1. Is it true neither of you
have acted before?
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2. Yes. But we're very, very famous,
and that's basically the same thing.
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3. Hello again, friend of a friend
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4. I knew you when
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5. Our common goal
Was waiting for the world to end
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6. Now that the truth…
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7. We're rock stars. We do what we want.
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8. And what we want right now
is to be movie stars.
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9. People keep asking me
if the movie lives up to my "vision."
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10. I guess, if I'm being honest,
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11. this whole shoot
does feel a little blurry.
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12. My mom says I should get my eyes checked.
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13. We're just trying
to honor Mister Neil's tremendous script,
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14. which I think is truly a tribute
to this great city.
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15. I'd even go so far as to say Toronto
is a character in the movie.
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16. A major character.
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17. Really? He said that?
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18. Who did he cast to play Toronto?
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19. Uh, guys,
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20. aren't we supposed to be interviewing
Envy Adams' stunt double now?
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21. Hey, I'm Ramona Flowers.
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22. They said I should come talk to you?
It's my first day.
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23. You're the stunt double
for Ramona Flowers,
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24. and your name is also Ramona Flowers?
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25. Is that Ramona Flowers, the stunt double,
or Ramona Flowers the character?
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26. I'm a physical person,
but I never thought about stunt work.
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27. Turns out I'm pretty good at it.
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28. Ramona!
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29. When you're done up there,
I've got another stunt for you.
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30. No problem.
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31. Great.
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32. I need you to run over to my hotel room
and give my dog some medication.
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33. It'll be in a blue bag on the counter.
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34. Do you think this could be
the beginning of a new career?
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35. Actually, I only took this job
because security realized
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36. I wasn't working on the movie,
and I needed an excuse to be on set
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37. so I could get close enough to Todd
to find out if he used a vegan portal
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38. to kidnap this guy
I went out with one time.
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39. What?
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40. Quiet! We're rehearsing, people!
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41. All right, I guess we're
gonna work on blocking
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42. while our diva gaffer does his thing.
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43. Todd, do you know what blocking is?
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44. Hold it.
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45. No stunts today.
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46. - I just wanted to ask Todd—
- You're not wanted here, Ramona.
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47. Todd is busy.
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48. We're acting, okay?
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49. So, skate on.
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50. As you can see,
the lighting in the scene is super dark
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51. to represent the darkness in Scott's soul.
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52. Young Neil, your glasses.
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53. Yeah, I finally got a prescription.
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54. They're sunglasses.
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55. Wow!
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56. I was wondering.
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57. There's no precedent
for the path you've taken.
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58. From heckling on the sidelines
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59. to co-lead
in a major Canadian blockbuster.
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60. Can you speak to that?
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61. I decided the only thing better
than being me, was getting paid to be me.
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62. Why be Wallace Wells for free?
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63. Quiet on the set!
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64. Scott Pilgrim's Precious Little Life,
scene 43, take one.
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65. And action!
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66. Why don't we try having Scott
gently put his hand on Ramona's back?
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67. No, cut!
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68. Scott Pilgrim's Precious Little Life,
scene 43, take two.
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69. And action!
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70. All right, Todd,
just a gentle little touch.
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71. A movie set is kinda like a chemistry set.
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72. Some people just have too much chemistry.
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73. And what happens when you mix
a bunch of volatile chemicals?
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74. You get an explosion.
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75. You do? That's dangerous!
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76. Why are we mixing volatile chemicals
on a movie set in the first place?
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77. Scene 43, take 18.
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78. Action!
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79. Scene 43, take 32!
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80. Action!
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81. Scene 43, take 43.
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82. Action!
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83. We've been together
since we were 11 years old.
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84. Every day more magical than the last.
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85. Right, baby?
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86. Vegans are unusually loyal
to their partners.
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87. They never waver.
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88. That's true.
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89. Hey, buddy, it's not that bad.
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90. Maybe we just need to rethink the scene.
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91. This is the dumb version. But what if…
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92. Yes!
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93. Yes!
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94. Scene 43, take 44.
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95. And action!
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96. Scott and Wallace.
Let's look at each other.
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97. Deep into each other's eyes.
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98. You've never seen
eyes like these in your life.
