The Amazing World of Gumball 3x20

1. WAIT. WHAT? YOU ARE PROCRASTINATORS. WHAT DOES THAT MEAN?

2. YOU ARE PROCRASTINATORS. WHAT DOES THAT MEAN? PROCRASTINATOR —

3. WHAT DOES THAT MEAN? PROCRASTINATOR — DERIVED FROM THE MEXICAN WORD,

4. PROCRASTINATOR — DERIVED FROM THE MEXICAN WORD, PROCRATELMACIóN, WHICH MEANS

5. DERIVED FROM THE MEXICAN WORD, PROCRATELMACIóN, WHICH MEANS "MIDNIGHT SNACK," AND THE VIKING

6. PROCRATELMACIóN, WHICH MEANS "MIDNIGHT SNACK," AND THE VIKING WORD ASTENATOR, WHICH MEANS

7. "MIDNIGHT SNACK," AND THE VIKING WORD ASTENATOR, WHICH MEANS "PUCKERED CHEEKS."

8. WORD ASTENATOR, WHICH MEANS "PUCKERED CHEEKS." IT DESCRIBES A PERSON WHO SITS

9. "PUCKERED CHEEKS." IT DESCRIBES A PERSON WHO SITS ON A SANDWICH IN THE DARK.

10. OF COURSE I DON'T KNOW, DUDE. YOU KNOW HOW I USE A DICTIONARY.

11. AAH! A PROCRASTINATOR IS

12. A PROCRASTINATOR IS SOMEONE WHO ALWAYS AVOIDS THEIR RESPONSIBILITIES BY DOING

13. SOMEONE WHO ALWAYS AVOIDS THEIR RESPONSIBILITIES BY DOING SOMETHING ELSE INSTEAD.

14. RESPONSIBILITIES BY DOING SOMETHING ELSE INSTEAD. HA HA!

15. SOMETHING ELSE INSTEAD. HA HA! THAT'S RIDICULOUS.

16. HA HA! THAT'S RIDICULOUS. GUMBALL, YOU'RE SUCH A

17. THAT'S RIDICULOUS. GUMBALL, YOU'RE SUCH A PROCRASTINATOR THAT YOU WERE

18. GUMBALL, YOU'RE SUCH A PROCRASTINATOR THAT YOU WERE FOUR YEARS OLD BEFORE YOU

19. PROCRASTINATOR THAT YOU WERE FOUR YEARS OLD BEFORE YOU FINISHED YOUR FIRST SENTENCE.

20. FOUR YEARS OLD BEFORE YOU FINISHED YOUR FIRST SENTENCE. AND EVEN THEN, IT WAS, "I'LL DO

21. FINISHED YOUR FIRST SENTENCE. AND EVEN THEN, IT WAS, "I'LL DO IT TOMORROW."

22. AND EVEN THEN, IT WAS, "I'LL DO IT TOMORROW." LOOK, I'M GOING TO THE GROCERY

23. IT TOMORROW." LOOK, I'M GOING TO THE GROCERY STORE.

24. LOOK, I'M GOING TO THE GROCERY STORE. I'LL BE BACK AT 5:00, AND THE

25. STORE. I'LL BE BACK AT 5:00, AND THE TRASH BETTER BE GONE.

26. I'LL BE BACK AT 5:00, AND THE TRASH BETTER BE GONE. FINE!

27. TRASH BETTER BE GONE. FINE! WE'LL SHOW YOU WE'RE NOT

28. FINE! WE'LL SHOW YOU WE'RE NOT PROSTHETIC ACTORS!

29. WE'LL SHOW YOU WE'RE NOT PROSTHETIC ACTORS! YOU MEAN YOU'RE NOT

30. PROSTHETIC ACTORS! YOU MEAN YOU'RE NOT MOVIE STARS WITH BIONIC BODY

31. YOU MEAN YOU'RE NOT MOVIE STARS WITH BIONIC BODY PARTS?

32. MOVIE STARS WITH BIONIC BODY PARTS? PAWN INVESTIGATORS!

33. PARTS? PAWN INVESTIGATORS! IT'S

34. PAWN INVESTIGATORS! IT'S "PROCRASTINATORS."

35. IT'S "PROCRASTINATORS." YOU'RE SUCH A SMUG

36. "PROCRASTINATORS." YOU'RE SUCH A SMUG "FACE-INATOR."

37. YOU'RE SUCH A SMUG "FACE-INATOR."

38. "FACE-INATOR." HEY, STOP WASTING TIME

39. HEY, STOP WASTING TIME AND TAKE OUT THE TRASH — UNLESS

40. HEY, STOP WASTING TIME AND TAKE OUT THE TRASH — UNLESS YOU WANT TO FACE...

41. AND TAKE OUT THE TRASH — UNLESS YOU WANT TO FACE...

42. YOU WANT TO FACE... "THE TERMOMINATOR."

43. "THE TERMOMINATOR." I'LL BE

44. I'LL BE BACK...

45. I'LL BE BACK... AT AROUND 5:00.

46. BACK... AT AROUND 5:00.

47. AT AROUND 5:00. DON'T WORRY, MOM!

48. DON'T WORRY, MOM! WE'LL GET RIGHT ON IT.

49. DON'T WORRY, MOM! WE'LL GET RIGHT ON IT.

50. WE'LL GET RIGHT ON IT.

51. SHOULDN'T WE BE TAKING OUT THE TRASH? HOLD ON, HOLD ON.

52. TAKING OUT THE TRASH? HOLD ON, HOLD ON. I GOT TO MOAN ABOUT IT ON

53. HOLD ON, HOLD ON. I GOT TO MOAN ABOUT IT ON ELMOREPLUS FIRST.

54. I GOT TO MOAN ABOUT IT ON ELMOREPLUS FIRST. "OMG GOT TO SL@V3 AWAY TKING OUT

55. ELMOREPLUS FIRST. "OMG GOT TO SL@V3 AWAY TKING OUT DA TRASH... SMH."

56. "OMG GOT TO SL@V3 AWAY TKING OUT DA TRASH... SMH." DUDE, YOU SPELLED

57. DUDE, YOU SPELLED TRASH RIGHT. OH, YEAH.

58. TRASH RIGHT. OH, YEAH.

59. OH, YEAH. ADD SOME LITTLE FACE

60. ADD SOME LITTLE FACE THINGS.

61. ADD SOME LITTLE FACE THINGS. HMM.

62. THINGS. HMM. SHOULD I ADD "YOLO"?

63. HMM. SHOULD I ADD "YOLO"? WHAT? NO, DUDE.

64. SHOULD I ADD "YOLO"? WHAT? NO, DUDE. HAVE SOME SELF-RESPECT.

65. WHAT? NO, DUDE. HAVE SOME SELF-RESPECT. JUST PUT "#SWAG."

66. HAVE SOME SELF-RESPECT. JUST PUT "#SWAG." ALL RIGHT.

67. JUST PUT "#SWAG." ALL RIGHT. ALL RIGHT. LET'S GET ON WITH IT.

68. ALL RIGHT. ALL RIGHT. LET'S GET ON WITH IT. HOLD ON.

69. ALL RIGHT. LET'S GET ON WITH IT. HOLD ON. LET'S JUST CHECK IF ANYTHING

70. HOLD ON. LET'S JUST CHECK IF ANYTHING ELSE INTERESTING IS HAPPENING ON

71. LET'S JUST CHECK IF ANYTHING ELSE INTERESTING IS HAPPENING ON ELMOREPLUS.

72. ELSE INTERESTING IS HAPPENING ON ELMOREPLUS. OKAY, BUT QUICKLY.

73. ELMOREPLUS. OKAY, BUT QUICKLY.

74. WHAT THE WHAT? DUDE, WE WERE ONLY ON ELMOREPLUS

75. DUDE, WE WERE ONLY ON ELMOREPLUS FOR A SECOND, AND ALMOST HALF AN

76. FOR A SECOND, AND ALMOST HALF AN HOUR PASSED!

77. HOUR PASSED! LET ME TRY.

78. LET ME TRY.

79. DUDE, ELMOREPLUS REALLY PUTS THE

80. DUDE, ELMOREPLUS REALLY PUTS THE "PRO" INTO "PROCRASTINATING."

81. DUDE, ELMOREPLUS REALLY PUTS THE "PRO" INTO "PROCRASTINATING." IT'S FAR TOO

82. "PRO" INTO "PROCRASTINATING." IT'S FAR TOO DANGEROUS!

