1. BELLOWS
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2. Ah!
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3. Woo-oh!
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4. BLASTS HORN
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5. No!
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6. Arghh!
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7. Aghhhh!
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8. Hello!
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9. How are you? I'm fine, thanks.
You're looking well.
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10. I'm Greg Davies
and this is Taskmaster.
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11. There are five comedians hungry
to stoke the fire of this
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12. competition and commence battle
immediately.
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13. So who am I to stop them?
I'm the Taskmaster, that's who!
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14. But I'm also just a regular
nice guy. So, here they are.
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15. Your five fearless fighters.
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16. James Acaster!
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17. Jessica Knappett!
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18. Kerry Godliman!
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19. Phil Wang!
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20. And Rhod Gilbert!
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21. And still very much keeping
the dream alive...
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22. that he might be a late bloomer...
It's little Alex Horne!
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23. I can get on here by myself.
I can get on here by myself. I can.
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24. Looking a little sheepish tonight.
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25. Not comfortable.
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26. Yes. You're not comfortable because
you're being punished
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27. for the last episode.
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28. Can I tell them what you've done?
No, you can't.
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29. They'll find out soon enough.
It's horrible. Good.
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30. Let's start the competition.
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31. Prize task? Yes. Prize task, OK.
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32. And kindly suggested by Greg
in honour of me, you said,
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33. me, Mr Alex Horne.
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34. Today's prize category
is "the creepiest thing".
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35. You're going to award the owner
of the creepiest thing
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36. five enormous points and at the end
of this very show,
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37. the overall winner will get to take
on all five creepy things!
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38. Right, James Acaster.
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39. I imagine you've brought
in a really creepy thing?
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40. I come from a town called Kettering
in Northamptonshire.
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41. In Kettering there's a museum called
the Manor House Museum and
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42. the main attraction in the Manor
House Museum is a mummified cat.
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43. Alex, please.
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44. Here's the mummified cat.
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45. God!
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46. Oh, my God!
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47. It is a mummified cat that was found
in a wall in a building in
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48. Kettering. In the past it was good
luck to keep a cat in the walls.
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49. A live one? Actually,
that wasn't specified.
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50. A really strong start. It's creepy.
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51. And it's the first thing ever that's
made a want to visit Kettering!
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52. Kerry, what's the creepy thing
you've brought in?
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53. This is a thing that a man was
wearing on a train sat opposite me.
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54. And he maintained eye contact
with me for four tube stops.
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55. Long time. Yeah.
It was this T-shirt here.
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56. GROANS, LAUGHTER
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57. Is it the lack of apostrophe
you object to?
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58. Really creepy. Jesus Christ!
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59. I just can't imagine it ever
working. As in, "OK. Go on, then.
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60. "Off we go! Get the stirrups!
I'm game!"
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61. Phil, what creepy thing
did you bring in?
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62. So, erm, my creepiest thing is
a finger portrait of myself
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63. that I was given by someone
who came to one of my shows.
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64. Here is the painting.
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65. Oh! It's quite good.
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66. But...
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67. That's amazing, Phil!
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68. Well, so, it was in Newcastle,
which is creepy. Oh!
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69. What happened to the old castle?
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70. I'll give you it is a good picture,
objectively speaking.
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71. But it was the idea of him sitting
on his own and just stroking
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72. the contours of my face.
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73. Around the jaw and over the lips and
just going, "Here you are, Phil."
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74. It's not very creepy, though.
I think it's nice.
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75. It's a lovely picture. Oh!
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76. Would you like to see Jessica...?
Jessica Knappett.
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77. It's quite simply my collection of
Victorian Christmas cards.
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78. OK. Here they are,
the Victorian Christmas cards.
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79. These are Christmas cards? Yes.
Right. So, top left - dead robin.
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80. Er, frog shagging a beetle.
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81. Creepy. Pretty creepy stuff.
Pretty creepy!
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82. I mean, it's not a cat in a wall.
I'll give you that. No.
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83. One left. Oh, no! What?
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84. Every single one of the prize tasks
for this whole series... Oh, that.
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85. ..it has essentially been a picture
of me looking fat or...
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86. So given the title
Creepiest Thing...
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87. Well, this is a rare occasion
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88. where I'm not entering
that picture of you.
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89. It's not a picture of me at all?
It's not a picture of you at all.
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90. It is a short film.
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91. Would you like to see the film?
