1. which leads us to the unfortunate
conclusion that this latest murder
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2. was also the work
of the so-called Identity Killer.
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3. Now Inspector Danvers
will take your questions.
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4. How can you be sure
this is the Identity Killer's work?
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5. As with his previous victims,
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6. he's left at the crime scene
details of his identity.
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7. - So the killer has a calling card?
- I suppose you could say that.
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8. - What is it?
- On this occasion, it was a calling card.
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9. But on previous occasions he's been
known to leave his birth certificate,
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10. the address of his MySpace page
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11. and on one occasion
a series of unconnected numbers,
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12. next to the three letter word M-O-B.
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13. So, we're looking into the possibility
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14. that there may be connections
with organised crime.
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15. So, what have we got?
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16. Nothing, all he's left this time
is a passport-size photo
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17. and two recent utility bills.
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18. Oh my God, sir. Look at that.
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19. I know, what a waste.
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20. Come and have a look at this,
sarge.
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21. It's still running, sir.
Shall we have a look at the tape?
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22. Oh, what, so we're sitting around
looking at footage of Mr Eric Hale,
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23. Flat 2, Addington Buildings, Swindon,
murdering a man,
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24. and meanwhile
the Identity Killer could strike again.
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25. No, at this point all we can do
is wait for him to make a mistake.
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26. Aaahhh!
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27. Morning, sir.
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28. I don't think they're very well, Mum.
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29. It's the Helivets.
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30. We're the Helivets!
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31. Where's the pet or pets in peril?
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32. - Who are the concerned owners?
- We both are.
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33. Don't worry, young lady and old lady.
We'll soon have your fish or fishes
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34. swimming under the tiny bridge again.
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35. - They're dead.
- Wiggling in gravel.
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36. - They're dead.
- Sucking at the mermaid.
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37. - Look.
- We can help him.
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38. We can't.
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39. We're the Helivets.
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40. Thanks for doing this, guys.
I'm really crazy about Jill.
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41. - No problem. We enjoy matchmaking.
- Don't you worry about a thing.
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42. This whole evening has been set up
to make you look good. You'll shine.
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43. - So who else is coming?
- Well, there's Dave.
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44. - Great. No problems there.
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45. That'll be Jill.
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46. - Do I look OK?
- Yeah, that shirt really suits you.
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47. - Everyone, this is Jill.
- Hi. Hi.
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48. Oh, hello.
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49. - Hi.
- Hi.
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50. Well, let's sit down, shall we?
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51. - Is someone else joining us?
- Just a scarecrow.
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52. He's an old friend of Tara's.
He's upstairs. He'll be down in a sec.
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53. Come on, Scarecrow.
We're gonna start without you.
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54. Sorry, I was just admiring
your Kandinsky prints upstairs.
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55. Oh, I love his work.
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56. I was lucky enough to capture
the retrospective in Barcelona.
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57. - Stunning.
- Really? Oh, I'm Jill, by the way.
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58. Hi, I'm Scarecrow.
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59. What a fascinating name!
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60. Steve, can I have a word
in the kitchen?
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61. Oh, yeah.
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62. - What is it?
- Who the hell is he?
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63. He's Scarecrow, Tara knows him.
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64. Why did you invite him?
He's charming the pants off her.
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65. Go and compete. He's just a scarecrow.
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66. Yeah, but he's really smooth.
I think she likes him.
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67. If you can't do better than a man
with rats living in his torso,
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68. then there's no hope for you
with any woman.
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69. - Yeah, all right. You're right.
- OK.
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70. Oh, there's something stuck in my jacket.
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71. Ooh!
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72. - More wine, Jill?
- Yeah, thanks. Oh, yeah, thanks.
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73. Um... You know,
I used to be really scared of birds.
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74. Oh, don't worry, I'll look after you.
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75. Ooh. My hero.
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76. So er... Scarecrow. Tell me,
how much does scaring crows pay?
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77. I only ask cos I'm a senior marketing
executive and I'm on about 70K.