83. IT'S FAR TOO DANGEROUS! BY THE TIME WE'RE FINISHED,

84. DANGEROUS! BY THE TIME WE'RE FINISHED, WE'LL HAVE MORE WRINKLES THAN A

85. BY THE TIME WE'RE FINISHED, WE'LL HAVE MORE WRINKLES THAN A TOE AFTER A BATH.

86. WE'LL HAVE MORE WRINKLES THAN A TOE AFTER A BATH. WE NEED TO LEAVE — NOW!

87. TOE AFTER A BATH. WE NEED TO LEAVE — NOW!

88. WE NEED TO LEAVE — NOW!

89. EH.

90. HOW DO I

91. HOW DO I LOOK?

92. HOW DO I LOOK? LIKE A

93. LOOK? LIKE A MOVIE STAR'S DAD.

94. LIKE A MOVIE STAR'S DAD. HOW ABOUT ME?

95. MOVIE STAR'S DAD. HOW ABOUT ME? AWESOME.

96. HOW ABOUT ME? AWESOME. LIKE A HANDSOME LEATHER SHOE.

97. AWESOME. LIKE A HANDSOME LEATHER SHOE. COOOOOOL.

98. HEY, WATCH THIS. MM. NOT BAD.

99. EE-HEE!

100. EE-HEE! WHAT ARE YOU DOING?

101. EE-HEE! WHAT ARE YOU DOING? I'M PRACTICING MY

102. WHAT ARE YOU DOING? I'M PRACTICING MY MOONWALK!

103. I'M PRACTICING MY MOONWALK! THAT'S NOT HOW YOU

104. MOONWALK! THAT'S NOT HOW YOU MOONWALK, DUDE.

105. THAT'S NOT HOW YOU MOONWALK, DUDE. WATCH AND LEARN.

106. MOONWALK, DUDE. WATCH AND LEARN.

107. WATCH AND LEARN. DUDE, YOU'RE BREAKING

108. DUDE, YOU'RE BREAKING THE RULES OF THE GAME — AND THE

109. DUDE, YOU'RE BREAKING THE RULES OF THE GAME — AND THE LAWS OF PHYSICS!

110. THE RULES OF THE GAME — AND THE LAWS OF PHYSICS! WHAT?

111. LAWS OF PHYSICS! WHAT? I CAN'T HEAR YOU!

112. WHAT? I CAN'T HEAR YOU! IN SPACE, NO ONE CAN HEAR YOU

113. I CAN'T HEAR YOU! IN SPACE, NO ONE CAN HEAR YOU WHINE.

114. IN SPACE, NO ONE CAN HEAR YOU WHINE. WELL, IN SPACE, NO

115. WHINE. WELL, IN SPACE, NO ONE CAN BREATHE WITHOUT A

116. WELL, IN SPACE, NO ONE CAN BREATHE WITHOUT A HELMET.

117. ONE CAN BREATHE WITHOUT A HELMET.

118. HELMET.

119. AAH! AAH!

120. AAH! AAH! OHH.

121. AAH! AAH! OHH.

122. FOOD FIGHT! Pea squadron, we have visual on carrot target.

123. Pea squadron, we have visual on carrot target. General Spork

124. visual on carrot target. General Spork talking.

125. General Spork talking. You have permission to move in.

126. talking. You have permission to move in. Wait!

127. You have permission to move in. Wait! There's a battalion of sweet

128. Wait! There's a battalion of sweet corn!

129. There's a battalion of sweet corn! They're popping!

130. corn! They're popping! I repeat, they are popping!

131. They're popping! I repeat, they are popping! We're getting mushed!

132. I repeat, they are popping! We're getting mushed! This is

133. We're getting mushed! This is General Spork.

134. This is General Spork. You have 10 seconds before

135. General Spork. You have 10 seconds before sausage air strike — That's 10

136. You have 10 seconds before sausage air strike — That's 10 seconds.

137. sausage air strike — That's 10 seconds. No, wait!

138. seconds. No, wait! Sir, there are peas still in the

139. No, wait! Sir, there are peas still in the pod!

140. Sir, there are peas still in the pod! Five seconds.

141. pod! Five seconds. Abort! Abort!

142. Five seconds. Abort! Abort! Four...

143. Abort! Abort! Four... I say abort!

144. Four... I say abort! Three...

145. I say abort! Three...

146. Three... Two...

147. Two... One...

148. THAT WAS NOWHERE NEAR AS FUN AS I THOUGHT THAT'D BE. I think I lost my

149. I THOUGHT THAT'D BE. I think I lost my appetite.

150. WHAT ARE YOU DOING? I'M TREASURE-HUNTING.

151. I'M TREASURE-HUNTING. DUDE, THERE'S NOTHING

152. TREASURE-HUNTING. DUDE, THERE'S NOTHING INTERESTING DOWN THERE.

153. DUDE, THERE'S NOTHING INTERESTING DOWN THERE. OH, REALLY?

154. INTERESTING DOWN THERE. OH, REALLY? [ HUMMING THEME TO

155. OH, REALLY? [ HUMMING THEME TO "2001: A SPACE ODYSSEY" ]

156. "2001: A SPACE ODYSSEY" ] UGH!

