1. I think people think of their office
as a stationery store with Danish.
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2. You know what I mean?
You wanna get your pastry...
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3. your envelopes, your supplies...
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4. your toilet paper, six cups of coffee,
and you go home.
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5. Why do people that work in offices...
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6. have pictures of their family
on their desk facing them?
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7. Do they forget that they're married?
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8. Do they go, "5:00. Time to hit the bars
and pick up hookers.
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9. Hold it a second.
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10. I got a wife and three kids.
I better get home.
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11. I completely forgot."
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12. - She hasn't told her father yet?
- We're supposed to tell him tonight.
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13. - What do you mean, "we're"?
- Susan wants me to be there.
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14. You're meeting the father
for the first time?
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15. - Yeah.
- You'll make quite an impression...
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16. when you tell him how
you burned his cabin down.
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17. I didn't burn it down. Kramer did.
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18. I mean, the whole thing is ironic.
Think of it.
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19. The guy's nice enough to give you
a box of very fine Cuban cigars-
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20. - I know what happened.
- No, wait.
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21. - Then you dump them off onto Kramer.
- I know.
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22. Who proceeds to burn
the man's cabin down...
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23. with one of those
very same cigars.
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24. It's very comical.
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25. Maybe we shouldn't
start writing today.
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26. I got a lot on my mind.
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27. We've put this off long enough.
Today's the day.
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28. I wonder how Susan's
father's gonna react.
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29. What's the worst he can do?
So you burn a house down.
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30. Come on.
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31. Not even a house. It's like a cabin.
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32. We could build a cabin like that.
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33. Well, maybe not us,
but two men could.
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34. BICs? What, did you get BICs?
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35. What, you got a problem
with the pen, now?
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36. I like a Rolling Writer.
They're smooth.
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37. All right, let's just get to work.
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38. NBC pilot. Seinfeld Project.
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39. Act 1, Scene A.
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40. So you're gonna sit there?
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41. Let me explain to you...
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42. one of the key elements involved
in the writing process.
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43. Because it may seem outwardly...
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44. that the pen and the paper
and the chair play a large role.
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45. But they're all somewhat incidental
to the actual using of the brain.
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46. Okay, so just- Just park yourself.
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47. All right. Act 1, Scene A.
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48. - Drink?
- No. No drink.
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49. - All right. Here we go.
- Act 1, Scene A.
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50. - Weren't you supposed to call Elaine?
- Yes.
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51. Hi, is Elaine there?
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52. Oh, hi, Sandra.
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53. Yeah, I can hold.
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54. Every time I call, I gotta chitchat
with her assistant for, like, 20 minutes.
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55. Oh, hi, Sandra. Listen,
I'm at a pay phone.
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56. There's a lot of people
waiting to use it.
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57. I'll be off in a minute!
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58. Yeah, could you put me through
to Elaine?
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59. Okay, thanks.
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60. Are you thinking of ideas?
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61. Is there any way I can
get you directly?
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62. Every time I call, Sandra bends
my ear for, like, 20 minutes.
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63. So we're on for later?
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64. Yeah, I'll come by after work.
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65. Hey, I got a rubber-pencil thing
happening here.
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66. I gotta go. I gotta go.
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67. Sandra? Sandra?
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68. Can you come here
for a second?
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69. - Okay. Let's go.
- Here we go.
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70. - You got it? Here we go.
- Yeah.
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71. Okay, how about this:
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72. I'm in my apartment.
You come in.
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73. It's beautiful.
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74. And what do I say?
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75. Could you do me a favour?
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76. When my friends call...
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77. could you not talk to them
for too long?
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78. Why, did Jerry say something?
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79. No. No.
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80. He must've said something.
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81. Oh, no, he didn't say anything.
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82. - I can't work for you.
- Oh, God.
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83. - I can't. I'm leaving.
- No, Sandra...
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84. I'm sorry. I'm sorry. I really am.
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85. Listen, Jerry's under a lot
of pressure right now.
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86. It's very hard being
a stand-up comedian.
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87. Sometimes they don't laugh.
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88. - All right, let's get going.