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92. Yeah.
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93. Wow! Wow!
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94. Wow!
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95. That actually made me feel dirty.
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96. I saw you out.
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97. No, you didn't.
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98. Fuckin' hell!
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99. The orgy one is quite nice.
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100. There's one point where you go,
"A-pi-pi-pi!"
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101. Ready? Yes. Least creepy... I mean,
the perfectly nice picture of Phil.
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102. It should have a creepier face.
One point to Phil.
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103. Just because they're cards and
I could just turn them over,
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104. I'm going to give Jess two points.
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105. Two points, OK. Yeah.
Fourth place.
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106. I'm going to jump James up.
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107. I'm going to give him four points,
cos that is a creepy cat. Yes.
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108. And good luck to Kettering.
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109. If that's the best you've got,
Jesus Christ!
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110. Let's just turn Kettering
into a car park!
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111. OK. One to Phil, two to Jess,
four to James.
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112. I mean, without question,
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113. the creepiest thing for me is that
this idiot has hid in my...
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114. .. has hid in my wardrobe.
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115. But a T-shirt that creepy
can't go unpunished.
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116. I'm going to give them five points
each. Both get five points!
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117. Fair enough.
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118. Creeps!
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119. What task have we got next, Alex?
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120. Well, if you go down to
the woods today, let's see.
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121. Hello, Rhod. Hiya.
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122. Hi, James.
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123. Eugh!
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124. I'm scared!
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125. What is this place? It's a grotto.
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126. What do you think a grotto is?
It's...
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127. It's what Santa is, isn't it?
I don't think Santa would come here.
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128. Where is the task, Alex?
It's on its way.
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129. Right.
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130. "Poke something out of the hole
in the roof of this grotto."
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131. "Least expected thing
poked through wins."
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132. "You have 20 minutes.
Time starts now."
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133. Poke something out of the hole...
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134. There won't be a pound shop nearby,
is there? Are you on Amazon Prime?
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135. Haven't got my phone.
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136. Who are we going to see first?
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137. Well, first, we're going to see
a man who will very soon
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138. go by the nickname J-Caster.
It's J-Caster. Here we go.
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139. Poke something through the hole
of the grotto.
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140. Right. I know what it's going to be.
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141. OK. But these guys have
to stop filming me.
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142. You want me to call the cameras off?
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143. All the cameras off!
This is going to be unexpected!
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144. Fun's over!
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145. Right, I'm ready.
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146. The cameras are back on, James.
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147. Filming's back on!
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148. This is genius.
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149. Only advice I can give the
Taskmaster for this one -
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150. expect the unexpected, baby.
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151. Could you tell him that?
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152. You want to tell him to expect
the unexpected? Baby!
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153. OK. Here it comes!
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154. Do you get extra points
for a song? No.
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155. Well, that's a waste of time.
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156. I wasn't expecting
that beautiful song.
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157. I'll be honest.
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158. As soon as I was holding my pants
on a stick, I genuinely went crazy.
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159. Yeah.
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160. Do you want to give us a bit more
of Pants on a Stick?
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161. Nice song!
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162. Well, good. We're off to a start.
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163. Who's next? We're now going to see
a Godliman-Wang combo, at last.
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164. Kerry and Phil.
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165. OK.
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166. If I can get something on the end
of that stick, we're in business.
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167. Everything here is expected.
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168. It's nature, innit? It's all...
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169. You know, there isn't going to be
a hamburger or something.
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170. STICK SNAPS, LAUGHTER
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171. Right.
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172. Right, you ready?
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173. Oh!
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174. OK, Alex. Here it comes!
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175. You see that? Yeah, I can see it.
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176. What do you reckon?
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177. I'm worried about you.
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178. Thank you, Kerry. OK!
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179. I might need help with a zip, Alex.
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180. Sure, yeah.
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181. OK. Thank you!
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182. Goodbye. Thank you!
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183. You're right. I was not expecting
to see your bra
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184. on the end of a beanpole.
Pleased with yourself?
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185. Yeah.
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186. Kerry's was the only one where
I didn't know what was going on,
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187. so I was generally surprised
when a bra came up. Why?
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188. Cos, well, she went into the woods,
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189. hid in a bush and took her bra off
and then came back,
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190. whereas the other two...
And they did it on camera.
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191. I'm quite glad I didn't do it
on camera. Yeah. Like, I went away.
