The Amazing World of Gumball 3x35

1. AAH!

2. AAH! WAKE UP!

3. AAH! WAKE UP! WE'RE GONNA BE LATE FOR SCHOOL!

4. WAKE UP! WE'RE GONNA BE LATE FOR SCHOOL! UH, I'LL GET UP WHEN

5. WE'RE GONNA BE LATE FOR SCHOOL! UH, I'LL GET UP WHEN THE ALARM GOES OFF.

6. UH, I'LL GET UP WHEN THE ALARM GOES OFF. BUT YOU'VE ALREADY

7. THE ALARM GOES OFF. BUT YOU'VE ALREADY PRESSED THE SNOOZE BUTTON!

8. BUT YOU'VE ALREADY PRESSED THE SNOOZE BUTTON! THAT WAS FIVE

9. PRESSED THE SNOOZE BUTTON! THAT WAS FIVE MINUTES AGO.

10. THAT WAS FIVE MINUTES AGO. THAT WAS AN HOUR AGO.

11. MINUTES AGO. THAT WAS AN HOUR AGO. SNOOZE TIME GOES FASTER THAN

12. THAT WAS AN HOUR AGO. SNOOZE TIME GOES FASTER THAN REGULAR TIME.

13. SNOOZE TIME GOES FASTER THAN REGULAR TIME. OHH, I JUST FOUND

14. REGULAR TIME. OHH, I JUST FOUND THE PERFECT POSITION.

15. OHH, I JUST FOUND THE PERFECT POSITION.

16. THE PERFECT POSITION. DUDE, YOU LOOK LIKE YOU FELL

17. DUDE, YOU LOOK LIKE YOU FELL FROM THE SEVENTH FLOOR.

18. DUDE, YOU LOOK LIKE YOU FELL FROM THE SEVENTH FLOOR. COME ON, MAN.

19. FROM THE SEVENTH FLOOR. COME ON, MAN. JUST ANOTHER MINUTE.

20. COME ON, MAN. JUST ANOTHER MINUTE. NO, WE'RE ALREADY

21. JUST ANOTHER MINUTE. NO, WE'RE ALREADY LATE.

22. NO, WE'RE ALREADY LATE. LOOK!

23. LATE. LOOK! AAH!

24. LOOK! AAH! ALL RIGHT, WHAT WE

25. AAH! ALL RIGHT, WHAT WE NEED IS A GOOD EXCUSE.

26. ALL RIGHT, WHAT WE NEED IS A GOOD EXCUSE. WE NEED SOMETHING EMBARRASSING

27. NEED IS A GOOD EXCUSE. WE NEED SOMETHING EMBARRASSING THAT MISS SIMIAN TOTALLY

28. WE NEED SOMETHING EMBARRASSING THAT MISS SIMIAN TOTALLY WOULDN'T WANT TO KNOW ABOUT,

29. THAT MISS SIMIAN TOTALLY WOULDN'T WANT TO KNOW ABOUT, LIKE "SORRY,

30. WOULDN'T WANT TO KNOW ABOUT, LIKE "SORRY, MISS, IT'S BECAUSE DARWIN ATE A

31. LIKE "SORRY, MISS, IT'S BECAUSE DARWIN ATE A BAD TACO AND, WELL..."

32. MISS, IT'S BECAUSE DARWIN ATE A BAD TACO AND, WELL..."

33. BAD TACO AND, WELL..."

34. FIRST OF ALL, DON'T

35. FIRST OF ALL, DON'T DIS MEXICAN FOOD, BECAUSE IT

36. FIRST OF ALL, DON'T DIS MEXICAN FOOD, BECAUSE IT ROCKS.

37. DIS MEXICAN FOOD, BECAUSE IT ROCKS. SECONDLY, THAT LOOKED LIKE

38. ROCKS. SECONDLY, THAT LOOKED LIKE DARWIN ATE A TACO, PLAYED A SAD

39. SECONDLY, THAT LOOKED LIKE DARWIN ATE A TACO, PLAYED A SAD SONG ON A GUITAR, HIS HEAD

40. DARWIN ATE A TACO, PLAYED A SAD SONG ON A GUITAR, HIS HEAD EXPLODED, AND THEN HE FIRED

41. SONG ON A GUITAR, HIS HEAD EXPLODED, AND THEN HE FIRED LASERS OUT OF HIS FINGERS.

42. EXPLODED, AND THEN HE FIRED LASERS OUT OF HIS FINGERS. THAT WOULD BE A GOOD

43. LASERS OUT OF HIS FINGERS. THAT WOULD BE A GOOD EXCUSE, THOUGH.

44. THAT WOULD BE A GOOD EXCUSE, THOUGH. NO, DON'T YOU

45. EXCUSE, THOUGH. NO, DON'T YOU REMEMBER WHAT SIMIAN SAID?

46. NO, DON'T YOU REMEMBER WHAT SIMIAN SAID? AND IF YOU TURN UP LATE

47. REMEMBER WHAT SIMIAN SAID? AND IF YOU TURN UP LATE AGAIN, I WILL HAVE NO CHOICE BUT

48. AND IF YOU TURN UP LATE AGAIN, I WILL HAVE NO CHOICE BUT TO...

49. AGAIN, I WILL HAVE NO CHOICE BUT TO... EH, ALL I REMEMBER

50. TO... EH, ALL I REMEMBER IS THAT I NEVER NOTICED BEFORE

51. EH, ALL I REMEMBER IS THAT I NEVER NOTICED BEFORE HOW THE TOP OF HER HEAD LOOKS

52. IS THAT I NEVER NOTICED BEFORE HOW THE TOP OF HER HEAD LOOKS LIKE MOUNT FUJI.

53. HOW THE TOP OF HER HEAD LOOKS LIKE MOUNT FUJI. SHE SAID,

54. LIKE MOUNT FUJI. SHE SAID, "AND IF YOU TURN UP LATE AGAIN,

55. SHE SAID, "AND IF YOU TURN UP LATE AGAIN, I WILL HAVE NO CHOICE BUT TO

56. "AND IF YOU TURN UP LATE AGAIN, I WILL HAVE NO CHOICE BUT TO EXPEL YOU BOTH!"

