Strangers with Candy 1x3

Directed by Peter Lauer

Jacob Pitts as Craig Snow • John Eddins as Walter Lee Younger • Sandra Reaves-Phillips as Lena Younger • Regina Palian as Teacher

Jerri's starring role in the school play stirs up a dangerous cocktail of jealousy and regret in her stepmother, Sara

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. ( woman ) Come out of the sun boy, eat your raisin toast.

2. Ain't you hungry?

3. You know what I hunger for, mama?

4. The wishbone from a turkey

5. so that I could make me a sling shot

6. and shoot my dreams back towards the stars!

7. How are you gonna shoot your dreams back towards the stars

8. when your head is in the clouds?

9. Now you listen to me boy...

10. a man is like a fruit...

11. "EITHER HE GROWS PROUD, RIPE AND JUICY

12. OR HE SURRENDERS AND SHRIVELS LIKE A RAISIN IN THE SUN."

13. OH GOD MOTHER, I WOULD BE SO RIGHT FOR THIS ROLE IN THE SCHOOL PLAY!

14. I WONDER WHAT IT PAYS?

15. HMM, I COULD JUST SEE THE PROGRAM NOW:

16. "STARRING JERRI BLANK, IN HER FIRST LEADING ROLE SINCE GETTING OUT OF PRISON

17. AND STARTING HER LIFE OVER AS A HIGH SCHOOL FRESHMAN AT THE AGE OF 46."

18. DREAMS CAN HAPPEN.

19. IT'S NICE THAT YOU THINK THAT DEAR.

20. ( Jellineck ) ALRIGHT PEOPLE...