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78. I just wondered
how scarecrowing compares.
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79. Oh, how can you put a price
on the view of the valley?
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80. Or the soft morning breezes?
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81. And watching the gentle rains
sweeping across the landscape...
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82. as tender corn heads
brush sensuously at your side.
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83. And the nights,
O nights of countless stars,
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84. when your soul just... ascends.
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85. That's the most beautiful thing
I've ever heard.
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86. What were you thinking?
I'm getting whipped.
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87. Stop wasting time
and get in the game.
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88. Look, Jill likes skiing.
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89. So when you get the chance,
use that as an opening.
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90. All right.
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91. There are two types of scarecrow.
There are the ordinary scarecrows
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92. and then there's the enchanted kind,
like me.
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93. He's enchanted!
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94. That's fascinating.
So what's the difference?
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95. An enchanted scarecrow
can walk and talk...
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96. You do that thing
with the moon and the poetry.
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97. Come on, don't make me do that.
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98. - What thing?
- It's nothing.
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99. - Do you ski at all, Jill?
- No, thanks, I'm fine.
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100. What's this you do? I'm fascinated.
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101. Oh, go on. Do it, Scarecrow.
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102. Oh, all right.
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103. This is from my book,
"The Night-watchman".
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104. You're a published poet?
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105. It's only a slim volume.
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106. - And do the moon thing too.
- OK, OK.
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107. "Sister moon, shine down
your gentle benevolence upon us."
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108. Oh, that's amazing.
How did you do that?
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109. - Enchanted.
- Well, all I can say is me too.
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110. "And as the sun rose
on the clean new day,
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111. "none knew the night-watchman
had passed this way."
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112. That's just beautiful.
I wish I could see the valley at night.
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113. Well, it's only half an hour away.
We could all go now.
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114. I've got my BMW outside.
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115. No, thanks. I think
I might just get an early night.
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116. I'll er... grab my bag.
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117. Thanks so much
for setting this up, guys.
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118. - I've fancied her for ages.
- No problems.
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119. Great choice with the other guy.
What a tosser.
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120. Come on, Scarecrow. Let's go.
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121. - Go on, don't keep the lady waiting.
- Thanks again.
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122. - Cheers, Dave.
- Oh, right. See you later, Scarecrow.
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123. So let's go through it one last time.
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124. All we've got is a name, an address
an occupation, a phone number,
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125. a modus operandi, motive, opportunity,
a confession and him in the room.
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126. Hi.
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127. So, I ask you all.
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128. Where the hell do we go from here?
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129. You could try arresting him, boss.
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130. - Or is that just what he wants us to do?
- No, it isn't.
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131. Or is that just what he wants us to think?
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132. Look, I'm just gonna go.
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133. He's always that one step ahead of us.
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134. And then on the Wednesday, Dan,
it's the bath scene, Dan.
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135. Now, we've talked about this.
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136. - You're fine with the nudity, aren't you?
- Absolutely.
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137. Yeah. I mean, people don't have baths
with their pants on, right?
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138. Mmm. Exactly.
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139. We'll be asking you to take
your pants off while I'm there.
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140. Fine. I think it's important
to the realism of the film.
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141. Yeah. Realism, yeah.
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142. And it'll be a closed set, won't it?
I mean, you know,
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143. I don't really want too many people
hanging around while I'm... you know.
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144. While you're taking off
all your clothes, to be filmed.
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145. - Yeah.
- Leave that to me, Dan.
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146. It will just be like
me and the cameraman.
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147. It will be like that, yes. You and
the cameramen. And me, of course.
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148. Well, can't do a scene
without the director.
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149. Not this scene.
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150. And the sound man and four or five
electricians to make sure you're lit nicely
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151. and the continuity lady
and the make-up lady
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152. and her assistant
and the work experience girl.
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153. - Right. But basically...
- But no need for costume department!
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154. Because you won't have a costume on!
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155. You'll be bare.