57. I WILL HAVE NO CHOICE BUT TO EXPEL YOU BOTH!" EXPEL?

58. EXPEL YOU BOTH!" EXPEL?

59. EXPEL?

60. RIGHT. HOW LONG HAVE WE GOT?

61. RIGHT. HOW LONG HAVE WE GOT? UH... OKAY. THANKS.

62. AAH! THIS IS REALLY WEIRD.

63. THIS IS REALLY WEIRD. I THINK WE SHOULD TRY AND FIGURE

64. WEIRD. I THINK WE SHOULD TRY AND FIGURE OUT WHAT'S CAUSING IT.

65. I THINK WE SHOULD TRY AND FIGURE OUT WHAT'S CAUSING IT. WELL, I THINK WE

66. OUT WHAT'S CAUSING IT. WELL, I THINK WE SHOULD RUN BEFORE WE GET

67. WELL, I THINK WE SHOULD RUN BEFORE WE GET EXPELLED.

68. SHOULD RUN BEFORE WE GET EXPELLED. LET'S COMPROMISE.

69. EXPELLED. LET'S COMPROMISE.

70. LET'S COMPROMISE. I CAN'T KEEP ON LIKE

71. I CAN'T KEEP ON LIKE THIS FOREVER.

72. I CAN'T KEEP ON LIKE THIS FOREVER. WE'VE BEEN RUNNING FOR HOURS!

73. THIS FOREVER. WE'VE BEEN RUNNING FOR HOURS! OH, YOU GOT TO BE

74. WE'VE BEEN RUNNING FOR HOURS! OH, YOU GOT TO BE KIDDING!

75. OH, YOU GOT TO BE KIDDING! WE'VE ONLY BEEN RUNNING FOR FIVE

76. KIDDING! WE'VE ONLY BEEN RUNNING FOR FIVE SECONDS.

77. WE'VE ONLY BEEN RUNNING FOR FIVE SECONDS. EH, IT JUST FEELS

78. SECONDS. EH, IT JUST FEELS LONGER WHEN YOU LOOK AT THE

79. EH, IT JUST FEELS LONGER WHEN YOU LOOK AT THE CLOCK.

80. LONGER WHEN YOU LOOK AT THE CLOCK. OKAY, STOP.

81. CLOCK. OKAY, STOP. WE'RE NOT GONNA MAKE IT ON TIME.

82. OKAY, STOP. WE'RE NOT GONNA MAKE IT ON TIME. I REALLY DIDN'T WANT TO SAY

83. WE'RE NOT GONNA MAKE IT ON TIME. I REALLY DIDN'T WANT TO SAY THIS, BUT THERE'S ONLY ONE

84. I REALLY DIDN'T WANT TO SAY THIS, BUT THERE'S ONLY ONE SOLUTION LEFT — WE'RE GONNA

85. THIS, BUT THERE'S ONLY ONE SOLUTION LEFT — WE'RE GONNA HAVE TO GET THE PUBLIC BUS.

86. SOLUTION LEFT — WE'RE GONNA HAVE TO GET THE PUBLIC BUS.

87. WAIT — WHAT'S SO BAD ABOUT THE PUBLIC BUS?

88. WAIT — WHAT'S SO BAD ABOUT THE PUBLIC BUS? IT'S A ZOO IN THERE.

89. ABOUT THE PUBLIC BUS? IT'S A ZOO IN THERE.

90. IT'S A ZOO IN THERE. NOT LITERALLY.

91. NOT LITERALLY. OHH.

92. NOT LITERALLY. OHH. IT IS

93. OHH. IT IS FILLED WITH FILTHY CARNIVORES,

94. IT IS FILLED WITH FILTHY CARNIVORES, DANGEROUS SCAVENGERS, AND

95. FILLED WITH FILTHY CARNIVORES, DANGEROUS SCAVENGERS, AND POISONOUS REPTILES —

96. DANGEROUS SCAVENGERS, AND POISONOUS REPTILES — BASICALLY, PEOPLE

97. POISONOUS REPTILES — BASICALLY, PEOPLE WHO DON'T OWN A CAR.

98. BASICALLY, PEOPLE WHO DON'T OWN A CAR. SO, WHAT DO WE DO?

99. WHO DON'T OWN A CAR. SO, WHAT DO WE DO? ANYBODY WHO LOOKS AT

100. SO, WHAT DO WE DO? ANYBODY WHO LOOKS AT YOU SIDEWAYS, YOU JUST DROP 'EM

101. ANYBODY WHO LOOKS AT YOU SIDEWAYS, YOU JUST DROP 'EM LIKE THIS — HYAH!

102. YOU SIDEWAYS, YOU JUST DROP 'EM LIKE THIS — HYAH! AAH!

103. LIKE THIS — HYAH! AAH! YEAH, WELL, YOU GET THE IDEA.

104. AAH! YEAH, WELL, YOU GET THE IDEA.

105. YEAH, WELL, YOU GET THE IDEA. HE'S

106. HE'S LOOKING AT ME SIDEWAYS.

107. HE'S LOOKING AT ME SIDEWAYS. AAH!

108. LOOKING AT ME SIDEWAYS. AAH!

109. AAH! DUDE, HE HAS TO — HE'S SUPPOSED

110. DUDE, HE HAS TO — HE'S SUPPOSED TO LOOK AT THE ROAD.

111. DUDE, HE HAS TO — HE'S SUPPOSED TO LOOK AT THE ROAD. It's the other ones you need to

112. TO LOOK AT THE ROAD. It's the other ones you need to worry about.

113. It's the other ones you need to worry about.

114. WHAT? WHAT?

115. WHAT? WHAT? WHAT?

116. WHAT? WHAT? WHAT?

117. WHAT? WHAT? NO, I MEANT WHAT, AS

118. WHAT? NO, I MEANT WHAT, AS IN LIKE, WHAT?

119. NO, I MEANT WHAT, AS IN LIKE, WHAT? WHAT?

120. IN LIKE, WHAT? WHAT?

121. WHAT? WHAT?

122. WHAT? OH, UH...

123. WHAT? OH, UH... HMM!

124. OH, UH... HMM!

125. OHH! WHAT IS THIS? CLAM JUICE AND TOMATO.

126. OHH! WHAT IS THIS? CLAM JUICE AND TOMATO.

127. CLAM JUICE AND TOMATO.

128. PLEASE TAKE EVERYTHING!

129. PLEASE TAKE EVERYTHING! PLEASE, I BEG YOU.

130. PLEASE TAKE EVERYTHING! PLEASE, I BEG YOU. JUST DON'T TOUCH THE FACE.

131. PLEASE, I BEG YOU. JUST DON'T TOUCH THE FACE.

132. I-I'M SORRY, EVERYONE. SORRY.

133. EVERYONE. SORRY. MY BROTHER HAD SOME VERY

134. SORRY. MY BROTHER HAD SOME VERY SUBURBAN PRECONCEPTIONS ABOUT

135. MY BROTHER HAD SOME VERY SUBURBAN PRECONCEPTIONS ABOUT WHAT THE CITY BUS WAS LIKE, AND

136. SUBURBAN PRECONCEPTIONS ABOUT WHAT THE CITY BUS WAS LIKE, AND HE BEHAVED LIKE A COMPLETE

137. WHAT THE CITY BUS WAS LIKE, AND HE BEHAVED LIKE A COMPLETE DIPSTICK.

138. HE BEHAVED LIKE A COMPLETE DIPSTICK. OW!

139. DIPSTICK. OW! UH, SO, YEAH, CAN SOMEONE PLEASE

140. OW! UH, SO, YEAH, CAN SOMEONE PLEASE TELL US HOW LONG IT'LL TAKE TO

141. UH, SO, YEAH, CAN SOMEONE PLEASE TELL US HOW LONG IT'LL TAKE TO GET TO ELMORE HIGH?

142. TELL US HOW LONG IT'LL TAKE TO GET TO ELMORE HIGH? THIS BUS IS GOING TO

143. GET TO ELMORE HIGH? THIS BUS IS GOING TO RICHWOOD.

144. THIS BUS IS GOING TO RICHWOOD. WHAT?

145. RICHWOOD. WHAT? THEN WE'RE RUNNING

146. WHAT? THEN WE'RE RUNNING OUT OF TIME!

147. THEN WE'RE RUNNING OUT OF TIME! WE'RE GONNA HAVE TO

148. OUT OF TIME! WE'RE GONNA HAVE TO JUMP OFF THE BUS IN THREE, TWO,

149. WE'RE GONNA HAVE TO JUMP OFF THE BUS IN THREE, TWO, O— OKAY.

150. JUMP OFF THE BUS IN THREE, TWO, O— OKAY. SO, HOW BAD WOULD IT REALLY BE

151. O— OKAY. SO, HOW BAD WOULD IT REALLY BE IF WE GOT EXPELLED FROM SCHOOL?

152. SO, HOW BAD WOULD IT REALLY BE IF WE GOT EXPELLED FROM SCHOOL? WELL, WE WOULD

153. IF WE GOT EXPELLED FROM SCHOOL? WELL, WE WOULD PROBABLY NEVER GET A JOB, SLOWLY

154. WELL, WE WOULD PROBABLY NEVER GET A JOB, SLOWLY DRIFT AWAY FROM SOCIETY, LIVE IN

155. PROBABLY NEVER GET A JOB, SLOWLY DRIFT AWAY FROM SOCIETY, LIVE IN THE SEWERS, EAT TOXIC WASTE,

156. DRIFT AWAY FROM SOCIETY, LIVE IN THE SEWERS, EAT TOXIC WASTE, MUTATE, AND END UP IN A FREAK

157. THE SEWERS, EAT TOXIC WASTE, MUTATE, AND END UP IN A FREAK SHOW WITH FINGERS INSTEAD OF

158. MUTATE, AND END UP IN A FREAK SHOW WITH FINGERS INSTEAD OF TEETH.

159. SHOW WITH FINGERS INSTEAD OF TEETH. CAN SOMEONE PUSH US

160. TEETH. CAN SOMEONE PUSH US OFF THE BUS, PLEASE?

161. CAN SOMEONE PUSH US OFF THE BUS, PLEASE? WITH PLEASURE.

162. OFF THE BUS, PLEASE? WITH PLEASURE. WAIT!

163. WITH PLEASURE. WAIT!

164. WAIT! SEE?

165. SEE? NOT EVERYTHING NOT HAS TO END IN

166. SEE? NOT EVERYTHING NOT HAS TO END IN SOME MAD STUNT.

167. NOT EVERYTHING NOT HAS TO END IN SOME MAD STUNT. OKAY, NOW YOU CAN

168. SOME MAD STUNT. OKAY, NOW YOU CAN PUSH US OFF.

169. OKAY, NOW YOU CAN PUSH US OFF. WITH PLEASURE.

170. PUSH US OFF. WITH PLEASURE. AAH!

171. WITH PLEASURE. AAH! AAH!

172. AAH! AAH! AAH!

173. AAH! AAH! OHH!

174. AAH! OHH! AAH!

175. OHH! AAH! OW!

176. AAH! OW! EEK!

177. OW! EEK! AAH!

