1. It's amazing to me
that people move...
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2. thousands of miles away
to another city.
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3. They think nothing of it.
They get on a plane.
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4. They live there now.
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5. Just a thousand miles-
I'm living over there.
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6. You know, pioneers- It took years
to cross the country.
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7. Now people will move thousands
of miles just for one season.
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8. I don't think any pioneers did that.
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9. "Yeah, it took us a decade
to get there...
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10. and we stayed for the summer.
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11. It was nice. It had a pool.
The kids loved it.
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12. And then we left about 10 years ago,
and we just got back.
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13. We had a great summer.
It took us 20 years...
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14. and now our lives are over."
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15. - Kramer was on Murphy Brown?
- Yeah.
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16. - Are you sure?
- Yeah.
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17. Murphy Brown, the TV show?
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18. Come on, will you?
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19. Kramer was on Murphy Brown?
That son of a gun.
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20. - It's something, isn't it?
- With Candice Bergen.
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21. - I know.
- I've always liked her.
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22. Remember her
in Carnal Knowledge?
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23. - Sure.
- She show her breasts in that?
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24. She's not really the naked type.
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25. I can't believe I missed Kramer.
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26. He asked me to go with him.
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27. - He did?
- Yeah. I turned him down.
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28. - Why didn't you tell me?
- He asked me to keep it a secret.
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29. - You can't keep a secret.
- I know.
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30. This was a record. My previous
record was when Jodi Hirsch...
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31. asked me not to tell anybody
we slept together.
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32. I kept a lid on that
for about 28 seconds.
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33. - Well, you've come a long way.
- I've matured.
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34. The Tonight Show
called and they want me...
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35. to do the show on the 28th.
They're giving me free tickets to L.A.
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36. You wanna go?
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37. A free ticket?
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38. Yeah. In fact, we could
track down Kramer.
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39. I always felt bad about the way
he left. That was a mess.
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40. I never should've taken back
those keys.
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41. - What about accommodations?
- All taken care of.
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42. Is there a meal allowance?
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43. What about seat assignments?
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44. Could I have the kosher meal?
I hear the kosher meal is good.
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45. And I need clothes.
I gotta get a haircut.
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46. And I have to refill
my allergy medication.
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47. Do I need a hat?
I need a hat, don't I?
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48. Could we do the Universal tour?
They have that Backdraft exhibit.
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49. Now, that looks very cool to me.
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50. See, my acting technique-
My personal acting technique...
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51. is working with colour.
Imagining colour...
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52. and then finding the emotional,
vibrational mood...
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53. connected to the colour.
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54. If you look through my scripts
you'll see that my lines...
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55. have a special colour.
So I don't memorize the language.
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56. I memorize colour. This way, I can
go through red, yellow, green, blue.
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57. And you have a full palette
of emotions.
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58. Hey.
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59. Didn't I tell you to get out of here?
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60. - Did you?
- Let's go.
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61. - I was just-
- Yeah, you were just nothing.
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62. Come on, let's go.
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63. We'll talk about this a little later.
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64. - Let's go.
- Are you an actor?
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65. See you, Mike!
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66. - Murphy Brown.
- Yeah, Candice Bergen, please.
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67. Who's caling, please?
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68. Well, just tell her that it's Kramer.
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69. All right, I'll- I'll call her at home.
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70. Here. Go ahead. It's all yours.
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71. - Hello, Kramer.
- Oh, Helene. How are you?
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72. I haven't worked since 1934.
How do you think I am?
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73. Well, that's only...
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74. - Fifty-eight years.
- It was a Three Stooges short.
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75. "Sappy Pappies."
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76. I played Mr. Sugarman's secretary,
remember?
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77. Right, yeah.
That was a Shemp, right?
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78. No, no. Curly.
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79. The boys played three sailors
who find a baby.
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80. The baby's been kidnapped,
and the police think they did it.
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81. - Right.
- Of course, they didn't do it.
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82. The police have made
an awful mistake.
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83. Moe hits Curly with an axe.
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84. - The Stooges catch the kidnappers.
- Right.
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85. - But it's too late.