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192. Privately. Yeah. Classy little...
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193. I didn't think Alex had a live feed,
like a pervert!
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194. There was a big hole in the roof.
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195. I was not fully surprised
by your approach, Phil,
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196. because I have decided that the only
reason you've come into this series
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197. is to show as much as your genitals
as you possibly can.
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198. We had a very tender moment
when I zipped you up. Oh, lovely.
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199. I blew on his neck. Yeah!
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200. Aw! Creepy!
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201. Why don't you, er...? What?
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202. Why don't you go over and relive old
times, have a little hug with Phil?
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203. Can I? You say I don't give
you moments for yourself.
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204. Go and give Phil a hug and remember,
if you like.
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205. Oh. Thanks, mate.
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206. Sit down!
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207. I told you!
You do things when I tell you!
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208. That's it. Enough.
I've had enough of part one.
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209. I can't stand it any more.
Come back when you're part two.
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210. Or don't come back at all!
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211. Hi, everyone. Hello.
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212. Welcome back to Taskmaster,
where I'm going to instantly
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213. pawn you off on Alex Horne so
that he can do with the detail.
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214. Thank you, Greg. Detail is my
middle name and my closest friend.
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215. Before the break, our competitors
were challenged to stick the
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216. most unexpected thing through a hole
in a grotto's roof.
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217. Last up are Rhod and Jess,
Gilbert and Knappett.
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218. It's poking time again!
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219. I'm going to go and find something
more unexpected.
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220. Let's just see...
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221. Argh!
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222. I got that down there, don't know
what to do with it.
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223. It's a nice grotto, isn't it, Alex?
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224. Thank you.
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225. OK, can you come down and join me in
the grotto, please? OK.
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226. Can you see that?
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227. Yes. The position you adopt is,
if you lean forward,
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228. that's it, sit back into the ladder
a little.
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229. I think this is going to
be quite good.
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230. If you undo your belt.
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231. And then just pop your
trousers down.
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232. I might need you to pull the
trousers down
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233. so I can hold on to
something. I've heard that before.
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234. Can't pull your own trousers down.
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235. Unexpected item appearing now.
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236. What?
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237. It's...
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238. It's on fire, Jess. It's on fire!
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239. Please, don't set fire to the tree.
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240. Some... classical music
would be nice.
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241. OK. On your leg.
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242. That'll do? If you bend down, bend
right down, Alex...
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243. I don't want to open up...
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244. OK. You've got 30 seconds, Rhod. OK.
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245. Oh!
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246. Gloria in D Major
by Antonio Vivaldi
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247. OK, I've run out of water,
so that is, uh,
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248. that is the water feature
closed for today, kids.
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249. WHISTLE
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250. Your turn up, Rob. OK.
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251. INDISTINCT
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252. 'I mean... I feel sorry for Jess, I
genuinely wasn't expecting fire to
come out of the hole.
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253. Yeah! And then...
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254. You can't compete with Alex's arse.
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255. It wasn't just Alex's arse, was it?
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256. As grotesque and unexpected
as that was.
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257. But it's also the fact that he then
said,
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258. "That's the water feature closed,
kids!"
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259. That was unexpected!
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260. Well, do you want to judge it? Yeah,
I'm gonna judge it.
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261. I'm gonna give two
points straight in
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262. to Kerry, James and Phil,
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263. 'because I think, I kind of guessed
it was going to be an item of
clothing
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264. coming through the roof of
the grotto.
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265. 'OK, so the bra, pants and yellow
jumpsuit all get two points.
Correct.
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266. OK. Jess, the element of fire,
I wasn't expecting,
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267. four points.
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268. Second place, Jess.
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269. And five points, and up to £20,000
of my own money for counselling
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270. Rhod Gilbert!
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271. Rhod wins the toss.
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272. OK, I've got the scores.
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273. The series scores are very exciting,
we have Phil Wang on 103.
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274. IMPRESSED WHISTLE
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275. Oh, yeah!
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276. Certainly sounds impressive in
isolation. Yeah.
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277. Second last, it's James on 122.
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278. But then it's all change,
Kerry's on 131, Jess is on 133,
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279. Rhod's on 134. Three points!
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280. Whoa!
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281. That's the first I've been in the
lead all series. Yes, it is.
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282. All change. OK. I have a scoreboard
for this episode.