178. EEK! AAH! AAH!

179. AAH! AAH! OHH!

180. AAH! OHH! AAH!

181. OHH! AAH! AAH!

182. AAH! AAH! AAH!

183. AAH! AAH! OW!

184. AAH! OW! AAH!

185. OW! AAH! OW!

186. AAH! OW! AAH!

187. OW! AAH! AAH!

188. AAH! AAH! OHH!

189. AAH! OHH! AAH!

190. OHH! AAH! AAH!

191. AAH! AAH! AAH!

192. AAH! AAH! HEY!

193. AAH! HEY! AAH!

194. HEY! AAH! AAH!

195. AAH! AAH! AAH!

196. AAH! AAH! OHH!

197. DUDE, THAT WAS YOUR IDEA. WE DON'T HAVE TIME

198. IDEA. WE DON'T HAVE TIME FOR THE BLAME GAME.

199. WE DON'T HAVE TIME FOR THE BLAME GAME. YOU'RE RIGHT!

200. FOR THE BLAME GAME. YOU'RE RIGHT! WE'VE ONLY GOT THREE MINUTES TO

201. YOU'RE RIGHT! WE'VE ONLY GOT THREE MINUTES TO MAKE IT TO SCHOOL!

202. WE'VE ONLY GOT THREE MINUTES TO MAKE IT TO SCHOOL! THINKING ABOUT IT,

203. MAKE IT TO SCHOOL! THINKING ABOUT IT, HOW DID WE GET SO FAR OUT IN THE

204. THINKING ABOUT IT, HOW DID WE GET SO FAR OUT IN THE DESERT IN ONLY FOUR SECONDS?

205. HOW DID WE GET SO FAR OUT IN THE DESERT IN ONLY FOUR SECONDS?

206. DESERT IN ONLY FOUR SECONDS? YOU JUST COULDN'T KEEP YOUR

207. YOU JUST COULDN'T KEEP YOUR MOUTH SHUT, COULD YOU?

208. YOU JUST COULDN'T KEEP YOUR MOUTH SHUT, COULD YOU? YOU JUST HAD TO MENTION IT!

209. MOUTH SHUT, COULD YOU? YOU JUST HAD TO MENTION IT! YOU MENTIONED IT!

210. YOU JUST HAD TO MENTION IT! YOU MENTIONED IT!

211. YOU MENTIONED IT! AAH! SORRY. I KNOW.

212. AAH! SORRY. I KNOW. BLAME GAME.

213. AAH! SORRY. I KNOW. BLAME GAME. TO BE HONEST, JUST

214. BLAME GAME. TO BE HONEST, JUST ONE MINUTE DOESN'T REALLY MAKE

215. TO BE HONEST, JUST ONE MINUTE DOESN'T REALLY MAKE ANY SENSE EITHER.

216. ONE MINUTE DOESN'T REALLY MAKE ANY SENSE EITHER. IT WOULD TAKE AT LEAST A FEW

217. ANY SENSE EITHER. IT WOULD TAKE AT LEAST A FEW HOURS TO —

218. IT WOULD TAKE AT LEAST A FEW HOURS TO —

219. HOURS TO — YES, IF

220. YES, IF IT ONLY TAKES ONE MINUTE TO GET

221. YES, IF IT ONLY TAKES ONE MINUTE TO GET HERE, THEN IT ONLY TAKES ONE

222. IT ONLY TAKES ONE MINUTE TO GET HERE, THEN IT ONLY TAKES ONE MINUTE TO GET BACK TO TOWN.

223. HERE, THEN IT ONLY TAKES ONE MINUTE TO GET BACK TO TOWN. HMM.

224. MINUTE TO GET BACK TO TOWN. HMM.

225. HMM.

226. YAY!

227. YAY! WE STILL HAVE ONE MINUTE LEFT TO

228. YAY! WE STILL HAVE ONE MINUTE LEFT TO GET TO SCHOOL!

229. WE STILL HAVE ONE MINUTE LEFT TO GET TO SCHOOL!

230. GET TO SCHOOL! WAIT — ONE MINUTE

231. WAIT — ONE MINUTE DOESN'T HELP.

232. WAIT — ONE MINUTE DOESN'T HELP. WHAT DO WE DO?

233. DOESN'T HELP. WHAT DO WE DO? WE USE THE FASTEST

234. WHAT DO WE DO? WE USE THE FASTEST WAY TO GET FROM ONE POINT TO

235. WE USE THE FASTEST WAY TO GET FROM ONE POINT TO ANOTHER.

236. WAY TO GET FROM ONE POINT TO ANOTHER.

237. ANOTHER.

238. WHAT ARE YOU DOING?

239. WHAT ARE YOU DOING? PARKOUR.

240. WHAT ARE YOU DOING? PARKOUR.

241. PARKOUR. IT'S THE FASTEST WAY TO GET FROM

242. IT'S THE FASTEST WAY TO GET FROM "A" TO "B."

243. IT'S THE FASTEST WAY TO GET FROM "A" TO "B."

244. "A" TO "B."

245. OW!

246. OW! OHH!

247. OW! OHH! AAH!

248. OHH! AAH! UH...

249. WHAT THE...? UGH!

250. WHAT THE...? UGH! HEY!

251. UGH! HEY! WHY AREN'T YOU TWO IN SCHOOL?

252. HEY! WHY AREN'T YOU TWO IN SCHOOL?

253. WHY AREN'T YOU TWO IN SCHOOL?

254. HA! YOU'RE GONNA BE LATE!

255. HA! YOU'RE GONNA BE LATE! I'VE GOT YOU THIS TIME!

256. HA! YOU'RE GONNA BE LATE! I'VE GOT YOU THIS TIME! GUMBALL, COME ON!

257. I'VE GOT YOU THIS TIME! GUMBALL, COME ON!

258. GUMBALL, COME ON!

259. YOU'RE DONE FOR!

260. YOU'RE DONE FOR! FASTER!

261. AAH! GUMBALL!

262. UM... WHAT JUST HAPPENED? DUDE. I THINK WE JUST BROKE TIME.

263. DUDE. I THINK WE JUST BROKE TIME.

264. I THINK WE JUST BROKE TIME.

265. WE NEVER HAVE TO WORRY

266. WE NEVER HAVE TO WORRY ABOUT TIME AGAIN!

267. WE NEVER HAVE TO WORRY ABOUT TIME AGAIN!

268. ABOUT TIME AGAIN!

269. DUDE, WE'RE SUPERHEROES!

270. DUDE, WE'RE SUPERHEROES!

271. SUPERHEROES! RIGHT.

272. RIGHT. I GUESS WE'RE STILL ABOVE

273. RIGHT. I GUESS WE'RE STILL ABOVE AVERAGE.

274. I GUESS WE'RE STILL ABOVE AVERAGE.

275. AVERAGE. UH, I GUESS WE'RE MORE LIKE

276. UH, I GUESS WE'RE MORE LIKE OKAY.

277. UH, I GUESS WE'RE MORE LIKE OKAY.

278. OKAY.

279. COME ON, DUDE.

280. COME ON, DUDE. ALL RIGHT.

281. COME ON, DUDE. ALL RIGHT. ONE LAST TIME.

282. ALL RIGHT. ONE LAST TIME.

283. ONE LAST TIME.

284. WHOO-HOO-HOO-HOO!

285. WHOO-HOO-HOO-HOO! YEAH!

286. WHOO-HOO-HOO-HOO! YEAH!

287. YEAH! OHH.

288. OHH. WE CAN'T LEAVE HIM

289. OHH. WE CAN'T LEAVE HIM LIKE THAT!

290. WE CAN'T LEAVE HIM LIKE THAT! LET ME JUST...

291. LIKE THAT! LET ME JUST...

292. LET ME JUST... UH, HOLD ON.

293. UH, HOLD ON. I'LL JUST TRY AND DISLODGE IT.

294. UH, HOLD ON. I'LL JUST TRY AND DISLODGE IT.

295. I'LL JUST TRY AND DISLODGE IT.

296. OH. HOLD ON.

297. OH. HOLD ON.

298. MAYBE IT'S BEST JUST

299. MAYBE IT'S BEST JUST TO LEAVE IT AT THAT AND

300. MAYBE IT'S BEST JUST TO LEAVE IT AT THAT AND APOLOGIZE.

301. WAIT, DUDE! IT'S MY TURN!

302. WAIT, DUDE! IT'S MY TURN! WHAT ARE YOU GONNA

303. IT'S MY TURN! WHAT ARE YOU GONNA DO?

304. WHAT ARE YOU GONNA DO?

305. DO? DARWIN, THAT SIGN'S

306. DARWIN, THAT SIGN'S ALWAYS FROZEN.

307. DARWIN, THAT SIGN'S ALWAYS FROZEN. YOU CAN DO THAT ANYTIME.

308. ALWAYS FROZEN. YOU CAN DO THAT ANYTIME. OH, YEAH?

309. YOU CAN DO THAT ANYTIME. OH, YEAH? WELL, WHAT WOULD YOU SUGGEST?

310. OH, YEAH? WELL, WHAT WOULD YOU SUGGEST? HOW ABOUT WE GO AND

311. WELL, WHAT WOULD YOU SUGGEST? HOW ABOUT WE GO AND READ "CAPTAIN PUNCH" WITHOUT

312. HOW ABOUT WE GO AND READ "CAPTAIN PUNCH" WITHOUT GETTING THROWN OUT OF THE STORE?

313. AAH! WHAT THE WHAT

314. AAH! WHAT THE WHAT HAPPENED?

315. WHAT THE WHAT HAPPENED? DUDE, WE'RE FROZEN IN

316. HAPPENED? DUDE, WE'RE FROZEN IN TIME!

317. DUDE, WE'RE FROZEN IN TIME! THINK HOW FAST WE JUST TURNED

318. TIME! THINK HOW FAST WE JUST TURNED THAT PAGE!

319. THINK HOW FAST WE JUST TURNED THAT PAGE! RIGHT.

320. THAT PAGE! RIGHT. YOU KNOW WHAT'S NOT FLAMMABLE?

321. RIGHT. YOU KNOW WHAT'S NOT FLAMMABLE? YEP.

322. YOU KNOW WHAT'S NOT FLAMMABLE? YEP. ROCKS, WATER, AIR, TEETH,

323. YEP. ROCKS, WATER, AIR, TEETH, ALUMINUM, DIRT —

324. ROCKS, WATER, AIR, TEETH, ALUMINUM, DIRT — I WAS SORT OF HOPING

325. ALUMINUM, DIRT — I WAS SORT OF HOPING YOU WOULD SAY "NO, WHAT?" SO I

326. I WAS SORT OF HOPING YOU WOULD SAY "NO, WHAT?" SO I COULD SAY "VIDEO GAMES."

327. YOU WOULD SAY "NO, WHAT?" SO I COULD SAY "VIDEO GAMES." OH, SORRY.

328. COULD SAY "VIDEO GAMES." OH, SORRY. "NO, WHAT?"

329. OH, SORRY. "NO, WHAT?" V-

330. "NO, WHAT?" V- VIDEO GAMES!