- Really?
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86. - The baby's dead.
- Really?
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87. The boys are sent to death row
and are executed.
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88. Well, I don't remember that part.
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89. I play Mr. Sugarman's secretary.
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90. Oh, yeah, yeah. You were very good.
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91. It was sad for a Three Stooges,
what with the dead baby...
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92. and the Stooges
being executed and all.
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93. Yeah, well, that was an unusual
choice for the Stooges.
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94. Would you like to buy me
a fat-free frozen yoghurt at the store?
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95. Well, you know, I can't right now,
you know.
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96. I got a very big meeting.
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97. I got these people interested
in my movie treatment.
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98. So we'll have to make it another time.
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99. No! No, no, don't go up there,
Kramer. They'll hurt you.
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100. You'll never make it in this town.
You're too sensitive, like me.
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101. Helene, you're wrong.
You know, I'm not that sensitive.
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102. I was engaged to Mickey Rooney.
He left me at the altar.
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103. Kramer.
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104. Kramer!
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105. - What is this?
- What?
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106. We're going on a two-day trip.
What are you, Diana Ross?
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107. I happen to dress based on mood.
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108. But you essentially wear
the same thing all the time.
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109. Seemingly. Seemingly.
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110. But within that basic framework,
there are many subtle variations...
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111. only discernible
to an acute observer...
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112. that reflect the many moods,
the many shades...
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113. the many sides
of George Costanza.
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114. - What mood is this?
- This is "morning mist."
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115. What do you figure? Twenty?
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116. - Twenty-one?
- Close enough.
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117. Forensics ought to be able
to nail it down.
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118. - No ID?
- No ID.
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119. - No witnesses?
- Just the trees, Johnny.
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120. Just the trees.
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121. Pretty young thing.
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122. She was.
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123. Not anymore.
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124. Somebody saw to that.
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125. Sure did, Johnny.
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126. Damn shame too.
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127. What do you make of it?
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128. I don't know.
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129. But I don't like it.
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130. Look at this guy.
He's like a cat burglar.
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131. He thinks if he goes through real slow,
the machine won't detect him.
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132. I've always been nervous
about going through these things.
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133. I'm afraid I'm gonna step
into another dimension.
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134. Just go.
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135. I made it.
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136. Empty your pockets, please.
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137. Walk through again, please.
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138. Are you sure you don't
have metal on you?
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139. - Bracelets, rings, anklets?
- Anklets? No.
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140. - A lot of men wear anklets.
- Really?
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141. - Yeah.
- What do you have in your bag, sir?
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142. - My bag?
- Step over here, please.
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143. - Over here?
- Do you have a knife in the bag?
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144. A knife?
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145. Open the bag, please.
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146. - What's this?
- Moisturizer.
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147. For your wife?
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148. No. I...
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149. I use it.
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150. Spread your arms and legs, please.
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151. Ladies and gentlemen,
I implore you.
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152. Have a good trip.
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153. - All right.
- That's it?
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154. - That's it.
- All right.
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155. Come on, Jerry, let's go.
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156. - What was that all about?
- I must have iron-rich blood.
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157. - Here we go. L.A.
- The coast.
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158. La-la land.
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159. - I got the window seat, right?
- Who said that?
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160. - I called it.
- Oh, no.
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161. It seems to me that the closest thing
we have to royalty in America...
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162. are the people that get
to ride in those carts...
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163. through the airport.
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164. Don't you hate these things?
They come out of nowhere.
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165. Beep-beep."Cart people.
Look out. Cart people. Look out."
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166. We all scurry out of the way
like worthless peasants.
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167. "It's cart people.
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168. I hope we didn't slow you down.
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169. Wave to the cart people, Timmy.
They're the best people in the world."
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170. You know, if you're too fat,
slow and disoriented...
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171. to get to your gate on time,
you're not ready for air travel.
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172. I hate the people that get
onto the moving walkway...
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173. and then just stand there.
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174. Like it's a ride.
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175. "Excuse me, there's no animated
pirates or bears along the way here.
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176. Do your legs work at all?"
