1. How you doing?
Welcome to the show.
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2. I'm Ben Stiller.
This is Janeane Garofalo.
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3. We're at the beach today—
I won't let you say
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4. anything till I get this out.
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5. We've gotten a lot of cards and
letters requesting to see—
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6. Cards and letters requesting
Janeane—
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7. But I just— Could I—?
Would you—?
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8. We want to see you naked.
Let's face facts.
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9. We want to see you in a little
tight tube top, prancing around.
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10. - What do you say?
- I'd say you're a chubby chaser.
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11. Janeane, come on.
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12. You're not chubby.
We'll be—
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13. Shut up.
I hate that word. Cut!
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14. We'll be right back after this.
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15. Hello.
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16. I am Brent Forrester.
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17. It's nice to be with you again.
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18. I want you to get ready
to relax.
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19. Let the sound of the ocean
relax and soothe you...
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20. as the tensions and
distractions of the day...
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21. drift into the past.
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22. Let the sound of the ocean
relax every muscle.
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23. Starting with your calves...
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24. and moving up
to your nice, creamy thighs.
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25. That's right.
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26. Relax, and rub that
into your stomach.
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27. Very good with the lotion thing.
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28. Now arch your back.
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29. Nice.
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30. Very nice. Hello.
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31. Sorry to bother you. What?
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32. Don't worry about it.
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33. Hi, I'm Brent.
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34. I'm Brent.
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35. I'm here to relax you.
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36. Relax.
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37. Everybody take a deep breath.
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38. It's— There's no need to—
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39. In and out.
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40. Don't play with that thing.
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41. That is not a play toy.
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42. No! What are—?
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43. That thing is sharp!
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44. Don't make me come down there!
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45. I will crush you!
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46. You'd better run, you— You—
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47. Got him! Three points
for the Relaxation King.
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48. Now listen to the sound
of the waves.
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49. Let each and every muscle relax.
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50. It's time for Roundtable, with
correspondent Art Louwater.
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51. Good evening. I'm Art Louwater,
and this is Roundtable.
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52. Tonight, television
situation comedies
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53. and politics go head-to-head.
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54. It all started about
two weeks ago...
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55. on the season premiere
of the hit comedy series
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56. Skank.
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57. Who turned off
the stinking faucet?
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58. I'm trying to get some sleep.
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59. Skank, you're not supposed
to waste water.
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60. Doris, it's not a waste.
You are!
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61. Turn the faucet on
and shut your stinking trap!
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62. The following day,
Senator Edmund Warring...
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63. made an
off-the-cuff reference
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64. to the show
at an awards ceremony.
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65. And might I add
that I am sickened...
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66. by the way TV shows
such as The Skank...
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67. trivialize serious issues
such as water conservation.
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68. I think when it comes
to water usage
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69. Mr. Skank should shut his
stinking trap.
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70. Skank shot back with
a hurriedly rewritten episode.
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71. I think when it comes
to water usage
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72. Mr. Skank should shut
his stinking trap.
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73. Doris, get in here!
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74. The world's biggest moron
is on TV.
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75. Hey, everybody, go turn on
the faucets full blast.
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76. Flood the place!
I feel like taking a nap.
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77. You know,
the human body is 90% water.
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78. How much of that
is wasted every year by murder?
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79. Senator Warring...
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80. get your priorities straight,
or shut your stinking trap!
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81. Thank you. Thank you.
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82. That's right.
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83. Now, here to clarify things...
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84. in the studio with me
is Senator Edmund Warring...
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85. and live via satellite
from his Hollywood set...
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86. the actor who portrays
Skank, Theodore Hume.
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87. Gentlemen, thanks
for joining me.
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88. - My pleasure.
- It's great to be here, Art.
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89. Mr. Hume, as the creator
and star of Skank...
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90. are we to believe that you
condone the character's actions?
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91. I think it's rather obvious
that Skank is an antihero...
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92. a clown, a Pagliacci, not to
be emulated, but rather pitied.
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93. - That is a load.
- I beg your pardon?
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94. Look, when a child
sees you up there...
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95. with your madcap antics
and your slapstick behavior...
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96. he's gonna try it himself,
and that means
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97. he's gonna waste water.
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98. Let me ask you a question, sir.
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99. If your daughter couldn't sleep
without water running...
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100. would you protect
her freedom of choice...
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101. or lock her up
and throw away the key?
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102. - That is unfair.
- Answer the question!
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103. Why don't you shut
your stinking trap!
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104. gentlemen. Why don't we just
cool our jets for a second.