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156. Right, no, of course.
They won't be there. Yeah.
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157. So basically you'll be on your own.
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158. I mean, obviously the props people
and the designer need to be there.
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159. But I think that's the day the producer's
bringing his wife and three daughters.
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160. But...
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161. Right, but I mean
it'll all be shot tastefully, won't it?
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162. Obviously I'll be naked,
but you won't actually see my penis.
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163. I'll see your penis, Dan.
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164. I'll see it loads.
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165. Yeah, sure, but, I mean,
you won't actually be filming my penis.
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166. Well, there are no guarantees
in this business, Dan, but...
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167. There's one thing I can say. It's that
I'll try and avoid being very unsurprised
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168. if your penis doesn't not get filmed and
put on release up and down the land.
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169. Oh. Well, that's a relief.
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170. three life sentences.
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171. A spokesman said,
"You think you know a guy
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172. "and then he goes
and does something like that."
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173. Foreign news now. At a special
session of the United Nations,
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174. it was agreed that the war on terror
is, in the words of a new resolution,
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175. "just too difficult".
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176. The Security Council
has agreed to launch a war
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177. on the comedian
and ornithologist Bill Oddie,
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178. as a way of bringing the nations
of the world together
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179. in a more achievable common cause.
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180. Matt Long has this.
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181. It took over six hours but they came up
with a name that suited all parties.
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182. We must join together
in the face of this new menace.
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183. There can be no peace in the world
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184. until Bill Oddie is hunted down
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185. and completely destroyed.
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186. It's a challenging new world
that we live in
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187. and it had become increasingly clear
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188. that the need to confront Bill Oddie
had been growing.
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189. Um... It was only a matter of years
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190. before he developed
a nuclear capacity, probably.
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191. For all we know, he already had
a dirty bomb and he meant to use it,
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192. on the tube tomorrow,
for all we know.
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193. That's why every army and intelligence
agency is gonna be out looking for him.
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194. - Has he been notified?
- He has been notified.
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195. - And how did he react?
- How do you think?
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196. I'd say he's pretty much crapped himself.
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197. But we're gonna be giving him 48 hours
head start to make it interesting.
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198. And be in no doubt.
We are gonna take him down.
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199. We're gonna take him down hard.
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200. And he needn't think
he's gonna get away with it this time.
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201. What if he seeks refuge
with Jihadi terrorists in Iraq or Pakistan?
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202. Oh, God. He won't do that, will he?
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203. Is it true you're not wearing
any underpants, Dan?
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204. - Yes.
- Blimey!
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205. - How's the rest of the filming going?
- The rest of...
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206. Oh, fine, Dan. We're all pleased
with all the rest of the filming.
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207. Hope this bath isn't too cold.
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208. Well, that's what I meant
to talk to you about, Dan.
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209. We thought that rather
than your character getting into a bath,
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210. what would be better is that
if your character was still naked
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211. but instead of getting into a bath,
getting tied to the wheel of doom,
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212. which is then revolved.
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213. - Why the change?
- It was more visually interesting.
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214. Yes. Yes, I suppose it is.
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215. Um... And who are these people?
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216. Just some random people.
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217. Right.
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218. We're a little bit pushed for time, so if
you could slip out of your dressing gown
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219. and get yourself tied to the wheel
of doom, we'll start filming.
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220. Oh. OK.
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221. Um... Gavin, you are just filming me
from here up, yeah?
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222. Absolutely, Dan.
Don't you worry.
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223. Oh, OK.
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224. Nothing!
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225. Anyway, happy birthday, Horse.
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226. Er... Carrot cake?
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227. Sorry, I thought you'd like it.
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228. Well, at least blow out the candles.
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229. No? Right.
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230. Course not. Too much like hard work.
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231. Fine, I'll do it.
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232. You see? They're trick candles.
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233. You can't blow them out.
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234. Would have been more fun
if you'd had a go but... still. Never mind.
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235. Speech! Speech!