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99. You're forgetting Ramona,
forgetting all about her.
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100. Now, kiss!
Kiss like your life depends on it!
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101. Cut! Print!
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102. I think we're onto something here, gang.
Scott, Wallace, great work!
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103. I don't remember writing that part.
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104. That's lunch, people!
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105. - Ramona!
- Ramona!
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106. Would you do us a huge favor
and give this to Envy Adams?
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107. We wrote a song
for her to sing in the movie!
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108. Please! It's like a cross
between the last number in All That Jazz
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109. and the first number in Grease 2!
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110. What just happened?
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111. Not sure.
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112. Want to run lines in your trailer?
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113. Hey, so, quick question about the script.
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114. Run lines in your trailer?
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115. Lines in your trailer?
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116. Lines? Trailer?
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117. Okay.
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118. He's my best friend,
best friend with benefits.
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119. It's a lifelong thing for us.
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120. Sure, we experimented with other people.
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121. He dated Ramona. I dated Scott Pilgrim.
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122. But he always came back to me.
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123. I'm his destiny.
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124. Me and Todd?
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125. Yeah.
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126. He went to my high school junior year.
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127. He told me the love of his life
was waiting for him back in Canada.
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128. He also told me
that he liked to live in the moment.
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129. That generally meant sloppy make outs
behind the school.
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130. Is it true he punched a hole
in the moon for you?
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131. - Teleported to the moon and—
- Absolutely.
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132. Yes, he did.
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133. The most romantic thing I've ever seen.
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134. The most horrifying thing I've ever seen.
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135. Ramona.
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136. We need to talk about Scott Pilgrim.
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137. I'm Scott Pilgrim.
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138. No, I mean—
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139. Hold that thought.
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140. Wallace.
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141. Co-worker.
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142. At the end of day two,
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143. the production was
already 17 million dollars over budget,
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144. with only three shots in the can.
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145. Today I have a big fight scene,
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146. but I'm really hoping to pull Todd away
from Wallace for a few minutes.
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147. They always seem to be
running lines in his trailer.
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148. You two have incredible chemistry…
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149. What's it like working with Wallace Wells?
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150. He's taught me so much about acting.
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151. No. About living.
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152. What can you even say
about a man like that?
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153. - Babe?
- Envy!
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154. I can't be with you anymore!
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155. I'm in love with Wallace Wells!
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156. What?
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157. I'm changing! I feel myself changing.
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158. I'm a new person.
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159. A new boy!
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160. My skin is clearer!
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161. It's love.
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162. She's walking away?
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163. I thought she'd be happy for me.
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164. Todd, what happened to
all that "vegans never waver" stuff?
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165. I never said that.
I said, "vegans never wafer."
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166. We don't eat wafers. That's true.
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167. They never waver.
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168. Never waver…
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169. Look, any rumors about me having
a very hot on-set affair are just rumors.
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170. I'm—
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171. Excuse me, I'm talking to the camera here.
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172. Tell him what you just told me.
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173. I'm…
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174. He's in love with me, isn't he?
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175. Well?
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176. I'll fix this.
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177. Todd, buddy,
this was just an on-set fling.
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178. What?
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179. When the movie ends,
so does the relationship.
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180. Tale as old as time.
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181. You don't love me?
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182. But what about the sparks?
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183. What sparks?
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184. Todd!
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185. Baby! Sweetheart!
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186. Wallace Wells!
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187. You broke my boyfriend!
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188. Prepare to die!
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189. No fair!
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190. Stop it.
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191. Jeez, have some dignity.
This is a film set.
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192. If you want to fight with me,
fight with them.
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193. Four stunt doubles?
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194. They only gave me one!
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195. It's in my contract.
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196. Get a better lawyer, baby.
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197. Ramona, time for stunts!
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198. - Wait, what? I'm doing an interview—
- Do you want to keep your job?
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199. Where's everybody going?
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200. Wallace Wells versus Envy Adams!
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201. Fight!
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202. Who said that?
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203. Nobody.
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204. What part of the movie is this?
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205. Don't embarrass me, guys!
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206. Straight Wallace?
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207. You're a stunt double now?