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177. Yeah, I'm here for the audition.
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178. Which audition? The music video,
the horror movie...
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179. the exercise tape,
or the infomercial?
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180. Let's see. Well...
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181. You scream good.
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182. You too.
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183. - So can I keep this treatment?
- Oh, yeah, yeah. I got 20 copies.
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184. Because I can show it
to my manager.
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185. He has connections with
West German television money.
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186. Yeah, they're trying to put together
a miniseries for me on Eva Braun.
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187. I mean, think about it.
Is that a great idea?
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188. We know nothing about Eva Braun,
only that she was Hitler's girlfriend.
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189. What was it like having sex
with Adolf Hitler?
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190. What do you wear in a bunker?
What did her parents think of Hitler...
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191. - ... as a potential son-in-law?
- Wait, hold on.
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192. Look who's over there.
Don't look, don't look.
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193. It's Fred Savage.
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194. - Big deal.
- He'd be perfect for my movie.
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195. This is a once-in-a-lifetime
opportunity.
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196. I gotta go over there. I gotta give him
a copy of my treatment.
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197. Why are you breathing so hard?
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198. I'm just a little nervous.
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199. Okay, I gotta relax.
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200. All right. Wish me luck, huh?
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201. Hey. Oh, did I frighten you?
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202. I'm not crazy. I look weird,
but I'm just like you.
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203. I'm just a regular guy trying
to make it in this business.
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204. I really like your work. The...
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205. - Thank you.
- I can't remember the name.
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206. - My mind's a blank. I'm nervous.
- That's okay.
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207. - You know...
- Just relax.
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208. Okay, yeah. But I got-
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209. Stupid table.
I'm not normally like this.
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210. Usually I'm cool and charming.
I don't mean to bother you.
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211. It's fate that you're here
at the same time as me.
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212. It's fate. You can't avoid your fate.
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213. I got this treatment
I think you'd be great in.
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214. - I'll give it to you.
- Yeah, okay. Thank you.
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215. Excuse me.
Oh, wait. Are you going now?
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216. - Bye.
- Wait, wait.
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217. Yeah, that's Kramer. K-R-A-M-E-R.
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218. I don't know, wavy. George, how
would you describe Kramer's hair?
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219. - Curly.
- Wavy.
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220. - What did you ask me for?
- Yeah. I'll hold on.
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221. George, did you see a piece
of paper on the nightstand...
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222. - ... like, crumpled up like a napkin?
- No.
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223. Because I had three jokes on it.
They were perfectly worded...
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224. just the way I wanted to have it.
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225. I can't find it.
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226. Hello?
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227. Hey, a shoe-buffing machine.
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228. I don't know, 6'3"?
George, how tall is Kramer?
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229. You got your own shampoo,
conditioner...
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230. Body lotion, Jerry, body lotion.
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231. - About 6'3".
- A shower cap.
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232. Come in.
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233. Hello. I have more towels.
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234. Oh, good, good. Come in, come in.
Welcome. I'm George.
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235. - Hello.
- Hi. And this is Jerry...
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236. over there on the phone.
That's Jerry. And you are...?
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237. - Lupe.
- Lupe. That's very nice.
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238. Are you gonna be making the bed
in the morning?
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239. - Oh, yes.
- Fine, excellent.
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240. Could you do me a favour?
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241. Could you not tuck the blankets in?
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242. Because I can't sleep all tucked in.
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243. - Oh, yes, yes.
- Yes.
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244. I like to just be able
to take the blankets...
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245. and swish them and swirl them.
You know what I mean?
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246. You know, I don't like them
all tucked in. I just don't.
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247. I like to have a lot of room. I like
to have my toes pointed up in the air.
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248. I just like to scrunch up the blankets.
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249. Yes, yes. It's too tight to sleep.
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250. Exactly. You know
what I'm talking about, right?
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251. Yes. It's too tight.
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252. - Him too?
- You want your blankets tucked in?
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253. - What?
- Want your blankets tucked in?
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254. - What blankets?
- When Lupe makes up the beds.
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255. I don't know. Whatever they do.
