1. Go on.
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2. A curl?
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3. Didn't you get to bed last night, Glyn?
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4. Sorry. You just look this morning
like you didn't go at all.
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5. - Have you heard the "Octopus" one?
- No.
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6. You learned A minor, then?
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7. That's all I've got.
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8. After the two times, the second time…
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9. Then to get to the G one, a bit, uh…
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10. Let's go from the beginning.
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11. - From the beginning.
- Right.
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12. Then stay on F.
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13. Then that, then this, uh…
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14. What one's that?
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15. Uh—
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16. Just, I mean, something
to sort of get back to where you—
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17. Where we started.
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18. - It's a little bit—
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19. - So it resolves itself.
- Yeah.
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20. Well, I'll have to put words
in that bit, then.
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21. - Oh, drums, right.
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22. I think Paul would wanna do drums,
wouldn't he? With his strong left arm.
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23. I'm not getting on that kit
without a ciggy.
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24. I've never been up here before.
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25. Very strong one.
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26. - Okay!
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27. - I'm a tame tiger. Meow.
- I'm cool with that.
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28. - Are you going to eat them?
- No!
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29. Lots of people do, you know.
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30. On toast?
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31. You put pastry around them,
and you have cat pie.
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32. You better wait a week or two
before you eat them.
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33. - That's very good.
- We'll put on the meat.
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34. Oh, you don't eat them
if they have black spots.
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35. You don't eat them
if they're like tigers, either.
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36. And anyway,
I'm just a pussycat that was just born.
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37. Kevin?
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38. What was the… Do that old gospel ending.
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39. - Sunday morning. Sunday morning. Church.
- Sunday morning. Definitely, yeah.
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40. - And we'll all kneel as we do it.
- We can do a gospel ending that Elvis did.
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41. Yeah.
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42. We all was gonna do it.
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43. - We did it just fine. It was just that…
- Yeah.
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44. I'll tell you one thing.
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45. Do it lighter. Don't do sort of—
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46. Do it more—
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47. And so a bit lighter offbeat, and maybe…
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48. Keep it light.
So it's not going heavy again.
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49. I don't know what you are saying.
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50. Uh…
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51. Hello.
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52. Is anybody…
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53. Let me sing. Hello. Is anybody home?
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54. Hi.
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55. - Aah!
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56. Yoko!
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57. Yeah!
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58. Oh, sorry.
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59. Come on, let it be.
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60. What ones haven't you done yet?
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61. A little thing that goes
something like this.
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62. - No. No.
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63. No, see,
you've gotta wait a lot longer than that.
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64. - You done left me.
- You done left me.
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65. There wouldn't be much drumming,
would there?
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66. Go around a bit, you know?
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67. What?
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68. It sounds a bit like
a sort of dance orchestra.
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69. And the slow foxtrot…
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70. Like Rita and Thomas Williams.
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71. Rita is wearing a dark sombrero
and a beard.
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72. The chord there. I mean—
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73. Her husband is wearing
a crinoline skirt which he made himself.
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74. Still no idea where I come in.
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75. - Off the top of your head.
- John, yours doesn't sound as much…
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76. It sounds like
you're doing too many notes.
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77. - Yeah, all right. Well, it just gets—
- It's too, sort of, regular.
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78. But you're doing…
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79. I've been going…
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80. - You just want the one?
- Don't do that.
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81. No, but I mean, don't do any note there.
Just go…
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82. That's what I'm really doing.
I've been going—
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83. Hello?
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84. Great!
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85. Amazing.
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86. Okay.
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87. One.
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88. When it's mixed, as it is, I'm sure
with a mix on it, it'll be all right.
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89. I know what—
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90. Paul, are you gonna have strings?
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91. - Yeah.
- Well, it's like—
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92. Ooh!
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93. Yeah, there's parts—
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94. There's only parts where
you can hear the electric piano properly,
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95. - or the piano properly.
- Yes.
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96. Most of the time, you know,
like, they mix together.
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97. Yeah. I think it needs,
like, a lot of, uh…
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98. - Cleaning.
- Cleaning, yeah.
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99. Actually,
the thing is, it's a nice feel to it,
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100. but it's rather like
everything else we've done.
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101. And this particular song
doesn't need that.
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102. See, the only way I've ever heard it is,
like, in my head,
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103. - is, like, Ray Charles's band.
- I'm supposed to marry you.
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104. And I don't—
I haven't really even listened to them.
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105. It would be nice with some brass
just doing the sustaining chord thing.
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106. - Yeah.
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107. - Yeah.
- Moving and just holding notes.
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108. - Yeah. We probably, yeah—
- If I pull yours up…
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109. We were planning to do it anyway
for a couple of numbers,
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110. just to have
a bit of brass and bit of strings.
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111. That's what George was saying before.
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112. That's the bit
where The Raelettes'd sing it.
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113. Great. Sorry, man. Oh, that's nice.
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114. That's nice of what?
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115. It's nice of you.
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116. - For what?
- Very nice of you.
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117. - For what?
- Just to come here.
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118. We're going home.
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119. - When?
- Now.
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120. No.
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121. Am I gonna eat now? I'm going back.
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122. She's so worried now.
"I gotta eat for three hours,
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123. then maybe go to bed around 1:00."
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124. You're just going back in your box.
That's where you're going.
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125. - Don't tell. Don't tell.
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126. Aren't I gonna have anything to eat?
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127. Hey, I've got a present for you.
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128. - See you tomorrow.
- Bye.
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129. - Aren't you going, George?
- I said yes, George.
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130. I don't know.
You didn't get the other one?
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131. - No.
- No.
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132. - Well, we'll remember that another day.
- Yeah.
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133. I'm just so high when I get in at night.
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134. I couldn't sleep.
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135. Tea or toast.
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136. - Yeah.
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137. What's this chord, Billy? E with a C?
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138. Yeah. Just loading the E.
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139. - Yeah. That's like E7.
- Yeah.
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140. This one.
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141. - Yeah. Um, E with a raised…
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142. E with a C. E.
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143. - Yeah, E with a C.
- E with a C. What's that?
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144. I've had an E with an F,
which is pretty good.
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145. What's this chord then, Billy?
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146. - It's F, but raising the F to F sharp.
- Yeah. F sharp. Diminished.
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147. And then F with that, like the 7th.
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148. It's great on piano
'cause I don't know anything about it.
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149. Yeah.
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150. But it's great, because I wouldn't have
been able to do that on the guitar.
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151. - Yeah, sorry, that bit comes…
- It does work, the bit—
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152. - But it—
- In the bit before that bit.
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153. Yeah, but then it's, uh—
Then it stays too long on the other one.
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154. - But it's like a natural on there.
- Yeah. Well, you don't know…
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155. - Pianos are very difficult, aren't they?
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156. - Mal? Mal?
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157. The drums are on PA anyway.
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158. When we connect it, I could hear Ringo.
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159. The drums are on PA!
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160. - It's not my idea of a personal assistant.
- No.
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161. Hello? Hello?
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162. 'Cause coming from the north of England,
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163. it doesn't come too easy, you know,
all the soul.
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164. - Let's take one now.
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165. Yeah, right.
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166. Ask 'em to put the mics on, will you?
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167. Hello.
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168. And get one for Billy too.
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169. - It's a bit ploddy.
- What?
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170. You know, just—
It sort of plods along a bit. A bit much.
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171. - It's just mourning and slow, slow.
- Mourning and…
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172. And a slow song.
It takes a long time to get out of it.
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173. Yeah.
That'll do for the time being.
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174. "The Wrong and Winding Box."
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175. All those little melodic things, you know?
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176. It's a— It's a—
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177. It's like the other one, you know.
They're sort of slow, ballady,
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178. and they're plodding a bit.
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179. See, that's the kind of thing. Yeah.
It needs to go like that.
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180. Oh, just a second.
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181. When it goes, um— On that bit, it goes…
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182. Hang on.
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183. Can we make the bridge…
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184. heavy?
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185. I can't sort of think how to do
this one at all, you know.