- All right, let's go to work.
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89. - Let's go.
- Okay.
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90. - Hey.
- We're in the middle of something.
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91. - We're trying to do a little work here.
- Yeah, come on.
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92. What's with you?
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93. - No more golf.
- Why?
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94. Remember I told you about the pro
at the Westchester Country Club...
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95. who's letting me play every time
I gave him those Cuban cigars?
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96. - Yeah.
- Yeah, well, I lost them all in the fire!
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97. Hey, George, maybe you can
ask Susan's father for some more.
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98. What are you, crazy?
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99. I can't ask the guy for more cigars
after you burned down his cabin.
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100. What's one thing got to do
with another?
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101. Kramer, please.
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102. Well, I can't go back
to the public courses now.
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103. I can't. I won't.
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104. I mean, you know what that's like?
It's crowded.
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105. The grass has
big brown patches in it.
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106. They don't rake the sand traps.
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107. Not to mention the calibre of people
you have to play with.
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108. I can't help you. You're gonna have to
get them someplace else.
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109. Where? They're Cubans.
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110. - You know what? I should take off.
- What?
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111. I gotta go to Susan's parents' house
for dinner.
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112. I wanna shower first,
and I wanna leave plenty of time.
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113. You got four hours.
What about the script?
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114. I think we got a bite on it.
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115. Doesn't George look like
your sister Sara?
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116. A slight resemblance.
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117. Her son's a podiatrist, you know.
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118. Oh, I have tremendous respect
for people who work with feet.
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119. I mean, to dedicate yourself
to the foot...
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120. You're toiling in virtual anonymity.
I mean...
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121. How are you enjoying those cigars
I gave you?
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122. Oh, the cigars.
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123. I'm sucking them down.
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124. I'm puffing my brains out, yeah.
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125. You know, those cigars
are made special for Castro.
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126. I did not know that.
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127. Weird. Wild.
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128. - What?
- He's doing Johnny Carson, Daddy.
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129. I didn't care much for his jokes.
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130. - Daddy never laughs.
- Oh, well, so what?
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131. Laughter. What is that?
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132. I mean, what is the point
of opening your mouth and going:
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133. What is that?
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134. You know, you can't get
those cigars anywhere.
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135. You and your cigars.
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136. Wear some more lipstick.
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137. Daddy, there's- There's something
that we have to talk to you about.
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138. Oh, I forgot to ask you:
how'd you like the cabin?
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139. Oh, the- The cabin.
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140. Well...
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141. After we get off the phone
you tell her?
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142. Of course she knows it was me
who complained.
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143. Now I'm responsible
for this woman quitting.
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144. - Oh, this is unbelievable.
- I know.
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145. I screwed up. It's all my fault.
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146. - Would you call her?
- Oh, dial the number.
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147. How could you do this?
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148. I was just trying to help you.
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149. Trying to help me.
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150. Hello. Sandra.
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151. Hi, this is Jerry Seinfeld.
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152. Listen, I wanted to tell you there's
been a terrible misunderstanding.
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153. See, I told Elaine...
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154. that it was a real treat
talking to you on the phone.
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155. And she thought I was being sarcastic
because I'm a comedian, and all.
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156. She thought, I think, "Yeah, it's a
real treat talking to her on the phone."
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157. But I was really being sincere.
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158. No, of course I like you.
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159. Tonight?
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160. Hold on a second.
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161. - She wants to have a drink with me.
- Just go. Go.
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162. - Oh, I don't-
- Go.
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163. Yeah, I think I can.
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164. Yeah, I know where that is.
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165. Okay. I'll see you there.
Okay, bye.
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166. Now I gotta have a drink with her.
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167. The cabin.
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168. Well...
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169. Susan?
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170. - About the cabin-
- I love that place.
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171. My father built that cabin in 1947.
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172. My mother was recuperating
from impetigo at the time...
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173. and Dad thought it would be a good
idea to get her out into the fresh air.
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174. She died there the following winter.
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175. And Dad passed away
10 years later to the day.
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176. His last words to me were:
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177. "Cherish the cabin."