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283. Phil is in last with three,
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284. James and Jess both on
six, Kerry on seven,
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285. but Rhod's in the
lead with ten points!
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286. More, please, little Alex Horne.
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287. Well, this one is a puzzling riddle
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288. of a treasure hunt of a task.
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289. Oh. Hi.
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290. Hi, Alex.
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291. Huh. Oh.
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292. So, here we are. Here we are.
Why is there not a task here?
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293. Is it in this room?
Yeah. It's not hidden.
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294. Well, it's not not hidden, is it?
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295. No. But it's not hidden.
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296. Hi, James.
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297. The task is somewhere. Right.
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298. Heeey!
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299. You're colder now. Colder now.
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300. Warmer, warmer. Warmer.
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301. Ah!
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302. Carefully, so I don't pull this
down. Little tug.
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303. C.
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304. C. Your time starts now.
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305. Now look in the microwave.
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306. What?
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307. Let's just crack straight into it.
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308. OK. Let's start with the ladies.
But which two ladies?
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309. Where's the microwave?
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310. Where's the microwave?
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311. C.
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312. Ah!
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313. Now look in your pigeonhole.
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314. E.
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315. E.
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316. Now look under the doormat.
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317. C-R-E.
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318. Where's the doormat?
Probably near a door.
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319. Oh, yeah.
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320. A. Now look in the lab.
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321. M. Now look in the little
blue book.
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322. What little blue book?
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323. What little blue book?
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324. What little blue book, Alex?
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325. Is there a little blue box in here?
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326. What are you looking for?
A little blue box.
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327. Where's the little blue book?
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328. Are you OK, Kerry?
No, I'm stressing out.
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329. Right, OK, so there's a little blue
box somewhere in this house.
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330. Now look...
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331. What?
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332. I can't read!
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333. Now look in the little blue book!
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334. Not box, book!
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335. It says book!
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336. Oh, this is tough...
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337. Eeeey! That's clever, isn't it?
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338. Love that. A tiny one!
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339. S. At the beginning.
Fastest wins. What?
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340. S. At the beginning.
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341. Creams.
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342. At the beginning.
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343. What?
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344. No-one says that, do they?
Creams? No.
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345. Scream!
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346. Creams at the beginning.
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347. Creams at the beginning. Is it like,
um, the...
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348. A situation where people
have creams at the beginning?
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349. S.
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350. At...
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351. Oh!
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352. I mean, it's an incredible question.
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353. '"Oh, this must be a situation where
people have creams in the
beginning."
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354. Powerful screams, though.
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355. Oh, excellent screams.
And it wasn't that slow.
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356. They both took five minutes
something.
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357. I think if Kerry had realised the
doormat was near the door, she...
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358. Oh, hang on, is that worse than
confusing book with a box?
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359. No, oh, no,
you were both absolutely shit.
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360. Kerry took five minutes
and 47 seconds,
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361. Jess five minutes and 31 seconds, so
Jess is in the lead at the moment.
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362. Wow. Yeah.
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363. The end of part two is nigh.
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364. Correction, the end of part
two is now!
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365. Hello there.
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366. And if you've just stumbled across
this show for the first time,
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367. it's the third part of the eighth
episode in the seventh series,
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368. and you're very, very welcome!
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369. Yes, you are. Today our contestants
are playing for a mummified cat,
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370. an offensive T-shirt,
and before the break,
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371. there was a puzzle task
taking place.
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372. How will Cambridge University
representative Phil Wang
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373. and wise old sage Rhod Gilbert do?
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374. This was in the microwave.
Now look in your pigeonhole.
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375. E. Now look under the doormat.
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376. That's not you, is it?
That's not what Greg calls you?
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377. I'm not coming back in the room to
open them any more,
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378. I realise it's time wasting.
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379. Now look in the lab.
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380. Lab.
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381. Where's the little blue book?
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382. Where's the little blue book?
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383. Little blue book?
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384. Is the little blue book in here,
is it?
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385. Is it? Those aren't real books.
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386. Is it on you? Why would it be on me?
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387. I will strip search you if I don't
find this little blue book.
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388. Ah!
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389. Do you want to tell me where the
book is? Yeah?
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390. It's where the books normally are.
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391. Ah! Oh!
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392. It says "S", and then in brackets,
"at the beginning."
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393. Oh, God, what does that mean?
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394. Ah...
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395. Oh, I've thrown them everywhere.