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186. Just, mind's a blank on it.
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187. I don't know.
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188. I don't know.
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189. Give up.
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190. It's nice though.
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191. - Have you turned me down?
- No.
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192. It's funny though.
You can't hear the piano either.
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193. We only asked for the piano.
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194. No. I said, "Oh, Ringo is on PA."
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195. A great sound in here
will improve what we do.
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196. No, but I mean, it's like
when we played in clubs in Hamburg.
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197. We sounded great.
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198. So you get…
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199. Let's do that.
It'll help you anyway to begin with.
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200. - Thank you, George.
- You're welcome.
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201. See, 'cause that'd be good
if we could get all that,
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202. get the sound in this room.
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203. It's, like, remember that night
we tried tape echo with George?
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204. On a bit of vocal.
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205. They have bloody big speakers
or something,
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206. to shout through.
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207. They should be
at least as big as a bass amp.
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208. - Yeah.
- Paul.
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209. Yeah.
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210. Thing is, they're both facing
each other for a kickoff.
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211. They're all facing—
They're all right next to the amps.
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212. I mean, get them up there,
they come down to us.
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213. Nail 'em on them sticks up there
and shoot 'em down to us,
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214. and we'll all face that way if you like.
We'll face any way.
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215. Well, then, let's—
I don't know who to tell to do that.
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216. Right, okay.
Yeah. I'll do something about it.
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217. Somehow if we can each hear
what the others are playing.
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218. - Uh…
- Ow!
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219. Just heard that Yoko's divorce
has just gone through.
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220. Free at last.
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221. Did we… "And if"?
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222. Start again.
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223. I've just got written down here,
"If somebody ever loved me."
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224. Oh, I've got, "If somebody
ever really loved me, like as she do me."
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225. Ah.
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226. Maybe we should have,
"I guess nobody ever loved me."
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227. George. George. George.
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228. The layout of the book's
really good, though, the way he's done it.
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229. This is it. Is this the layout?
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230. No, this is just the bit. That bit.
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231. "Beatle John Lennon hugged Japanese
actress Yoko Ono last night and said,
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232. 'My marriage is over.
I am in love with Yoko.'"
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233. - Sinceriously.
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234. "How much does he love Yoko?
'Much more than I love the Queen.'"
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235. Let's record it all this afternoon, now.
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236. The show on Wednesday,
which is up on the roof, we can get, uh,
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237. no worse than a 4-shot on the roof
out toward London,
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238. - which I think is worth it.
- Yes. How much does it cost?
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239. Well, just send the helicopter up.
No film.
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240. - It's too much, film and a…
- Helicopter.
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241. Uh, what do you say, lads?
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242. - Have it on Paul!
- Yeah.
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243. - Yeah.
- Yes.
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244. - Is that a yes?
- That's a no-no.
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245. One, two, three, four.
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246. Not too loud though.
It's nice, quiet. Oh, yeah.
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247. It settled into it, though, after where
we started in, but much, much faster.
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248. One, two, three, four.
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249. Bit faster, do you think? Bit faster now.
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250. One, two, three, four.
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251. Hello.
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252. - Little bit slower.
- It seems it's picking up speed, I think.
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253. Yeah.
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254. 'Cause I find myself starting off, going…
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255. We get excited.
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256. And then ended up…
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257. Ah, this here's the story
about Sweet Loretta Martin
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258. and Jo Jo McCartney.
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259. All right, boy. All right, John.
I've gotta call order, John.
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260. - All right, Paul.
- You know, valuable time here, son.
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261. Cool down, son.
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262. Don't let me down, babe.
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263. - They can afford it.
- Costing EMI. We're EMI artists, man, no?
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264. - …together at the beginning.
- You were very good, Bill.
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265. What are you gonna do?
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266. - Play it again.
- Sing a bit.
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267. - J?
- Just keep 'em. Keep 'em.
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268. - Do another one?
- Yeah.
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269. Well, tell us if you think
we've got it, you know?
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270. Well, yeah.
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271. Let's keep doing them then, you know?
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272. 'Cause if we keep doing that
and going in and then saying, "Oh."
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273. I think you ought to do
something else, 'cause I think you might—
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274. If you keep doing it,
you'll go stale on it.
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275. - No, no. Let's do it.
- You can always go back to it.
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276. - Do you want your head kicked in?
- You know what I mean, though.
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277. - Do you wanna do it once more then?
- Yes, yes.
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278. At least once more.
We'll never get a chance to do it again.
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279. It is the final
performance. You've got an audience now.
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280. Okay, honeybunch.
Let's hit it one time, tutti-frutti.
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281. One, two…
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282. That last take was extremely good though.
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283. Okay. Keep it extremely good then.
We'll carry on.
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284. Why not go straight into
another number then?
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285. We were trying to go into
"Don't Let Me Down" if we made it,
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286. but we haven't made it once yet, you know?
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287. We think of everything and we're
even gonna go on to "I've Got a Fever."
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288. If we really know.
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289. In that case,
I'm gonna change tape.
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290. Are you? Okay.
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291. Was the other one before better than that?
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292. Yes. There was one better than that
earlier on. Hang on, we'll just…
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293. The one before this was better for me.
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294. Should we have another ciggy,
another cup of tea, or…
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295. - Okay, yeah after this.
- …ciggy after the wine.
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296. Oh, ready? One, two three, four.
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297. There's one where everything was right…
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298. - What's the next reel?
- …except the last bit of my guitar solo.
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299. Well, remember the one before that
that we all said was all right?
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300. - Yeah.
- That's Take 11.
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301. You can always edit.
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302. - Yeah, I'm just getting it.
- Edit?
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303. You're talking to the Bootles.
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304. Yeah, right. Now, see the thing is,
we need another week to do it.
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305. Miles out, aren't we?
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306. - Tune.
- Yeah.
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307. It was A, Bill.
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308. Billy, instead of giving us,
like, one note, give us a riff like…
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309. That's easier to tune to.
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310. - Hold up. Hold up.
- Okay. Let me just—
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311. Not giving 'em that!
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312. Oh, fucking right.
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313. Something happened.
I don't know what it was though.
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314. Something happened.
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315. Glyn? What does that sound like?
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316. - What?
- Yeah.
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317. - All right?
- Yeah.
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318. - Not bad.
- Got it.
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319. - Oh, the last two will do me.
- That's what I thought.
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320. - It was just about diabolical enough.
- You see, the thing is…
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321. I don't feel as though
I'm singing it any good.
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322. - The other day I was singing better.
- 'Cause you're standing up.
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323. - And you're trying to do a thing.
- Maybe.
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324. You should sit down.
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325. - Enjoy yourself.
- Yeah.
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326. Maybe. No, but even so today,
I just feel as though…
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327. Hobson's is a bit…
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328. That reel on?
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329. We've still got a lot more songs
we haven't even rehearsed.
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330. The two slow ones we're doing,
"Mother Mary" and… "Brother Jesus."
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331. - Have we recorded?
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332. Have we recorded the "Mother Mary" one?
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333. Haven't happened yet, have they?
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334. - No.
- Haven't they?
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335. - One has. One has.
- Well…
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336. - Which one?
- I can never get it.
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337. - "Long, Long, Winding"--
- "Long and Winding Road"?
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338. "Long and Winding Scrotum."
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339. - Really?
- I think it's very tasty.
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340. Très tasty, in fact.
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341. Oh, the little version we had—
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342. - He's so good for your morale, this boy.
- Yeah, yeah.
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343. - No, really.
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344. - We can do—
- I'm not saying you can't do it better.
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345. But, I mean, it's very together.
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346. See, that's a bit like the old "Get Back."
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347. It's together
until you think you can do it better.
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348. We should arrange what's happening
around lunchtime tomorrow.
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349. John's got something at 1:30,
and so have I.
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350. I'll take these tonight.
You can have a mix of these tomorrow.
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351. - I'm meeting a fella.
- Oh, right.
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352. No, uh, at 1:30 though.
We're both going at 1:30, so can you…
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353. We'll do something, all right.