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105. Senator Warring,
he does have a good point.
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106. Look, I just can't believe
that I'm being lampooned...
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107. by a TV standup comedian.
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108. I'm examining the truth,
you lou—
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109. Look, I have here
50 documents...
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110. that state that you
used to have
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111. water-balloon fights
as a child.
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112. - Where did you get those?
- Answer the question!
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113. Why don't you shut your
stinking trap.
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114. You shut your stinking trap!
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115. Shut your stinking trap!
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116. - You shut it!
- Shut your stinking trap!
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117. You shut your stinking trap!
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118. You shut your stinking trap!
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119. I will not listen! You shut it!
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120. Shut it!
Shut your stinking trap!
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121. - Keep your trap shut!
- Shut your trap! Shut it!
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122. Shut your lousy trap!
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123. Gentlemen, uh, gentlemen...
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124. I might advise both gentlemen
to shut their stinking traps...
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125. if they could hear me.
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126. Listen, I'm Art Louwater,
and this has been Roundtable.
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127. Thank you for joining us.
Good night.
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128. - You—
- Shut your stinking—
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129. On the next Skank:
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130. Everything goes nuts
when the family
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131. is visited by
Senator Edmund Doofus.
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132. Senator!
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133. Have you seen my pants?
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134. I'm not even gonna
waste my breath.
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135. It'll be classic Fox.
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136. One thing I love
about Southern California...
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137. is the beautiful weather,
the clean, fresh air...
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138. the natural beauty
of the water, and the—
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139. Andy, no!
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140. Andy! Andy, didn't you
see the sign?
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141. I can't read.
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142. Thank you.
This has been a comedy sketch...
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143. but the character
Andy represents
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144. is a cross-section
of this country.
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145. People who are illiterate,
coupled with an environment...
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146. that's really icky and bad,
makes a terrible combination.
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147. I really drank
some of that stuff.
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148. - You're not supposed to.
- It burned going down.
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149. That's what I call
commitment to a character.
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150. Welcome back, headslammers.
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151. It's time to sit in
with James Hetfield
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152. and Lars Ulrich of Metallica.
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153. So, boys, let's do
a conversation kind of thing.
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154. Why don't you tell us
why you decided
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155. to do a motion
picture soundtrack.
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156. It's like, we've always wanted
to score a film, Duff.
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157. It's like, we had to wait
for one...
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158. that was as extreme and dark
as Metallica is, you know?
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159. The Boy Who Magically Switches
Places With His Dad
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160. is that film.
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161. That's right.
James is totally tapped into...
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162. the whole dark side of
the switching thing, you know?
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163. It's like, after we saw
18 Again together...
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164. James came home and wrote
this incredible ballad.
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165. - "Eighteen is Three Sixes."
- Disney's insane not to buy it.
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166. What makes this movie
different from all the other
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167. father/son switching films?
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168. Different actors, you know?
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169. It's different actors...
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170. The father is a host of a TV
morning show in this one.
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171. I mean, think about it,
you know, it's like...
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172. the kid switches places
with his dad.
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173. So it's like, he doesn't know
how to run a TV talk show.
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174. What is he gonna do?
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175. Well, buddies, Pauly Shore's
in this film, right?
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176. Why don't you tell us
how you feel about that.
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177. Pauly Shore scares
the hell out of us.
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178. - But that's life, isn't it?
- It sure is. C'est la vie.
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179. Well, the tune is "The
Father/Son Switching Song"...
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180. and the band is Metallica.
So let's check it out together.
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181. Well, that was some buzz clip,
now, wasn't it?
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182. This film deals
with complex issues
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183. on a lot of different levels...
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184. but the bottom line is,
it's just the old switcheroo.
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185. Yeah. I was, like,
thinking about what
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186. that kid says at the end
of the film.
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187. You know, about how
you gotta be yourself...
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188. and not try to be
somebody else.
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189. Hey, Lars, don't give away
the ending, man.
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190. Shoot. I'm sorry.
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191. Well, it's time to do
a little commercial...
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192. but we'll be back
with more Metallica.
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193. - What are you doing, man?
- I'm sorry. I was just... stupid.
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194. I switched places with a stupid
guy or something.
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195. You switched places
with a drum stool.
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196. Hello. Welcome to Andy Dick's
Political Children's Theatre...
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197. where a spoonful of sugar
helps reality go down.
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198. Tonight's scene is
meant to spark
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199. discussion of a very
serious topic:
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200. The homeless.
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201. So put on your thinking caps.
And scene.