331. V- VIDEO GAMES! FORGET IT.

332. VIDEO GAMES! FORGET IT.

333. FORGET IT. I THINK WE'RE

334. I THINK WE'RE ACTUALLY FASTER THAN

335. I THINK WE'RE ACTUALLY FASTER THAN ELECTRICITY.

336. ACTUALLY FASTER THAN ELECTRICITY. WHAT DOES THAT MEAN?

337. ELECTRICITY. WHAT DOES THAT MEAN? IT MEANS NO TV, NO

338. WHAT DOES THAT MEAN? IT MEANS NO TV, NO VIDEO GAMES, NO INTERNET.

339. IT MEANS NO TV, NO VIDEO GAMES, NO INTERNET. WE HAVE TO START THE

340. VIDEO GAMES, NO INTERNET. WE HAVE TO START THE CLOCK AGAIN.

341. WE HAVE TO START THE CLOCK AGAIN. WAIT.

342. CLOCK AGAIN. WAIT. THAT ONLY GIVES US SEVEN SECONDS

343. WAIT. THAT ONLY GIVES US SEVEN SECONDS TO GET BACK TO CLASS.

344. THAT ONLY GIVES US SEVEN SECONDS TO GET BACK TO CLASS.

345. TO GET BACK TO CLASS. I DIDN'T THINK I'D EVER SAY

346. I DIDN'T THINK I'D EVER SAY THIS, BUT WE HAVE TO GET BACK TO

347. I DIDN'T THINK I'D EVER SAY THIS, BUT WE HAVE TO GET BACK TO SCHOOL.

348. THIS, BUT WE HAVE TO GET BACK TO SCHOOL. OKAY, WE JUST HAVE TO SET THE

349. SCHOOL. OKAY, WE JUST HAVE TO SET THE CLOCK BACK TO ZERO, AND

350. OKAY, WE JUST HAVE TO SET THE CLOCK BACK TO ZERO, AND EVERYTHING WILL BE FINE.

351. CLOCK BACK TO ZERO, AND EVERYTHING WILL BE FINE. SPIN IT.

352. EVERYTHING WILL BE FINE. SPIN IT.

353. SPIN IT.

354. UH, DUDE, I THINK YOU SPUN IT

355. UH, DUDE, I THINK YOU SPUN IT TOO FAR.

356. UH, DUDE, I THINK YOU SPUN IT TOO FAR.

357. TOO FAR. UH, LET'S GO BACK A LITTLE.

358. UH, LET'S GO BACK A LITTLE.

359. [ THEME FROM

360. WHAT'S HIS PROBLEM? SPIN IT AGAIN.

361. WHAT'S HIS PROBLEM? SPIN IT AGAIN.

362. SPIN IT AGAIN.

363. AND... STOP.

364. AND... STOP. OH. WE'RE EARLY.

365. OH. WE'RE EARLY. SO, DID YOU DO YOUR HOMEWORK?

366. OH. WE'RE EARLY. SO, DID YOU DO YOUR HOMEWORK? NO, I CAN'T BE BOTHERED

367. SO, DID YOU DO YOUR HOMEWORK? NO, I CAN'T BE BOTHERED WRITING WITH MY MOUTH.

368. THE MONKEY. [ THEME FROM

369. [ THEME FROM "2001: A SPACE ODYSSEY" PLAYS ] OKAY, WE'RE ABOUT TO

370. "2001: A SPACE ODYSSEY" PLAYS ] OKAY, WE'RE ABOUT TO APPEAR.

371. OKAY, WE'RE ABOUT TO APPEAR. WE HAVE TO STOP OURSELVES FROM

372. APPEAR. WE HAVE TO STOP OURSELVES FROM PUSHING THAT MONKEY.

373. WE HAVE TO STOP OURSELVES FROM PUSHING THAT MONKEY.

374. PUSHING THAT MONKEY. WATCH OUT!

375. WATCH OUT! AAH!

376. WATCH OUT! AAH! AAH!

377. AAH! AAH! WE DIDN'T THINK THIS THROUGH!

378. AAH! WE DIDN'T THINK THIS THROUGH! IF OUR PAST SELVES GET ICED, IT

379. WE DIDN'T THINK THIS THROUGH! IF OUR PAST SELVES GET ICED, IT MEANS OUR NOW SELVES WILL NEVER

380. IF OUR PAST SELVES GET ICED, IT MEANS OUR NOW SELVES WILL NEVER EXIST!

381. MEANS OUR NOW SELVES WILL NEVER EXIST! WHAT DOES THAT MEAN?

382. EXIST! WHAT DOES THAT MEAN? IT MEANS WE'LL

383. WHAT DOES THAT MEAN? IT MEANS WE'LL DISAPPEAR INTO NOTHINGNESS.

384. IT MEANS WE'LL DISAPPEAR INTO NOTHINGNESS.

385. DISAPPEAR INTO NOTHINGNESS. UH, HOW DID THAT HAPPEN?

386. UH, HOW DID THAT HAPPEN? WE JUST PUT A TRAMPOLINE AT

387. UH, HOW DID THAT HAPPEN? WE JUST PUT A TRAMPOLINE AT THE BOTTOM OF THE CLIFF.

388. WE JUST PUT A TRAMPOLINE AT THE BOTTOM OF THE CLIFF. OH, WHY DIDN'T I

389. THE BOTTOM OF THE CLIFF. OH, WHY DIDN'T I THINK OF THAT?

390. OH, WHY DIDN'T I THINK OF THAT? BUT YOU DID.

391. THINK OF THAT? BUT YOU DID. JUST NOT THE FIRST TIME.

392. BUT YOU DID. JUST NOT THE FIRST TIME. YEAH, FIRST HE

393. JUST NOT THE FIRST TIME. YEAH, FIRST HE BUILT A MATTRESS WITH WHATEVER

394. YEAH, FIRST HE BUILT A MATTRESS WITH WHATEVER WAS AROUND.

395. BUILT A MATTRESS WITH WHATEVER WAS AROUND. WHAT'S WRONG WITH THAT?

396. WAS AROUND. WHAT'S WRONG WITH THAT? THERE'S ONLY ROCKS AROUND

397. WHAT'S WRONG WITH THAT? THERE'S ONLY ROCKS AROUND HERE.

398. THERE'S ONLY ROCKS AROUND HERE. WHAT ARE YOU GUYS DOING HERE?

399. HERE. WHAT ARE YOU GUYS DOING HERE? WE'RE HERE TO WATCH

400. WHAT ARE YOU GUYS DOING HERE? WE'RE HERE TO WATCH THE FIGHT.

401. WE'RE HERE TO WATCH THE FIGHT. WHAT FIGHT?

402. THE FIGHT. WHAT FIGHT? THE ONE ABOUT WHO

403. WHAT FIGHT? THE ONE ABOUT WHO GETS TO GO BACK TO THE PRESENT.

404. THE ONE ABOUT WHO GETS TO GO BACK TO THE PRESENT.

405. GETS TO GO BACK TO THE PRESENT.

406. HEY, STOP IT!

407. HEY, STOP IT! NONE OF YOU SHOULD BE HERE

408. HEY, STOP IT! NONE OF YOU SHOULD BE HERE ANYWAY.

409. NONE OF YOU SHOULD BE HERE ANYWAY. IT'S A TIME PARADOX.

410. IT'S A TIME PARADOX. OH, YEAH.

411. OH, YEAH.

412. WHY DO I HAVE A

413. WHY DO I HAVE A FEELING THIS IS GONNA BE BAD

414. WHY DO I HAVE A FEELING THIS IS GONNA BE BAD NEWS?

415. FEELING THIS IS GONNA BE BAD NEWS?

416. NEWS?

417. THE SAVIORS HAVE RETURNED!

418. THE SAVIORS HAVE RETURNED! THE PROPHECY WAS TRUE!

419. THE SAVIORS HAVE RETURNED! THE PROPHECY WAS TRUE!

420. THE PROPHECY WAS TRUE! HA.

421. HA. WHAT DO YOU KNOW? WE'RE DEITIES.

422. HA. WHAT DO YOU KNOW? WE'RE DEITIES. THANK YOU!

423. WHAT DO YOU KNOW? WE'RE DEITIES. THANK YOU! THANK YOU!

424. THANK YOU! THANK YOU! THANK YOU SO MUCH!

425. THANK YOU! THANK YOU SO MUCH! UH, THANK YOU FOR

426. THANK YOU SO MUCH! UH, THANK YOU FOR WHAT?

427. UH, THANK YOU FOR WHAT? FOR YOUR SACRIFICE!

428. WHAT? FOR YOUR SACRIFICE!

429. FOR YOUR SACRIFICE!

430. HMM, THIS LOOKS

431. HMM, THIS LOOKS SUSPICIOUSLY NORMAL.

432. EH, I CAN LIVE WITH THAT.

433. WHAT IS IT? IT'S MY GREATEST INVENTION.

434. IT'S MY GREATEST INVENTION. I CALL IT...

435. INVENTION. I CALL IT... "THE

436. I CALL IT... "THE ENTERTAINANATOR."

437. "THE ENTERTAINANATOR." THE ENTERTAINANATOR?