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396. Bollocks.
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397. Oh, scream!
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398. You want me to scream?
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399. Yes, please.
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400. 'Was that definitely a scream?
Yeah, I'd say so.
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401. Thank you. I'll stop the clock.
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402. It seems to me,
every task to you is an opportunity
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403. to get his trousers off.
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404. And you're always wearing
pink underwear.
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405. Or long johns! Yeah!
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406. Dear, dear, dear.
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407. Phil, I think you're a very
controlled man,
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408. is what I thought during that.
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409. You saw Rhod scream at the end,
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410. that's a scream of desperation.
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411. 'And I think I'm going to give you
the opportunity on camera now to
really let a,
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412. like a passionate, wild scream out.
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413. Do you want some times? Yes, please.
He took nine minutes and 55.
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414. Nine minutes and 55.
Of course he did.
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415. 'Rhod... He went out to the garden
and had a sniff of some flowers at
some point.
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416. 'Rhod took exactly the same amount of
time it takes me to prepare your bed
in the evening.
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417. 12 minutes and 51 seconds.
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418. You like it so flat.
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419. 'Just show me a situation where
there's some creams at the
beginning, will you?
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420. Well, it's James Acaster next. Is he
as good at solving riddles as he is
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421. 'at taking his pants off, shoving
them on a stick and singing a song
about it?
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422. Let's find out.
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423. A. Now look in your pigeonhole.
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424. E. Now look under the doormat.
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425. A, now look in the lab.
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426. M. Now look in the little blue book.
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427. S. Creams. At the...
Oh, at the beginning.
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428. I feel like that whole thing
was in real time.
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429. That that's the fastest ever... It
was pretty much,
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430. he'd already spotted the blue book
during another task.
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431. He'd always been aware of the
surroundings.
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432. You know the show more
than I know the show.
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433. I love it, I'm a big fan.
That was a dream come true.
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434. The time was three minutes 48.
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435. So, the points are one point to
Rhod, two to Phil, three to Kerry,
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436. four to Jess with her
five minutes 31,
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437. and five points to James Acaster!
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438. So with that, with that, Jess has
re-taken the series lead, it's going
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439. hither and thither at this moment.
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440. I feel like you're ready to hit us
with another task.
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441. Oh, I am, and I'm glad I look ready,
because I am ready.
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442. And for this one,
the contestants really had to learn
Copy !req
443. to compose themselves.
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444. Ah!
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445. Hi!
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446. Hi, Alex. Oh.
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447. Hi, Rhod. All right?
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448. Hello. Hello.
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449. Hello, James.
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450. Compose the best 30 second
piece of music.
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451. The best? Yes, please.
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452. Oh, yes. Played into my hands here,
mate. Fuck you.
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453. You have 20 minutes. Your time
starts now.
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454. Oh, my God!
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455. Can you play all of these
instruments?
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456. We can play a mix of them.
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457. I'm a percussionist myself.
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458. 'If you think of sticks at all...
They're fine. You're not a musician,
mate.
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459. Um... What's that guy?
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460. It's a melodica.
Oh, let's have a go of that.
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461. HE PLAYS MELODICA
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462. Well that's staying.
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463. Uh, another one of your catchphrases
coming out there. "Fuck you."
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464. Some of the others you've used
throughout the series,
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465. "Fuck you."Bebeh."
"I'm punk."Suck it."
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466. Just so you know.
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467. Let's see...
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468. A little bit more decorum when
you write music.
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469. Who should we see first?
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470. Well, just to say the musicians
would only do what they were told,
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471. and we're going to
see James and Jess.
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472. And Kerry and Phil.
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473. And Rhod. All creating their pieces.
This is them composing. Lovely.
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474. What sort of rhythm are we after?
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475. Um...
I reckon you guys can just vamp
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476. a 12 bar blues structure for a bit
and I'll try and think of a trump.
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477. In the key of E minor,
so it's melancholy.
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478. We're in Eastern Europe.
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479. HE PLAYS A LONG NOTE
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480. Do the Hendrix chord.
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481. Right, here we go.
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482. Here we go!
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483. OK, yeah, so let's just jam.
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484. You might need to give us a bit more
instruction. Oh, really?
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485. A little match girl has
arrived at a house.
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486. A little what? Match girl.
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487. Play a bit of music that
sounds like this.