I'll do Ringo at 1:30.
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354. - Let's say 12:00.
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355. We'll be coming in before 1:30?
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356. - Yeah. Coming in at 11:00.
- Okay.
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357. Then work till 1:30.
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358. Okay, honeybunch. Let's hit it one time.
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359. - What time are you starting?
- 11:00.
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360. - 11:00 to 1:30?
- 10:30, yeah.
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361. Dig, man.
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362. And then how long
are you having off from 1:30?
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363. Till 3:00. Good night, everybody.
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364. - Good night, Rich.
- Good night, Richie.
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365. - I think I'm gonna go.
- Will you?
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366. I think the one you said was best…
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367. - Nine?
- …is best.
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368. Yeah. But it still doesn't make it.
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369. - We'll keep it anyway.
- Keep it in.
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370. - Good?
- Yeah.
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371. - Right. New reel.
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372. Well, the air-conditioning works.
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373. - God, feel like I'm in the army.
- It must be terrible.
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374. That was the only good thing
about being a girl.
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375. Can you imagine being drafted to Vietnam?
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376. George,
of the ones they've done so far,
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377. which do you think we can do on the roof?
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378. - Anything without the grand piano.
- Oh!
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379. - Morning.
- You're embarrassing me.
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380. Should we write down
what we could do on the roof?
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381. You haven't got
a concise list of titles, have we, Alan?
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382. - No. I can make one.
- Well, I…
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383. One is "I Dig a Pony."
We can do that on the roof.
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384. "Let It Be."
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385. Which is "Let It Be"? Oh, no.
I think "Let It Be" should be down here.
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386. Yeah, with the piano on that.
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387. Is anyone sort of
thinking of this like making an album
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388. or more like sort of
doing a lot of numbers then
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389. to be able to play them all
one after the other?
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390. Let's pick the five—
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391. Uh…
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392. I don't see much point in doing
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393. "Don't Let Me Down,"
"I've Got A Feeling" and that now.
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394. Yeah…
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395. 'Cause you lose it.
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396. So let's pick up on the ones
that are all in pieces.
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397. I'm trying to get us to do
one of George's for the first batch.
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398. Oh, ah. Yeah.
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399. Then you can have the next one,
"Did you know, missed the show?"
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400. What could it be, Paul?
Copy !req
401. - "Something in the way she moves."
- Hmm?
Copy !req
402. What attracted me at all?
Copy !req
403. Just say whatever comes
into your head each time.
Copy !req
404. "Attracts me like a cauliflower,"
until you get the word, you know?
Copy !req
405. Yeah, but I've been through this one,
like, for about six months.
Copy !req
406. We could have that.
"Attracts me like a pomegranate."
Copy !req
407. "Cauliflower" is better.
Copy !req
408. - Okay.
- What was that?
Copy !req
409. Yeah, but say we got
a really good one of "Love Me Do."
Copy !req
410. - Well, yeah. That's true.
- Yeah. Okay.
Copy !req
411. Is it 1:30? I've got this—
to go to this meeting.
Copy !req
412. So, can you do it?
Copy !req
413. Will you ring down for us?
And we'll keep going through this.
Copy !req
414. Yeah. Okay.
Copy !req
415. Shall we do it?
Copy !req
416. - Glyn?
- Send an engineer.
Copy !req
417. Glyn.
Copy !req
418. Can you come and fix my microphone?
It keeps falling down.
Copy !req
419. See, can I change from going…
Copy !req
420. Because I can't do it.
I go into that folk bit.
Copy !req
421. Have a ciggy, Billy.
Copy !req
422. Two, three, four.
Copy !req
423. I'll sing it a bit different than that.
I'll sing…
Copy !req
424. - All that bit.
- Yeah.
Copy !req
425. Okay.
Should we go from the last verse again?
Copy !req
426. That's the bit still, isn't it?
Copy !req
427. I still think that—
Copy !req
428. I'm not sure about that syncopation bit,
but leave that to Paul.
Copy !req
429. Well, that's okay if we just do it
in between, you know, where the riff…
Copy !req
430. Uh…
Copy !req
431. It seems to be going
through every verse now.
Copy !req
432. Yeah, that's the riff. Goes…
Copy !req
433. - I mean that…
- It should change.
Copy !req
434. No, that just comes at the end.
Copy !req
435. Oh, in the middle of every verse?
Copy !req
436. But also we need somebody that's gonna
tune everything in here to one pitch.
Copy !req
437. Uh, the piano people do that.
Copy !req
438. Okay, well,
we'll play about for a bit then.
Copy !req
439. - How do you tune an electric piano?
- I don't know.
Copy !req
440. There's got to be a way though.
Probably here somewhere.
Copy !req
441. What did you wanna talk about?
Copy !req
442. Uh, well,
just that I saw Klein, and that.
Copy !req
443. - Oh, Klein?
- Yeah, yeah. Klein.
Copy !req
444. - Allen Klein.
- Oh, I see.
Copy !req
445. Yeah. And it's—
You know, it's very interesting.
Copy !req
446. Yeah.
Copy !req
447. - You know, from a lot of angles.
- Hmm.
Copy !req
448. And the— But I want to tell you
all at once, you know, so as it's not…
Copy !req
449. But just, um—
I just think he's fantastic.
Copy !req
450. - Really?
- Yeah.
Copy !req
451. A lot of interesting news
that we don't know half about,
Copy !req
452. - just about—
- About us?
Copy !req
453. Well, I'll tell— You know,
he'll tell you all that, 'cause it's…
Copy !req
454. You know,
he knows everything about everything.
Copy !req
455. Very interesting guy.
Copy !req
456. - I was there till 2:00 in the morning.
- Oh, you went last night?
Copy !req
457. I went there thinking, "Well, I've got
to see him. I put it off last time."
Copy !req
458. You know?
Copy !req
459. I keep hearing about him all these years.
Copy !req
460. Things that you just…
you can't believe, you know.
Copy !req
461. Right down to where— where it's gone,
Copy !req
462. and how to get it.
Copy !req
463. So, I, you know— Well, I didn't
really wanna say it to sort of half o'ya.
Copy !req
464. I thought,
"He's gonna look after me, whatever."
Copy !req
465. That's… it's just like that.
Copy !req
466. And he knows—
He even knows what we're like, you know?
Copy !req
467. The way he described each one of us,
you know,
Copy !req
468. and what we've done
and what we're gonna do and that.
Copy !req
469. But just, like,
he knows me as much as you do.
Copy !req
470. Incredible guy.
Copy !req
471. He's got a great idea for Biafra.
Copy !req
472. He's like—
He says, "I'm a practical man."
Copy !req
473. And his thing—
You know The Stones' Circus we did?
Copy !req
474. - So he arranges those things for them.
- Yeah.
Copy !req
475. All we heard about that
and the— the— the royalty from way back…
Copy !req
476. - Yeah.
- …they get much more than us.
Copy !req
477. However many we sell, they cop.
Copy !req
478. You know, so, The Stones show,
he's gonna make an LP out of it.
Copy !req
479. They're making a book of it
and everything, of course, you know?
Copy !req
480. Like, everybody is into that.
Copy !req
481. And he's gonna, uh, make an LP of it,
of everybody that was on…
Copy !req
482. to buy food for Biafra.
Copy !req
483. Yeah, I was telling him
about your idea for that film.
Copy !req
484. - Oh, yeah.
- The thing is,
Copy !req
485. I mean, if we took the food to that place,
with the money we've all earned—
Copy !req
486. He'd do it completely himself,
arrange it all.
Copy !req
487. I didn't mean to get into all this,
but he's so fascinating.
Copy !req
488. Do you want to do this one more time?
Copy !req
489. - Yeah.
- Eh?
Copy !req
490. 'Cause I'd like to learn
"On the Road to Marrakesh" or something.
Copy !req
491. Or "Mr. Mustard."
Copy !req
492. Must do another number, I've decided.
Copy !req
493. Mal, what was the name of that
shoe shop somebody said is in Bond Street?
