1. You know, I can now bite
my fingernails so evenly...
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2. I don't even need
to use a clipper anymore.
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3. But it's a pleasure to use clippers.
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4. Why gnaw away like a mental patient
when we have this elegant device?
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5. What if you're in prison?
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6. - You don't think they give clippers?
- No, it's like a weapon.
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7. You know what's really a weapon,
that big toenail.
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8. You let that grow for a month,
take it in the shower, it's like a shiv.
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9. I love prison.
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10. It is fascinating.
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11. Yeah, maybe someday.
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12. You want me to find
a poem about Susan?
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13. May she rest in peace.
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14. Well, we think it would be a nice touch
for the foundation literature.
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15. You have a favourite poet, George?
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16. I like Flavman.
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17. - Pardon?
- Flavman.
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18. Well, you should choose the poem
since you knew Susan best...
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19. at the time
of her unfortunate... accident.
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20. - He cleared his throat?
- Yes.
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21. So?
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22. He did it right as he said,
" Her unfortunate accident."
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23. Not getting it.
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24. Jerry, a throat clear is a non-verbal
implication of doubt.
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25. He thinks I killed Susan.
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26. Oh, help me, Rhonda.
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27. - What time is it?
- One-fifteen.
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28. Right now?
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29. I gotta go meet Pam.
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30. Oh, the bookstore girl.
How's that going?
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31. Okay. I'm just not gaga over her.
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32. For once, I'd like to be gaga.
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33. Where's Elaine?
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34. She's having Carol,
Gail and Lisa over.
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35. You know, they all have kids now.
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36. What's with all these people
having babies?
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37. - Perpetuation of the species.
- Yeah, right.
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38. - By the way, just for the record—
- No, I did not.
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39. All right.
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40. But because it comes out
of your baby, it smells good.
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41. Well, that's— That's sweet.
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42. Being a mother
has made me feel so beautiful.
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43. Elaine, you gotta have a baby.
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44. Oh, hey, you know...
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45. I had a piece of whitefish...
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46. over at Barney Greengrass
the other day and l—
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47. Elaine, move to Long lsland
and have a baby already.
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48. - I really like the city.
- The city's a toilet.
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49. When's the last time
you saw my little Adam?
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50. It was in the Hamptons.
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51. - Oh, I have pictures.
- No, no, that's okay. It's—
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52. Look at him, just look at him.
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53. Elaine was telling me about
this whitefish she had the other day.
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54. Do you really think I'm wrong
about this Wyck guy?
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55. if you really wanna test him out...
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56. why don't you try
the Jerry Lewis trick?
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57. - Jerry Lewis?
- I heard when Jerry left a meeting...
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58. he'd purposely leave a briefcase
with a tape recorder in it.
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59. After five minutes, he'd come back,
listen to what everyone said.
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60. - That's pretty paranoid.
- Yes, it is.
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61. - I like it.
- I thought you might.
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62. Hi, I'm Pam.
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63. You must be Kramer.
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64. Jerry has told me a lot about you.
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65. Well, I'm supposed to meet Jerry.
It's my day off.
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66. I work in a bookstore.
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67. Books.
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68. Careful.
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69. - Hi. Sorry I'm late.
- Hi.
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70. That's okay. Kramer let me in.
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71. if we rush,
we can still make the movie.
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72. It was really nice meeting you.
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73. I'm in trouble, buddy.
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74. I just met a woman.
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75. - Go on.
- Well...
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76. she's Jerry's girlfriend.
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77. Yes, forbidden love.
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78. She works in a bookshop.
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79. - Her name is Pam.
- Pam.
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80. I don't know the woman,
but she sounds quite fetching.
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81. I can't even speak in front of her.
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82. Jerry.
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83. What could she possibly see
in Jerry?
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84. She has delicate beauty.
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85. Jerry wouldn't know delicate
if it bludgeoned him over the head.
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86. And yet, he's my friend.
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87. And therein lies the tragedy.
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88. For I believe, sadly for you...
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89. that there is but one woman
meant for each of us.
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90. One perfect angel
for whom we are put on this earth.
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91. Oh, that's beautiful, Newman.
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92. One winsome tulip...
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93. we ceaselessly yearn for throughout
our dreary workaday lives...
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94. and you, my friend,
have found your angel.
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95. I can tell...
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96. for my heart has also been captured
by a breathless beauty...
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97. whom I fear I will never possess.
