - Yes, sir.
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400. - There you are, one guaranteed charm.
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401. Now, you hold the bag while
I sift in the starter.
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402. - I know this is all
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403. a lot of absolutely ridiculous nonsense.
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404. Please hurry.
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405. Darling, darling, my true love,
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406. come a-swooping like a dove.
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407. - I'd better open this
door before he busts it in.
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408. - Miss Jane!
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409. - Here he is!
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410. - Granny's love charm is too strong.
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411. - Don't fight it.
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412. It's bigger than both of us.
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413. - You circled on me.
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414. - Granny, come quick.
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415. The love charm you
throwed on Sonny Drysdale
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416. was too strong for him.
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417. - Thank you, Granny!
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418. - How now brown cow.
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419. - How now brown cow.
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420. - How now brown cow.
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421. - How now brown cow.
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422. - How's it goin', Uncle Jed?
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423. - Bad.
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424. Now he's got Elly believing
old Duke is a cow.
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425. Can you break the charm, Granny?
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426. - I reckon so.
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427. I'll sprinkle him with
some lettin'-go powder.
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428. - While you're at it, will you
sprinkle some on Miss Jane?
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429. She's shuttin' off the blood to my arm.
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430. - How now brown cow.
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431. - Secret powder, white as snow,
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432. make the charm of love let go!
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433. The spell is broken!
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434. - Now, please, everybody listen to me.
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435. I must have complete
quiet and concentration
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436. if I am to transform this bucolic beauty
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437. into a sophisticated debutante.
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438. Now, I have studied
drama at Yale, Harvard,
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439. Princeton, and Dartmouth,
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440. and I am probably the only living man
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441. who can accomplish this
difficult cultural metamorphosis
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442. in the brief time available.
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443. Now, everybody please go!
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444. While I transfuse into
this simple, untutored mind
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445. the charm, the polish, the
splendor that is Sonny Drysdale.
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446. - Jed?
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447. - Hi, Granny.
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448. Is Elly and Sonny still
in that room alone?
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449. - They was last time I was
listening, couple of hours ago.
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450. They was talkin' about the rain in Spain
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451. a-layin' in the plain.
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452. - Well, I guess they
can't be up to no nonsense
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453. if they's talkin' about the weather.
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454. Doggies, I can't wait to
see Elly all polished up
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455. and talkin' like Sonny and Miss Jane.
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456. - While you're waitin',
I got somethin' for you.
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457. - What is it?
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458. - A love charm.
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459. - What in the Sam Hill I want with that?
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460. - It ain't what you're wantin',
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461. it's what you're gettin', a woman.
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462. And it's high time you
got one, bein' a widower.
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463. Besides, the moon is right.
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464. That's why this stuff's
workin' so high-fired powerful.
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465. So here.
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466. - Well, I ain't interested
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467. in none of these la-dee-da
Beverly Hills women, so here.
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468. - Well, they're interested
in you, so here.
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469. - Who says?
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470. - Jethro says.
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471. - Jethro don't know nothin', so here.
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472. - I reckon Jethro oughta
know what's going on
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473. in his own school.
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474. Besides, I saw her makin'
sheep's eyes at you, so here.
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475. - You caught who makin'
sheep's eyes at me?
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476. - Mrs. Millicent Schuyler
Potts, that's who.
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477. - Oh, now. You did?
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478. An educated woman like that?
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479. - Jethro says she asks for you every day.
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480. - Hmm.
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481. Oh, what'd she want with an
old mountain goat like me?
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482. - If I was to put a little
startin' powder in there,
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483. and you was to say the magic words,
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484. no woman could resist ya.
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485. - Ah, I don't hold with stuff like this.
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486. - You're a-scared, ain't ya?
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487. - No, I ain't a-scared.
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488. - Then go ahead, I double-dog-dare ya.
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489. - Well.
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490. - Open the pouch a might.
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491. Now.
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492. - Well, this is just a
lot of doggone nonsense.
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493. - Close it tight, clamp it to
your heart and say the words.
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494. - Darlin', darlin', my true love,
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495. come a-swoopin' like a dove.
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496. - Where is he?
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497. Where's my darling?
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498. - It's Mrs. Drysdale!
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499. - Where is he?
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500. Oh, where is he?
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501. Oh.
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502. I tried to stay away, but I could not.
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503. He's mine and no other
woman shall have him.
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504. - Mrs. Drysdale, you're a married woman.
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505. Think of your husband.
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506. Control yourself.
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507. - I don't care about my husband.
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508. I want my darling!
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509. And no one is going to keep me from him.
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510. - I sure hate to have to do this, but—
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511. - Sonny!
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512. Where are you, Sonny?
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513. - He's inside with Elly May.
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514. Now if you just calm yourself
down, I'll go and get him.
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515. - He's a-comin', Mrs. Drysdale.
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516. - Howdy, Ma.
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517. Was you a-hollerin' for me?
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518. - They've brainwashed you.
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