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488. SHE HUMS A TUNE
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489. HE REPEATS TUNE
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490. HE IMITATES ROCK GUITAR
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491. I've got to go, # Diddly-doo. ♪
And then you go,
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492. 'Now let's hear the matches. The
matches? Yeah, shake the box
properly, just to demonstrate.
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493. MUTED GUITAR
What the fuck was that?
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494. TUNE REPEATS ON INSTRUMENTS
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495. That's pretty good!
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496. I don't think I'm adding
anything with this.
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497. I like it. Do you? Yeah.
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498. OK. You're right.
It's my band anyway.
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499. I quite fancy him.
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500. 'I hope you'll take this in the
spirit it is intended, Jess, but
sometimes
Copy !req
501. watching you is like watching an
episode of Sesame Street.
Copy !req
502. "We're writing a song!"
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503. That's really who I am.
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504. I don't know why you're laughing,
Kerry. What? "Diddly-do".
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505. I mean, I cannot tell
you how excited I am
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506. to hear these pieces of music.
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507. OK, let's do it. The first movement
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508. which we're going to hear today
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509. is by Philip Wang.
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510. We're Kill Phil with the
Yellow Blues.
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511. One, two, three, four.
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512. BAND PLAY 12 BAR BLUES
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513. TRUMPET NOTE
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514. TRUMPET NOTE
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515. TRUMPET NOTE
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516. TRUMPET NOTE
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517. SUSTAINED TRUMPET NOTE
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518. Yeah!
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519. 'Did you essentially get some
talented musicians to play 12 bar
blues?
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520. Uh, with a tune that I made up.
Copy !req
521. Did you hear the trumpet solo?
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522. I heard the trumpet solo.
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523. 'It sounded like one of the band had
his mum turn up outside and she was
honking her horn.
Copy !req
524. Yeah, like how the blues was born!
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525. I was told that you play the
trumpet.
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526. I PLAYED the trumpet.
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527. In that clip.
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528. Uh, OK, we are off to an
absolutely terrible start.
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529. What?
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530. 'Let's see another wonderful piece of
music. Would you like to see the
lady sitting next to Phil? Yes. Yes.
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531. OK, this is Kerry's effort.
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532. The masterclass!
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533. Here's my band,
Hokey-Cokey Goodtimes,
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534. and it's called
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535. Having A Great Time Any Time.
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536. One, two, three, four.
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537. BAND PLAYS SLOW, FOLKSY TUNE
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538. I felt like a parent watching it.
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539. Proud? Proud or ashamed>
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540. I had to rush from the meeting
for the... Oh...
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541. It was VERY GOOD, darling!
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542. It was catchy.
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543. It was a nice little tune,
and I did, it wasn't like a standard
Copy !req
544. blues riff, I mean, I composed it
from scratch.
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545. No way.
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546. It was... Brilliant.
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547. Really good.
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548. You know, it was vaguely engaging.
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549. Who's next?
Copy !req
550. OK, we're going to see someone who
has genuinely been in these bands.
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551. Pin Drop, Three Line Whip
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552. The New Hardcore Skiffle Movement,
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553. The Capri Sun Quartet and the Wow
Scenario. Yes, it's James Acaster.
Copy !req
554. We're Clump Stump, and this song is
called Over My Shoulder.
Copy !req
555. Can we dig down into what the
lyrics were about?
Copy !req
556. Cos I know what the spirit of punk
is all about. Yeah.
Copy !req
557. Not conforming, not fitting in,
Copy !req
558. not being told what to do by
The Man upstairs.
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559. You've got to look over your
shoulder your whole life. Yeah.
Copy !req
560. Cos you never know who's
sneaking up on you. Yeah.
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561. You can't trust no-one.
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562. That's why I sing over my shoulder,
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563. older and older.
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564. That's what I told ya.
Copy !req
565. 'Then you started getting, you said,
"I'm getting colder." Getting
colder.
Copy !req
566. 'I'm getting colder. And then you
wondered if something was a boulder
or not. Is that a boulder?
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567. Yeah. Is that a boulder?
That's a metaphor for what?
Copy !req
568. Like, is that a boulder? Yeah.
Copy !req
569. Or is it a big rock?
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570. Right, it's the advertiser's turn
for some air time now,
Copy !req
571. but more music coming up
in part four,
Copy !req
572. 'plus, who will win
Jessica Knappett's
Victorian Christmas cards?
Copy !req
573. It's nail-biting entertainment
television.