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202. Hey, man, you got a dollar
for a cheese sandwich?
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203. Drop dead, hobo!
Why don't you work for a living?
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204. I can't get a job,
because I ain't got no home.
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205. Maybe we should have
more compassion.
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206. These are tough economic times.
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207. We can't just give money
to any Boxcar Willie
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208. who asks for a handout.
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209. So then you ain't
gonna help anybody?
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210. Where do we draw the line?
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211. Where do we draw the line?
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212. I need more ships, Sir Charles.
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213. To do so will cost us money.
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214. Not to do so...
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215. will cost us England.
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216. Hi. Welcome back
to the KFSB Pledge-a-thon.
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217. When it comes to super-duper
dramatic programming...
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218. public television is where
you'll find it.
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219. But guess what, people?
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220. Great drama doesn't
grow on trees.
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221. We won't carry at a deficit
any longer.
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222. What we're looking for
is 10,000 pledges.
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223. We've got our work
cut out for us, don't we?
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224. So let's get on the horn.
In the meantime, back to drama.
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225. Do you find my policies...
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226. unwise, Sir Charles?
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227. With His Majesty in such a mood,
it's best not to answer, sire.
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228. A shrewd response.
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229. But how will you respond...
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230. to this?
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231. Welcome back
to the KFSB Pledge-a-thon.
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232. You don't get great drama like
that on regular television...
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233. and you certainly don't
get it commercial-free.
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234. You know what else
you don't get?
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235. This attractive tote, which can
be yours free when you become...
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236. a "Special Friend" at PBS,
and it's only a $50 donation.
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237. That's right, Ruth.
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238. And for just $200 more,
you'll become
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239. a PBS "Cherished Companion"...
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240. which entitles you to a free
cassette entitled
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241. Laugh About Washington...
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242. a full hour of wit
from comedian/ commentator/
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243. political satirist Mark Russell.
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244. Absolutely, Neil.
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245. Now let's get back to that great
uninterrupted programming.
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246. You have betrayed me,
Sir Charles.
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247. The letter. I am undone.
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248. Now you must pay for it.
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249. Welcome back to the KFSB
Pledge-a-thon.
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250. With us today is the star
of the dramatic presentation
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251. you're enjoying,
Daniel Stillman.
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252. - Daniel, hello.
- Hi.
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253. Why don't you tell us
what attracted you
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254. to the role of Henry
the Wicked on PBS.
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255. Well, Henry's always been
a fascinating human being.
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256. He's a moral dilemma.
I felt it was a good chance
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257. to stretch some acting muscle...
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258. and really get in there
and fight some demons.
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259. Super-duper, Daniel.
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260. So you'll be manning the phones
with us, I assume?
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261. You'll be in the trenches
and giving of your time.
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262. I hadn't...
Nobody mentioned the phones...
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263. but I guess I could hang out
for a couple minutes.
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264. Okay, let's get back to that
commercial-free programming...
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265. that makes it all worthwhile.
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266. I have to really
get out of here.
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267. Just go— Just go over
to the phone.
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268. Just— Just pretend.
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269. No. You— You must reconsider,
Your Majesty.
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270. By the way, Ruth,
that personal plea
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271. Dan made earlier
is from the both of us...
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272. for, alas,
if you do not give,
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273. public programming will be:
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274. "Out, out, brief candle."
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275. Reconsider—
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276. But I... I...
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277. For an additional $500,
you become
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278. a PBS "Bestest Buddy
of Them All."
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279. You'll receive seven tote bags,
a Mark Russell shirt and a mug
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280. that says: "I like my
coffee... uninterrupted."
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281. Letter was part of a game...
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282. where you write down
the opposite of how you feel.
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283. What you waiting for? Think you
could get this tote anywhere?
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284. You can't. So make the call.
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285. What price England?
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286. special programs,
attractive totes...
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287. and no commercials.
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288. I'm not moving
till you make the call.
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289. - I'm quite serious.
- Excuse me...
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290. I can stand here all day...
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291. if I have to. The gravy train
is over. Get off.
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292. Put something into the system.
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293. He looks like he's got a rope.
My goodness!
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294. What a good mime this is.
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295. What's going on?
What are you doing?
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296. Andy's doing mime,
and I'm his shill.
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297. Hey, look at him go! Looks like
he's climbing the wall.
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298. I like him.
I'm going to give him money.
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299. Other people should too.
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300. Come on. Looks like he's really
climbing the building.
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301. It's an incredible
illusion, really.
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302. - It's all an illusion, though.
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303. Oh, my God.