157. UGH! THAT MILK-CHOCOLATE BAR IS SO

158. UGH! THAT MILK-CHOCOLATE BAR IS SO OLD, IT MUST'VE TURNED INTO

159. THAT MILK-CHOCOLATE BAR IS SO OLD, IT MUST'VE TURNED INTO CHEESE-CHOCOLATE.

160. OLD, IT MUST'VE TURNED INTO CHEESE-CHOCOLATE. JUST THROW IT AWAY.

161. CHEESE-CHOCOLATE. JUST THROW IT AWAY. ARE YOU KIDDING ME?

162. JUST THROW IT AWAY. ARE YOU KIDDING ME? CHEESE AND CHOCOLATE ARE TWO OF

163. ARE YOU KIDDING ME? CHEESE AND CHOCOLATE ARE TWO OF MY FAVORITE THINGS!

164. CHEESE AND CHOCOLATE ARE TWO OF MY FAVORITE THINGS!

165. MY FAVORITE THINGS!

166. DUDE, STOP!

167. DUDE, STOP! YOU CLEARLY DON'T LIKE IT.

168. DUDE, STOP! YOU CLEARLY DON'T LIKE IT. MY BODY JUST HAS TO

169. YOU CLEARLY DON'T LIKE IT. MY BODY JUST HAS TO LEARN TO LIKE IT.

170. MY BODY JUST HAS TO LEARN TO LIKE IT.

171. LEARN TO LIKE IT. SEE?

172. SEE? SUCH IS THE POWER OF THE MIND

173. SEE? SUCH IS THE POWER OF THE MIND OVER THE —

174. SUCH IS THE POWER OF THE MIND OVER THE —

175. OVER THE —

176. DUDE, I'M NOT SURE THIS IS A GOOD IDEA. I BET YOU A DOLLAR

177. GOOD IDEA. I BET YOU A DOLLAR NOTHING BREAKS.

178. I BET YOU A DOLLAR NOTHING BREAKS. YOU'RE ON.

179. NOTHING BREAKS. YOU'RE ON.

180. COUGH UP.

181. THANK YOU. AND THANK YOU.

182. THANK YOU. AND THANK YOU.

183. AND THANK YOU.

184. THIS STARING MATCH IS BORING. HOW CAN WE SPICE IT UP?

185. BORING. HOW CAN WE SPICE IT UP? LIKE THIS.

186. HOW CAN WE SPICE IT UP? LIKE THIS. AAH! AAH!

187. LIKE THIS. AAH! AAH! OR LIKE THIS!

188. HEY, DUDE. CAN YOU DO THIS? NO.

189. NO. BUT CAN YOU DO THIS?

190. NO. BUT CAN YOU DO THIS?

191. BUT CAN YOU DO THIS? NOT BAD.

192. NOT BAD. BUT CAN YOU DO THIS?

193. NOT BAD. BUT CAN YOU DO THIS?

194. BUT CAN YOU DO THIS?

195. NOT BAD.

196. NOT BAD. BUT CAN YOU DO THIS?

197. NOT BAD. BUT CAN YOU DO THIS?

198. NO.

199. BUT HOW ABOUT THIS? OH, HI!

200. OH, HI! HOW ABOUT THIS?

201. HOW ABOUT THIS? YEAH?

202. YEAH? WELL, CAN YOU FIT YOUR WHOLE ARM IN YOUR MOUTH?

203. WELL, CAN YOU FIT YOUR WHOLE ARM IN YOUR MOUTH?

204. IN YOUR MOUTH? I CAN FIT TWO — AND

205. I CAN FIT TWO — AND A LEG!

206. I CAN FIT TWO — AND A LEG!

207. A LEG! HOW ABOUT THIS?

208. HOW ABOUT THIS? HOW 'BOUT THIS?

209. HOW 'BOUT THIS?

210. ARE YOU READY FOR

211. ARE YOU READY FOR THE FIRE-SAUCE CHALLENGE?

212. EH, NOT SO BAD. EH.

213. EH. AAH! AAH! AAH!

214. AAH! AAH! AAH!

215. SOME

216. SOME PEOPLE JUST CAN'T HANDLE THEIR HOT SA— OOOOOOOOOOOHH!

217. PEOPLE JUST CAN'T HANDLE THEIR HOT SA— OOOOOOOOOOOHH!

218. "VOICES OF SPRING" PLAYS ]

219. NAH, THIS LASER PEN IS GARBAGE.

220. NAH, THIS LASER PEN IS GARBAGE.

221. IS GARBAGE.

222. OKAY, I GUESS IT'S

223. OKAY, I GUESS IT'S TIME.

224. AHH! THAT CLOCK WAS DRIVING ME NUTS. OKAY, WHO WOULD BE THE

225. OKAY, WHO WOULD BE THE BEST-LOOKING GIRL? ONE, TWO, THREE!

226. BEST-LOOKING GIRL? ONE, TWO, THREE!

227. ONE, TWO, THREE! YOU KNOW WHAT'S MISSING?

228. YOU KNOW WHAT'S MISSING? MORE MAKEUP.

229. YOU KNOW WHAT'S MISSING? MORE MAKEUP. I THINK MOM'S GOT SOME IN HER

230. MORE MAKEUP. I THINK MOM'S GOT SOME IN HER BEDR— OHH!

231. HMM.

232. Perfect. SO, ARE YOU GONNA TEACH ME TO PLAY NOW?

233. SO, ARE YOU GONNA TEACH ME TO PLAY NOW? YES, DARWIN, BUT

234. TEACH ME TO PLAY NOW? YES, DARWIN, BUT REMEMBER, CHESS IS A VERY

235. YES, DARWIN, BUT REMEMBER, CHESS IS A VERY COMPLEX AND STRATEGIC GAME.

236. REMEMBER, CHESS IS A VERY COMPLEX AND STRATEGIC GAME. YOU DO NOT PLAY THE BOARD —

237. COMPLEX AND STRATEGIC GAME. YOU DO NOT PLAY THE BOARD — YOU PLAY YOUR OPPONENT.

238. YOU DO NOT PLAY THE BOARD — YOU PLAY YOUR OPPONENT. LIKE HOW?

239. YOU PLAY YOUR OPPONENT. LIKE HOW? LIKE THIS!

240. LIKE HOW? LIKE THIS!

241. OKAY, FINISHED. GO ON. SHOW YOURS. NO, YOU FIRST.

242. GO ON. SHOW YOURS. NO, YOU FIRST. OKAY.

243. NO, YOU FIRST. OKAY. BOTH AT THE SAME TIME.

244. OKAY. BOTH AT THE SAME TIME. THREE, TWO, ONE...

245. DUDE, WE WERE SUPPOSED TO BE DOING PORTRAITS! WHY WOULD YOU ADD A SCARY CLOWN

246. SUPPOSED TO BE DOING PORTRAITS! WHY WOULD YOU ADD A SCARY CLOWN THROUGH A WINDOW INSIDE OF A

247. WHY WOULD YOU ADD A SCARY CLOWN THROUGH A WINDOW INSIDE OF A BEAUTIFUL —

248. THROUGH A WINDOW INSIDE OF A BEAUTIFUL —

249. BEAUTIFUL —

250. I'VE GOT A

251. I'VE GOT A TELEGRAM FOR GUMBALL AND

252. I'VE GOT A TELEGRAM FOR GUMBALL AND DARWIN WATTERSON.

253. TELEGRAM FOR GUMBALL AND DARWIN WATTERSON. ♪ TAKE OUT THE

254. DARWIN WATTERSON. ♪ TAKE OUT THE TRASH, IT COULD BE DONE IN A

255. TRASH, IT COULD BE DONE IN A FLASH ♪ ♪ IF YOU DO THE MATH, YOU COULD

256. WELL, I GUESS WE HAD TO DO IT AT SOME POINT.

257. TO DO IT AT SOME POINT.

258. THAT'S IT! I'M DELETING MY ELMOREPLUS ACCOUNT!

259. I'M DELETING MY ELMOREPLUS ACCOUNT! OKAY, "ARE YOU SURE?"

260. ACCOUNT! OKAY, "ARE YOU SURE?" YES.

261. OKAY, "ARE YOU SURE?" YES. "ARE YOU REALLY SURE?"

262. YES. "ARE YOU REALLY SURE?" YES.

263. "ARE YOU REALLY SURE?" YES. "ARE YOU ABSOLUTELY SURE?"