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178. Not, "Take care of your sister."
She's a paraplegic.
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179. But, "Cherish the cabin."
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180. And I have, for 45 years.
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181. It's often been a sanctuary for me.
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182. Kind of like Superman's
Fortress of Solitude.
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183. What?
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184. Superman.
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185. He built a Fortress of Solitude
up at the North Pole...
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186. to, you know, sort of
get away from it all.
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187. When I go, I'm passing it on to her.
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188. Well, I'll take a hotel any day.
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189. - Daddy?
- Yes.
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190. Daddy, about the cabin.
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191. Look, Henry, I spilled wine on me.
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192. - What about it?
- Well, the thing is...
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193. - What? What is it?
- Well, the cabin is kind of...
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194. - George?
- Burned.
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195. - Burned?
- There was a fire, and it-
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196. Burned.
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197. - The cabin burned?
- Yeah, burned.
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198. Burned?
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199. Was anything found?
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200. Was it all burned to the ground?
Did they find anything?
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201. - No. Nothing.
- Nothing?
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202. But, you know, Mr. Ross,
if you look at the whole situation...
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203. what with it being your cigars
and everything...
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204. it's really rather ironic.
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205. One might even say,
in a sense, comical.
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206. Really. Think about it.
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207. - I can't believe you said that.
- What?
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208. How could you say
something like that to me?
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209. What? You were the one
who was talking dirty.
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210. I was just trying to keep up.
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211. - That was a weird thing to say.
- Why? It didn't mean anything.
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212. I was trying to join in
so you wouldn't feel embarrassed.
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213. - Oh, I think you're really sick.
- I'm not sick.
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214. You said much sicker things
than me.
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215. - I'm leaving.
- You're making too much of this.
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216. Excuse me.
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217. - Let me walk you to a cab.
- That's okay.
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218. The main thing is that this is
just between us.
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219. - And that'll be the end of it.
- Oh, really?
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220. I mean, people, they're not interested
in things like this.
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221. They don't wanna hear about it.
They really don't.
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222. So we're drinking and talking.
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223. And so she starts rubbing my leg.
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224. Wow, what did you do?
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225. Have you ever told a woman
to stop touching your leg?
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226. - Yeah. Right.
- I know it's the wrong thing to do.
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227. She works in Elaine's office.
But I can't get that hand off my leg.
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228. I'm looking at the hand thinking,
"That hand should not be on my leg."
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229. But I can't make my brain to get
my mouth to say the words:
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230. "Would you mind?"
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231. Yet women have no problem getting
the hand off. How do they do that?
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232. I don't know. They're working
on a whole other level.
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233. - All right, so go ahead.
- So then we go back to my apartment.
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234. So we're fooling around there.
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235. You know, it's getting
a little passionate.
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236. And she starts with the dirty talking.
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237. All right, all right. Hold on.
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238. Time out.
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239. - What did she say?
- You know. The usual.
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240. No, I don't know.
How do I know the usual?
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241. - Typical things.
- What's typical? Give me typical.
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242. She says...
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243. That's very dirty.
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244. That's absolutely filthy.
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245. And then she starts talking
about her panties.
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246. I'm gonna need some water here.
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247. So I said something.
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248. Okay, what did you say?
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249. Now, bear in mind,
I am just trying to keep up.
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250. - Of course.
- Okay.
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251. So she's talking about her panties.
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252. So...
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253. So I said:
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254. "You mean, the panties your mother
laid out for you."
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255. "The panties your mother
laid out for you"?
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256. - What does that mean?
- I don't know.
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257. It just popped out.
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258. - Well, how did she react?
- She flipped out. Just left.
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259. Well, that's not offensive.
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260. It's abnormal, but it's not offensive.
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261. Look, the main thing is I don't want
Elaine to know about any of this.
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262. I mean, especially the pantie remark.
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263. I mean, it's embarrassing.
She'd never let me hear the end of it.
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264. What if this girl says something?
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265. She will. She's going back to work.
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266. I talked her into it.
How stupid was that.
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267. So Susan's father took that news
pretty hard, huh?