Copy !req
574. Welcome, welcome, it's the final
part of the show,
Copy !req
575. and we're in the middle of a
toe-tapping musical task.
Copy !req
576. Indeed we are, Greg.
Armed with three talented musicians,
Copy !req
577. Kieron Towers, George Bismer,
and of course,
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578. yes, it was Dan Edwards,
Copy !req
579. the contestants are
trying to compose
Copy !req
580. the best 30 second piece of music.
Copy !req
581. Next up, it's Jess.
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582. Hi, we're the Easy Triangles,
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583. and this is our new hit single.
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584. Here I Am, I'm A Violin.
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585. BAND PLAYS UP TEMPO VIOLIN TUNE
Copy !req
586. It strikes me that that jig -
Copy !req
587. would you call it a jig? Sure.
Copy !req
588. That jig is missing only one thing.
Copy !req
589. A jig. Someone to perform a
lovely dance to it.
Copy !req
590. Jig, jig, jig, jig!
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591. Yes, yes, yes, yes!
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592. Do you want me to conduct?
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593. Yes.
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594. Yes, please.
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595. One, two, three, now!
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596. JESS' TUNE PLAYS
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597. AUDIENCE CLAPS ALONG
Copy !req
598. I'm sorry, Jess, I feel like we've
taken
Copy !req
599. the spotlight away from your
wonderful song.
Copy !req
600. No, please, all I ever wanted was
for the people to dance.
Copy !req
601. So, Rhod Gilbert.
Here is Rhodri's tune.
Copy !req
602. This is the Ballad of
The Toothless Goon,
Copy !req
603. performed by The Little Match Girls.
Copy !req
604. 'SOMBRE MUSIC PLAYS
Eastern Europe.
We join our toothless goon
Copy !req
605. in an unassuming house, on an
unassuming street, where he sits
Copy !req
606. by an unlit fire.
Copy !req
607. He snores, deeply.
Copy !req
608. Fast asleep,
despite his cold and stony hearth.
Copy !req
609. Wait, what's this?
A knock at the door.
Copy !req
610. The little match girl,
selling her wares.
Copy !req
611. 'She can't get the toothless goon's
attention.
Copy !req
612. So deeply does he sleep.
Copy !req
613. She shakes her matches and bangs the
door, and in her desperation
Copy !req
614. she decides to knock at the
window and shout.
Copy !req
615. (IN HIGH VOICE) Hi! Toothless goon!
Copy !req
616. Hello!
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617. Toothless goon!
Copy !req
618. Despite her shouts of Toothless
goon, the goon sleeps so deeply
Copy !req
619. our little match girl decides to
come round
Copy !req
620. the back of the house and
put the window through!
Copy !req
621. But still, our goon, he sleeps.
Copy !req
622. Deeply and loudly.
Copy !req
623. He dreams of teeth in days gone by,
Copy !req
624. and a lit hearth. Our little match
girl approaches with her matches
Copy !req
625. and rests her hand
Copy !req
626. upon his slumbering shoulder.
Copy !req
627. Whereupon our goon wakes up
with a startle!
Copy !req
628. Whizzes round and shoots her
shitting face off!
Copy !req
629. SAD NOTE
Copy !req
630. It's amazing how the last line
of a beautiful song
Copy !req
631. can rug-pull the rest of it.
Copy !req
632. Rhod's composition was operatic,
Copy !req
633. in that it felt like it
lasted about five hours.
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634. How long did it last, actually,
Alex?
Copy !req
635. It lasted three times as long
as it should have.
Copy !req
636. A minute and a half.
A minute and a half.
Copy !req
637. Was it supposed to last
for 30 seconds? To be fair to Rhod,
Copy !req
638. it's a harder narrative to cram
into 30 seconds
Copy !req
639. than "some people play blues"
Copy !req
640. and "An irritated mother
honks her horn."
Copy !req
641. I'm not going to give anyone one
point, that's the good news.
Copy !req
642. Because I thoroughly enjoyed all
pieces of music.
Copy !req
643. You've been generous today.
I am being generous today.
Copy !req
644. I am only going to give
Phil two points,
Copy !req
645. because I think it'll encourage him
to really dig down
Copy !req
646. and learn the
trumpet properly next time.
Copy !req
647. I'm going to give Kerry three
points.
Copy !req
648. It was a very pretty tune.
Thank you.