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256. I tuck in, yes?
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257. Tuck in. Tuck in.
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258. All right. So that's one tuck
and one no-tuck.
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259. - Okay.
- Yes. One second, sweetheart.
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260. Jerry, it'd be easier if you didn't tuck.
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261. Excuse me. Fine.
You don't want me to tuck...
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262. put me down for a no-tuck.
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263. It's two no-tucks.
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264. Hang on a second. You know what?
Changed my mind. Make it a tuck.
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265. - You just said you weren't tucking.
- I'm tucking.
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266. Hello? Hello? They hung up on me.
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267. They don't know
where Kramer is anyway.
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268. Alrighty. So that's one tuck
and one no-tuck. You got that?
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269. Excuse me. Did you see a piece
of paper on the nightstand here...
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270. earlier today,
crumpled up like a napkin?
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271. Oh, yes, yes. I throw away
when we clean the room.
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272. - Oh, okay. Thanks.
- Thank you.
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273. Thank you. All right, Lupe,
bye-bye now.
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274. - Bye.
- Bye-bye.
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275. I can't believe she threw that out.
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276. I had the perfect wording of a joke
I was gonna do about the airport.
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277. I was gonna do it on The Tonight Show.
Now I can't remember it.
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278. What did you want?
You left it on the table.
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279. They're not supposed
to throw everything out.
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280. Hey, hey!
It's not Lupe's fault.
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281. - You shouldn't have left it out.
- All right.
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282. Get your thing together
and let's get out of here.
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283. All right. Now, what mood am I in?
What mood am I-?
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284. - You shouldn't have tucked.
- I like it tucked.
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285. Nobody tucks anymore.
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286. - Hey, lieutenant?
- Yeah.
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287. This was found on her person.
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288. On her person?
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289. - What kind of expression is that?
- I don't know, sir. Police lingo.
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290. Oh, yeah?
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291. What's your name, son?
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292. - Ross.
- Ross.
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293. - You see that person there, Ross?
- Yes, sir.
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294. She's dead.
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295. - Have you got that?
- Yes, sir.
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296. Good.
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297. Get out before you find yourself
on transit patrol...
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298. writing tickets to senior citizens
with fake bus passes.
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299. Yes, sir.
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300. I think we just caught a break.
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301. This is very exciting.
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302. You're on The Tonight Show. NBC.
Who else is on the show?
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303. - I don't know.
- You might meet a celebrity.
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304. I can't believe she threw out
my napkin.
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305. What are you worried about?
You know it.
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306. - You're gonna be all right here?
- Yeah. Go about your business.
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307. - I'll just wander around.
- All right. Don't wander too far.
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308. - I'll meet you back here in 15 minutes.
- Go, go. Don't worry about me.
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309. Hey.
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310. Corbin Bernsen.
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311. How you doing?
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312. - Big fan. Big fan.
- Thank you.
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313. - Hey, you grew a beard, huh?
- Yeah.
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314. Yeah. Yeah, I'm doing a movie
during my hiatus.
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315. Hey, you know...
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316. Do I have a case for you guys
to do on L.A. Law.
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317. Really.
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318. So mind you, at this point, I'm only
going out with her two, three weeks.
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319. So she goes out of town,
and she asks me to feed her cat.
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320. So, at this time, there's a lot of stuff
going on in my life...
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321. and it slips my mind
for a few days.
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322. Maybe a week. Not even a week.
Five, six days.
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323. Yeah, yeah, yeah.
So, what happened?
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324. Well, it's the damnedest thing.
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325. The cat dies.
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326. So she comes back. She finds the cat,
lying on the carpet, stiff as a board.
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327. - So you killed the cat?
- That's what she says.
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328. I say, "Listen...
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329. It was an old cat.
It died of natural causes."
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330. So get this. Now she tells me
that I gotta buy her a brand-new cat.
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331. I say, "Listen, honey,
first of all...
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332. it was a pretty old cat. I'm not
gonna buy you a brand-new cat...
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333. to replace an old dying cat.
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334. And second of all,
I go out to the garbage...
Copy !req
335. I find you a new cat
in 15 seconds."