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268. Yeah. He went into the bedroom
and started sobbing.
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269. - Guess he didn't see the humour in it.
- Yeah.
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270. - Let's go. We got a lot of work to do.
- All right.
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271. - Big workday.
- That's right.
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272. - Okay.
- Let's go.
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273. - Right now.
- Let's do it.
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274. - Okay.
- All right.
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275. - What do you got?
- I got, you enter, you go, "Hi."
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276. And I go, "Hello."
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277. Now, we need something here.
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278. - Oh, hey.
- Kramer! Hey!
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279. - Buddy!
- You guys are working. I'll come back.
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280. - No, no! Come on.
- No, no!
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281. No, you guys should
get back to work.
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282. - Don't leave. We're taking a break.
- Oh, yeah?
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283. George, did you talk to that guy
about getting more cigars?
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284. I told you. I'm not gonna do that.
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285. Okay. Well...
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286. I guess I'm just gonna have to
take matters into my own hands, huh?
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287. All right. I'll see you guys.
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288. Where are you going?
Don't run off like that.
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289. Okay...
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290. - I need to talk to someone.
- Well, what is this about?
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291. Well, it's a very private matter,
but extremely urgent.
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292. - Are you an American?
- Oh, yeah.
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293. I see.
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294. - Excuse me.
- Okay.
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295. - Okay, let's get going.
- Let's get focused here.
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296. Come on, now.
Come on, let's get it together.
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297. - Yeah?
- It's Elaine.
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298. Come on up.
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299. All right, you know what
we should do?
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300. We should go to the movies.
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301. - Get away from the script for a while.
- We should.
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302. I just have to go over to the Rosses'
and drop off Susan's sunglasses.
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303. - Come with me?
- Yeah. Does she live with them?
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304. No, no.
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305. - Hey, nice going, Jerome Seinfeld.
- What?
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306. I just got a message from Sandra.
She's coming back to work.
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307. Well, then you've just gotta fire her.
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308. Don't even think about it.
There's no two ways about it.
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309. - Why, what happened? Did you talk?
- Talk? Did I talk? I-
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310. You're darn right I talked to her.
We talked up a storm.
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311. I've concluded,
from the basis of those talks...
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312. that this isn't anybody
you should be talking to.
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313. - You really think I should fire her?
- Oh, yeah.
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314. In fact, if George and I weren't
so busy working, I'd do it myself.
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315. What is your name, señor?
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316. Kramer.
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317. So Señor Kramer,
what is this about?
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318. - Cigars.
- Cigars?
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319. - Cigars.
- What about cigars?
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320. See, here, I-
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321. I saved one of the cigar rings.
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322. - You mean, one of these.
- Yeah, yeah. That's them.
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323. Okay, so I'd like to buy
a couple of boxes of those from you.
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324. You realize, of course,
these are illegal in your country.
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325. Well, illegal, huh?
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326. I like that jacket.
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327. - Hi!
- Hi. How are you?
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328. - Hey, Jerry.
- Hi.
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329. I thought you guys were
working today.
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330. - Just taking a little break.
- Yeah.
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331. - Oh, here's your sunglasses.
- Oh, thanks. Come on in for a second.
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332. This is my brother Ricky. He's home
from college for the weekend.
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333. Hey, there, young fella.
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334. - What's your major?
- I don't have one.
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335. Well, you should always
consider podiatry.
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336. Nothing wrong with the feet.
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337. And this is my aunt, Sara.
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338. He doesn't look like me.
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339. Sara, what do you have
on your wheels?
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340. Nothing. They're clean.
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341. Ricky, did you wipe her wheels off?
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342. - Yes.
- Well, they're filthy.
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343. It's just a matter
of common courtesy.
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344. You come in the house,
you wipe your wheels.
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345. Excuse me.
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346. Hello, Raymond.
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347. The man from the insurance company
dropped this off.
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348. Said it was the only thing left
from the remains of the fire.
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349. Oh, thank you.
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350. Wow, I've never seen this before.
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351. Oh, they're letters.
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352. - Here.
- Oh, sure.
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353. From- From John Cheever!