21. LET'S FOCUS. HAVE A SEAT.

22. ALRIGHT.

23. TOUGH YEAR TO MAKE CASTING DECISIONS

24. BUT I HAVE MADE MY FINAL CHOICES

25. AND FOR THE PART OF ABEATHA

26. THAT WILL BE GOING TO SUSAN CREAM.

27. SUSAN, CONGRATULATIONS.

28. AND THE PART OF ZOBO WILL BE PLAYED BY CRAIG SNOW!

29. YOU'VE GOT SOME BIG SHOES TO FILL, MISTER.

30. THAT PART WAS ORIGINALLY PLAYED BY SIDNEY POITIER.

31. OH, HE'S GOOD...

32. AND FINALLY, BEING CAST IN THE LEAD FOR THE ROLE OF MAMA,

33. THE POOR BUT PROUD HEAVYSET AFRICAN-AMERICAN WOMAN...

34. JERRI BLANK!

35. THERE THEY ARE, THIS YEAR'S CAST OF "RAISIN IN THE SUN."

36. WE DID HAVE A LITTLE DIFFICULTY CASTING

37. FOR THE ROLE OF WALTER SCOTT LEE,

38. THE YOUNG, ATTRACTIVE, YET TROUBLED SON,

39. SO WE CUT IT.

40. AND AS FOR EVERYBODY ELSE, THERE ARE ROLES FOR EVERYBODY—

41. YOU'LL ALL BE PLAYING TREES.

42. ALRIGHT, THAT'S IT FOR TODAY.

43. WE'RE GONNA HAVE REHEARSAL TOMORROW, EARLY.

44. PLEASE BE PROMPT.

45. CONGRATULATIONS!

46. GOOD WORK, GOOD WORK... YES!

47. JERRI, CONGRATULATIONS.

48. THANKS.

49. I HAVE A QUESTION ABOUT MAMA, PAGE TWO—

50. ONE THING ABOUT THE ROLE OF MAMA...

51. YEAH, I'D LIKE YOU TO... GAIN 40 POUNDS.

52. OH, COULDN'T I WEAR LIKE A— A FATTY SUIT?

53. I DON'T THINK SO.

54. I LIKE TO GO AS REALISTIC AS POSSIBLE.

55. CONCENTRATE ON THIS REGION.

56. YOU'RE SELLING IT DOWN HERE!

57. OK... ALRIGHT, I'LL SEE YA TUESDAY.

58. GOOD WORK, JERRI.

59. HEY, MOTHER, YOU WON'T BELIEVE WHAT HAPPENED!

60. JUST A SECOND JERRI, I'M LOOKING THROUGH MY OLD SCRAPBOOK.

61. AHHHH!

62. HA, HA, HA, HAAH!

63. AND HERE'S MY ONE-WOMAN PRODUCTION...

64. OF "12 ANGRY MEN."

65. LISTEN, I GOT CAST IN THE SCHOOL PLAY!

66. OH, THAT'S GREAT DARLING, YOU'RE GOING TO MAKE A WONDERFUL RAISIN.

67. NOW, WHEN I WAS IN THAT PRODUCTION, AS MAMA—

68. I'M PLAYING MAMA!

69. YOU KNOW, JERRI...

70. I'M A LITTLE BIT CONCERNED ABOUT THIS ACTING CAREER OF YOURS.

71. IT'S JUST A SCHOOL PLAY.

72. YES, WELL, IT STARTS OUT THAT WAY AND THEN...

73. IT BLOSSOMS INTO SOMETHING WONDERFUL

74. AND THEN IT'S CRUSHED BY THE NEEDS OF OTHERS.

75. OH, HA HA, ANYWAY, BREAK A LEG.

76. GREAT.

77. "IT AIN'T JUST A SWEET DRIED GRAPE, ZOBO,

78. IT'S THE MEMORY OF ALL THAT SUNSHINE—"

79. ( humming sadly )

80. JERRI!

81. WHAT WAS IN THAT?

82. BREAKFAST.

83. WELL, WHAT KIND OF BREAKFAST WAS THAT?

84. A CUP OF RUM CAKE.

85. WE RAN OUT OF THE FLOUR.

86. DERRICK, WHY ARE YOU WEARING A CURTAIN?

87. MOM DIDN'T FOLD THE LAUNDRY.

88. I WAS BUSY MAKING RUM CAKE.

89. YOU'VE BEEN ACTING VERY STRANGE, MOTHER.

90. OH, EVERYTHING HAS TO BE ACTING WITH YOU NOW, JERRI,

91. NOW THAT YOU'RE A BIG ACTRESS.

92. HEY, WHY DON'T YOU LAY OFF HER, TROLL!

93. CAN'T YOU SEE SHE'S SICK?

94. YOU KNOW YOU'RE GAY, RIGHT?

95. I CAN'T WAIT 'TIL MOM MEETS YOUR TEACHERS TODAY

96. AND HEARS WHAT A LOSER YOU ARE.

97. OH THAT'S RIGHT, IT'S PARENT/TEACHER DAY.

98. OH, NO NO. YOU DON'T HAVE TO COME, MOTHER.

99. NONSENSE, JERRI, I'LL GO UPSTAIRS AND PUT ON A NICE OUTFIT.

100. NO, REALLY, IT'S JUST—

101. FIRST I THINK I'LL POUR MYSELF ANOTHER FOUR FINGERS OF BREAKFAST.

102. OHHH...

103. FOLLOWING HIS VIOLENT REVOLUTION,

104. GHANDI WAS DEVOURED BY HIS FOLLOWERS—

105. ( Sara drunkenly ) THIS IS FUN.