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336. I say, "You show me an autopsy report
that says this cat died of starvation...
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337. I spring for a new cat."
Copy !req
338. So she says something to me,
like, I don't know...
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339. "Get the hell out of here."
And she breaks up with me.
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340. Now, don't you think that would be
a great case on L.A. Law?
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341. I don't wanna tell you
how to run your show-
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342. No, of course not.
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343. It's enough with the bar already,
you know?
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344. Have they thought
about changing the setting?
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345. Doubt it. I doubt it. Yeah.
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346. People do meet in places
besides a bar.
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347. Well, yeah, they do.
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348. What about a rec room, huh?
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349. - Or a community centre.
- You ought to write one of those.
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350. I'll bring it up with the producers.
I gotta...
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351. Fabulous. I'll think about that,
George. Thank you.
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352. - How's it going?
- Great, great.
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353. I actually just had two meaningful,
intelligent conversations...
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354. with Corbin Bernsen
and George Wendt.
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355. - Really?
- Yeah. Not fan talk. Not gushing.
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356. You know? Actual conversation.
I was incredibly articulate.
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357. You got toilet paper
on your heel there.
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358. It's The Tonight Show with Jay Leno.
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359. Tonight Jay welcomes
Corbin Bernsen, George Wendt...
Copy !req
360. and comedian, Jerry Seinfeld.
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361. Oh, yeah. People are always trying
to give me a great case for L.A. Law.
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362. Just a few seconds ago,
right outside in the hallway...
Copy !req
363. this nut, some sick nut
comes up to me...
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364. and says he was supposed
to watch this girl's cat...
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365. while she was away out of town.
Anyway, he forgets to feed the cat.
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366. The cat dies, starves to death.
He kills the cat.
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367. Refuses to get her a new one.
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368. Won't give her any money,
won't pay her.
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369. And he wants Arnie Becker
to represent him. Nice guy.
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370. Yeah, that'd make a great case
for L.A. Law.
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371. Thanks a lot.
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372. He's a very handsome man.
Passionate, intense.
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373. But troubled, strange.
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374. I think he may be in love with me.
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375. Of course, there's nothing abnormal
about that. I have many suitors.
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376. It's funny, because
even after all these years...
Copy !req
377. we still get people giving us advice
how to improve the show.
Copy !req
378. Actually, a few moments ago,
I ran into a nut back there...
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379. who said that maybe
we should think about...
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380. you know, not doing the show
in a bar.
Copy !req
381. So that's when I said,
"Hey, Kramer, dude...
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382. you ever kill a man before?"
Copy !req
383. And he said,
"What do you think, junior?
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384. These hands have been
soaking in Ivory Liquid?"
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385. That guy you talked to,
what did he look like?
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386. - Short little bald guy with glasses.
- That's the same guy I talked to.
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387. Never ends, does it?
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388. So I'm going through the airport,
and I put my bag on that little...
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389. The... The conveyor belt.
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390. Issue an arrest warrant.
Put out an APB.
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391. Let's pick up this...
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392. Kramer.
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393. - I was terrible.
- What, are you crazy? You were fine.
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394. I couldn't remember
what I was trying to say.
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395. - That whole thing about the...
- Conveyor belt.
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396. Yeah. Because she threw out
my napkin.
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397. I can't believe-
You're blaming Lupe?
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398. Yes. Lupe. I'm blaming Lupe.
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399. There's been a break...
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400. in the so-caled Smog Stranglings.
Police have just released a photo...
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401. of the suspect being sought
in connection with the slaying.
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402. He is known only as Kramer.
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403. Talk show hosts
never seem to have any idea...
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404. how much time is left in the show.
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405. They're always looking off-camera:
"Do we have time?
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406. How are we doing on time?
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407. Anybody know what the time is?
What's the time?"
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408. You never see Magnum P.I. go,
"Should I strangle him...
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409. or are we gonna take a break here?
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410. Can you stay for another beating?
I'll bop him in the head.
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411. We'll do a commercial, come back...
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412. I'll drive the car real fast.
Stay with us."
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