264. YES. "ARE YOU ABSOLUTELY SURE?" YES, I'M ABSOLUTELY SURE!

265. "ARE YOU ABSOLUTELY SURE?" YES, I'M ABSOLUTELY SURE! FOR SECURITY REASONS, PLEASE

266. YES, I'M ABSOLUTELY SURE! FOR SECURITY REASONS, PLEASE ENTER THE WORD IN THE BOX BELOW.

267. FOR SECURITY REASONS, PLEASE ENTER THE WORD IN THE BOX BELOW. OKAY, UH...

268. AHA! JUST CLICK "CONFIRM."

269. THIS IS HOW YOU DELETE AN

270. THIS IS HOW YOU DELETE AN ELMOREPLUS ACCOUNT!

271. THIS IS HOW YOU DELETE AN ELMOREPLUS ACCOUNT!

272. ELMOREPLUS ACCOUNT! HOLD ON.

273. HOLD ON. IT'S GOT THOSE

274. HOLD ON. IT'S GOT THOSE LITTLE SCREWS IN THE BACK.

275. LITTLE SCREWS IN THE BACK. THIS IS HOW YOU DELETE AN

276. THIS IS HOW YOU DELETE AN ELMOREPLUS ACCOUNT!

277. THIS IS HOW YOU DELETE AN ELMOREPLUS ACCOUNT! HYAH!

278. ELMOREPLUS ACCOUNT! HYAH!

279. OH, MAN. RUNNING OUT OF "PROCRASTILATION" IDEAS.

280. RUNNING OUT OF "PROCRASTILATION" IDEAS. LOOKS LIKE WE'LL HAVE

281. IDEAS. LOOKS LIKE WE'LL HAVE TO TAKE THE TRASH OUT AFTER ALL.

282. LOOKS LIKE WE'LL HAVE TO TAKE THE TRASH OUT AFTER ALL.

283. PBHT!

284. PBHT!

285. PBHT!

286. [ GLASS SQUEAKING RHYTHMICALLY,

287. STACCATO FARTS ]

288. OH, MY GOSH!

289. OH, MY GOSH! IT'S 5:00 P.M.!

290. OH, MY GOSH! IT'S 5:00 P.M.!

291. IT'S 5:00 P.M.!

292. DID YOU TAKE OUT THE TRASH? MM-HMM, MM-HMM.

293. TRASH? MM-HMM, MM-HMM. GOOD.

294. MM-HMM, MM-HMM. GOOD. NOW TAKE THE GROCERIES AND PUT

295. GOOD. NOW TAKE THE GROCERIES AND PUT THEM AWAY.

296. NOW TAKE THE GROCERIES AND PUT THEM AWAY. HA. YEAH. SURE.

297. THEM AWAY. HA. YEAH. SURE.

298. PHEW! WE'RE COOKED!

299. WE'RE COOKED! NOT YET.

300. NOT YET.

301. OHH!

302. UH, CAN I HAVE SOME MORE OF THE SPORTS SECTION, PLEASE?

303. UH, CAN I HAVE SOME MORE OF THE SPORTS SECTION, PLEASE? CAN SOMEONE

304. OF THE SPORTS SECTION, PLEASE? CAN SOMEONE PLEASE EXPLAIN TO ME HOW THIS

305. CAN SOMEONE PLEASE EXPLAIN TO ME HOW THIS HAPPENED?

306. PLEASE EXPLAIN TO ME HOW THIS HAPPENED? UH... WRONG BAG.

307. OH, MY HEART! OH, IT IS BROKEN! AAH! I'M GOING!

308. OH, MY HEART! OH, IT IS BROKEN! AAH! I'M GOING! I'M GOING!

309. AAH! I'M GOING! I'M GOING! AAH! OHH!

310. I'M GOING! AAH! OHH! THIS IS THE END OF ME!

311. AAH! OHH! THIS IS THE END OF ME!

312. THIS IS THE END OF ME! AAH! MY HEART!

313. OHH.

314. OHH.

315. IS THE BEAST GONNA BE ALL RIGHT?

316. IS THE BEAST GONNA BE ALL RIGHT? HE JUST WANTED TO BE LOVED!

317. IS THE BEAST GONNA BE ALL RIGHT? HE JUST WANTED TO BE LOVED!

318. HE JUST WANTED TO BE LOVED!

319. WHEN BELLE CAME TO SEE THE

320. WHEN BELLE CAME TO SEE THE BEAST, SHE REALIZED THAT SHE HAD

321. WHEN BELLE CAME TO SEE THE BEAST, SHE REALIZED THAT SHE HAD LOVED HIM ALL ALONG AND CRIED

322. BEAST, SHE REALIZED THAT SHE HAD LOVED HIM ALL ALONG AND CRIED FOR HER LOST LOVE.

323. LOVED HIM ALL ALONG AND CRIED FOR HER LOST LOVE.

324. FOR HER LOST LOVE. THANKS TO YOUR

325. THANKS TO YOUR TEARS, BELLE, THE CURSE HAS BEEN

326. THANKS TO YOUR TEARS, BELLE, THE CURSE HAS BEEN LIFTED!

327. TEARS, BELLE, THE CURSE HAS BEEN LIFTED! THEY CALLED HIM A BEAST

328. LIFTED! THEY CALLED HIM A BEAST BECAUSE HE LOOKS LIKE A BEAST,

329. THEY CALLED HIM A BEAST BECAUSE HE LOOKS LIKE A BEAST, BUT HER LOVE MADE HIM BEAUTIFUL!

330. BECAUSE HE LOOKS LIKE A BEAST, BUT HER LOVE MADE HIM BEAUTIFUL! YEAH.

331. BUT HER LOVE MADE HIM BEAUTIFUL! YEAH. NOW THAT THE FAIRY'S CURSE HAS

332. YEAH. NOW THAT THE FAIRY'S CURSE HAS BEEN LIFTED, WE CAN FINALLY SEAL

333. NOW THAT THE FAIRY'S CURSE HAS BEEN LIFTED, WE CAN FINALLY SEAL OUR LOVE...

334. BEEN LIFTED, WE CAN FINALLY SEAL OUR LOVE... with a kiss.

335. OUR LOVE... with a kiss.

336. with a kiss.

337. IS THIS REALLY

338. IS THIS REALLY HAPPENING?

339. IS THIS REALLY HAPPENING? 'CAUSE THERE WAS NO KISS IN

340. HAPPENING? 'CAUSE THERE WAS NO KISS IN REHEARSALS.

341. 'CAUSE THERE WAS NO KISS IN REHEARSALS. I KINDA IMPROVISED.