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236. Speech, speech!
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237. Speech!
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238. Speech. Speech.
Speech! Speech! Speech!
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239. Right, forget it! Forget it!
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240. We are finished! We're through!
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241. This is it, Horse!
No more pissing around!
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242. I'm trying to make some kind of gesture
and you just stand there.
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243. Well, that's it!
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244. It was my birthday last week.
Thanks for remembering!
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245. - Hi, Ray.
- Morning, Colin.
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246. Before you say another word,
I've noticed all the football stuff.
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247. Oh, right, yeah, of course.
You're a Spurs fan, aren't you?
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248. My family are.
I'm not really into football,
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249. as I said last time you suddenly
remembered you were a Liverpool fan
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250. 20 seconds after
they'd won the European Cup.
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251. Spurs, eh? I'm gonna let you off
after what we did you to last week.
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252. I'm sorry?
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253. I'll forget you're a Spurs fan
after what we did.
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254. What you did to me?
You didn't do anything to me.
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255. We're a man down, you fluke a penalty
but we wallop you in extra time.
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256. That 92nd minute, mate.
You had it coming.
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257. Perhaps you've mistaken me
for a professional goalkeeper.
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258. I wasn't actually on the pitch.
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259. - We're gonna trolley you in the league.
- We? You weren't on the pitch either.
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260. You were probably
in the back bar of the Red Lion
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261. watching the game on the TV
with your mother.
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262. God, she can drink these days.
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263. The way we're playing,
we're gonna be unstoppable this season.
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264. For God's sake, shut up!
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265. 12 points ahead with a game in hand.
You don't stand a chance.
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266. We're gonna go all the way.
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267. Can I ask you a question, Colin?
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268. Do you remember
chasing the Germans
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269. and we were punched through the
windscreen, fell under that lorry
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270. but climbed back on
and beat the driver up?
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271. - What?
- When we were chasing the Nazis.
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272. They'd stolen the Ark of the Covenant
and we were trying to get it back.
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273. - You've lost me.
- In "Raiders of the Lost Ark".
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274. It's a film I like so I've decided that
myself and anyone else who likes it
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275. was actually in it, taking part.
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276. Do you like "Raiders of the Lost Ark"?
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277. - Not particularly.
- Oh, you're not one of us.
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278. Right, well, at the end, we're tied
to a stake stuck in the ground.
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279. You open up the Ark of the Covenant
and the wrath of God melts your face.
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280. No, you can't do that.
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281. Yes, I can.
I really like that film so I'm in it.
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282. - That's not the same.
- It's exactly the same.
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283. I've as much claim to be involved
in "Raiders of the Lost Ark"
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284. as you've got to be in whatever it was
your football team did.
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285. You don't understand football.
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286. I'll admit I don't quite follow how you,
a man who lives over 200 miles away
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287. from the ground of your chosen team,
can claim some deep attachment
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288. to a bunch of overpaid hired hands
from all four corners of the globe
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289. who temporarily wear the same shirt
as you're wearing,
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290. but then maybe I'm a bit slow.
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291. It must be brain damage from
all the boxing I did in "Raging Bull".
Copy !req
292. - How much is this, mate?
- That's a fiver, mate.
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293. - £5.
- It's the Holy Grail. Take it or leave it.
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294. Sorry. Did you say
this was the Holy Grail?
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295. Yes, mate, Holy Grail.
Cup of Christ, fiver.
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296. All right, sweetheart?
My Little Pony, 50p.
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297. - This is the Holy Grail?
- Yes, mate.
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298. Cup from the Last Supper. Drink and
become immortal. I've got a box. Fiver.
Copy !req
299. Right, and that works, does it?
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300. Oh, yeah, yeah. I'm immortal.
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301. Yeah, it's great.
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302. If you're depressive,
it's not such a good idea
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303. but if you love life, it's wicked.
All the videos are 50p, mate.
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304. - Can I see it working?
- What?
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305. I bought a stereo over there last week
and that didn't work so...