106. OOOHH, WHY DON'T YOU INTRODUCE ME TO THIS YOUNG BUCK.

107. MOTHER!

108. THIS IS MY TEACHER.

109. HI, I'M CHUCK NOBLET.

110. WOOO "CHUCK," YOU KNOW WHAT THAT RHYMES WITH.

111. HA HA HA HA.

112. JERRI CERTAINLY IS ONE OF OUR STUDENTS.

113. JERRI? WHO'S HE?

114. UMMMM...

115. OH, OUR LITTLE HOB GOBLIN.

116. WHAT'S THIS?

117. OH, THAT'S THE BEST OF THE BEST.

118. JERRI... JERRI... JERRI...

119. NOPE!

120. NOWHERE TO BE FOUND.

121. YOU KNOW, WHEN I WAS IN HIGH SCHOOL

122. I WAS ELECTED QUEEN OF THE HONOR ROLL.

123. OF COURSE, I REIGNED OVER QUITE A FEW LISTS.

124. MOTHER!

125. I'M SORRY, I WAS JUST STREET WALKING DOWN MEMORY LANE.

126. IT WAS VERY NICE TO HAVE MET YOU, MR. GOBLET—

127. NOBLET.

128. SPEAKING OF WHICH

129. I WOULD LIKE TO USE THE LITTLE GIRLS' ROOM.

130. MOTHER, NOOOO!

131. JUST BE A MINUTE.

132. THIS IS FUN.

133. AREN'T YOU HAVING FUN?

134. OH, I'M— WHO?

135. HEY, JERRI.

136. HEY, CRAIG.

137. OH, MRS. BLANK, WOULD YOU CARE FOR SOME SOUP?

138. DON'T YOU HAVE ANYTHING STRONGER?

139. ( chuckling )

140. YOU MUST BE AN EXTREMELY PROUD PARENT.

141. OH, MY SON DERRICK IS A WONDERFUL BOY.

142. NO, I MEAN JERRI BEING CAST

143. IN OUR ANNUAL PRODUCTION AS "MAMA" IN "RAISIN IN THE SUN."

144. YOU KNOW, I HAD A VERY PROMISING CAREER AS AN ACTRESS

145. BEFORE I GOT SADDLED WITH THIS FLYING MONKEY HERE.

146. LET'S GO, MOTHER.

147. I TOOK A 16-YEAR HIATUS TO RAISE MY NATURAL SON, DERRICK,

148. AND I WAS PLANNING ON RETURNING TO THE FOOTLIGHTS

149. TILL YOU-KNOW-WHO CAME SLITHERING ALONG.

150. YOU KNOW, I DON'T LOOK A DAY OVER 30.

151. DID THEY REALLY NEED TO KNOW ALL THAT, MOTHER?

152. YOU KNOW, I'M A PERSON, JERRI!

153. I'M NOT JUST YOUR STEP-MOTHER!

154. THERE'S A FACE BEHIND THIS MASK!

155. OK, WE'RE LEAVING, ALRIGHT.

156. GET YOUR FILTHY CONVICT HANDS OFF OF ME!

157. IF YOU'RE SUCH A GREAT ACTRESS, ACT LIKE YOU RESPECT ME!

158. SHE'S GOING THROUGH MENOPAUSE...

159. WITH A HINT OF EPILEPSY...

160. ( whispering ) SHE'S DIABETIC... I'LL GIVE HER HER PILLS.