Copy !req
494. The good one.
Do you know a good shoe shop near?
Copy !req
495. There's a lot of shoe shops
in Bond Street.
Copy !req
496. Yeah. But I just want, you know,
like ordinary black leather shoes.
Copy !req
497. It's just that I never get any, you know,
'cause I'm never in shoe shops.
Copy !req
498. Do you want me
to bring the bloke over?
Copy !req
499. If you can con somebody into coming
Copy !req
500. with, you know, a selection
of black slip-on size eights.
Copy !req
501. Yeah, okay.
Copy !req
502. - What?
Copy !req
503. Where's it from? Who makes it?
Copy !req
504. - Wow.
- Japanese?
Copy !req
505. I saw it on the television.
Copy !req
506. Too much! Whoo.
Copy !req
507. Nice sound.
Copy !req
508. - Could you transpose that to D?
- Yeah.
Copy !req
509. - All on one note, huh?
- Yeah, you can change it.
Copy !req
510. One at a time. It's a little organ.
Copy !req
511. That's better.
Copy !req
512. Yeah. It's too much, man.
Copy !req
513. I love that song.
That's beautiful. I couldn't…
Copy !req
514. You've won a prize.
Copy !req
515. Couldn't have asked for
better. Can we have something else now?
Copy !req
516. Another song, right. Okay, George?
Copy !req
517. How about, uh…
What have you got up your sleeve, John?
Copy !req
518. How about "Love Me Do" again?
Copy !req
519. What about "Don't Let Me Down"?
That's a bloody good one, that.
Copy !req
520. Very high though. But never mind.
We'll practice the backing.
Copy !req
521. - What is it now?
- Just—
Copy !req
522. "And if somebody ever loved me
like she does," that's all.
Copy !req
523. Just the "really" out.
Copy !req
524. Same guitar?
Copy !req
525. Okay, George. Come on.
Copy !req
526. One…
Copy !req
527. The Krishna Christmas club.
Copy !req
528. A little bit of a tune-up, I think.
Copy !req
529. No, I don't think so, George.
Copy !req
530. Yeah, John. Don't, John. Don't.
Copy !req
531. I've had some wine, you know?
Remember Bob Wooler.
Copy !req
532. Fucking right.
Copy !req
533. Peace on Earth.
Copy !req
534. "Don't Let Me Down the Road Again Blues."
Copy !req
535. "Short, fat Fanny, you're my desire."
Copy !req
536. One, two, three, four.
Copy !req
537. Allen Klein's here.
Copy !req
538. Where's he gonna be?
Copy !req
539. Should we go up to our room?
Copy !req
540. - Yeah.
- Oh, fuck it.
Copy !req
541. - Morning, Michael.
- Morning, R.S.
Copy !req
542. How many numbers do you think
you'll have by tomorrow at 1:00
Copy !req
543. - before you go up on the roof?
- About six.
Copy !req
544. Yes, it's gonna be great.
Copy !req
545. Yeah.
Copy !req
546. Yes.
Copy !req
547. Mmm.
Copy !req
548. Tomorrow, with the nine cameras,
if we do tomorrow,
Copy !req
549. there is a kind of,
"Something will happen."
Copy !req
550. No, it's the best bit of us,
Copy !req
551. always has been and always will be,
Copy !req
552. is when we've got—
when we're backs against the wall
Copy !req
553. and we've been rehearsing,
rehearsing, rehearsing.
Copy !req
554. And he knows it's a take on the dub.
And he does it great.
Copy !req
555. No, the organization
has gotta come from either you
Copy !req
556. or from you doing an audience.
Copy !req
557. But that's not true, you see?
There is a difference.
Copy !req
558. - Like when we came here from Twickenham.
- Mmm.
Copy !req
559. It's a whole other thing, you know?
Copy !req
560. If we went into a TV studio now,
in one of those big, bare TV studios
Copy !req
561. and you sat us down,
just with our songs and amps,
Copy !req
562. we'd do 'em and we'd do 'em great.
Copy !req
563. I think what we need is
an audience of some sort.
Copy !req
564. Either a surprise audience—
Copy !req
565. Tomorrow, or, uh… I'll light my cigar.
Copy !req
566. If we've got like everything set for
tomorrow, we just go ahead and do it and—
Copy !req
567. The roof is like too far out.
Copy !req
568. If we do an open air thing…
Copy !req
569. That's— that's really all
I can say about this whole scene.
Copy !req
570. We should learn all the numbers.
All of them.
Copy !req
571. All the ones that are gonna be
on the album.
Copy !req
572. I know it literally takes a bit more time.
Copy !req
573. That's why I wanna
go through with you today, the ones—
Copy !req
574. But we haven't got the end thing.
Copy !req
575. I've got a feeling that
we're gonna just, sort of, go off…
Copy !req
576. We're just gonna go off like we did
after the end of the last album.
Copy !req
577. And just sort of think,
"Oh, not another fucking album."
Copy !req
578. You know? Because this is—
this is what this is, you know.
Copy !req
579. - I can't wait to work it, you know?
- Yeah.
Copy !req
580. But it's like we got much better takes
after we moved from Twickenham to here.
Copy !req
581. Oh, yeah,
but I mean here I like. It's like home.
Copy !req
582. But, like, we still haven't got
any aim for it, except an album again.
Copy !req
583. - Yeah.
- Our only aim ever is an album, you know?
Copy !req
584. Which is like a very nonvisual thing.
Copy !req
585. But albums is
what we're doing at the moment.
Copy !req
586. I mean,
you gotta be sneaky with The Beatles,
Copy !req
587. or else we'll just go on forever
in a circle, you know?
Copy !req
588. Whenever we talk about it,
we have certain rules.
Copy !req
589. Like George saying, "What do you
wanna do?" And he says, "No films."
Copy !req
590. You know, but it's wrong, that.
It's very wrong, that.
Copy !req
591. Because you don't know.
Copy !req
592. He says— What he means is,
no Help, Hard Day's Night.
Copy !req
593. 'Cause this is a film.
And he now he doesn't mind this.
Copy !req
594. It's us going silly again.
Copy !req
595. See, it's like when we came
back from Hamburg,
Copy !req
596. and did Leicester, De Montfort Hall
and we had the worst first night thing,
Copy !req
597. and we're all nervous,
and it was terrible.
Copy !req
598. Then we played another the next night.
We just went right into it.
Copy !req
599. We're good at that
once we get over the nervousness.
Copy !req
600. But it's like there's the hurdle
of that nervousness is there now.
Copy !req
601. Yes, but for who is
tomorrow the day? Not for me.
Copy !req
602. You know, it's like there's this thing
Copy !req
603. where there is a show to be had
out of what we've got here,
Copy !req
604. which is just so incredible.
That's unbelievable.
Copy !req
605. And you don't have to go on the roof.
You don't have to go anywhere.
Copy !req
606. - You really only have to sing 'em.
- Well, even if we stay here—
Copy !req
607. This business of
a deadline though is up to you really,
Copy !req
608. because we've given you deadlines already.
Copy !req
609. Yeah, well, that's why
I'm talking to John, not you.
Copy !req
610. The easiest way to finish the show,
is just to sit here for another few days
Copy !req
611. and start rehearsing them one after
the other and do three numbers at a time.
Copy !req
612. And like George said, get a program
of where we're gonna do 'em,
Copy !req
613. what's gonna follow what.
Copy !req
614. And just start playing them right through.
Copy !req
615. And then just knock it off.
Copy !req
616. Like you used to, and have
all your titles on your guitar, you know.
Copy !req
617. Yes, yes. I mean,
I thought that's what we're doing.
Copy !req
618. It's just that
you say you're not ready.
Copy !req
619. We're not ready, yeah, sure.
Copy !req
620. We're not ready to do 14.
Copy !req
621. See, the only trouble is, we really have
to want to do a show at the end of it.
Copy !req
622. That's the thing. That's the trouble.
Copy !req
623. None of us have an aim.
Copy !req
624. We don't have a thing
at the end of it that we wanna do.