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98. I thought we were talking about me.
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99. Oh, right.
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100. Kramer, you have to confront Jerry.
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101. - Confront Jerry? I can't.
- You must.
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102. - I won't.
- You will.
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103. " Elaine, you gotta have a baby."
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104. Where are the poetry magazines?
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105. The New York er has poetry.
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106. Yes, The New York er.
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107. Why do you invite these women over
if they annoy you so much?
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108. Well, they're my friends...
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109. but they act as if having a baby
takes some kind of talent.
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110. Come on. You wanna have a baby.
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111. - Why? Because I can?
- It's the life force.
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112. I saw a show
on the mollusk last night.
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113. Elaine, the mollusk travels
from Alaska to Chile...
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114. just for a shot at another mollusk.
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115. You think you're any better?
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116. Yes, I think I am better
than the mollusk.
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117. Excuse me, I couldn't help
overhearing what you were saying.
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118. - Oh, I'm sorry—
- No, no, I think I agree with you.
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119. I mean, all this talk
about having babies.
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120. Yeah, like you must procreate.
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121. Besides, anyone can do it.
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122. Oh, it's been done to death.
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123. I should have a poem
very soon now.
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124. Are you okay, George?
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125. No, no.
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126. Not really.
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127. Ever since Susan passed on,
I have good days and bad.
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128. Some days I'm haunted
by one word:
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129. Why?
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130. Why Susan?
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131. Why wasn't it me
licking those invitations?
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132. Why am I still here?
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133. But I gotta run.
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134. Now, the stock options
for this year look quite—
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135. Briefcase.
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136. So, Kevin, if I don't want children...
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137. does that make me
a bad humanitarian?
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138. - Not at all.
- Because when you get to know me...
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139. you'll see that I'm
a pretty good humanitarian.
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140. You are doing a wonderful job,
by the way.
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141. - Thanks a lot.
- Right? Am I right?
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142. Kramer, Kramer, come here,
look at my new friend Kevin.
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143. Oh, you got a little—
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144. - You got—
- Oh, yeah.
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145. I just had two
double-fudge sundaes.
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146. Oh, are you all right?
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147. Yeah, I'll be okay.
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148. You know, Jerry has one of those
every time he bombs on stage.
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149. I'm sure he'll be sharing
his next one with Pam.
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150. Oh, no, that won't last.
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151. - What do you mean?
- He's not gaga.
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152. Let me tell you. That Jerry Lewis...
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153. you wonder how people
get to the top?
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154. It's ideas like this. Brilliant.
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155. Look at this.
What the hell happened?
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156. The whole side is damaged here,
and the lock is broken.
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157. - How long did you leave it there?
- Five minutes.
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158. What the hell happened here?
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159. Play the tape.
Maybe we'll get a clue.
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160. I have to rewind it first.
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161. All right. All right.
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162. Did anyone notice
George's fingernails?
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163. Oh, my, yes, they look lik e
they were eaten away by weevils.
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164. It's kind of hot in here.
Open the window.
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165. Hey, what are you doing?
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166. Dear God!
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167. Is that it?
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168. - It stopped dead.
- What do you make of it?
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169. I don't know.
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170. Jerry, can we talk?
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171. Kind of busy here.
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172. - I'd like to talk to Jerry in private.
- Why can't I stay?
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173. Because it doesn't concern you.
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174. Well, if it doesn't concern me,
then I can stay.
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175. - So, what's on your mind?
- It's Pam.
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176. - Pam? What about Pam?
- I love her, Jerry.
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177. - You what?
- I love her.
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178. - Is that right?
- Oh, she's— She's real.
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179. She can bring home the bacon
and fry it in the pan.
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180. - What does that mean?
- Oh, and that voice.
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181. - What about her name?
- Pam? Oh, it's a beautiful name.
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182. Pam.
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183. Pam?
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184. Pam!
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185. - She's got really nice hair.
- Oh, it's incredible.
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186. Although, I might replace
her tortoise clip...
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187. with one of those velvet scrunchies.
I love those.
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188. You've got really specific tastes.
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189. Oh, I know what I want, Jerry.
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190. She got nice calves.
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191. Oh, she's a dreamboat,
but you don't like her.
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192. Maybe I could.
You're making some good points.
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193. - No, you can't, Jerry.
- But I might.
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194. - Oh, no, you don't.
- Why not?