438. ENTERTAINANATOR." THE ENTERTAINANATOR? NO, NO, NO.

439. THE ENTERTAINANATOR? NO, NO, NO. YOU — YOU HAVE TO DO THE VOICE.

440. NO, NO, NO. YOU — YOU HAVE TO DO THE VOICE. ALL RIGHT.

441. YOU — YOU HAVE TO DO THE VOICE. ALL RIGHT. WELL, I THINK THE

442. ALL RIGHT. WELL, I THINK THE ENTERTAINANATOR

443. WELL, I THINK THE ENTERTAINANATOR SEEMS TO BE A BUNCH OF JUNK

444. ENTERTAINANATOR SEEMS TO BE A BUNCH OF JUNK TAPED TOGETHER.

445. SEEMS TO BE A BUNCH OF JUNK TAPED TOGETHER. NO, DUDE, IT'S THE

446. TAPED TOGETHER. NO, DUDE, IT'S THE ULTIMATE BOREDOM ANNIHILATOR,

447. NO, DUDE, IT'S THE ULTIMATE BOREDOM ANNIHILATOR, TAILORED TO THE NEED OF THE

448. ULTIMATE BOREDOM ANNIHILATOR, TAILORED TO THE NEED OF THE MODERN CHILD'S ATTENTION SPAN,

449. TAILORED TO THE NEED OF THE MODERN CHILD'S ATTENTION SPAN, WHICH HAPPENS TO BE 0.8

450. MODERN CHILD'S ATTENTION SPAN, WHICH HAPPENS TO BE 0.8 SECONDS.

451. WHICH HAPPENS TO BE 0.8 SECONDS. DARWIN?

452. SECONDS. DARWIN? SORRY.

453. DARWIN? SORRY. WHAT WAS THAT?

454. SORRY. WHAT WAS THAT? I GOT DISTRACTED BY — OH, LOOK!

455. WHAT WAS THAT? I GOT DISTRACTED BY — OH, LOOK! A SHOE!

456. I GOT DISTRACTED BY — OH, LOOK! A SHOE! DUDE, JUST CHECK

457. A SHOE! DUDE, JUST CHECK THIS OUT — VIDEO GAME, COMIC

458. DUDE, JUST CHECK THIS OUT — VIDEO GAME, COMIC BOOK, RC HELICOPTER, PING-PONG!

459. THIS OUT — VIDEO GAME, COMIC BOOK, RC HELICOPTER, PING-PONG! AND WHEN I GET HUNGRY, I —

460. BOOK, RC HELICOPTER, PING-PONG! AND WHEN I GET HUNGRY, I — AAH! AAH! EEK! OW! OW! OW!

461. AND WHEN I GET HUNGRY, I — AAH! AAH! EEK! OW! OW! OW!

462. AAH! AAH! EEK! OW! OW! OW!

463. YOU GET THE IDEA.

464. YOU GET THE IDEA.

465. WHATEVER IT IS WE DID, WE DIDN'T

466. WHATEVER IT IS WE DID, WE DIDN'T DO IT!

467. WHATEVER IT IS WE DID, WE DIDN'T DO IT! WELL, SOMEONE HAS

468. DO IT! WELL, SOMEONE HAS DEFINITELY TAKEN $20 FROM MY

469. WELL, SOMEONE HAS DEFINITELY TAKEN $20 FROM MY PURSE.

470. DEFINITELY TAKEN $20 FROM MY PURSE. SO?

471. PURSE. SO? COULD'VE BEEN ANAIS.

472. SO? COULD'VE BEEN ANAIS. IF IT WAS HER, I

473. COULD'VE BEEN ANAIS. IF IT WAS HER, I WOULDN'T HAVE KNOWN ABOUT IT.

474. IF IT WAS HER, I WOULDN'T HAVE KNOWN ABOUT IT. IT HAD TO BE SOMEONE DUMB ENOUGH

475. WOULDN'T HAVE KNOWN ABOUT IT. IT HAD TO BE SOMEONE DUMB ENOUGH TO THINK I WOULDN'T NOTICE, AND

476. IT HAD TO BE SOMEONE DUMB ENOUGH TO THINK I WOULDN'T NOTICE, AND IT COULDN'T BE YOUR FATHER

477. TO THINK I WOULDN'T NOTICE, AND IT COULDN'T BE YOUR FATHER BECAUSE HIS FINGERS ARE TOO FAT.

478. IT COULDN'T BE YOUR FATHER BECAUSE HIS FINGERS ARE TOO FAT. AND SOMEONE'S BEEN USING

479. BECAUSE HIS FINGERS ARE TOO FAT. AND SOMEONE'S BEEN USING MY TOOTHBRUSH, AND IT CAN'T BE

480. AND SOMEONE'S BEEN USING MY TOOTHBRUSH, AND IT CAN'T BE YOUR MOTHER OR ANAIS BECAUSE

481. MY TOOTHBRUSH, AND IT CAN'T BE YOUR MOTHER OR ANAIS BECAUSE I'VE TASTED THEIRS, AND THE

482. YOUR MOTHER OR ANAIS BECAUSE I'VE TASTED THEIRS, AND THE FLAVORS DON'T MATCH.

483. I'VE TASTED THEIRS, AND THE FLAVORS DON'T MATCH. YEAH, AND SOMEONE —

484. FLAVORS DON'T MATCH. YEAH, AND SOMEONE — UH, UGH.

485. YEAH, AND SOMEONE — UH, UGH. SOMEONE STOLE DAISY THE DONKEY.

486. UH, UGH. SOMEONE STOLE DAISY THE DONKEY. I CAN'T GO TO THE MUSEUM WITHOUT

487. SOMEONE STOLE DAISY THE DONKEY. I CAN'T GO TO THE MUSEUM WITHOUT HER.

488. I CAN'T GO TO THE MUSEUM WITHOUT HER. IT'S TWO FOR ONE.

489. HER. IT'S TWO FOR ONE. WELL, IT WASN'T ME.

490. IT'S TWO FOR ONE. WELL, IT WASN'T ME. ME NEITHER.

491. WELL, IT WASN'T ME. ME NEITHER. BOYS, COME WITH ME.

492. GO TO YOUR ROOM! YOU'RE NOT COMING OUT OF THERE UNTIL ONE OF YOU OWNS UP!

493. YOU'RE NOT COMING OUT OF THERE UNTIL ONE OF YOU OWNS UP! AW!

494. UNTIL ONE OF YOU OWNS UP! AW! THAT MEANS NO TV...

495. AW! THAT MEANS NO TV... AW!

496. THAT MEANS NO TV... AW! NO INTERNET...

497. AW! NO INTERNET... AW!

498. NO INTERNET... AW! AND YOU MISS OUT ON

499. AW! AND YOU MISS OUT ON THE TRIP TO THE MUSEUM.

500. AND YOU MISS OUT ON THE TRIP TO THE MUSEUM.

501. THE TRIP TO THE MUSEUM. EH...

502. EH...

503. IT WAS YOU, WASN'T IT? YOU TOOK THE MONEY.

504. WASN'T IT? YOU TOOK THE MONEY. TRYIN' TO

505. YOU TOOK THE MONEY. TRYIN' TO THROW IT ONTO ME, HUH?

506. TRYIN' TO THROW IT ONTO ME, HUH? THAT SOUNDS LIKE THE ACTION OF A

507. THROW IT ONTO ME, HUH? THAT SOUNDS LIKE THE ACTION OF A GUILTY PERSON.

508. THAT SOUNDS LIKE THE ACTION OF A GUILTY PERSON. NEWS FLASH, BUDDY —

509. GUILTY PERSON. NEWS FLASH, BUDDY — THIS NOSE CAN SMELL A LIE.

510. NEWS FLASH, BUDDY — THIS NOSE CAN SMELL A LIE. YEAH, WELL, THIS NOSE

511. THIS NOSE CAN SMELL A LIE. YEAH, WELL, THIS NOSE CAN...

512. YEAH, WELL, THIS NOSE CAN... WELL, SO CAN I.

513. CAN... WELL, SO CAN I.

514. WELL, SO CAN I.

515. OKAY, CLEARLY IT

516. OKAY, CLEARLY IT WASN'T EITHER OF US, SO THIS CAN

517. OKAY, CLEARLY IT WASN'T EITHER OF US, SO THIS CAN ONLY MEAN ONE THING.

518. WASN'T EITHER OF US, SO THIS CAN ONLY MEAN ONE THING. IT WAS ALL A DREAM.

519. ONLY MEAN ONE THING. IT WAS ALL A DREAM. UH... NO.

520. IT WAS ALL A DREAM. UH... NO. WE'VE BEEN GHOSTS

521. UH... NO. WE'VE BEEN GHOSTS THIS WHOLE TIME.

522. WE'VE BEEN GHOSTS THIS WHOLE TIME. UH, DUDE?

523. THIS WHOLE TIME. UH, DUDE? THE WORLD IS A