Copy !req
625. We could have had a De Montfort Hall show…
Copy !req
626. This would have been De Montfort Hall
Copy !req
627. if we'd have done
the dress rehearsal here.
Copy !req
628. And get over the nervousness
of an audience,
Copy !req
629. and stop, sort of, playing to show off
to them and—
Copy !req
630. Just play it.
Copy !req
631. Yeah. Yeah.
Copy !req
632. The voices are going in my head,
which way we're gonna— which way we are—
Copy !req
633. What's your, sort of, practical answer
to the problem now, regarding tomorrow?
Copy !req
634. I think we'd be daft just not to do it—
Copy !req
635. - Well, try and do something tomorrow…
- Sorry I'm late.
Copy !req
636. …even if it's a grand dress rehearsal,
and see how it went.
Copy !req
637. - Morning, George.
- And then, you know…
Copy !req
638. I mean, if we had another six weeks…
Copy !req
639. Six weeks.
Copy !req
640. I mean, you know,
if we had another month to play with
Copy !req
641. to really, I think,
get 14 straight off, it'd be nice,
Copy !req
642. you know, to still do the seven we've got.
Copy !req
643. - Do you plan on playing the…
- What, what?
Copy !req
644. I just don't— You know, I think
it's gonna take months doing it like that.
Copy !req
645. So how do you think we should do it then?
Copy !req
646. You can film some
while we're recording them
Copy !req
647. at the same time, okay, but—
Copy !req
648. Yeah, see,
that's what I wanna get in me head.
Copy !req
649. Is it a documentary of us
doing another album? Which it is.
Copy !req
650. Except,
we're doing them one after the other.
Copy !req
651. No, but, I mean, we're not doing a payoff.
Copy !req
652. We're not doing the 11 numbers
straight off for an album.
Copy !req
653. We're gonna have to, sort off, join 'em.
Copy !req
654. I agree with that.
I think it's disappointing but, all right,
Copy !req
655. we've only got to seven. Let's do seven.
Copy !req
656. Yeah.
Copy !req
657. 'Cause otherwise—
We haven't enough time to do 14,
Copy !req
658. 'cause Ringo's gotta go, you know?
Copy !req
659. But we might be able to get another seven
off by the end of two weeks.
Copy !req
660. I mean, we will, but…
Copy !req
661. The only trouble is that the only people,
Copy !req
662. like, who need to agree on what it is
we're doing is the four of us,
Copy !req
663. and we're the only ones
who haven't even talked about it.
Copy !req
664. Because we had the meeting
before all this and said, "TV show."
Copy !req
665. That's what I've gotta get in my head.
Copy !req
666. It's an album.
Copy !req
667. All that footage of film
which could make about half a dozen films.
Copy !req
668. Yeah. It's a film of us making an album.
Copy !req
669. Yeah, but that's visual.
Copy !req
670. Yes. Yeah.
Copy !req
671. Yeah. I've got no complaints about it.
But I just gotta get that in my head.
Copy !req
672. This TV show was supposed
to be a TV show of the last album.
Copy !req
673. - The last album?
- Yes.
Copy !req
674. But when we came to do it we said,
"We'll write new songs."
Copy !req
675. 'Cause that's it, you see.
We always—
Copy !req
676. We never—
We always get ahead of ourselves.
Copy !req
677. The thing is that, like, yesterday,
which wasn't a particularly good day,
Copy !req
678. and the day before, which wasn't
a particularly good day either.
Copy !req
679. Mmm.
Copy !req
680. The reason is obviously
the fact that you're playing
Copy !req
681. the same three or four songs
for a week or whatever,
Copy !req
682. you know,
and you're flogging them to death.
Copy !req
683. Obviously you're getting bored
with them, you know, like,
Copy !req
684. - it can't be any other way.
- Yeah.
Copy !req
685. That was why George and I were trying
to get you yesterday
Copy !req
686. to do three in one go,
straight through, so you had to think,
Copy !req
687. "Oh, yeah, what's the key?
Why isn't it right?"
Copy !req
688. How many have we
already recorded good enough?
Copy !req
689. None.
Copy !req
690. None? Well, what about all those
times we've done "Get Back"?
Copy !req
691. Oh, well, I mean,
one of them's all right, isn't it?
Copy !req
692. There's that one of yours we did.
Copy !req
693. And "Get Back."
Copy !req
694. But they're at a stage
where it's dress rehearsal stage,
Copy !req
695. - Yes.
- Where if you did a performance,
Copy !req
696. it probably would be it.
Copy !req
697. - Yes.
- Yesterday you got terribly close to it
Copy !req
698. on a couple of the numbers
you were trying to do.
Copy !req
699. - One more take and you've had it.
- It's just physical tiredness on my part.
Copy !req
700. You know, it took great strain
Copy !req
701. to get through "Don't Let Me Down"
and the other one.
Copy !req
702. Just physically singing at that pace,
I'm being so tired.
Copy !req
703. Well, that's the thing,
if you're planning on working up
Copy !req
704. till Ringo does the film,
doing it like this,
Copy !req
705. you know, we're just gonna drop.
Copy !req
706. I think— I think yesterday…
Copy !req
707. - At least we could've recorded all those.
- Was the result of not having the weekend.
Copy !req
708. If we hadn't had the weekend, we wouldn't
have been able to even attempt yesterday.
Copy !req
709. That's the paradox.
Copy !req
710. But if we had just
been recording them, you know…
Copy !req
711. And at the moment
the documentary is really like No Exit.
Copy !req
712. It's just going around and around
and around with no payoff.
Copy !req
713. There's no story.
Copy !req
714. There's a lot of good stuff
that we shot in the documentary,
Copy !req
715. but there's no story yet.
Copy !req
716. Now I know how to get
this TV show together in about a week.
Copy !req
717. But I can't do it with you.
I can't produce you.
Copy !req
718. - Neither can anybody else.
- No, right.
Copy !req
719. 'Cause we don't allow it, you know.
Copy !req
720. We don't allow people
to come and say, "You do that."
Copy !req
721. That's why I'm creating
artificial frameworks for us to do it—
Copy !req
722. We've got a lot of good stuff,
like with some of the days at Twickenham.
Copy !req
723. We've got great stuff, counterpoint thing.
But at the moment haven't got an ending.
Copy !req
724. See, 'cause they've got the film,
you know.
Copy !req
725. - I just wanna get out now.
- Yes.
Copy !req
726. We've done the film.
We've done the numbers enough, you know?
Copy !req
727. And we begin together—
Copy !req
728. But, I mean, if George wants to think
while we're doing it
Copy !req
729. that he's making a record.
Copy !req
730. - Yes.
- And you wanna think we're rehearsing.
Copy !req
731. It makes no odds, you know.
Copy !req
732. So we've gotta decide
Copy !req
733. that we mustn't then go on "Get Back"
for three hours.
Copy !req
734. Or else I really feel like
I'm trying to produce The Beatles,
Copy !req
735. and I know it's hopeless.
Copy !req
736. I just can't do it, you know.
Copy !req
737. And no one can do it
Copy !req
738. 'cause the four individuals
are too strong individually.
Copy !req
739. - Yes, we know.
- So you want us to record these songs?
Copy !req
740. Yeah. Get it together now
instead of talking about the show.
Copy !req
741. Get it, so that we've got 14 songs.
Copy !req
742. We're talking about
this abstract thing we hope to get,
Copy !req
743. and by talking about,
we're not getting it.
Copy !req
744. Okay, let's do it.
Copy !req
745. But, man, physically, yesterday
we tried to learn the next half.
Copy !req
746. But physically we were too tired.
Copy !req
747. - That's all it was.
- Yeah, that's right.
Copy !req
748. And we're trying to do what you're saying,
Copy !req
749. and we might have done
what he was saying at the same time,
Copy !req
750. but we couldn't do it 'cause we're tired.
Copy !req
751. - That's all.
- Yeah.