342. REHEARSALS. I KINDA IMPROVISED.

343. I KINDA IMPROVISED. THEN HOW COME WE'RE NOT

344. THEN HOW COME WE'RE NOT EXPLODING?

345. THEN HOW COME WE'RE NOT EXPLODING? WE'RE IN SPACE!

346. EXPLODING? WE'RE IN SPACE! AND WHY ARE WE ALWAYS IN SPACE

347. WE'RE IN SPACE! AND WHY ARE WE ALWAYS IN SPACE WHEN WE'RE GONNA KISS?

348. AND WHY ARE WE ALWAYS IN SPACE WHEN WE'RE GONNA KISS? ALSO —

349. WHEN WE'RE GONNA KISS? ALSO — Come on. Hurry up.

350. ALSO — Come on. Hurry up. Everyone's looking.

351. Come on. Hurry up. Everyone's looking.

352. Everyone's looking.

353. THREE, TWO, ONE...

354. THREE, TWO, ONE...

355. COME ON.

356. COME ON. I'M SURE IT WASN'T THAT BAD.

357. COME ON. I'M SURE IT WASN'T THAT BAD. NOT THAT BAD?

358. I'M SURE IT WASN'T THAT BAD. NOT THAT BAD? IF I DID THAT IN A CAGE FIGHT,

359. NOT THAT BAD? IF I DID THAT IN A CAGE FIGHT, I'D BE DISQUALIFIED!

360. IF I DID THAT IN A CAGE FIGHT, I'D BE DISQUALIFIED! THIS CAN'T BE HAPPENING!

361. I'D BE DISQUALIFIED! THIS CAN'T BE HAPPENING! HEY, GUYS. DON'T PANIC.

362. THIS CAN'T BE HAPPENING! HEY, GUYS. DON'T PANIC. WE DON'T KNOW HOW BAD IT IS YET.

363. HEY, GUYS. DON'T PANIC. WE DON'T KNOW HOW BAD IT IS YET. COME ON. TELL ME HOW IT LOOKS.

364. WE DON'T KNOW HOW BAD IT IS YET. COME ON. TELL ME HOW IT LOOKS.

365. COME ON. TELL ME HOW IT LOOKS. UH, IT'S A NICE SCAR.

366. UH, IT'S A NICE SCAR. GIVES YOU CHARACTER, LIKE

367. UH, IT'S A NICE SCAR. GIVES YOU CHARACTER, LIKE A... BEAUTIFUL WARLORD OR AN

368. GIVES YOU CHARACTER, LIKE A... BEAUTIFUL WARLORD OR AN ADORABLE FRANKENSTEIN — OR

369. A... BEAUTIFUL WARLORD OR AN ADORABLE FRANKENSTEIN — OR SOMETHING.

370. ADORABLE FRANKENSTEIN — OR SOMETHING. WAIT! I'VE GOT A SCAR?

371. SOMETHING. WAIT! I'VE GOT A SCAR? NO, DON'T WORRY.

372. WAIT! I'VE GOT A SCAR? NO, DON'T WORRY. IT'S NOT A SCAR.

373. NO, DON'T WORRY. IT'S NOT A SCAR. IT'S MORE OF A CRACK.

374. IT'S NOT A SCAR. IT'S MORE OF A CRACK. WHAT? HOW BAD IS IT?

375. IT'S MORE OF A CRACK. WHAT? HOW BAD IS IT? OH, NO, IT'S CUTE!

376. WHAT? HOW BAD IS IT? OH, NO, IT'S CUTE! IT'S LIKE THERE WAS

377. OH, NO, IT'S CUTE! IT'S LIKE THERE WAS A TEENY-WEENY REALLY PRETTY

378. IT'S LIKE THERE WAS A TEENY-WEENY REALLY PRETTY EARTHQUAKE IN YOUR FACE.

379. A TEENY-WEENY REALLY PRETTY EARTHQUAKE IN YOUR FACE.

380. EARTHQUAKE IN YOUR FACE.

381. WHAT WAS THAT?

382. WHAT WAS THAT? NOTHING!

383. WHAT WAS THAT? NOTHING! OHH, WHAT HAVE I

384. NOTHING! OHH, WHAT HAVE I DONE?

385. OHH, WHAT HAVE I DONE? WHAT ARE YOU DOING?

386. DONE? WHAT ARE YOU DOING? HURTING YOUR HEAD

387. WHAT ARE YOU DOING? HURTING YOUR HEAD MADE HIS HEART HURT, SO HE'S

388. HURTING YOUR HEAD MADE HIS HEART HURT, SO HE'S HURTING HIS HEAD WITH YOUR HAND

389. MADE HIS HEART HURT, SO HE'S HURTING HIS HEAD WITH YOUR HAND TO HEAL HIS HEART.

390. HURTING HIS HEAD WITH YOUR HAND TO HEAL HIS HEART. LOOK, IF YOU REALLY

391. TO HEAL HIS HEART. LOOK, IF YOU REALLY WANT TO DO SOMETHING, JUST HELP

392. LOOK, IF YOU REALLY WANT TO DO SOMETHING, JUST HELP ME FIX THIS.

393. WANT TO DO SOMETHING, JUST HELP ME FIX THIS. HMM.

394. ME FIX THIS. HMM. WELL, MAYBE IF WE PUT THE ACCENT

395. HMM. WELL, MAYBE IF WE PUT THE ACCENT ON YOUR GOOD EYE AND INTEGRATE

396. WELL, MAYBE IF WE PUT THE ACCENT ON YOUR GOOD EYE AND INTEGRATE THE AREA OF DISCONTENT INTO THE

397. ON YOUR GOOD EYE AND INTEGRATE THE AREA OF DISCONTENT INTO THE PIECE AS A WHOLE, NO ONE WILL

398. THE AREA OF DISCONTENT INTO THE PIECE AS A WHOLE, NO ONE WILL NOTICE.

399. OKAY, PASS ME THE ROUGE. OKAY, PASS ME THE MASCARA. FORGET IT.

400. OKAY, PASS ME THE MASCARA. FORGET IT. PASS ME THE PAINT ROLLER.

401. FORGET IT. PASS ME THE PAINT ROLLER. GUYS.

402. GUYS. THIS ISN'T GOING TO WORK. I'M GOING TO HAVE TO TELL MY

403. THIS ISN'T GOING TO WORK. I'M GOING TO HAVE TO TELL MY DAD.

404. I'M GOING TO HAVE TO TELL MY DAD. HEY, SO, UM, YOU

405. DAD. HEY, SO, UM, YOU KNOW WHEN YOU WERE LOOKING AT

406. HEY, SO, UM, YOU KNOW WHEN YOU WERE LOOKING AT YOUR EYE AND THERE WAS THAT —

407. KNOW WHEN YOU WERE LOOKING AT YOUR EYE AND THERE WAS THAT — MM — WHAT WAS THAT?

408. YOUR EYE AND THERE WAS THAT — MM — WHAT WAS THAT? DON'T KNOW WHAT YOU MEAN.

409. MM — WHAT WAS THAT? DON'T KNOW WHAT YOU MEAN. YOU KNOW, THERE WAS

410. DON'T KNOW WHAT YOU MEAN. YOU KNOW, THERE WAS THAT —

411. YOU KNOW, THERE WAS THAT —

412. THAT — I HAVE NO IDEA WHAT YOU'RE

413. I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT.

414. I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. YOU KNOW. THE —

415. TALKING ABOUT. YOU KNOW. THE —

416. YOU KNOW. THE — I REALLY DON'T KNOW —

417. I REALLY DON'T KNOW — WHAT'S IN THE SHELL,

418. I REALLY DON'T KNOW — WHAT'S IN THE SHELL, WOMAN?

419. WHAT'S IN THE SHELL, WOMAN? OKAY.

420. WOMAN? OKAY. IT'S THE...

421. OKAY. IT'S THE...

422. IT'S THE... IT'S THE REAL ME.

423. IT'S THE REAL ME. GET OUTTA HERE!

424. IT'S THE REAL ME. GET OUTTA HERE! CAN I SEE?

425. GET OUTTA HERE! CAN I SEE? NO. NO ONE CAN SEE.

426. CAN I SEE? NO. NO ONE CAN SEE. MY DAD WOULD GO NUTS.

427. NO. NO ONE CAN SEE. MY DAD WOULD GO NUTS. DON'T WORRY, YOUNG

428. MY DAD WOULD GO NUTS. DON'T WORRY, YOUNG LADY.

429. DON'T WORRY, YOUNG LADY. I AM THE

430. LADY. I AM THE NUTCRACKER!

431. NUTCRACKER! OH, THAT'S FUNNY.

432. OH, THAT'S FUNNY. 'CAUSE I CRACKED YOUR SHELL.

433. OH, THAT'S FUNNY. 'CAUSE I CRACKED YOUR SHELL.

434. 'CAUSE I CRACKED YOUR SHELL.