524. UH, DUDE? THE WORLD IS A COMPUTER SIMULATION, AND WE —

525. THE WORLD IS A COMPUTER SIMULATION, AND WE — DARWIN, NO, IT

526. COMPUTER SIMULATION, AND WE — DARWIN, NO, IT MEANS...

527. DARWIN, NO, IT MEANS... SOMEONE SNUCK INTO

528. MEANS... SOMEONE SNUCK INTO OUR HOUSE AND TOOK THE MONEY.

529. SOMEONE SNUCK INTO OUR HOUSE AND TOOK THE MONEY. AAH!

530. OUR HOUSE AND TOOK THE MONEY. AAH! EXACTLY.

531. AAH! EXACTLY. NO, I MEANT, "AAH!"

532. EXACTLY. NO, I MEANT, "AAH!" THE ENTERTAINANATOR IS GONE!

533. NO, I MEANT, "AAH!" THE ENTERTAINANATOR IS GONE!

534. THE ENTERTAINANATOR IS GONE! THIS CAN ONLY MEAN ONE THING.

535. THIS CAN ONLY MEAN ONE THING. ONE OF US IS A

536. THIS CAN ONLY MEAN ONE THING. ONE OF US IS A FIGMENT OF THE OTHER ONE'S

537. ONE OF US IS A FIGMENT OF THE OTHER ONE'S IMAGINA—

538. FIGMENT OF THE OTHER ONE'S IMAGINA— NO, DUDE!

539. IMAGINA— NO, DUDE! IT MEANS THAT SOMEONE IS STILL

540. NO, DUDE! IT MEANS THAT SOMEONE IS STILL HERE.

541. IT MEANS THAT SOMEONE IS STILL HERE. AAH!

542. HERE. AAH! WE NEED TO CALL THE

543. AAH! WE NEED TO CALL THE POLICE!

544. WE NEED TO CALL THE POLICE! WE NEED TO HIDE!

545. POLICE! WE NEED TO HIDE! HE COULD BE ANYWHERE!

546. WE NEED TO HIDE! HE COULD BE ANYWHERE! LET'S GO TO THE

547. HE COULD BE ANYWHERE! LET'S GO TO THE BATHROOM!

548. LET'S GO TO THE BATHROOM! IT'S GOT A LOCK ON THE DOOR!

549. BATHROOM! IT'S GOT A LOCK ON THE DOOR!

550. IT'S GOT A LOCK ON THE DOOR!

551. YEAH,

552. YEAH, PICK UP, PICK UP.

553. YEAH, PICK UP, PICK UP. ELMORE POLICE.

554. PICK UP, PICK UP. ELMORE POLICE. YEAH, HELP!

555. ELMORE POLICE. YEAH, HELP! THERE'S SOMEONE IN MY HOUSE.

556. YEAH, HELP! THERE'S SOMEONE IN MY HOUSE. I SEE.

557. THERE'S SOMEONE IN MY HOUSE. I SEE. ARE YOU IN THE HOUSE RIGHT NOW?

558. I SEE. ARE YOU IN THE HOUSE RIGHT NOW? YES.

559. ARE YOU IN THE HOUSE RIGHT NOW? YES. THEN THAT SOMEONE IS YOU.

560. YES. THEN THAT SOMEONE IS YOU. CASE SOLVED. YOU'RE WELCOME.

561. THEN THAT SOMEONE IS YOU. CASE SOLVED. YOU'RE WELCOME.

562. CASE SOLVED. YOU'RE WELCOME.

563. ELMORE POLICE.

564. ELMORE POLICE. YOU DON'T

565. ELMORE POLICE. YOU DON'T UNDERSTAND.

566. YOU DON'T UNDERSTAND. NOW, LOOK, KID, I ALRE—

567. UNDERSTAND. NOW, LOOK, KID, I ALRE—

568. NOW, LOOK, KID, I ALRE—

569. WHAT? WHAT?

570. WHAT? WHAT? SOMEONE CUT THE

571. WHAT? WHAT? SOMEONE CUT THE PHONE LINE.

572. SOMEONE CUT THE PHONE LINE.

573. AAH!

574. AAH! OW!

575. AAH! OW! WHAT DO WE

576. OW! WHAT DO WE DO?

577. WHAT DO WE DO? All right, here's the plan.

578. DO? All right, here's the plan.

579. All right, here's the plan. OPEN YOUR EYES WIDE, OPEN YOUR

580. OPEN YOUR EYES WIDE, OPEN YOUR MOUTH WIDE, CASUALLY

581. OPEN YOUR EYES WIDE, OPEN YOUR MOUTH WIDE, CASUALLY WAVE YOUR ARMS IN THE AIR, AND

582. MOUTH WIDE, CASUALLY WAVE YOUR ARMS IN THE AIR, AND FOLLOW ME.

583. WAVE YOUR ARMS IN THE AIR, AND FOLLOW ME.

584. FOLLOW ME.

585. WAIT — WHERE ARE WE

586. WAIT — WHERE ARE WE GOING?

587. WAIT — WHERE ARE WE GOING? I DON'T KNOW.

588. GOING? I DON'T KNOW. THERE'S NOWHERE ELSE TO GO.

589. I DON'T KNOW. THERE'S NOWHERE ELSE TO GO. I MEAN, THIS IS OUR HOUSE.

590. THERE'S NOWHERE ELSE TO GO. I MEAN, THIS IS OUR HOUSE. THEN LET'S TAKE IT

591. I MEAN, THIS IS OUR HOUSE. THEN LET'S TAKE IT BACK.

592. THEN LET'S TAKE IT BACK.

593. OKAY, DUDE. GRAB A WEAPON.

594. GRAB A WEAPON. EH...

595. EH...

596. EH...

597. HMM. WHAT IF HE GRABBED IT AND TURNED IT AGAINST YOU?

598. WHAT IF HE GRABBED IT AND TURNED IT AGAINST YOU? WELL, WHAT WOULD YOU

599. AND TURNED IT AGAINST YOU? WELL, WHAT WOULD YOU SUGGEST?

600. WELL, WHAT WOULD YOU SUGGEST? HYAH!

601. SUGGEST? HYAH! HYAH!

602. HYAH! HYAH! YEAH, YOU'RE RIGHT.

603. HYAH! YEAH, YOU'RE RIGHT. THAT'S DEFINITELY BETTER.

604. YEAH, YOU'RE RIGHT. THAT'S DEFINITELY BETTER. WHAT THE WHAT?

605. THAT'S DEFINITELY BETTER. WHAT THE WHAT? WHEN DID THE REFRIGERATOR BECOME

606. WHAT THE WHAT? WHEN DID THE REFRIGERATOR BECOME SO SHALLOW?

607. WHEN DID THE REFRIGERATOR BECOME SO SHALLOW? MM.

608. SO SHALLOW? MM.

609. W-WHAT? WHY WOULD A BURGLAR DO SOMETHING LIKE THAT?

610. WHY WOULD A BURGLAR DO SOMETHING LIKE THAT? THIS CAN ONLY MEAN ONE THING.

611. SOMETHING LIKE THAT? THIS CAN ONLY MEAN ONE THING. HE'S BEEN LIVING HERE

612. THIS CAN ONLY MEAN ONE THING. HE'S BEEN LIVING HERE FOR MONTHS.

613. HE'S BEEN LIVING HERE FOR MONTHS. NO!

614. FOR MONTHS. NO! OH, WAIT — ACTUALLY, YEAH,

615. NO! OH, WAIT — ACTUALLY, YEAH, YOU'RE RIGHT THIS TIME.

616. OH, WAIT — ACTUALLY, YEAH, YOU'RE RIGHT THIS TIME.

617. YOU'RE RIGHT THIS TIME.

618. COULD YOU STOP BREATHING DOWN MY NECK?

619. COULD YOU STOP BREATHING DOWN MY NECK? THE SITUATION'S TENSE ENOUGH.

620. NECK? THE SITUATION'S TENSE ENOUGH.

621. THE SITUATION'S TENSE ENOUGH. SORRY.

622. DUDE, THERE'S NO ONE

623. DUDE, THERE'S NO ONE IN THERE.

624. DUDE, THERE'S NO ONE IN THERE. BUT IF THERE HAD

625. IN THERE. BUT IF THERE HAD BEEN, IT WOULD'VE BEEN

626. BUT IF THERE HAD BEEN, IT WOULD'VE BEEN APPROPRIATE.

627. BEEN, IT WOULD'VE BEEN APPROPRIATE.

628. APPROPRIATE.

629. You can do the music

630. You can do the music now.

631. You can do the music now.

632. now. ♪ DUN DUN DUN DA

633. ♪ DUN DUN DUN DA RIGHT.