161. YOUR MOTHER WAS CERTAINLY IN A FESTIVE MOOD TODAY.

162. UHHH... LOOK, WHY DON'T WE JUST TALK ABOUT THE PLAY, ALRIGHT?

163. HEY, YOU KNOW I'M CONSIDERING MEMORIZING MY LINES FOR IT.

164. WHY NOT, RIGHT?

165. YOU HAVE A LOT OF COMMITMENT, JERRI.

166. HEY, YOU THINK SO?

167. YEAH, I MEAN YOU ALREADY GAINED ALL THAT WEIGHT.

168. WHAT?

169. SO ARE YOUR MOM AND DAD COMING TO OPENING NIGHT?

170. WELL, MY REAL MOTHER'S DEAD

171. AND MY FATHER'S IN GREECE ON VACATION.

172. HOW 'BOUT YOURS CRAIG? JESUS!

173. I DON'T THINK THEY'LL BE MAKING IT.

174. OH, WHAT A SHAME. HOW COME?

175. OHH, LET'S JUST SAY THEY'RE... ALCOHOLICS.

176. SO MAYBE I COULD COME OVER AND HELP YOU WITH YOUR LINES?

177. OH LOOK, I DON'T THINK SO.

178. THAT'S NOT A VERY GOOD IDEA, ALRIGHT?

179. WE OPEN ON FRIDAY.

180. I KNOW.

181. WE CAN DO SOME LINES RIGHT IN HERE, IF YOU WANT.

182. OH, UH... SHE MUST'VE... BUMPED HER HEAD ON THIS...

183. SHOT GLASS.

184. SHE DIDN'T BUMP HER HEAD, JERRI.

185. YOU NEED TO FACE THE FACT THAT YOUR MOTHER IS AN ALCOHOLIC

186. BUT, JERRI, IT DOESN'T MEAN SHE DOESN'T LOVE YOU.

187. NO, I'VE HEARD HER SAY PLENTY OF TIMES THAT SHE DOESN'T LOVE ME.

188. TELL HIM.

189. SHE WAS PROBABLY DRUNK.

190. NO, I'M PRETTY SURE SHE WAS SOBER.

191. LOOK, JERRI...

192. NO, YOU LOOK, CRAIG.

193. CAN'T YOU SEE HOW EMBARRASSING THIS IS SUPPOSED TO BE FOR ME?

194. CAN'T YOU IMAGINE THE HEARTBREAK THAT I SHOULD BE FEELING?

195. JUST GET OUT OF MY WAY!

196. GO!

197. OK, OK... TREES, ONE MORE TIME.

198. WHEN YOU'RE ON STAGE, THIS...

199. IS THIS!

200. OK, GOOD.

201. OK, LET'S TAKE IT FROM THE UHH...

202. THE TOP OF SCENE FIVE, SHALL WE.

203. ZOBO WHY YOU DONE ABEATHA LIKE THAT?

204. SHE WAS A GOOD WOMAN BEFORE YOU BROKE HER.

205. GODDAMN IT!

206. WE HAVE ONE DAY, PEOPLE, THAT'S IT!

207. YOU KNOW, I ALREADY LOST A TREE BECAUSE OF AN ATTITUDE PROBLEM.

208. CRAIG, EXCELLENT JOB, PLEASE TAKE FIVE.

209. JERRI, I'D LIKE TO SPEAK WITH YOU FOR A SECOND.

210. JERRI, REMEMBER WHEN WE DISCUSSED

211. HOW YOU'D PLAY THIS CHARACTER AS IF

212. YOU WERE BEING CHASED BY A—

213. A COUGAR EXACTLY.

214. FRANKLY, I DON'T SEE IT.

215. I DON'T KNOW WHAT YOU'RE BEING CHASED BY.

216. HERE, PUT THIS ON.

217. OK, NOW LET'S HEAR YOUR LINE.

218. AHEM... ZOBO—

219. YOU CAN STOP NOW.

220. IT'S DIFFICULT, ISN'T IT, WITH ALL THIS EMOTIONAL BAGGAGE.