435. OKAY, I THINK YOU'VE DONE ENOUGH

436. OKAY, I THINK YOU'VE DONE ENOUGH ARGUMENT WARM-UP.

437. OKAY, I THINK YOU'VE DONE ENOUGH ARGUMENT WARM-UP. ARE YOU READY TO TELL HER DAD

438. ARGUMENT WARM-UP. ARE YOU READY TO TELL HER DAD NOW?

439. ARE YOU READY TO TELL HER DAD NOW?

440. NOW? YEAH, I GUESS IT'S

441. YEAH, I GUESS IT'S TIME.

442. YEAH, I GUESS IT'S TIME.

443. TIME. NO, I'M STILL TERRIFIED.

444. NO, I'M STILL TERRIFIED. HEY! WHAT'S GOING ON HERE?

445. HEY! WHAT'S GOING ON HERE? PENNY, WHERE WERE YOU?

446. PENNY, WHERE WERE YOU? WE WERE WORRIED SICK!

447. PENNY, WHERE WERE YOU? WE WERE WORRIED SICK! MR. FITZGERALD!

448. WE WERE WORRIED SICK! MR. FITZGERALD! CAN I CALL YOU ROB?

449. MR. FITZGERALD! CAN I CALL YOU ROB? NO.

450. CAN I CALL YOU ROB? NO. CAN I CALL YOU

451. NO. CAN I CALL YOU BOBBY?

452. CAN I CALL YOU BOBBY?

453. BOBBY? BOBERT? THE BEBOP?

454. BOBERT? THE BEBOP? BERTRO? BOBZILLA?

455. BOBERT? THE BEBOP? BERTRO? BOBZILLA? NO WAIT! TREBOR!

456. BERTRO? BOBZILLA? NO WAIT! TREBOR!

457. NO WAIT! TREBOR! THAT'S ROBERT BACKWARDS.

458. THAT'S ROBERT BACKWARDS. MY NAME IS PATRICK.

459. THAT'S ROBERT BACKWARDS. MY NAME IS PATRICK. OKAY, DAD.

460. MY NAME IS PATRICK. OKAY, DAD.

461. OKAY, DAD. BEFORE YOU SAY ANYTHING, DON'T

462. BEFORE YOU SAY ANYTHING, DON'T GET MAD.

463. BEFORE YOU SAY ANYTHING, DON'T GET MAD. WHAT THE...

464. GET MAD. WHAT THE... WHAT HAPPENED?

465. WHAT THE... WHAT HAPPENED? WERE YOU INVOLVED IN THIS?

466. WHAT HAPPENED? WERE YOU INVOLVED IN THIS? I WOULDN'T SAY

467. WERE YOU INVOLVED IN THIS? I WOULDN'T SAY INVOLVED — MORE LIKE DIRECTLY

468. I WOULDN'T SAY INVOLVED — MORE LIKE DIRECTLY RESPONSI— AAH!

469. INVOLVED — MORE LIKE DIRECTLY RESPONSI— AAH! I DON'T SEE THE

470. RESPONSI— AAH! I DON'T SEE THE PROBLEM.

471. I DON'T SEE THE PROBLEM. I MEAN WHAT'S INSIDE THAT SHELL

472. PROBLEM. I MEAN WHAT'S INSIDE THAT SHELL THAT'S SO SCARY?

473. I MEAN WHAT'S INSIDE THAT SHELL THAT'S SO SCARY? SOMETHING UNSTABLE AND

474. THAT'S SO SCARY? SOMETHING UNSTABLE AND DANGEROUS, AND WE NEED TO FIX

475. SOMETHING UNSTABLE AND DANGEROUS, AND WE NEED TO FIX THIS RIGHT NOW!

476. DANGEROUS, AND WE NEED TO FIX THIS RIGHT NOW! HEY!

477. THIS RIGHT NOW! HEY! WHAT IF I DON'T WANT TO BE

478. HEY! WHAT IF I DON'T WANT TO BE FIXED?

479. WHAT IF I DON'T WANT TO BE FIXED? YOU DON'T KNOW WHAT YOU WANT,

480. FIXED? YOU DON'T KNOW WHAT YOU WANT, PENNY.

481. YOU DON'T KNOW WHAT YOU WANT, PENNY. AND YOU DON'T KNOW WHAT YOU'RE

482. PENNY. AND YOU DON'T KNOW WHAT YOU'RE MESSING WITH!

483. AND YOU DON'T KNOW WHAT YOU'RE MESSING WITH! HOW WOULD YOU KNOW?

484. MESSING WITH! HOW WOULD YOU KNOW? HE'S RIGHT, DAD.

485. HOW WOULD YOU KNOW? HE'S RIGHT, DAD. EVERYONE IN THE FAMILY HAS SPENT

486. HE'S RIGHT, DAD. EVERYONE IN THE FAMILY HAS SPENT THEIR WHOLE LIVES HIDING FROM

487. EVERYONE IN THE FAMILY HAS SPENT THEIR WHOLE LIVES HIDING FROM THEMSELVES.

488. THEIR WHOLE LIVES HIDING FROM THEMSELVES. PENNY, YOU'RE GROUNDED!

489. THEMSELVES. PENNY, YOU'RE GROUNDED! UGH!

490. PENNY, YOU'RE GROUNDED! UGH! NOW, LISTEN, YOU.

491. UGH! NOW, LISTEN, YOU. PENNY IS MY DAUGHTER, AND I

492. NOW, LISTEN, YOU. PENNY IS MY DAUGHTER, AND I DECIDE WHAT'S BEST FOR HER!

493. PENNY IS MY DAUGHTER, AND I DECIDE WHAT'S BEST FOR HER! WHAT?

494. DECIDE WHAT'S BEST FOR HER! WHAT? SO BEST IS NOT BEING HERSELF?

495. WHAT? SO BEST IS NOT BEING HERSELF?

496. SO BEST IS NOT BEING HERSELF? HEY, PATRICK, COME

497. HEY, PATRICK, COME ON!

498. HEY, PATRICK, COME ON! PAT!

499. ON! PAT! PATMAN!

500. PAT! PATMAN! PATTY-CAKES?

501. PATMAN! PATTY-CAKES? LET'S JUST GO.

502. PATTY-CAKES? LET'S JUST GO.

503. LET'S JUST GO. WHY ARE WE DOING THIS,

504. WHY ARE WE DOING THIS, AGAIN?

505. WHY ARE WE DOING THIS, AGAIN? BECAUSE YOUR FATHER IS

506. AGAIN? BECAUSE YOUR FATHER IS ALWAYS JEALOUS OF WHAT'S ON HIS

507. BECAUSE YOUR FATHER IS ALWAYS JEALOUS OF WHAT'S ON HIS NEIGHBOR'S PLATE.

508. ALWAYS JEALOUS OF WHAT'S ON HIS NEIGHBOR'S PLATE. WHY DO WE ALL HAVE TO

509. NEIGHBOR'S PLATE. WHY DO WE ALL HAVE TO DO IT?

510. WHY DO WE ALL HAVE TO DO IT? BECAUSE HE ALWAYS CRIES

511. DO IT? BECAUSE HE ALWAYS CRIES WHEN HE'S THE FIRST ONE TO

512. BECAUSE HE ALWAYS CRIES WHEN HE'S THE FIRST ONE TO FINISH.

513. WHEN HE'S THE FIRST ONE TO FINISH. NICOLE!

514. FINISH. NICOLE! OPERATION GREENER GRASS HAS

515. NICOLE! OPERATION GREENER GRASS HAS FAILED!

516. OPERATION GREENER GRASS HAS FAILED! THE CHAIN IS COMPROMISED!

517. FAILED! THE CHAIN IS COMPROMISED! WE ARE LOSING CALORIES!

518. THE CHAIN IS COMPROMISED! WE ARE LOSING CALORIES! REPEAT, WE ARE LOSING CALORIES!

519. WE ARE LOSING CALORIES! REPEAT, WE ARE LOSING CALORIES! WHAT'S WRONG, GUMBALL,

520. REPEAT, WE ARE LOSING CALORIES! WHAT'S WRONG, GUMBALL, HONEY?

521. WHAT'S WRONG, GUMBALL, HONEY? DON'T YOU LIKE DARWIN'S DINNER?

522. HONEY? DON'T YOU LIKE DARWIN'S DINNER? I DON'T WANT TO TALK

523. DON'T YOU LIKE DARWIN'S DINNER? I DON'T WANT TO TALK ABOUT IT.

524. I DON'T WANT TO TALK ABOUT IT. GUMBALL HEADBUTTED

525. ABOUT IT. GUMBALL HEADBUTTED PENNY AND NOW HE'S NEVER ALLOWED

526. GUMBALL HEADBUTTED PENNY AND NOW HE'S NEVER ALLOWED TO SEE HER AGAIN.

527. PENNY AND NOW HE'S NEVER ALLOWED TO SEE HER AGAIN. I MEANT I DON'T WANT

528. TO SEE HER AGAIN. I MEANT I DON'T WANT ANYBODY TO TALK ABOUT IT.