Copy !req
752. So we had—
We might have had a bit more sleep—
Copy !req
753. You mean you're still expecting us to be
on the chimney with a lot of people,
Copy !req
754. or something like that?
Copy !req
755. Well, anyway, we won't worry
about that. Don't give us that one.
Copy !req
756. "Expecting" is not a word we use anymore.
Copy !req
757. Uh, "thinking about."
Copy !req
758. - "Praying"?
- "Praying. Hoping."
Copy !req
759. Uh… well, now,
what about the roof tomorrow?
Copy !req
760. - Do you wanna collectively do it or not?
- No, let's—
Copy !req
761. Let's— Let's decide on that,
sort of, a bit later.
Copy !req
762. Let's us keep off that.
Copy !req
763. - We'll do the numbers, you know?
Copy !req
764. We're the band.
Copy !req
765. - "You're fucking right."
Copy !req
766. No, you know, I— You know, whatever.
Copy !req
767. I'll do it if we've got to go on the roof.
Copy !req
768. - You're the band now…
- You know, I mean…
Copy !req
769. You would like to?
Copy !req
770. Very diverse people.
Copy !req
771. - One second.
- But, I mean if… See, I don't mind…
Copy !req
772. - That's all right. We won't discuss it.
- …if anybody doesn't wanna go on it.
Copy !req
773. - It wasn't that I—
- So what songs have we got?
Copy !req
774. Have we got a sort of list
of what we've got, 'cause—
Copy !req
775. A lot of them are…
I mean, there's too much of a list there.
Copy !req
776. - But there's certainly everything here.
- Okay.
Copy !req
777. "I've Got a Feeling,"
"Don't Let Me Down,"Get Back."
Copy !req
778. - Don't know what that is.
- "I'd Like a Love That's Right."
Copy !req
779. "Long and Winding Road,"
"Let it Be,"For You Blue."
Copy !req
780. - I love "Yer Blue."
- "Two of Us,"All I Want is You,"
Copy !req
781. "Across The Universe,"
"Maxwell's Silver Hammer."
Copy !req
782. - "Route 999."
- "One After 909."
Copy !req
783. - "One After 909."
Copy !req
784. Listen, there's no surprise numbers
even in this.
Copy !req
785. Surprises?
Copy !req
786. I mean, there's nothing that'd throw us
to do it straight.
Copy !req
787. "Bathroom Window,"Teddy Boy."
Copy !req
788. We haven't gone through
"Maxwell's" since Twickenham.
Copy !req
789. No. "All Things Must Pass."
That's lucky 13.
Copy !req
790. There's "Dig It", as well,
which is very long.
Copy !req
791. It's like all these new ones
we've gotta do
Copy !req
792. to make up the number don't exist.
Copy !req
793. - Right.
- Great.
Copy !req
794. We've got 'em all.
Copy !req
795. And you've got the live album.
Copy !req
796. - Yeah.
- If you wanna do it, if we just find out—
Copy !req
797. We should just collect
all the thoughts on these
Copy !req
798. and just check through every song,
Copy !req
799. like to know, say, make sure you know
all the chords, I know all the bass notes.
Copy !req
800. Are we having lunch soon?
Copy !req
801. - See you later.
- Ta-ra, girls.
Copy !req
802. See ya.
Copy !req
803. John, I'll tell you
what I'd like to do.
Copy !req
804. Um…
Copy !req
805. You know, I've got so many songs
that I've got me, like,
Copy !req
806. my quota of tunes
for the next ten years or albums.
Copy !req
807. I'd just like to maybe do
an album of songs.
Copy !req
808. - Yeah.
- Yeah.
Copy !req
809. But, I mean,
I'd like it so that if, uh…
Copy !req
810. 'Cause it would be nice. It would be nice
to mainly get them all out the way.
Copy !req
811. Yes.
Copy !req
812. And secondly, just to hear
what all mine are like all together.
Copy !req
813. Yeah, but it'd be nice if
any of us can do separate things as well.
Copy !req
814. That way it also preserves this,
the Beatle bit of it, more.
Copy !req
815. Because then—
Copy !req
816. Have an outlet
for every little note you want.
Copy !req
817. You know,
'cause all these songs of mine,
Copy !req
818. I could give to people
who could do 'em good.
Copy !req
819. But I suddenly realized,
"You know, fuck all that.
Copy !req
820. I'm just gonna do me for a bit. You know?"
Copy !req
821. - That's the real thing.
- It's great. That's a good idea.
Copy !req
822. And, you know…
Copy !req
823. This one.
Copy !req
824. - Take it.
- Yes, sir.
Copy !req
825. I'm going home.
Copy !req
826. A, B, C, D, E, F, G,
Copy !req
827. - H, I, J, K, L, M, N, O, P…
- Greta Garbo.
Copy !req
828. - …Q, S, R, T.
- Greta Garbo. Greta Garbo.
Copy !req
829. Greta Garbo.
Copy !req
830. No, that's not.
Copy !req
831. Put the ones we know in a hat.
Copy !req
832. Shuffle them out
to see which order we do 'em in.
Copy !req
833. We'll all be here bright and early.
Copy !req
834. 11:30.
Copy !req
835. We're all sleeping at George's tonight.
Get in the mood.
Copy !req
836. We're all ready for tomorrow.
Copy !req
837. So you're doing the show
on the roof tomorrow?
Copy !req
838. Oh, sure, Albert Hall.
Sure. Five o'clock. See you there.
Copy !req
839. Mm-hmm.
Copy !req
840. - You'll go as well?
- Yeah.
Copy !req
841. I think John and, uh, Ringo
are on the roof.
Copy !req
842. In a green bag on the roof.
Copy !req
843. Who knows, Yoko?
Copy !req
844. Supposed to be, yeah. Yeah.
Copy !req
845. - Okay.
- Oh, yeah. Let's do that.
Copy !req
846. Go on the roof.
Copy !req
847. - Good night, Mike.
Copy !req
848. - Seven come 11. Good night.
- The others are from…
Copy !req
849. - Good night.
- Good night.
Copy !req
850. - Good night!
Copy !req
851. From your show.
Copy !req
852. - Night, George.
- Good night, George!
Copy !req
853. Good night, Sir Richard.
Copy !req
854. I'll be here tomorrow
to film in the church.
Copy !req
855. And then Tony and I
are gonna split downstairs.
Copy !req
856. - Yeah?
Copy !req
857. Would you like to go up
when you're ready?
Copy !req
858. - What time is he expecting you?
- You can give them to Debbie.
Copy !req
859. You know, it's exclusive.
It's gotta work for whoever does it.
Copy !req
860. Thank you.
Copy !req
861. Let's get a camera
down in the hall now too.
Copy !req
862. Yeah, I heard about that.
Copy !req
863. - Yes.
- Is that the same kind of…
Copy !req
864. Okay, hold it.
Copy !req
865. Three, two, one. All right.
Copy !req
866. Hi. Can we come in?
Copy !req
867. - Who you here for?
- Tony Richmond. Is he—
Copy !req
868. There's a special lead
that goes under.
Copy !req
869. Tony's ready, isn't he?
Copy !req
870. Uh, with cameras?
Copy !req
871. - Yeah.
- Yeah.
Copy !req
872. Okay. Let's go.
Copy !req
873. - Is it running?
- Yes.
Copy !req
874. - We're running.
- Running.
Copy !req
875. - What's going on?
- All right.
Copy !req
876. All cameras, take one!
Copy !req
877. Where's the best way
out of the way?
Copy !req
878. Over here, I think.
Copy !req
879. - Yeah, you would think that.
- With Maureen.
Copy !req
880. See, you can never tell
what he's doing.
Copy !req
881. Sorry.
Copy !req
882. - Hey.
- You know you're around back.
Copy !req
883. Which is you here.
Copy !req
884. - We may find—
- All right, yeah?
Copy !req
885. - It's a bit cold, isn't it?
- What's going on?
Copy !req
886. It's, uh, great.
Copy !req
887. - You're all right playing there?
- I don't know.
Copy !req
888. - Good shot there.