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306. Honestly,
there's no trust any more, is there?
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307. - I don't feel any different.
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308. Excuse me, mate.
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309. Brilliant.
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310. - Will you take four?
- Go on, then.
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311. Hang on. I'm immortal anyway, now.
I don't need it.
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312. - No, mate. That'll wear off.
- Immortality that wears off?
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313. We all have immortality that wears off.
That's just mortality.
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314. Actually, that's a good point.
I think I'll keep it.
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315. That bayonet's 20 quid
unless you want me to pull it out.
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316. Cheers. Thanks, Kate.
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317. - It's a bit whacky, isn't it?
- It's meant to be.
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318. For the "man with the wig" sketch.
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319. - I've got this one underneath.
- Oh, right.
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320. - Have I got to wear a bald cap as well?
- Afraid so.
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321. Kate, can I have a quick word?
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322. - Are you gonna let her do it?
- Don't know what you mean.
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323. You do know what I mean.
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324. She's gonna put a wig over a wig,
over a bald cap, over your wig.
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325. - Sshh! Shut up!
- You're gonna be eight feet tall.
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326. - Rob...
- Thank God the character isn't a judge.
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327. - Rob...
- Just tell her about your wig, David.
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328. She'll understand.
Copy !req
329. Rob, there was a very clearly defined
window of opportunity for telling her,
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330. and it was the first day of shooting
on the first series.
Copy !req
331. As you know, I did not take that
opportunity and now after two series
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332. of letting her put wigs over my wig,
that horse has considerably bolted.
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333. You don't think she knows?
She's a professional make-up artist.
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334. She spent eight weeks working
with your hair. She'll know.
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335. I think she probably does.
The crew probably knows
Copy !req
336. and they probably laugh
about me constantly behind my back,
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337. which means that the only
achievable goal that I have left
Copy !req
338. is to keep that laughter behind my back
Copy !req
339. and stop it from spilling over
in front of my face
Copy !req
340. which is what you're saying
her plan would achieve.
Copy !req
341. - So just drop it, all right?
- All right. Sorry I spoke.
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342. Rob, give that back now!
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343. Come and get it! Come and get it!
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344. I just thought I'd pop it on myself.
Copy !req
345. Easier than you think, isn't it?
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346. Hello, and you're watching
Numberwang Night here on BBC Two.
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347. Coming up in an hour,
"Wangs For The Memory",
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348. where we'll discuss how Numberwang
has been used to combat dementia.
Copy !req
349. But first, a history of Numberwang.
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350. I'm standing on hallowed ground.
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351. This is the famous
Numberwang basement
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352. at the BBC.
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353. In that corner
was the great Alan Turing's desk
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354. where he sat for many months
after the Second World War
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355. tragically trying to de-gay himself
with a laser.
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356. In more tolerant times,
it was just over there in the late 1960s
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357. where David Frost reputedly had sex
with a number 11 on a mattress.
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358. He swears to this day
that it was 16.
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359. And of course as you all know,
this is the home of Colosson,
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360. the Numberwang computer
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361. which calculates whether or not
it is Numberwang.
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362. That's Numberwang.
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363. - 8 minus 4.
- That's Numberwang. Simon?
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364. - 109 times 17.
- That's Numberwang. Julie?
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365. - 47.
- That's the Numberwang bonus!
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366. 'Today Numberwang
is a vast global franchise
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367. 'like McDonald's, U2 and
the Catholic church all rolled into one.
Copy !req
368. 'Who'd guess it came from the relatively
humble beginnings of not yet existing?
Copy !req
369. 'All that changed in 1936
here at Cambridge University,
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370. 'where philosopher
and logician Bertrand Russell
Copy !req
371. 'was contemplating
the mysteries of existence.'
Copy !req
372. 'I'd spent the morning proving
to myself my chair existed
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373. 'so that I could sit down,
when it suddenly struck me.'
Copy !req
374. How do we really know
whether it is or it is not Numberwang?