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195. - The voice, the calves, the bacon.
- What?
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196. I think I can.
I even like the name Pam.
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197. Pam. Pam.
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198. So now he wants her
more than ever.
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199. Blast.
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200. What am I gonna do, huh?
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201. Don't despair, my friend.
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202. I won't allow your love
to go unrequited, not like mine.
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203. What, again with you?
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204. Sorry.
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205. But love is a spice
with many tastes...
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206. a dizzying array of textures
and moments.
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207. if only I could say things like that
around her.
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208. Yes.
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209. Well, I hear three distinct sounds:
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210. A low rumple...
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211. followed by a metallic squink—
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212. Yes, yes, I heard the squink.
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213. —followed by a mysterious galonk.
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214. It's a real baffler, isn't it?
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215. Well, one question
does come to mind.
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216. Have you considered just asking them
what happened to the briefcase?
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217. They would never tell me.
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218. First of all, they probably think
that I killed Susan.
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219. Besides, I don't even think
they like me.
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220. That Pam. I am gaga over her.
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221. "Gaga"? When did that happen?
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222. Yesterday, 6-ish.
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223. Well, maybe we should double.
I'm pretty gaga myself.
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224. You just met the guy yesterday.
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225. Yeah, but we have a common goal.
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226. A barren, sterile existence
that ends when you die?
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227. Yeah.
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228. You believe this guy
doesn't wanna have kids?
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229. - Yeah, of course.
- A guy will say anything to a woman.
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230. Oh, please, he wouldn't say that.
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231. Elaine, I once told a woman
that I coined the phrase:
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232. " Pardon my French."
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233. I once told a woman I don't eat cake
because it goes right to my thighs.
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234. Once told a woman
I enjoy spending time with my family.
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235. Your looks and my words
will have built the perfect beast.
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236. All right.
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237. - Oh, hi, Kramer.
- Hi, how are you?
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238. Hi, how are you?
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239. - I'm great.
- I too am well.
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240. I too am well.
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241. - Do I smell Pantene?
- Do I smell—?
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242. - Pantene!
- Pantene?
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243. Oh, my shampoo.
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244. Yeah, yeah, you know,
it is Pantene.
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245. I got a free sample of it
in with my junk mail.
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246. There really is no junk mail.
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247. Everybody wants a check
or birthday card—
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248. It requires just as much manpower
to deliver as their precious cards—
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249. Newman.
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250. What?
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251. Human. Human.
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252. It's human to be moved
by a fragrance.
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253. That's so true.
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254. Her bouquet cleaved his hardened—
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255. - Shell.
- Shell
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256. And fondled his muscled heart
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257. He imbibed her glistening spell
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258. Just before the other shoe fell
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259. Kramer, that is so lovely.
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260. It's by an unknown
20th century poet.
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261. - Oh, what's him name?
- Newman.
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262. Elaine, you changed my life.
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263. Oh, Kevin, you can go on and on
about how you don't want kids...
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264. and it sounds—
It sounds really nice...
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265. but the truth is, I don't know
if you mean it or not.
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266. I got a vasectomy this morning.
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267. Although, I have a hunch
you mean it.
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268. I just came by to tell you...
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269. I'm really, really happy
about this relationship. Really happy.
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270. Oh, well, that's nice.
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271. A velvet scrunchie.
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272. Kramer.
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273. Hello, Newman.
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274. Hello, Jerry.
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275. How's Pam?
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276. Pam? What do you care?
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277. Well, ta-ta.
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278. Wait a minute.
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279. All right, Newman, this is it.
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280. Steady, Jerry.
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281. Steady. Wouldn't wanna
lose your cool at a time like this.
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282. - Why not?
- Because right now...
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283. I'm the only chance you've got.
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284. Come on.
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285. I can't believe I'm losing Pam.
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286. I know how you feel...
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287. for I too have a woman
for whom I pine.
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288. - I thought we were talking about me.
- Right.
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289. Anyway, I don't need your help.
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290. Oh, don't you, joke boy?
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291. You really think you can manipulate
that beautiful young woman...
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292. like the half-soused,
nightclub rabble...
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293. that lap up your inane
"observations"?
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294. All right, Newman.
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295. What do I to get you to stop
pulling strings for Kramer?
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296. Well, there is a little something
you can do for me.
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297. Come on, out with it.
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298. It's about Elaine.
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299. Elaine? What does she have to—?