529. I MEANT I DON'T WANT ANYBODY TO TALK ABOUT IT. AW. COME HERE.

530. ARE YOU OKAY, HONEY? YOU'VE HAD NOTHING TO EAT.

531. ARE YOU OKAY, HONEY? YOU'VE HAD NOTHING TO EAT. PBHT!

532. YOU'VE HAD NOTHING TO EAT. PBHT! DON'T WORRY, MOM.

533. PBHT! DON'T WORRY, MOM. I'M A BIG BOY. I'LL BE FINE.

534. DON'T WORRY, MOM. I'M A BIG BOY. I'LL BE FINE.

535. I'M A BIG BOY. I'LL BE FINE.

536. PENNY?

537. THANKS. GUMBALL, I CAME TO...

538. GUMBALL, I CAME TO... HAVE YOU BEEN CRYING?

539. GUMBALL, I CAME TO... HAVE YOU BEEN CRYING? NO, I JUST HAVE

540. HAVE YOU BEEN CRYING? NO, I JUST HAVE REALLY SWEATY EYES.

541. NO, I JUST HAVE REALLY SWEATY EYES. WAIT. THAT'S DISGUSTING.

542. REALLY SWEATY EYES. WAIT. THAT'S DISGUSTING. YEAH, I WAS CRYING.

543. WAIT. THAT'S DISGUSTING. YEAH, I WAS CRYING. I CAME TO SAY I'M MOVING TO

544. YEAH, I WAS CRYING. I CAME TO SAY I'M MOVING TO ANOTHER SCHOOL.

545. I CAME TO SAY I'M MOVING TO ANOTHER SCHOOL. DAD THINKS IT'S FOR THE BEST.

546. ANOTHER SCHOOL. DAD THINKS IT'S FOR THE BEST. WHAT THE WHAT?

547. DAD THINKS IT'S FOR THE BEST. WHAT THE WHAT? EXCUSE MY FRENCH, PENNY, BUT

548. WHAT THE WHAT? EXCUSE MY FRENCH, PENNY, BUT THIS IS TOTAL BAGUETTE!

549. EXCUSE MY FRENCH, PENNY, BUT THIS IS TOTAL BAGUETTE! IT IS NOT FOR THE BEST THAT

550. THIS IS TOTAL BAGUETTE! IT IS NOT FOR THE BEST THAT YOU'RE FORBIDDEN TO BE WHO YOU

551. IT IS NOT FOR THE BEST THAT YOU'RE FORBIDDEN TO BE WHO YOU REALLY ARE.

552. YOU'RE FORBIDDEN TO BE WHO YOU REALLY ARE.

553. REALLY ARE. SHH!

554. SHH! WHAT DO YOU WANT ME TO DO?

555. WHAT DO YOU WANT ME TO DO? BE YOURSELF.

556. WHAT DO YOU WANT ME TO DO? BE YOURSELF. COME OUT OF YOUR SHELL.

557. BE YOURSELF. COME OUT OF YOUR SHELL. BUT MAYBE YOU WOULDN'T LIKE

558. COME OUT OF YOUR SHELL. BUT MAYBE YOU WOULDN'T LIKE THE REAL ME.

559. BUT MAYBE YOU WOULDN'T LIKE THE REAL ME. THERE'S NO WAY THAT

560. THE REAL ME. THERE'S NO WAY THAT COULD BE TRUE.

561. THERE'S NO WAY THAT COULD BE TRUE. WHATEVER'S INSIDE, WE CAN DEAL

562. COULD BE TRUE. WHATEVER'S INSIDE, WE CAN DEAL WITH IT TOGETHER.

563. WHATEVER'S INSIDE, WE CAN DEAL WITH IT TOGETHER. TOGETHER?

564. WITH IT TOGETHER. TOGETHER? TOGETHER.

565. TOGETHER? TOGETHER. YOU'RE RIGHT. YOU'RE RIGHT!

566. TOGETHER. YOU'RE RIGHT. YOU'RE RIGHT! I'M GONNA DO IT!

567. YOU'RE RIGHT. YOU'RE RIGHT! I'M GONNA DO IT! THAT'S IT!

568. I'M GONNA DO IT! THAT'S IT! BREAK FREE, PENNY!

569. THAT'S IT! BREAK FREE, PENNY! OKAY. HERE WE GO.

570. BREAK FREE, PENNY! OKAY. HERE WE GO. I'M GONNA BE... MYSELF!

571. OKAY. HERE WE GO. I'M GONNA BE... MYSELF!

572. I'M GONNA BE... MYSELF! WHAT THE WHAT?

573. WHAT THE WHAT?

574. WHAT THE WHAT?

575. YOU LOOK...

576. YOU LOOK... Y-YOU LOOK...

577. YOU LOOK... Y-YOU LOOK... WHAT? DO I LOOK BAD?

578. Y-YOU LOOK... WHAT? DO I LOOK BAD? NO! YOU LOOK, UH...

579. WHAT? DO I LOOK BAD? NO! YOU LOOK, UH... I LOOK DISGUSTING,

580. NO! YOU LOOK, UH... I LOOK DISGUSTING, DON'T I?

581. I LOOK DISGUSTING, DON'T I? NO, PENNY, I THINK

582. DON'T I? NO, PENNY, I THINK YOU LOOK —

583. NO, PENNY, I THINK YOU LOOK — DON'T LOOK AT ME!

584. YOU LOOK — DON'T LOOK AT ME! I'M A MONSTER!

585. DON'T LOOK AT ME! I'M A MONSTER!

586. I'M A MONSTER! NO, PENNY, WAIT!

587. NO, PENNY, WAIT! YOU LOOK...

588. NO, PENNY, WAIT! YOU LOOK... EXTRAORDINARY.

589. YOU LOOK... EXTRAORDINARY. NO!

590. EXTRAORDINARY. NO! IT'S A TRAGIC MISUNDERSTANDING

591. NO! IT'S A TRAGIC MISUNDERSTANDING THAT COULD'VE BEEN REALLY EASILY

592. IT'S A TRAGIC MISUNDERSTANDING THAT COULD'VE BEEN REALLY EASILY AVOIDED IF HE JUST FINISHED HIS

593. THAT COULD'VE BEEN REALLY EASILY AVOIDED IF HE JUST FINISHED HIS SENTENCE IN TIME!

594. AVOIDED IF HE JUST FINISHED HIS SENTENCE IN TIME!

595. SENTENCE IN TIME! PENNY, PLEASE WAIT!

596. PENNY, PLEASE WAIT! GUMBALL!

597. PENNY, PLEASE WAIT! GUMBALL!

598. GUMBALL! PENNY!

599. PENNY! LET ME FINISH!

600. PENNY! LET ME FINISH! PLEASE STOP RUNNING!

601. LET ME FINISH! PLEASE STOP RUNNING!

602. PLEASE STOP RUNNING! MY SWEAT MARKS ARE REACHING MY

603. MY SWEAT MARKS ARE REACHING MY PANTS.

604. OH, GUMBALL, STOP TRYING. YOU'VE SAID ENOUGH.

605. OH, GUMBALL, STOP TRYING. YOU'VE SAID ENOUGH. HOW COULD ANYONE

606. YOU'VE SAID ENOUGH. HOW COULD ANYONE LOVE THIS?

607. LOVE THIS? AAH! HAROLD! DO SOMETHING!

608. AAH! HAROLD! DO SOMETHING! DON'T WORRY,

609. AAH! HAROLD! DO SOMETHING! DON'T WORRY, HONEY.

610. DON'T WORRY, HONEY. I'LL DEAL WITH THIS.

611. HELLO. IS THAT PEST CONTROL?

612. HELLO. IS THAT PEST CONTROL? YEAH, YEAH, I NEED HELP.

613. HELLO. IS THAT PEST CONTROL? YEAH, YEAH, I NEED HELP. WHAT DOES IT LOOK LIKE?

614. YEAH, YEAH, I NEED HELP. WHAT DOES IT LOOK LIKE? KIND OF LIKE AN UGLY COW ON

615. WHAT DOES IT LOOK LIKE? KIND OF LIKE AN UGLY COW ON STEROIDS BUT...

616. KIND OF LIKE AN UGLY COW ON STEROIDS BUT... UGLIER.

617. STEROIDS BUT... UGLIER. OHH.

618. UGLIER. OHH. PENNY, COME BACK!

619. OHH. PENNY, COME BACK! I'M DISGUSTING!

620. PENNY, COME BACK! I'M DISGUSTING! I'M A DISGUSTING PIG!

621. I'M DISGUSTING! I'M A DISGUSTING PIG!

622. I'M A DISGUSTING PIG! WHAT THE...

623. WHAT THE... YOU CAME OUT OF YOUR SHELL.

624. WHAT THE... YOU CAME OUT OF YOUR SHELL.

625. YOU CAME OUT OF YOUR SHELL. I KNOW.

626. I KNOW. SHE LOOKS FANTASTIC, RIGHT?

627. I KNOW. SHE LOOKS FANTASTIC, RIGHT? WHAT HAVE YOU DONE?