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375. On my desk I saw a jug and in a flash
of inspiration I knew I had solved it.
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376. Smashing the jug
lest anyone copy my work,
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377. I went across to the rooms
of my very good friend Wittgenstein.
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378. I opened the door and I said to him,
quite simply...
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379. "That's Numberwang."
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380. As I remember, he cried.
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381. 'After the publication of Russell's
1,400-page treatise "It Is Numberwang",
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382. 'it was quickly optioned by the BBC
and turned into a game show.'
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383. Good evening and welcome
to a new piece of endlessness
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384. we're calling "Numberwang".
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385. 'However,
due to the incredible complexity
Copy !req
386. 'of the mathematics involved,
it proved impractical.'
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387. - Miss Julie?
- Seven.
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388. We'll just have to check that
with the boffins.
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389. - Was that Numberwang?
- It'll take a few hours.
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390. Well, in the meantime, some music.
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391. 'Fortunately, the war intervened,
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392. 'and at Bletchley Park
a tremendous discovery was invented
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393. 'and simultaneously
a tremendous invention discovered.'
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394. It's now or never.
Run the sequence.
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395. Right-o.
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396. 4, 8, 15, 162, 3420.
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397. That's Numberwang!
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398. Good God. It actually works.
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399. It actually bloody works, you genius.
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400. You don't suppose we could use
this machine for anything else?
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401. - Like what?
- I don't know. Um...
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402. Something to help with the war?
Copy !req
403. And so Colosson was born.
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404. After the war Colosson's creators
supervised the fitting of head,
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405. arms, legs and laser cannons
in order to transport it to the BBC
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406. where in 1949 "Numberwang"
returned triumphantly to our screens.
Copy !req
407. Ah. Hello, hello.
Welcome to "Numberwang"
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408. with me, Robert Robinson,
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409. and the first commercial
Numberwang-solving computer,
Copy !req
410. Colosson.
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411. I am Colosson!
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412. Indeed you are! Round one.
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413. - Miss Julie to play first.
- Seven.
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414. - Could it be Numberwang, Colosson?
- No.
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415. Aah. Would that it were Numberwang.
Alas, it is not. Mr Simon?
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416. "'Numberwang" became
the most popular game in Britain
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417. 'and newspapers got in on the act by
publishing daily puzzles for the readers.'
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418. - That was a tough one today.
- Yes, tricky.
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419. - That's Numberwang!
- Oh, damn it, Reg always gets it first.
Copy !req
420. 'Numberwang continued to grow in
popularity despite a period in the 1960s
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421. 'when Colosson attempted
to take over the world.'
Copy !req
422. Round two, fish numbers.
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423. - Julie?
- Eel-leven.
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424. Let's ask Colosson.
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425. Where's he gone?
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426. Oh my God! Colosson's loose!
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427. I am Colosson! I am Numberwang!
The world is Numberwang!
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428. Therefore I am the world.
You must all die.
Copy !req
429. Luckily, Colosson's designers
had foreseen this eventuality
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430. and built in a failsafe
whereby Colosson would shut down
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431. if he was shown a picture of a chicken.
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432. I am Colosson, I am Numberwang,
the world is Numberwang.
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433. And so with Colosson
back under control,
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434. Numberwang established itself
as the best programme ever made
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435. and spawned numerous versions
across the globe
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436. in countries like Australia,
such as New Zealand...
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437. - It's Numberwang!
- Australia itself...
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438. Ha ha ha! Oh, mate,
that's Numberwang!
Copy !req
439. And even America.
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440. Yes, that is a number!
Copy !req
441. Which is why today,
wherever you go in the world,
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442. you will always hear people say...
Take it away, Colosson.
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443. Oh, my God! Colosson's escaped!
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444. He's loose!
The picture of a chicken!
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445. Oh, my God!
Where is it? Where is it?
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446. You are not Numberwang.
You must die.
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447. Television is not Numberwang.
Television must die.
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