221. NOW, JERRI, I KNOW THAT YOU'RE HAVING SOME FAMILY PROBLEMS AT HOME.

222. MY STEP— AAH-NEE!

223. BUT SHE— I DON'T WANT TO HEAR IT.

224. BUT I HAV— NEE-NOOH!

225. SHE— AH-BLOO-BLOO-BLOO-BLOO.

226. BUT IF YOU CAN'T CHECK YOUR BAGGAGE AT THE DOOR BEFORE REHEARSAL,

227. THEN I WILL FIND SOMEONE ELSE—

228. NO! NEE!

229. SOMEBODY WHO DOESN'T HAVE A FAMILY.

230. OK, GREAT, GOOD, FANTASTIC.

231. OH, AND YOU CAN STOP GAINING THE WEIGHT NOW.

232. YOU'RE MORE THAN THERE.

233. OK, GOOD.

234. WHERE'S MY RAISIN?

235. BACK IN THE LOCKER, LESLIE!

236. HEY, JERRI...

237. YOU WANNA HEAR A JOKE?

238. LAST NIGHT, MY SILLY MOM AND DAD HAD A FEW BELTS

239. AND MY DAD SWUNG THIS FUNNY FLOOR LAMP INTO MY MOTHER'S HILARIOUS SKULL.

240. WHY ARE YOU TELLING THIS TO LESLIE?

241. AND ME, WHY ME?

242. I THINK YOU HAVE THE SAME HUMOROUS PROBLEM.

243. WHAT DO YOU MEAN?

244. LOOK, JERRI, IF YOU EVER NEED TO LISTEN

245. THERE'S THIS GROUP I GO TO WHERE PEOPLE LOVE TO TALK.

246. IT'S FOR CHILDREN OF ALCOHOLICS.

247. IT'S CALLED "ALA-COHOLICS."

248. LOOK, I NEVER SAID MY MOM WAS AN ALCOHOLIC, ALRIGHT.

249. YEAH, SHE DRINKS A LOT, AND YEAH IT'S ALONE, AND YEAH MAYBE SHE CAN'T STOP,

250. BUT IT DOESN'T MEAN SHE HAS A PROBLEM.

251. WHY ARE YOU COVERING FOR HER, JERRI?

252. I'M NOT COVERING FOR HER, CRAIG.

253. I'M DEALING WITH THIS THE SAME WAY I DEALT

254. WITH MY OWN ALCOHOLISM AND DRUG ADDICTION—

255. WITH LIES AND DELUSION.

256. I CAN'T FORCE YOU TO COME, JERRI.

257. BUT WE MEET IN THE BASEMENT OF TIPPLER'S LOUNGE EVERY NIGHT

258. SO WHEN YOU GET FED UP WITH LIES AND DELUSION

259. WE'LL MAKE A PLACE FOR YOU.

260. WE'LL JUST TELL SOMEBODY TO LEAVE.

261. HEY, CRAIG, I'M SORRY THAT YOUR MOM AND DAD ARE SO... FUNNY.

262. THEY'RE A SCREAM.

263. ( soft screeching )

264. ( screeching & banging )

265. ( crunching raw pasta )

266. HEY, TROLL.

267. WHAT ARE YOU DOING?

268. MOM DIDN'T COOK ANYTHING AGAIN.

269. ( heavy sigh )

270. WHERE IS SHE?

271. RIGHT THERE, NOT COOKING ANYTHING.

272. I THINK SHE NEEDS A DOCTOR.

273. NO, DERRICK, WHAT SHE NEEDS IS A BARTENDER.

274. YOUR PLAY IS TEARING THIS FAMILY APART.

275. ( sigh )

276. LOOK, I KNOW WHERE YOU'RE GOING CAUSE I'VE BEEN THERE MYSELF

277. BUT I AM NOT GONNA LET YOU DESTROY MY PLAY.

278. ( Noblet ) WHY DON'T WE START OFF AS USUAL WITH THE OBSCURITY PRAYER.