Copy !req
649. I'm going to give Rhod four points,
as well as James, because
Copy !req
650. 'I think that story is going to be
told for up to one month after this
show.
Copy !req
651. And the most complete piece of
music,
Copy !req
652. Jessica Knappett. Wow.
Copy !req
653. So let's see what that's done
to the scoreboard.
Copy !req
654. Well,
we have a three way tie for the lead
Copy !req
655. between James, Jess and Rhod,
they're all on 15!
Copy !req
656. Right, it's that time again, please,
Copy !req
657. head up to the stage for
the final task of the show!
Copy !req
658. All on a lovely stage, who's going
to read the task? Rhod Gilbert.
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659. Bob when you hear the surname
of a famous Bob.
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660. That's a bob, is it?
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661. Brilliant.
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662. Pat when you hear the surname of a
famous Pat.
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663. Kneel when you hear the surname
of a famous Neil.
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664. Stew when you hear the surname
of a famous Stu.
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665. Stew? Stu.
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666. Do you mean stir?
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667. Stew, the international sign
language...
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668. Anybody want some stew?
Copy !req
669. And wane when you hear the surname
of a famous Wayne.
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670. Like the moon, getting smaller,
like the moon.
Copy !req
671. Right. I love this.
Copy !req
672. If you do an incorrect action or
fail to do any action
Copy !req
673. within ten seconds of
hearing the name,
Copy !req
674. you're disqualified.
Copy !req
675. Last person correctly bobbing,
Copy !req
676. patting, kneeling, stewing
Copy !req
677. or waning, wins.
Copy !req
678. So, blindfolds on, please.
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679. Good luck, everybody.
Copy !req
680. Greg will say a surname, you then
have ten seconds,
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681. I will be counting the ten seconds.
Copy !req
682. At the end of that we see who's
though to the next round.
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683. Good. Here we go.
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684. Marley.
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685. That's it, yeah.
Copy !req
686. OK, OK.
Copy !req
687. And that's ten seconds up, they have
all done the correct action.
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688. I don't think Rhod Gilbert should be
congratulated for doing one bob.
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689. Next one.
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690. Armstrong.
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691. James Acaster! James Acaster. James,
you must go back to the bench.
Copy !req
692. I was thinking about Lance!
I was going to lance somewhere!
Copy !req
693. Sit on the bench.
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694. First man on the moon!
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695. There are four left.
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696. Sleep.
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697. Sleep?
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698. Wang! Sit down!
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699. Wang is out!
Copy !req
700. Come home. Come home, Wang.
Copy !req
701. Phil, that was Wayne Sleep.
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702. Second man on the moon.
Copy !req
703. OK, here we go, next name.
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704. This is going to sort to
wheat from the chaff.
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705. Gretzky.
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706. Gretzky? Gretzky.
Copy !req
707. Three seconds.
He's got to do something.
Copy !req
708. Oooh!
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709. OK! I'm afraid we have lost Kerry
Godliman,
Copy !req
710. who referred to Pay Gretzky, who
does not play ice hockey.
Copy !req
711. Wayne Gretzky does.
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712. I knew that!
Copy !req
713. So we have a play off now.
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714. Holness.
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715. Holness.
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716. Ooooh!
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717. Oooh.
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718. I'm afraid Jessica must sit down.
Copy !req
719. Argh!
Copy !req
720. Unfortunately, Stewart Holness
has retired.
Copy !req
721. The winner is, ladies and gentlemen,
Copy !req
722. Rhod Gilbert!
Copy !req
723. Come down, let's add that to the
total scores and see where we are.
Copy !req
724. 'So, come on, scoreboard, that's got
to have really mixed things up.
It has.
Copy !req
725. This episode, it was close right to
the end, but thanks to Bob Holness,
Copy !req
726. the winner with 20 points
Copy !req
727. is Mr Rhod Gilbert!
Copy !req
728. Rhod is the winner of episode eight.
Copy !req
729. Rhod,
go collect your creepy clutter!
Copy !req
730. So, what have we learned today?
Copy !req
731. We've learned if you're a lovely
little match girl,
Copy !req
732. living in poverty,
Copy !req
733. be careful who you're charitable to,
Copy !req
734. or you might get your shitting
face shot off.
Copy !req
735. See you next time for the
penultimate part of this series.
Copy !req
736. Thank you. Goodnight!
Copy !req