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354. "Dear Henry...
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355. last night with you was bliss.
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356. I fear my...
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357. orgasm has left me a cripple.
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358. I don't know how I shall ever
get back to work.
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359. I love you madly, John.
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360. P.S. Loved the cabin."
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361. - Well, we really should be...
- Yeah, look at the time.
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362. heading out.
You know, it's a time...
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363. The box!
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364. My letters! Give me that!
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365. Who told you to open it?
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366. Who's John? Who's John?
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367. - I knew it.
- I wanna know who John is!
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368. John Cheever? Dad!
You and John Cheever?
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369. Yes. Yes, he was the most
wonderful person I've ever known.
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370. And I loved him deeply.
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371. In a way you could
never understand.
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372. Well, we really should be
heading out.
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373. Jerry hates to miss
the coming attractions.
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374. - Yeah, and because of the time.
- Yeah.
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375. Time is what he's indicating there.
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376. Anyway, onward and upward.
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377. - Here we go.
- Let's go.
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378. - Come on, now.
- Right now.
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379. - You and me. No fooling.
- You got it.
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380. - All right, what do you got?
- I got, you come in, you say, "Hi."
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381. And then I say, "Hello."
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382. - All right. So we need something.
- Yeah.
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383. How about this:
I say, "How's it going?"
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384. "How's it going?"Beautiful.
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385. - Come on. We were just on a roll now.
- All right.
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386. - Did you get that line?
- "How's it going?"
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387. - Did you write it down?
- I'm writing it."How's it going?"
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388. - Real good!
- What?
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389. You know how much money
you cost me today? $429.
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390. - What? How?
- I got Sandra transferred...
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391. to another office upstairs, okay.
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392. So she blabs to Lippman about
my long-distance calls to Europe!
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393. - What calls?
- I made a friend when I was in Europe.
Copy !req
394. And we've been in touch,
and Sandra told Lippman!
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395. Did she say anything else to you?
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396. Anything else? What do you mean,
"anything else"?
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397. So she just left the office...
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398. didn't say a word to you
about anything?
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399. - Yeah.
- Beautiful.
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400. Why is that beautiful?
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401. Oh, no. Not beautiful.
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402. It's $429!
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403. Hey, look, I'm gonna pay for that.
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404. - No, no.
- No, I insist.
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405. I was the one that encouraged you
to fire her.
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406. - The whole thing was all my-
- Okay.
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407. Fault.
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408. Do you smell smoke?
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409. Oh, hey! Hey, Jer, I want you
to meet my new friends here.
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410. This is Luis, Jorge and Umberto.
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411. - Hey.
- How you doing? Nice to meet you.
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412. Yeah, we're heading up
to Westchester. Gonna hit the links.
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413. - Yeah.
- Hey, isn't that your...?
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414. Oh, yeah. Okay. We're going.
All right.
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415. Hey, what are you reading?
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416. The Falconer, by John Cheever.
It's really excellent.
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417. John Cheever. You ever read
any of his stuff?
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418. Yeah, I'm familiar with
some of his writing. You know.
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419. Look, we gotta get back to work.
We just had a big breakthrough.
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420. - Okay. I'll leave you two alone.
- Okay.
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421. Maybe I'll visit my mother.
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422. She just bought me some new panties,
and they're all laid out for me.
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423. There's this whole
talking-during-sex business.
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424. I mean, what are we doing here?
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425. The question is...
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426. does the talking really
improve the sex?
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427. Or is the sex act now...
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428. just there to spice up
the conversation?
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429. Eventually, I'm sure people will get
too lazy even for phone sex.
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430. They'll start having
phone machine sex.
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431. "Yeah, I want you really bad.
Just leave it on the tape."
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432. Then, I guess, the phone company
will come out with sex-waiting.
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433. That'll be the new thing.
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434. "Yeah, hold on, honey.
I got another call.
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435. Oh, hi, baby. One second.
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436. Honey, I've gotta take this.
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437. Yeah, I've got sex-waiting
on the other line...
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438. and I've got to take this."
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439. Subtitles by
SDl Media Group
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