279. ( all ) DEAR GOD, PLEASE GIVE ME THE STRENGTH

280. TO BLAME THOSE WHO DID THIS TO ME

281. TO ACCUSE THOSE WHO DIDN'T

282. AND THE WISDOM TO KNOW THE DIFFERENCE.

283. HI, MY NAME IS ONYX.

284. HI, ONYX. HI, ONYX.

285. AND I'M A CHILD OF... ALCOHOLICS.

286. DADDY USED TO COME HOME LATE AT NIGHT

287. WITH THE SMELL OF THE DEMON ON HIS BREATH.

288. THE SLIGHTEST PROVOCATION WOULD SEND HIM INTO AN UNSPEAKABLE RAGE.

289. AND THEN THIS MORNING HE SET THE PORCH ON FIRE.

290. I'M THINKING ABOUT MOVING OUT.

291. DOES ANYONE HAVE A PLACE THAT I COULD STAY?

292. OH WELL, I'M SURE IT WILL ALL WORK ITSELF OUT.

293. HI... UH... WELL, I'M JERRI.

294. HI, JERRI. HI, JERRI. HI, JERRI.

295. HI.

296. AND... UH... WELL, I'M, UH, I'M THE STEP-DAUGHTER

297. OF AN ALCOHOLIC.

298. A-AN-AND I'M ALSO AN ACTRESS

299. AND THE PLAY OPENS TOMORROW NIGHT AT 7:00

300. AND THERE ARE PLENTY OF TICKETS AVAILABLE.

301. THAT WAS BRAVE, LADY.

302. THE FIRST STEP IS ALWAYS THE HARDEST.

303. YOU KNOW, I CRIED WHEN I HAD NO SHOES

304. UNTIL I MET A MAN WHO HAD NO FEET

305. AND THEN I LAUGHED REALLY HARD.

306. MOTHER.

307. ( slurring ) HI, JERRI, WE MISSED YOU FOR DINNER.

308. WE HAD A LOVELY... UMM... WINE IN MEAT SAUCE.

309. "DRINKING KILLS FEELINGS."

310. WHERE'D YOU GET THAT CRAP?

311. WELL, I WENT TO A PLACE TONIGHT

312. WHERE PEOPLE LISTEN, WHILE OTHER PEOPLE TALK.

313. OH, DID YOU GO TO ONE OF THOSE NICE MEETINGS

314. WHERE YOU STAND UP IN FRONT OF A BUNCH OF LOSERS

315. AND TELL THEM THAT YOUR MOTHER IS AN ALCOHOLIC?

316. NO... I TOLD THEM MY STEP-MOTHER WAS AN ALCOHOLIC.

317. PBBBBFFFFT!

318. BUT I'M NOT AN ALCOHOLIC.

319. I CAN STOP WHENEVER I WANT!

320. WHY, YOU DON'T BELIEVE ME?

321. WELL, IF YOU'RE SUCH A GOOD LISTENER,

322. WHY DON'T YOU WATCH THIS!

323. SAY GOODBYE TO MY MIXERS!

324. I GUESS SHE CAN STOP.

325. HEY, JERRI...

326. ( loudly clearing throat )

327. I WAS GONNA GO TO ANOTHER MEETING AFTER THE PLAY.

328. YOU WANT TO COME?

329. AHH, I WAS THINKING THAT MAYBE I'D GO TO THE CAST PARTY TONIGHT.

330. SUIT YOURSELF, BUT YOU'RE GOING TO MISS A LOT OF GREAT BLAMING.

331. YOU KNOW WHAT, CRAIG,

332. I DON'T THINK I'LL BE COMING TO ANY MORE OF THOSE MEETINGS.

333. WHAT DO YOU MEAN?

334. WELL, MY STEP-MOTHER IS NOT DRINKING LIQUOR ANYMORE.

335. IT'S STRICTLY WINE AND BEER.

336. SO NOW... WELL, THERE'S NO ONE TO BLAME.

337. THAT'S TOO BAD, JERRI, I THOUGHT YOU HAD THE COURAGE

338. TO JUDGE OTHER PEOPLE BY THEIR FAULTS.

339. I GUESS I WAS WRONG.

340. OH, EVEN IF YOU DON'T SHOW UP

341. YOU ARE STILL GONNA HAVE TO PAY YOUR DUES AT THE END OF THE MONTH.

342. HAVE A NICE SHOW.

343. HE FINALLY COME INTO HIS MANHOOD TODAY.

344. DIDN'T HE?

345. LINE.

346. "KIND OF LIKE A RAINBOW."

347. KIND OF LIKE A RAINBOW— LINE.

348. "... OF MAGNIFICENT COLORS."

349. OF MAGNIFICENT COLORS— LINE.

350. "BLOSSOMING LIKE A RAISIN IN THE SUN."