634. RIGHT. WE KNOW THIS GUY'S BEEN LIVING HERE FOR A LONG TIME SO...

635. WE KNOW THIS GUY'S BEEN LIVING HERE FOR A LONG TIME SO... THIS CAN ONLY MEAN

636. HERE FOR A LONG TIME SO... THIS CAN ONLY MEAN ONE THING.

637. THIS CAN ONLY MEAN ONE THING. Y-YEAH? WHAT?

638. ONE THING. Y-YEAH? WHAT? UH, I DON'T KNOW.

639. Y-YEAH? WHAT? UH, I DON'T KNOW. I JUST WANTED TO CONTRIBUTE.

640. UH, I DON'T KNOW. I JUST WANTED TO CONTRIBUTE.

641. I JUST WANTED TO CONTRIBUTE. IT MEANS HE MUST HAVE A SECRET

642. IT MEANS HE MUST HAVE A SECRET HIDEOUT SOMEWHERE IN THE HOUSE.

643. IT MEANS HE MUST HAVE A SECRET HIDEOUT SOMEWHERE IN THE HOUSE. SOMEWHERE IN THE

644. HIDEOUT SOMEWHERE IN THE HOUSE. SOMEWHERE IN THE HOUSE.

645. SOMEWHERE IN THE HOUSE. AND THE BEST WAY TO

646. HOUSE. AND THE BEST WAY TO FIND A SECRET HIDEOUT IS BY

647. AND THE BEST WAY TO FIND A SECRET HIDEOUT IS BY ACCIDENT.

648. FIND A SECRET HIDEOUT IS BY ACCIDENT. ACCIDENT.

649. YOU'LL FIND, MY FRIEND, THAT WHEN YOU'RE LOOKING FOR A SECRET PASSAGE, YOU'LL

650. FRIEND, THAT WHEN YOU'RE LOOKING FOR A SECRET PASSAGE, YOU'LL OFTEN DISCOVER IT WHEN YOU

651. FOR A SECRET PASSAGE, YOU'LL OFTEN DISCOVER IT WHEN YOU LEAST EXPECT IT...

652. OFTEN DISCOVER IT WHEN YOU LEAST EXPECT IT...

653. LEAST EXPECT IT...

654. OR BY TAKING A MUCH DESERVED

655. OR BY TAKING A MUCH DESERVED REST ON THIS SEEMINGLY NORMAL

656. OR BY TAKING A MUCH DESERVED REST ON THIS SEEMINGLY NORMAL CHAIR, WHICH WILL TURN OUT TO

657. REST ON THIS SEEMINGLY NORMAL CHAIR, WHICH WILL TURN OUT TO BE A LEVER FOR AN UNDERGROUND

658. CHAIR, WHICH WILL TURN OUT TO BE A LEVER FOR AN UNDERGROUND TUNNEL.

659. BE A LEVER FOR AN UNDERGROUND TUNNEL. OR WHAT ABOUT THIS PAINTING?

660. TUNNEL. OR WHAT ABOUT THIS PAINTING? WHAT SECRETS MAY BE

661. OR WHAT ABOUT THIS PAINTING? WHAT SECRETS MAY BE HIDI-I-I-I-I-NG?

662. WHAT SECRETS MAY BE HIDI-I-I-I-I-NG? OHH!

663. HIDI-I-I-I-I-NG? OHH!

664. OHH! I DON'T REALLY SEE

665. I DON'T REALLY SEE HOW YOU CAN FIND A SECRET

666. I DON'T REALLY SEE HOW YOU CAN FIND A SECRET PASSAGE WITHOUT LOOK—

667. HOW YOU CAN FIND A SECRET PASSAGE WITHOUT LOOK—

668. PASSAGE WITHOUT LOOK—

669. JUST LIKE THAT.

670. OH, THANKS FOR COMING, DUDE.

671. OH, THANKS FOR COMING, DUDE. I WOULD'VE NEEDED A CLEAN PAIR

672. OH, THANKS FOR COMING, DUDE. I WOULD'VE NEEDED A CLEAN PAIR OF LEGS IF I WAS HERE BY MYSELF.

673. I WOULD'VE NEEDED A CLEAN PAIR OF LEGS IF I WAS HERE BY MYSELF. NO WORRIES, BRO.

674. OF LEGS IF I WAS HERE BY MYSELF. NO WORRIES, BRO. HUH?

675. NO WORRIES, BRO. HUH? I THINK I HIT MY HEAD A LITTLE

676. HUH? I THINK I HIT MY HEAD A LITTLE TOO HARD.

677. I THINK I HIT MY HEAD A LITTLE TOO HARD. IT'S LIKE I'M SEEING DOUBLE —

678. TOO HARD. IT'S LIKE I'M SEEING DOUBLE — WELL, MORE LIKE ONE AND A HALF.

679. IT'S LIKE I'M SEEING DOUBLE — WELL, MORE LIKE ONE AND A HALF. WAIT A MINUTE.

680. WELL, MORE LIKE ONE AND A HALF. WAIT A MINUTE. CLOSE YOUR RIGHT EYE.

681. WAIT A MINUTE. CLOSE YOUR RIGHT EYE. NOW CLOSE YOUR LEFT EYE.

682. CLOSE YOUR RIGHT EYE. NOW CLOSE YOUR LEFT EYE.

683. NOW CLOSE YOUR LEFT EYE. I THINK HE'S HERE.

684. I THINK HE'S HERE. WHAT?

685. I THINK HE'S HERE. WHAT? OH! WELL, I GUESS HE'S NOT.

686. WHAT? OH! WELL, I GUESS HE'S NOT.

687. OH! WELL, I GUESS HE'S NOT. OH... MY... GOSH.

688. OH... MY... GOSH. IMAGINE HOW MUCH VALUE THIS ROOM

689. OH... MY... GOSH. IMAGINE HOW MUCH VALUE THIS ROOM WOULD ADD TO THE HOUSE.

690. IMAGINE HOW MUCH VALUE THIS ROOM WOULD ADD TO THE HOUSE. OH, SURE.

691. WOULD ADD TO THE HOUSE. OH, SURE. "FOR SALE — TWO-BEDROOM HOUSE,

692. OH, SURE. "FOR SALE — TWO-BEDROOM HOUSE, SPACIOUS BACKYARD, EAT-IN

693. "FOR SALE — TWO-BEDROOM HOUSE, SPACIOUS BACKYARD, EAT-IN KITCHEN, AND A HORRIFYING

694. SPACIOUS BACKYARD, EAT-IN KITCHEN, AND A HORRIFYING DUNGEON FOR CREEPY STRANGERS TO

695. KITCHEN, AND A HORRIFYING DUNGEON FOR CREEPY STRANGERS TO HIDE IN."

696. DUNGEON FOR CREEPY STRANGERS TO HIDE IN." YEAH, NOW THAT YOU

697. HIDE IN." YEAH, NOW THAT YOU MENTION IT, IT IS KIND OF GRIM.

698. YEAH, NOW THAT YOU MENTION IT, IT IS KIND OF GRIM. I MEAN, HOW DESPERATE DO YOU

699. MENTION IT, IT IS KIND OF GRIM. I MEAN, HOW DESPERATE DO YOU HAVE TO BE TO LIVE IN SOME

700. I MEAN, HOW DESPERATE DO YOU HAVE TO BE TO LIVE IN SOME MOIST, DARK HOLE, SLEEPING ON A

701. HAVE TO BE TO LIVE IN SOME MOIST, DARK HOLE, SLEEPING ON A MATTRESS MADE OUT OF DISEASE,

702. MOIST, DARK HOLE, SLEEPING ON A MATTRESS MADE OUT OF DISEASE, EATING COLD LEFTOVERS —

703. MATTRESS MADE OUT OF DISEASE, EATING COLD LEFTOVERS —

704. EATING COLD LEFTOVERS — OW!

705. OW! WAIT.

706. OW! WAIT. THIS FOOD, IT'S HOT.

707. WAIT. THIS FOOD, IT'S HOT. THIS CAN ONLY MEAN

708. THIS FOOD, IT'S HOT. THIS CAN ONLY MEAN ONE THING.

709. THIS CAN ONLY MEAN ONE THING.

710. ONE THING.

711. HEY, COME BACK!

712. HEY, COME BACK! THAT REALLY WASN'T MUCH OF AN

713. THAT REALLY WASN'T MUCH OF AN EXPLANATION.

714. THAT REALLY WASN'T MUCH OF AN EXPLANATION.

715. EXPLANATION. I THINK HE'S MORE

716. I THINK HE'S MORE SCARED OF US THAN WE ARE OF HIM.

717. I THINK HE'S MORE SCARED OF US THAN WE ARE OF HIM. LET'S RUN LESS SCARY.

718. SCARED OF US THAN WE ARE OF HIM. LET'S RUN LESS SCARY.

719. LET'S RUN LESS SCARY. AAH!

720. AAH! GET AWAY FROM ME, YOU CREEPOS!

721. AAH! GET AWAY FROM ME, YOU CREEPOS! AAH!

722. GET AWAY FROM ME, YOU CREEPOS! AAH!

723. AAH!

724. THIS IS AN EMERGENCY! I'M COMMANDEERING THIS VEHICLE!

725. EMERGENCY! I'M COMMANDEERING THIS VEHICLE!

726. I'M COMMANDEERING THIS VEHICLE! COULD YOU DO THE PATCH ON THE

727. COULD YOU DO THE PATCH ON THE LEFT THERE?

728. COME ON. THIS IS TAKING AGES.

729. HE'S HEADING FOR THE MALL! GET OUT OF THE WAY!

730. GET OUT OF THE WAY! HE'S GETTING AWAY.

731. HE'S GETTING AWAY. I'VE GOT THIS.

732. HE'S GETTING AWAY. I'VE GOT THIS. HEY! "CATCH" THIS UP!

733. I'VE GOT THIS. HEY! "CATCH" THIS UP!

734. HEY! "CATCH" THIS UP! HEY!

735. HEY!

736. UH... TO BE "FRANK,"

737. UH... TO BE "FRANK," YOU'VE GOT NO "FURTER" TO GO.

738. UH... TO BE "FRANK," YOU'VE GOT NO "FURTER" TO GO.

739. YOU'VE GOT NO "FURTER" TO GO.

740. UH, YOU

741. UH, YOU "MUSTARD MITT"

742. UH, YOU "MUSTARD MITT" THERE'S NO ESCAPE.

743. "MUSTARD MITT" THERE'S NO ESCAPE.