Oh, my God.
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304. Andy, get down from there.
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305. Andy...
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306. - We'll be right back after this.
- Andy, sketch is over.
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307. You know, the scary part is,
he'll reach the top
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308. and he'll keep going.
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309. Because he's a mime. He doesn't
need anything to climb.
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310. - Bye, Andy.
- See you.
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311. It's time once again for
"Stiller's Wheel of Filler."
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312. Where the wheel stops,
that's where the comedy goes.
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313. Bruce Springsteen makes
an answering machine tape.
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314. All right.
Well, let's see here.
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315. Hi, this is the Boss. Would you
leave a message after the—
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316. No, that's— That doesn't work.
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317. Hey, all right. Here.
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318. Hi. I'm in a lost treasure cave
searching for— No.
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319. That's ridiculous.
That's not funny.
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320. The Boss is out.
The Boss is out.
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321. The Boss it out, the Boss is—
Nah, that's just not...
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322. Think, think, think. All right.
All right. Here we go.
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323. Hello?
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324. What's that? I can't hear you.
You gotta speak up.
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325. I can't hear you.
Ha, ha! Ha, got you.
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326. Just playing around with you.
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327. I'm not here now.
Leave a message at the beep.
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328. Thanks a lot.
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329. Yeah, that's a good one.
That's gonna work.
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330. I can't wait for somebody
to call
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331. so I can see if they like it.
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332. Hello, I am Brent Forrester.
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333. It's nice to be with you again.
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334. It is time now to relax.
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335. Excuse me. I'm searching for the
Sandy Shoal of Creativity.
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336. Am I close?
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337. No. This is the Oceanfront
for Advanced Relaxation.
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338. You'll want to go down past
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339. the Fertile Pastures
of Assertiveness...
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340. and make a right at the
Volcano of Dynamic Energy.
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341. You can't miss it.
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342. I'm running a little late.
You wouldn't mind
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343. if I stayed here, would you?
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344. I'm sorry, I would mind.
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345. I have this spot
for the full hour, okay?
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346. That's why there's sign-up
sheets for these things.
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347. Why don't you relax. There's
room here for the both of us.
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348. Don't tell me to relax.
I am Brent Forrester
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349. "Mr. Relaxation."
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350. Is that supposed to impress me?
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351. I'm Jefferson Kahn,
Master of Inner Balance.
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352. Whoop-de-do.
Congratulations. Now leave.
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353. There's no need to be sarcastic.
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354. You don't seem too relaxed,
my friend.
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355. Want me to take
you down, mister?
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356. - Lay your best shot
on me, hotshot.
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357. Okay, turban-head.
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358. I love that lipstick,
by the way.
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359. - Relax.
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360. - Inner peace.
- Let your inner peace—
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361. Negativity all flow away.
You are one with the universe.
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362. What's the matter?
You can't keep up?
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363. Allow the love and the laughter
of the universe
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364. to fill your soul.
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365. Are you finished, Yul Brynner?
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366. Find your inner peace.
Let it soothe and relax you.
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367. You're happy you don't look like
a pathetic super-boy
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368. with strange blond hair.
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369. Find your inner peace
and let it relax you.
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370. That's good.
You said that already.
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371. Find your inner peace—
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372. Sounds like you're busting up,
Mr. Can't-Take-It.
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373. I— You, shut up,
and I hate all of you!
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374. All of you! I hate you!
I can't take it! Oh, God!
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375. Well, looks like he reached
his breaking point.
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376. Welcome to the new man in town:
Mr. Inner Balance.
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377. All right, okay, listen.
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378. It's not fair.
It's just not fair.
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379. I want you to apologize to Bob.
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380. - I'm not going to apologize.
- You destroyed his sandcastle.
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381. - It wasn't fair. Now, apologize.
- This isn't fair.
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382. Mine is clearly better.
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383. - Can I say something?
- Yeah.
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384. - Kaboom!
- What are you doing?
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385. What are you doing?
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386. I won!
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387. You stop that! Stop that!
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388. This is great. This is my cast.
I have a very mature cast.
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389. You get away!
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390. Don't step on my lines.
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391. - Step on lines?
- I'm not talking to you.
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392. You use mine
as a railroad track.
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393. You were stepping on mine.
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394. - Don't give me that.
- You stepped on his lines.
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395. Shut up. Shut up!
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396. - And don't step on my lines.
- I wasn't.
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397. - I'm a professional actor!
- So are we!
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398. I don't care, hear me?
Do your part, and do it well...
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399. and then get out of here!
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