- Yeah.
Copy !req
889. Where's the instruments?
Copy !req
890. - Mal?
Copy !req
891. Nailed me down in the wrong place.
Copy !req
892. That's the last of it, yeah.
Copy !req
893. The three— First, second and third.
Copy !req
894. - First of all, that seems to…
- I think if we have some…
Copy !req
895. Are you sure?
Copy !req
896. We've worked that out.
Copy !req
897. - Let's set them up.
- Yeah.
Copy !req
898. There's piping along there.
That's where you put them back in.
Copy !req
899. Yeah, well that goes in here.
Copy !req
900. - That should do it, really.
- Yeah.
Copy !req
901. - What's that? A perfect fit.
- Yeah, man.
Copy !req
902. What is it?
Copy !req
903. Hands are getting the feel of it.
Copy !req
904. It's gotta be like it is.
Copy !req
905. Just record the song.
Copy !req
906. Glyn, are you getting this down there?
Copy !req
907. - Oh, it's right-handed.
- Is it?
Copy !req
908. - Yeah.
- Kevin?
Copy !req
909. - I missed the start. George—
Copy !req
910. - Just look down. Must have had a few.
- Well, they're gonna hear it.
Copy !req
911. - Final checks. Roll sound.
- Right.
Copy !req
912. One, two, three, four…
Copy !req
913. - Rolling.
Copy !req
914. - Rolling. Is the door shut?
Copy !req
915. - Come on.
- We're good to go.
Copy !req
916. - Glyn, this one?
- No.
Copy !req
917. The one at the bottom of the spirals.
Copy !req
918. It's gotta be wedged.
Copy !req
919. - Get the clapper.
- Come on, you idiot.
Copy !req
920. Get the clapper here.
Copy !req
921. - Okay?
- Okay.
Copy !req
922. Okay.
Copy !req
923. One, two, three, four…
Copy !req
924. Yeah.
Copy !req
925. Whoo-hoo!
Copy !req
926. - Thank you very much.
- Thank you very much.
Copy !req
927. It looks like
Ted Dexter has scored another.
Copy !req
928. We've had a request
from Martin and Luther.
Copy !req
929. We need more voice on the PA, yes, Glyn?
Copy !req
930. - No, we don't need any more.
- That's all right. Hello? Hello?
Copy !req
931. Glyn, any more voice on the Fenders?
Copy !req
932. Do it there.
Copy !req
933. - What?
- Do it from up there.
Copy !req
934. No, they would have had
to turn off the whole roof.
Copy !req
935. Okay, cut it.
Copy !req
936. Mike, have you cut?
Copy !req
937. - Yeah, we'll cut.
Copy !req
938. Where's the noise coming from?
Copy !req
939. It's coming from the roof.
Copy !req
940. Do you know who it is?
Copy !req
941. Yeah, The Beatles, ain't it?
Yeah.
Copy !req
942. You like it?
Copy !req
943. Yeah, it's okay.
Copy !req
944. What do you think of it?
It's The Beatles.
Copy !req
945. Oh, I think jolly good.
Copy !req
946. Enjoying it?
Copy !req
947. Yeah, very much. Nice, bright thing
to see at the end of the day.
Copy !req
948. Do you like the idea?
Copy !req
949. I don't know
what they're supposed to be doing.
Copy !req
950. - Right, stop—
- All cameras, three!
Copy !req
951. Okay. When you're ready, guys.
Copy !req
952. All right, Billy.
Copy !req
953. One, two, three, four.
Copy !req
954. Get back, Jo Jo.
Copy !req
955. Go home.
Copy !req
956. Yeah.
Copy !req
957. You could say so, yes.
I think they're great.
Copy !req
958. Get back, Loretta.
Copy !req
959. Yeah, go home.
Copy !req
960. Your mommy's waiting.
Copy !req
961. In her high-heel shoes
and her low-neck sweater.
Copy !req
962. Get back, Loretta!
Copy !req
963. Whoo!
Copy !req
964. I think it's marvelous. Yes.
Copy !req
965. Beatles, I think.
Copy !req
966. Oh, get back home.
Copy !req
967. Never more to roam.
Copy !req
968. On the roof?
Copy !req
969. It's The Beatles, isn't it? Yeah.
Copy !req
970. It's Paul McCartney singing now.
Well, it was. Yeah.
Copy !req
971. Okay. Well, thank you,
ladies and gentlemen.
Copy !req
972. We've had a request
from Daisy, Morris and Tommy.
Copy !req
973. - "Don't Let Me Down."
- Okay.
Copy !req
974. This type of music
is all right in its place,
Copy !req
975. but I think it's a bit of an imposition.
First of all, it's too loud.
Copy !req
976. Absolutely disrupts all the business
in this area.
Copy !req
977. I think it's great!
Who is this? The Beatles?
Copy !req
978. I think it's fantastic.
Copy !req
979. Don't let me down.
Copy !req
980. That's right.
Copy !req
981. Whoo-hoo!
Copy !req
982. - That was so hard.
Copy !req
983. Hey! All right!
Copy !req
984. No, no, no, no.
Copy !req
985. Peace on Earth!
Copy !req
986. - Alan.
Copy !req
987. Ringo?
Copy !req
988. - Are the cameras still running?
- Yeah.
Copy !req
989. Just stick your snare drum mic
back over the snare drum.
Copy !req
990. Sir, we must have
your comment. What do you think of it?
Copy !req
991. What's going on?
Copy !req
992. - It's The Beatles.
- What gives? What's happening?
Copy !req
993. They decided to play
for the public for nothing.
Copy !req
994. Well, that's great.
Copy !req
995. It's a bloody stupid place
to have a concert.
Copy !req
996. Nice to have something for free
in this country at the moment, isn't it?
Copy !req
997. - Don't you like The Beatles?
- No.
Copy !req
998. - No?
- No.
Copy !req
999. Not at all?
Copy !req
1000. Not now. They've changed completely.
Copy !req
1001. The Beatles are doing
a free concert on the roof.
Copy !req
1002. - Now?
- Yeah. What do you think of it?
Copy !req
1003. I think it's very good.
Why aren't they doing it in the street?
Copy !req
1004. They just thought you'd wanna hear it.
Copy !req
1005. Yeah, well, we'd also like to see them.
Copy !req
1006. I just can't see that it makes sense.
Copy !req
1007. Well, I think it's a very good thing.
Copy !req
1008. It woke me up from my sleep,
and I don't like it.
Copy !req
1009. All cameras, four!
Copy !req
1010. One, two, three.
Copy !req
1011. Make sure you don't lean on that.
Copy !req
1012. I can't see what to do.
Copy !req
1013. - Oh.
- "Dig A Pony."
Copy !req
1014. I'll have to get the words then.
Copy !req
1015. - "Dig A Pony."
- "Dig A Pony."
Copy !req
1016. - I don't know. It's just, uh—
- Just ask Mal to hold 'em.
Copy !req
1017. Yeah.
Copy !req
1018. - Kev.
- Kevin?
Copy !req
1019. Come here.
Copy !req
1020. Can you hang on?
Well, I'll ring you back later, all right?
Copy !req
1021. Thank you very much.
Copy !req
1022. We can't use City One Reserve.
Copy !req
1023. Charming, innit?
Copy !req
1024. - Jimmy?
- Hmm?
Copy !req
1025. Have a Sweet Afton.
Copy !req
1026. Thank you. Don't mind if I do.
Copy !req
1027. Rolling.
Copy !req
1028. Are you all ready?
Copy !req
1029. Yeah? Okay. Are we rolling?
Copy !req
1030. - Yeah.
- Okay.
Copy !req
1031. - One, two, three!
- Hold it!
Copy !req
1032. One, two, three…
Copy !req
1033. Yeah, so why is it on the top of the roof?
Copy !req
1034. All that money they've got?
Copy !req
1035. No, I have no idea.
But it sounds really wonderful.
Copy !req
1036. Yes.
Copy !req
1037. Yes.
Copy !req
1038. Oh, yes.
Copy !req
1039. - Yes, I do. Yes.