351. THE END.

352. ( screams & cheering )

353. BRAVO!

354. THIS IS MY DAUGHTER!

355. OH, EXCUSE ME.

356. I CAN FLY, I CAN FLY!

357. ( crowing ) ERR, ERR, ERR, EEEERRRRR!

358. JERRI, I DON'T FEEL VERY WELL.

359. GOD DAMNIT!

360. GOD— GOD DAMNIT!

361. ( pop )

362. YOU KNOW, CRAIG, YOU WERE RIGHT.

363. I SHOULD HAVE NEVER LET UP ON THE BLAMING.

364. THAT'S OKAY, JERRI.

365. WHAT IS THAT BANGING?

366. I DON'T HEAR ANY BANGING, YOU OUGHTTA GET THAT CHECKED.

367. YOU WERE A COMPLETE EMBARRASSMENT LAST NIGHT.

368. OHHH-HO, OH, WAS I?

369. DID YOU READ THE REVIEWS?

370. "THE HIGHLIGHT OF THE EVENING

371. WAS WHEN THE CHARMING MOTHER OF THE PORTLY LEADING LADY—"

372. JUST STOP IT!

373. "GEOFFREY JELLINECK'S SCENERY WAS FINALLY PUT TO USE"--

374. SHUT UP!

375. "WHEN SARA BLANK TOOK TO THE FLOORBOARDS

376. AND WAS HOISTED TO THE STARS"--

377. YOU'RE NOTHING BUT A DRUNK!

378. MAYBE I AM, BUT I HAVE A DAMN GOOD REASON!

379. OH YEAH, WHY DON'T YOU TELL CRAIG YOUR "DAMN GOOD REASON."

380. I DRINK TO KILL THE PAIN!

381. PLEASE.

382. EVERYDAY I SEE YOU COME HOME FROM YOUR REHEARSAL.

383. YOU HAVE ALL YOUR DREAMS YET TO BE DREAMT.

384. LOOK AT ME... I'M A SIZE EIGHT.

385. PETER PAN HAS GOTTEN OLD.

386. I'M NEVER GONNA GET A CHANCE TO GIVE THE TIN MAN HIS HOOK.

387. BRAVA, MRS. BLANK, BRAVA!

388. OH C'MON, YOU'RE NOT BUYING INTO THIS CRAP, ARE YOU?

389. YES, BECAUSE YOU SEE, SOMETIMES WHEN LIFE BECOMES TOO PAINFUL

390. IT'S BETTER JUST TO BE... A DRUNK.

391. DRINK?

392. I'D LOVE ONE.

393. I SEE, SOMETIMES IT'S BETTER TO BE A HAPPY GIN-SOAKED GRAPE

394. THAN AN ANGUISHED RAISIN IN THE SUN.

395. CUT! THAT'S A WRAP EVERYONE!

396. BLEEECCCHHHH!

397. UMMM!

398. UUMMM...

399. GO, GO, GO.

400. HI, I'M JERRI BLANK.

401. WE HAD A LOT OF FUN TONIGHT

402. WITH THE IDEA OF ALCOHOLISM,

403. BUT THE STRANGE FACT REMAINS

404. THAT EATING DISORDERS PLAGUE AMERICA'S CHILDREN.

405. NOW HERE'S OUR OWN MR. NOBLET

406. READING LANGSTON HUGHES' "A DREAM DEFERRED."

407. WHAT HAPPENS TO A DREAM DEFERRED?

408. DOES IT DRY UP LIKE A RAISIN IN THE SUN?

409. OR FESTER LIKE A SORE AND THEN RUN?

410. DOES IT STINK LIKE ROTTEN MEAT?

411. OR CRUST AND SUGAR OVER LIKE A SYRUPY SWEET?

412. MAYBE IT JUST SAGS LIKE A HEAVY LOAD...

413. OR DOES IT EXPLODE?

414. ( canned ovations )