628. SHE LOOKS FANTASTIC, RIGHT? WHAT HAVE YOU DONE? YOU'VE TURNED HER INTO A FREAK.

629. WHAT HAVE YOU DONE? YOU'VE TURNED HER INTO A FREAK. A FREAKISHLY

630. YOU'VE TURNED HER INTO A FREAK. A FREAKISHLY BEAUTIFUL YOUNG LADY.

631. A FREAKISHLY BEAUTIFUL YOUNG LADY.

632. BEAUTIFUL YOUNG LADY. SHE LOOKS LIKE A PIG...

633. SHE LOOKS LIKE A PIG... TURE OF

634. SHE LOOKS LIKE A PIG... TURE OF BEAUTY.

635. TURE OF BEAUTY.

636. BEAUTY. ABSOLUTELY.

637. ABSOLUTELY. YOU TURNED MY DAUGHTER INTO A

638. ABSOLUTELY. YOU TURNED MY DAUGHTER INTO A MONSTER!

639. YOU TURNED MY DAUGHTER INTO A MONSTER! TRUCK...

640. MONSTER! TRUCK... OF PRETTINESS?

641. TRUCK... OF PRETTINESS?

642. OF PRETTINESS? GUMBALL, PLEASE TELL MY FATHER

643. GUMBALL, PLEASE TELL MY FATHER THAT THE MONSTER HAS GONE TO

644. GUMBALL, PLEASE TELL MY FATHER THAT THE MONSTER HAS GONE TO LIVE IN THE FOREST WITH ALL THE

645. THAT THE MONSTER HAS GONE TO LIVE IN THE FOREST WITH ALL THE OTHER BEASTS.

646. LIVE IN THE FOREST WITH ALL THE OTHER BEASTS.

647. OTHER BEASTS.

648. WHAT?

649. WHAT? DUR!

650. WHAT? DUR! I WONDER WHY MY DAUGHTER IS

651. DUR! I WONDER WHY MY DAUGHTER IS UPSET AFTER I CALLED HER A

652. I WONDER WHY MY DAUGHTER IS UPSET AFTER I CALLED HER A FREAKING PIG MONSTER?

653. UPSET AFTER I CALLED HER A FREAKING PIG MONSTER? NOW, WITH ALL

654. FREAKING PIG MONSTER? NOW, WITH ALL DUE RESPECT, I'M GONNA HAVE TO

655. NOW, WITH ALL DUE RESPECT, I'M GONNA HAVE TO ASK YOU TO SHUT UP!

656. DUE RESPECT, I'M GONNA HAVE TO ASK YOU TO SHUT UP! THINK ABOUT WHAT YOU'VE DONE!

657. ASK YOU TO SHUT UP! THINK ABOUT WHAT YOU'VE DONE! DO YOU REALIZE YOU WERE WRONG?

658. THINK ABOUT WHAT YOU'VE DONE! DO YOU REALIZE YOU WERE WRONG? GOOD, BUT DON'T BEAT YOURSELF UP

659. DO YOU REALIZE YOU WERE WRONG? GOOD, BUT DON'T BEAT YOURSELF UP ABOUT IT!

660. GOOD, BUT DON'T BEAT YOURSELF UP ABOUT IT! PARENTING IS HARD!

661. ABOUT IT! PARENTING IS HARD! NOW POP THE HOOD.

662. PARENTING IS HARD! NOW POP THE HOOD.

663. NOW POP THE HOOD. WHOA-HO-HO! OHH!

664. WHOA-HO-HO! OHH! I'M NOT LETTING YOU LEAVE!

665. WHOA-HO-HO! OHH! I'M NOT LETTING YOU LEAVE! GUMBALL, NO! YOU'LL GET HURT!

666. I'M NOT LETTING YOU LEAVE! GUMBALL, NO! YOU'LL GET HURT! AAH! LOOK OUT! AAH!

667. GUMBALL, NO! YOU'LL GET HURT! AAH! LOOK OUT! AAH!

668. UH, PENNY, GO UP, GO UP, GO UP! YOU'RE TOO HEAVY! AW, MAN!

669. YOU'RE TOO HEAVY! AW, MAN!

670. AAH! AAH!

671. WAIT!

672. GUMBALL, GET OFF. LET ME GO!

673. GUMBALL, GET OFF. LET ME GO!

674. WHAT DO YOU CARE?

675. WHAT DO YOU CARE? I'M NOTHING TO YOU NOW.

676. WHAT DO YOU CARE? I'M NOTHING TO YOU NOW.

677. I'M NOTHING TO YOU NOW. Y-YOU KNOW WHAT?

678. Y-YOU KNOW WHAT? MAYBE YOU'RE RIGHT.

679. Y-YOU KNOW WHAT? MAYBE YOU'RE RIGHT. YOU'RE NOTHING TO ME!

680. MAYBE YOU'RE RIGHT. YOU'RE NOTHING TO ME! YOU HEAR? YOU'RE NOTHING!

681. YOU'RE NOTHING TO ME! YOU HEAR? YOU'RE NOTHING!

682. YOU HEAR? YOU'RE NOTHING!

683. I KNEW IT!

684. I KNEW IT! NO, NO, NO!

685. I KNEW IT! NO, NO, NO! I JUST SAID THAT SO YOU'D

686. NO, NO, NO! I JUST SAID THAT SO YOU'D SHRINK!

687. I JUST SAID THAT SO YOU'D SHRINK!

688. SHRINK! PEST CONTROL! OUT OF THE WAY!

689. PEST CONTROL! OUT OF THE WAY!

690. HEY, KID!

691. HEY, KID! GO GET HER.

692. OUF!

693. STOP! I COMMAND YOU TO ST—

694. STOP! I COMMAND YOU TO ST—

695. I COMMAND YOU TO ST— OH, CREEPERS.

696. OH, CREEPERS. I AM SO SORRY, MADAM.

697. OH, CREEPERS. I AM SO SORRY, MADAM. HOW DARE

698. I AM SO SORRY, MADAM. HOW DARE YOU?

699. HOW DARE YOU? YOU SHOT ME!

700. YOU? YOU SHOT ME! KIDS, HELP ME TEACH THIS GUY A

701. YOU SHOT ME! KIDS, HELP ME TEACH THIS GUY A LESSON.

702. KIDS, HELP ME TEACH THIS GUY A LESSON.

703. LESSON. THAT'S IT, GUM-BELLE!

704. THAT'S IT, GUM-BELLE! GO SAVE THE BEAST!

705. THAT'S IT, GUM-BELLE! GO SAVE THE BEAST!

706. GO SAVE THE BEAST! PENNY? PENNY?

707. YOU KNOW, I-I WAS TRYING TO PROTECT YOU BACK

708. YOU KNOW, I-I WAS TRYING TO PROTECT YOU BACK THERE.

709. TRYING TO PROTECT YOU BACK THERE. YES. I KNOW.

710. THERE. YES. I KNOW. AND YOU KNOW WHY?

711. YES. I KNOW. AND YOU KNOW WHY? YES, I KNOW WHY.

712. AND YOU KNOW WHY? YES, I KNOW WHY. BUT JUST LOOK AT ME.

713. YES, I KNOW WHY. BUT JUST LOOK AT ME. WHAT WILL YOU THINK WHEN PEOPLE

714. BUT JUST LOOK AT ME. WHAT WILL YOU THINK WHEN PEOPLE LAUGH AT US?

715. WHAT WILL YOU THINK WHEN PEOPLE LAUGH AT US? NO OFFENSE, BUT YOU

716. LAUGH AT US? NO OFFENSE, BUT YOU KINDA LOOKED LIKE A BIG COCONUT

717. NO OFFENSE, BUT YOU KINDA LOOKED LIKE A BIG COCONUT WITH HOLES IN IT BEFORE.

718. KINDA LOOKED LIKE A BIG COCONUT WITH HOLES IN IT BEFORE. BUT DO YOU REALLY THINK YOU

719. WITH HOLES IN IT BEFORE. BUT DO YOU REALLY THINK YOU COULD LOVE... THIS?

720. BUT DO YOU REALLY THINK YOU COULD LOVE... THIS? THAT'S NOT WHAT YOU

721. COULD LOVE... THIS? THAT'S NOT WHAT YOU ARE.

722. ARE. IT'S JUST HOW YOU FEEL.

723. IT'S JUST HOW YOU FEEL. And this is how I feel.

724. And this is how I feel.

725. SHE WAS A MONSTER! BUT HE MADE HER BEAUTIFUL

726. BUT HE MADE HER BEAUTIFUL WITH HIS LOVE

727. BUT HE MADE HER BEAUTIFUL WITH HIS LOVE LIKE IN THE PLAY, BUT

728. WITH HIS LOVE LIKE IN THE PLAY, BUT BACKWARDS!

729. LIKE IN THE PLAY, BUT BACKWARDS! YEAH, I KINDA THINK WE

730. BACKWARDS! YEAH, I KINDA THINK WE ALL GOT THAT, DAD.