- Yeah, I think it's a good idea.
Copy !req
1040. Yes.
Copy !req
1041. Thank you, brothers.
Copy !req
1042. My hands are getting too cold
to play a chord now.
Copy !req
1043. - Turn on the PA too.
- Okay.
Copy !req
1044. - Shall we do "Can You Dig It"?
Copy !req
1045. - "Can You Dig It"?
- I don't know.
Copy !req
1046. What's happening?
Copy !req
1047. The Beatles, obviously.
Copy !req
1048. - Fabulous. Lovely.
- Definitely. Fantastic.
Copy !req
1049. - They're all a few lads.
- Yeah. Get around, don't they?
Copy !req
1050. - I said they get around.
Copy !req
1051. "Misery."
That's the one, I think.
Copy !req
1052. - That it?
- That's it. Lovely.
Copy !req
1053. Anywhere where I could
have a listen to this?
Copy !req
1054. Yes. Very much. Yes.
Copy !req
1055. Yeah. It's great.
Copy !req
1056. Um, I think Ringo.
Copy !req
1057. No.
Copy !req
1058. No.
Copy !req
1059. Yeah.
Copy !req
1060. Yeah. I think they're good.
Copy !req
1061. Okay. Glynny.
Are you ready, Glyn?
Copy !req
1062. - Running.
- Turnover, Mike.
Copy !req
1063. Can we scratch that?
Copy !req
1064. - Tuning.
- Running. Ready?
Copy !req
1065. Okay, okay.
Copy !req
1066. Not in the street, no.
Copy !req
1067. - Oh, yes. Yes. Very much.
- You do?
Copy !req
1068. No, my son does.
Copy !req
1069. Oh, yes. My daughter does.
Copy !req
1070. My son would.
He likes all that, but not me.
Copy !req
1071. Yeah, we'll come upstairs.
Copy !req
1072. Yeah.
Copy !req
1073. - One, two, three, four.
- "And For The First Time."
Copy !req
1074. - Oh!
- No, no, "Don't Let Me Down." Sorry.
Copy !req
1075. Rock and roll!
Copy !req
1076. You too!
Copy !req
1077. - Whoo!
Copy !req
1078. Whoo!
Copy !req
1079. Whoo!
Copy !req
1080. Yeah, that's right.
Copy !req
1081. Yes.
Copy !req
1082. Yeah.
Copy !req
1083. It's off.
Copy !req
1084. Whoo!
Copy !req
1085. Whoo!
Copy !req
1086. Yeah!
Copy !req
1087. Whoo!
Copy !req
1088. Get back.
Copy !req
1089. - Thanks, Mo.
- I'd like to say thank you
Copy !req
1090. on behalf of the group and ourselves.
Copy !req
1091. I hope we passed the audition.
Copy !req
1092. All right, boys.
Get in here. Step aside, there.
Copy !req
1093. You all right?
Copy !req
1094. Come. Get in there. Come on. In there.
Copy !req
1095. What's the matter? Everything all right?
Copy !req
1096. Hmm?
Copy !req
1097. Get some more cover there.
Film through the office windows.
Copy !req
1098. Okay.
Copy !req
1099. People on the roof. Everything.
Copy !req
1100. Stay there, girls. Stay there.
Copy !req
1101. Thank you.
Copy !req
1102. Okay. As soon as
you got the cover, that's a wrap.
Copy !req
1103. Let's keep it moving please.
Copy !req
1104. Step off the road, please.
Move along!
Copy !req
1105. Move along, please.
Copy !req
1106. Move along, please.
Copy !req
1107. Off the road, please.
Copy !req
1108. - Come on. Move along.
Copy !req
1109. What's the law say that you—
why you can't do that?
Copy !req
1110. - 'Cause of the PA speakers.
- Disturbing the peace.
Copy !req
1111. - Well, how— "Disturbing the peace"?
- Peace means like noise.
Copy !req
1112. As Mike was saying,
Copy !req
1113. this is a very good dry run
for something else too.
Copy !req
1114. Apart from the value of this as it stands.
Copy !req
1115. Yeah.
Copy !req
1116. - Yeah, for taking over London.
- Yeah.
Copy !req
1117. - You see, because…
- Top of the Hilton tomorrow.
Copy !req
1118. Blasting out the sound in their power.
Copy !req
1119. - Fantastic.
- Every rock group in the world,
Copy !req
1120. in London, all on the top of buildings.
Copy !req
1121. - Playing the same tune.
- Also on a platform of loudspeakers.
Copy !req
1122. So you're just sort of strapped in
to little boxes in this structure.
Copy !req
1123. What are you feeling about today?
Copy !req
1124. - You wanna work more today or not?
- Yeah.
Copy !req
1125. We should record the others now.
Copy !req
1126. Gotta get the stuff down first.
Copy !req
1127. - Let's have a break for a bit.
- We'll have lunch and that.
Copy !req
1128. And then we record the other stuff
that we didn't do.
Copy !req
1129. - Right.
- Up there. The acoustic stuff.
Copy !req
1130. - Up there?
- No, down here now.
Copy !req
1131. - When I—
- There won't be more rooftops.
Copy !req
1132. No. No more rooftop.
Copy !req
1133. - That was the rooftop.
- It was really bad.
Copy !req
1134. - Oh, right.
- So, it's like—
Copy !req
1135. You know, you're doing this
and we're taking it—
Copy !req
1136. If we got the police,
we could pretend in the film
Copy !req
1137. that we had to get down because of them.
Copy !req
1138. - And here we are…
- Just the way it happened then.
Copy !req
1139. That'll just be it, you know.
Copy !req
1140. This is B camera roll, 1,150.
Copy !req
1141. Slate 500, take one. Slate 500, take one.
Copy !req
1142. Roll mic.
Copy !req
1143. It might have been— You know.
I don't like to throw things away.
Copy !req
1144. Okay. Ready?
Copy !req
1145. - Okay, turnover cameras.
- Clap it.
Copy !req
1146. Turnover cameras.
Copy !req
1147. Okay.
Copy !req
1148. - Running.
- Turn over.
Copy !req
1149. - Did I ever tell you when I had the—
- Take— Take ten.
Copy !req
1150. I don't think
I wanna hear that, Dick.
Copy !req
1151. Okay, Jim.
Copy !req
1152. - Good night, Paul.
- Say good night, John.
Copy !req
1153. - Good night, Paul.
- Good night.
Copy !req
1154. Take— Take— Take 17!
Copy !req
1155. - Okay, start again.
Copy !req
1156. F-stop.
Copy !req
1157. We'll need one more, actually.
Copy !req
1158. Take 18.
Copy !req
1159. Now what's the chord you play…
Copy !req
1160. - Running.
Copy !req
1161. - Running, Col? Running, Mike?
- Yeah.
Copy !req
1162. - Running, yeah.
- Nice and quiet. Mark it.
Copy !req
1163. Take 25.
Copy !req
1164. - What the shittin' hell is going on here?
Copy !req
1165. Eins, zwei, viertel nach drei.
Copy !req
1166. What the fuck's going on?
Copy !req
1167. I'll never get "Maggie Mae" done
if we go on like this.
Copy !req
1168. Are we supposed to giggle in the solo?
Copy !req
1169. - Yeah.
- Okay.
Copy !req
1170. - Get off, you bum!
Copy !req
1171. - I lost a bass note somewhere.
- Oh.
Copy !req
1172. Let it be.
Copy !req
1173. - Is that the best one?
- I think that was rather grand.
Copy !req
1174. I'd take one home with me.
Copy !req
1175. Yeah, that was fine.
Copy !req
1176. Don't kid us, Glyn.
Copy !req
1177. Give it to us straight.
Copy !req
1178. - Get me off this bass.
- Was that good enough?
Copy !req
1179. - Yes.
- We'll do one more to cover ourselves.
Copy !req
1180. We'll just do one more
'cause we know we've got it now.
Copy !req
1181. We've got so many of the bastards.
Copy !req