744. THERE'S NO ESCAPE. AAH!

745. AAH! OKAY, OKAY! I SURRENDER!

746. OKAY, OKAY! I SURRENDER! HMM.

747. HMM. NICE TRAIL OF DESTRUCTION.

748. HMM. NICE TRAIL OF DESTRUCTION. TO BE HONEST, I'M

749. NICE TRAIL OF DESTRUCTION. TO BE HONEST, I'M MORE ASHAMED OF THE PUNS.

750. TO BE HONEST, I'M MORE ASHAMED OF THE PUNS. ALL RIGHT, DUDE.

751. MORE ASHAMED OF THE PUNS. ALL RIGHT, DUDE. WHY WERE YOU HIDING IN OUR

752. ALL RIGHT, DUDE. WHY WERE YOU HIDING IN OUR HOUSE?

753. WHY WERE YOU HIDING IN OUR HOUSE? BECAUSE THERE IS NO PLACE FOR

754. HOUSE? BECAUSE THERE IS NO PLACE FOR ME IN THIS WORLD.

755. BECAUSE THERE IS NO PLACE FOR ME IN THIS WORLD. BECAUSE I AM NOTHING.

756. ME IN THIS WORLD. BECAUSE I AM NOTHING. BECAUSE I HAVE NO REASON TO

757. BECAUSE I AM NOTHING. BECAUSE I HAVE NO REASON TO EXIST.

758. BECAUSE I HAVE NO REASON TO EXIST. YEAH, I MEANT WHY

759. EXIST. YEAH, I MEANT WHY WERE YOU HIDING IN OUR HOUSE

760. YEAH, I MEANT WHY WERE YOU HIDING IN OUR HOUSE SPECIFICALLY?

761. WERE YOU HIDING IN OUR HOUSE SPECIFICALLY? UH, 'CAUSE YOU'RE THE ONLY

762. SPECIFICALLY? UH, 'CAUSE YOU'RE THE ONLY PEOPLE IN THIS TOWN THICK ENOUGH

763. UH, 'CAUSE YOU'RE THE ONLY PEOPLE IN THIS TOWN THICK ENOUGH NOT TO NOTICE — YOU GUYS HAD A

764. PEOPLE IN THIS TOWN THICK ENOUGH NOT TO NOTICE — YOU GUYS HAD A WHOLE ROOM YOU DIDN'T EVEN KNOW

765. NOT TO NOTICE — YOU GUYS HAD A WHOLE ROOM YOU DIDN'T EVEN KNOW ABOUT.

766. WHOLE ROOM YOU DIDN'T EVEN KNOW ABOUT. OH, YOU KNOW WHAT

767. ABOUT. OH, YOU KNOW WHAT ELSE IS THICK?

768. OH, YOU KNOW WHAT ELSE IS THICK? YOUR MOM'S CHIN!

769. ELSE IS THICK? YOUR MOM'S CHIN! I DON'T HAVE A MOM.

770. YOUR MOM'S CHIN! I DON'T HAVE A MOM. YEAH, I MEANT YOUR

771. I DON'T HAVE A MOM. YEAH, I MEANT YOUR MOM'S SKIN.

772. YEAH, I MEANT YOUR MOM'S SKIN. I STILL DON'T HAVE A MOM.

773. MOM'S SKIN. I STILL DON'T HAVE A MOM. QUIT SAYING MOM.

774. I STILL DON'T HAVE A MOM. QUIT SAYING MOM. I MEANT YOUR FUN

775. QUIT SAYING MOM. I MEANT YOUR FUN TWIN.

776. I MEANT YOUR FUN TWIN. I DON'T HAVE ANY SIBLINGS,

777. TWIN. I DON'T HAVE ANY SIBLINGS, EITHER.

778. I DON'T HAVE ANY SIBLINGS, EITHER. DARN IT! I MEA—

779. EITHER. DARN IT! I MEA— GUMBALL, PLEASE JUST

780. DARN IT! I MEA— GUMBALL, PLEASE JUST STOP.

781. GUMBALL, PLEASE JUST STOP. SO, WHAT HAPPENED?

782. STOP. SO, WHAT HAPPENED? I CAN'T REMEMBER.

783. SO, WHAT HAPPENED? I CAN'T REMEMBER. I HAVE NOTHING LEFT OF WHO I

784. I CAN'T REMEMBER. I HAVE NOTHING LEFT OF WHO I WAS.

785. I HAVE NOTHING LEFT OF WHO I WAS. I'M... NOBODY.

786. WAS. I'M... NOBODY. WELL, MAYBE IT ISN'T

787. I'M... NOBODY. WELL, MAYBE IT ISN'T THAT BAD.

788. WELL, MAYBE IT ISN'T THAT BAD. I MEAN, THERE'S A LOT OF PEOPLE

789. THAT BAD. I MEAN, THERE'S A LOT OF PEOPLE WHO LIKE TO START OVER AND

790. I MEAN, THERE'S A LOT OF PEOPLE WHO LIKE TO START OVER AND REINVENT THEMSELVES.

791. WHO LIKE TO START OVER AND REINVENT THEMSELVES. REALLY? WHO WOULD I BE?

792. REINVENT THEMSELVES. REALLY? WHO WOULD I BE? YOU COULD BE THE COOL

793. REALLY? WHO WOULD I BE? YOU COULD BE THE COOL SOCCER GUY WHO ONLY LIVES FOR

794. YOU COULD BE THE COOL SOCCER GUY WHO ONLY LIVES FOR KICKS.

795. SOCCER GUY WHO ONLY LIVES FOR KICKS. SORRY, DUDES. THAT'S TAKEN.

796. KICKS. SORRY, DUDES. THAT'S TAKEN. WELL, YOU COULD BE

797. SORRY, DUDES. THAT'S TAKEN. WELL, YOU COULD BE THE TOWN CLOWN.

798. WELL, YOU COULD BE THE TOWN CLOWN.

799. THE TOWN CLOWN.

800. YOU COULD BE LIKE THE

801. YOU COULD BE LIKE THE FEEBLE HYPOCHONDRIAC.

802. YOU COULD BE LIKE THE FEEBLE HYPOCHONDRIAC.

803. FEEBLE HYPOCHONDRIAC. UH, THE VEGETARIAN HIPPIE GUY.

804. UH, THE VEGETARIAN HIPPIE GUY. THE GRUMPY OLD

805. UH, THE VEGETARIAN HIPPIE GUY. THE GRUMPY OLD NEIGHBOR!

806. THE GRUMPY OLD NEIGHBOR! THE RICH ONE!

807. NEIGHBOR! THE RICH ONE! THE SCHOOL JOCK!

808. THE RICH ONE! THE SCHOOL JOCK! THE STORE CLERK!

809. THE SCHOOL JOCK! THE STORE CLERK! THE MECHANIC!

810. THE STORE CLERK! THE MECHANIC! THE VIDEO GUY!

811. THE MECHANIC! THE VIDEO GUY! THE PIZZA GUY!

812. THE PIZZA GUY! THE BURGER GUY!

813. THE BURGER GUY! OR THE GUY WHO WALKS

814. OR THE GUY WHO WALKS AROUND WITH NO PANTS ON! DARN IT! SORRY, MAN.

815. AROUND WITH NO PANTS ON! DARN IT! SORRY, MAN. ALL THE GOOD PERSONALITIES ARE

816. DARN IT! SORRY, MAN. ALL THE GOOD PERSONALITIES ARE TAKEN.

817. ALL THE GOOD PERSONALITIES ARE TAKEN.

818. TAKEN. WHAT ABOUT A BAD ONE?

819. WHAT ABOUT A BAD ONE? YEAH!

820. WHAT ABOUT A BAD ONE? YEAH! THERE'S NO BAD GUY HERE!

821. YEAH! THERE'S NO BAD GUY HERE! YOU COULD BE OUR MORTAL ENEMY!

822. THERE'S NO BAD GUY HERE! YOU COULD BE OUR MORTAL ENEMY! YOU COULD BE LIKE THE

823. YOU COULD BE OUR MORTAL ENEMY! YOU COULD BE LIKE THE WORST GUY THE WORLD HAS EVER

824. YOU COULD BE LIKE THE WORST GUY THE WORLD HAS EVER MADE.

825. WORST GUY THE WORLD HAS EVER MADE. THE WORLD HAS EVER

826. MADE. THE WORLD HAS EVER MADE, THE WORLD HAS EVER MADE,

827. THE WORLD HAS EVER MADE, THE WORLD HAS EVER MADE, THE WORLD HAS EVER MADE...

828. MADE, THE WORLD HAS EVER MADE, THE WORLD HAS EVER MADE... I REMEMBER.

829. THE WORLD HAS EVER MADE... I REMEMBER. ALL THE MISTAKES THE WORLD

830. I REMEMBER. ALL THE MISTAKES THE WORLD HAS EVER MADE.

831. ALL THE MISTAKES THE WORLD HAS EVER MADE.

832. HAS EVER MADE. GUYS! GUYS! OVER HERE!

833. GUYS! GUYS! OVER HERE! I WAS ONE OF THE WORLD'S

834. GUYS! GUYS! OVER HERE! I WAS ONE OF THE WORLD'S MISTAKES.

835. I WAS ONE OF THE WORLD'S MISTAKES. IT'S MOLLY'S TREE

836. MISTAKES. IT'S MOLLY'S TREE HOUSE!

837. IT'S MOLLY'S TREE HOUSE! BUT YOU ONLY CARED ABOUT

838. HOUSE! BUT YOU ONLY CARED ABOUT MOLLY.

839. BUT YOU ONLY CARED ABOUT MOLLY. YOU SAVED HER, AND YOU LEFT ME

840. MOLLY. YOU SAVED HER, AND YOU LEFT ME THERE TO ROT.

841. YOU SAVED HER, AND YOU LEFT ME THERE TO ROT.

842. THERE TO ROT. BUT I CLUNG TO LIFE.

843. AND I CAME BACK... WHAT WERE WE TALKING ABOUT AGAIN?

844. WHAT WERE WE TALKING ABOUT AGAIN? BUT AT A COST.

845. ABOUT AGAIN? BUT AT A COST.

846. BUT AT A COST. YOU LEFT ME DISFIGURED, A

847. YOU LEFT ME DISFIGURED, A NOBODY.

848. YOU LEFT ME DISFIGURED, A NOBODY. BUT NOW YOU'VE GIVEN ME A PART

849. NOBODY. BUT NOW YOU'VE GIVEN ME A PART TO PLAY IN THE WORLD.

850. BUT NOW YOU'VE GIVEN ME A PART TO PLAY IN THE WORLD. I WILL BE YOUR WORST NIGHTMARE.

851. TO PLAY IN THE WORLD. I WILL BE YOUR WORST NIGHTMARE. I WILL DESTROY EVERYTHING YOU

852. I WILL BE YOUR WORST NIGHTMARE. I WILL DESTROY EVERYTHING YOU CARE ABOUT.

853. I WILL DESTROY EVERYTHING YOU CARE ABOUT. I WILL TAKE AWAY EVERYONE YOU

854. CARE ABOUT. I WILL TAKE AWAY EVERYONE YOU LOVE.

855. I WILL TAKE AWAY EVERYONE YOU LOVE. I WILL BE YOUR

856. LOVE. I WILL BE YOUR NEMESIS.

857. I WILL BE YOUR NEMESIS. OH, COOL.

858. NEMESIS. OH, COOL. GLAD WE COULD HELP.

859. OH, COOL. GLAD WE COULD HELP. UH...

860. GLAD WE COULD HELP. UH...