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300. Oh, no.
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301. You dated her.
Give me some inside information.
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302. Anything I can use.
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303. Well, I know she doesn't
wanna have kids.
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304. I thought you'd be
a little more enthusiastic about it.
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305. I know. I don't want... kids.
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306. - What was that?
- Well...
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307. Kevin, maybe I have a little doubt.
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308. I mean, nothing is 100 percent.
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309. This is.
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310. - Oh, boy, I always do this.
- What?
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311. I get all jazzed up about something,
and I go way too far with it.
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312. - Really?
- Oh, yeah.
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313. Like last summer, I'm watching TV
and I saw one of those jet skis.
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314. Four thousand dollars later,
and it's sitting in my garage.
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315. You know, that's weird actually,
because I'm sort of the same way.
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316. I mean, once for, like, no reason,
I flattened my hair...
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317. and I had all these strands
hanging in my face all the time.
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318. Sometimes I think I do want kids,
maybe a lot of kids.
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319. Sometimes I think about
wearing my hair real short.
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320. Yeah, I think I like short hair,
really short.
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321. - Yeah.
- Yeah.
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322. This is a crude mock-up
of the conference room.
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323. One-fourteenth scale.
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324. When did you build this thing?
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325. Yesterday. Took the day off.
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326. Now, from the time
that I left the room—
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327. - Wait. That's you?
- Yeah.
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328. I think the M&M should be you.
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329. All right, whatever.
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330. Now, whatever caused
the damage...
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331. it was jarring enough
to completely stop the tape.
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332. - And?
- Okay.
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333. That's what we know.
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334. - But we already knew that.
- Well, yeah.
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335. Just give me some idea
what you think it could be.
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336. - I don't know if you're ready for it.
- Please.
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337. I believe that I'm about
to become the target...
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338. of a systematic process
of intimidation and manipulation...
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339. - ... the likes of which—
- Hold it. You're right. I'm not ready.
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340. - Yeah?
- It's Pam.
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341. Come on up. All right, it's Pam.
You gotta get going.
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342. I'm not through here, Jerry.
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343. I'm gonna keep on investigating.
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344. This thing is like an onion.
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345. The more layers you peel,
the more it stinks.
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346. What was that?
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347. We were just playing.
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348. Listen, I had a long talk
with Kramer today.
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349. Well, the thing is l—
I think I have a little crush on him.
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350. I'm so happy.
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351. My world suddenly has meaning.
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352. This is the man
you have a crush on?
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353. Well, I have feelings for both of you.
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354. You have feelings for him?
We're soul mates.
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355. Why can't I be a soul mate?
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356. Jerry, you really think Pam would want
you to be the father of her children?
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357. Children?
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358. Who said anything about children?
I don't wanna have children.
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359. There are people in this room...
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360. who would've been very happy
to never see this briefcase again.
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361. There are people in this room...
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362. who think they can destroy
other people's property...
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363. and get away with it.
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364. Well, let me tell you something
about those people.
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365. They weren't
counting on this brain...
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366. and this tape recorder.
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367. - George—
- You'll have your turn.
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368. The truth must be heard.
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369. Hey, what are you doing?
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370. Dear God!
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371. That's all there was...
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372. and yet it speaks volumes.
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373. A low rumple...
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374. a metallic squink...
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375. a galonk...
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376. and someone crying out,
" Dear God!"
Copy !req
377. Let's start with— With you, Wyck.
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378. George, Quinn here
was moving a chair.
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379. He lost his balance and dropped it.
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380. It must have fallen
on your briefcase...
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381. which, for some reason,
contained a running tape recorder.
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382. All right then.
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383. We've gotten to the bottom of that.
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384. What are you guys doing here?
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385. We're getting vasectomies.
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386. - Why?
- I'm doing it for you.
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387. - What?
- What did you do to your hair?
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388. I cut it.
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389. It's a little short.
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390. You think?
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391. What are you doing here?
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392. Kevin's having
his vasectomy reversed.
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393. - Reversed?
- Reversed?
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394. He imbibed her glistening spell
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395. Just before the other shoe fell
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396. Is that a Keats poem?
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397. No, it's a Newman.
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398. Well, I gotta run.
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399. Does anyone think George
might have murdered Susan?
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400. Oh, yeah, I just assumed
he murdered her.
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401. - Of course he killed her.
- So it's not just me then.
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402. All right. Back to business.
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