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208. Why are you acting like that's weird?
You made the exact same career change.
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209. Well, I did it for very specific reasons.
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210. Fight them! Fight the Wallaces!
If you lose, you're fired.
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211. That's the sloppiest headbutt
I've ever seen.
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212. You call that a backflip? Terrible form!
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213. You give stunts a bad name.
This is tragic. You're all so slow!
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214. When was the last time you hit the gym?
Too many french fries!
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215. Come on, man.
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216. We can handle physical abuse,
but we draw the line at verbal abuse.
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217. Hey!
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218. Well, well, Wells.
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219. I guess now it's time
for you to fight your own fight.
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220. But not against me, against Ramona.
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221. Okay, time out, cut!
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222. Why does your character want
to fight Wallace in the first place?
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223. This isn't for the movie.
This is for real life.
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224. I broke her boyfriend.
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225. You and Todd?
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226. No more stunts. Where is he?
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227. Todd, we need to talk.
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228. Todd.
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229. Breaking vegan edge?
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230. Step inside.
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231. Welcome to my crib.
Let me give you a quick tour.
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232. Over there is the first place
I made out with Wallace.
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233. This is the second place
I made out with Wallace.
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234. And this is the third place where I—
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235. Nobody needs this information, Todd.
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236. Yeah, I think we're good.
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237. This trailer holds so many memories.
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238. It's where I fell in love
for the first time.
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239. The first time?
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240. Envy, what we had was fun,
but I discovered a new kind of fun.
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241. The kind of fun
where you care about another person.
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242. You wouldn't understand.
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243. What about us?
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244. You've known him for three ****ing days!
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245. Is that all it's been?
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246. Even if it had just been two days,
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247. I'd be chasing that high
for the rest of my life.
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248. You can't fight the moonlight, babe.
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249. All right, I'm too famous
for this conversation.
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250. We're done. Goodbye.
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251. Hold on.
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252. We need to talk about Scott Pilgrim.
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253. I'm Scott Pilgrim.
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254. No, the real Scott Pilgrim.
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255. The guy you kidnapped
using a vegan portal.
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256. Here.
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257. I don't know if you did this alone,
or if Envy put you up to it.
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258. No one puts me up to anything.
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259. Only I put me up to things.
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260. It's a vegan portal, all right.
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261. But it's better than anything
Todd's ever made.
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262. I mean, look at
the thought that went into it,
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263. the craftsmanship.
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264. Todd didn't do this.
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265. That was rude…
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266. …but I'll allow it.
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267. You spent three days following my orders
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268. because you wanted
to show Todd a video of a portal?
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269. You have no other leads?
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270. Tragic.
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271. Looks like you're never gonna find him.
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272. Maybe you should give up.
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273. Sometimes you just need
to leave losers in the past.
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274. Are you talking about Scott or me?
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275. And by the way, you're fired.
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276. I quit.
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277. Mr. Patel,
welcome to the Great White North.
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278. Yeah, it's great.
Everyone here works for me, right?
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279. - Yes, sir!
- Good!
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280. You're all fired!
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281. Sir, did you just say—
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282. Shut up! Guards!
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283. Hey, you! You over there.
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284. - Aren't you the director?
- Yes!
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285. - You're fired!
- No!
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286. What? Are you shooting
a documentary or something?
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287. Yeah.
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288. Well, not anymore.
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289. Hey, man. Get off me, man. Stop.
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290. Well, that was a waste
of our precious little time.
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291. All those people are cuckoo crazy.
All of them are.
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292. All of you, go home. Take off!
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293. We don't work for you.
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294. We just want a moment of your time.
We have an exciting opportunity.
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295. If you give us a chance,
we will blow your mind!
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296. I like your moxie, kids.
I have 30 seconds available next Tuesday.
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297. Call my girls. Let's make this happen.
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298. Matthew Patel.
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299. Ramona Flowers.
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300. What's with the outfit? Are you a CEO?
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301. Actually, yes.
I'm here to shut this movie down.
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302. I guess that was inevitable.
It's probably losing you a lot of money.
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303. Money? Who cares about money?
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304. Have you read the script?
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305. It's a character assassination of me,
Matthew Patel!
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306. I won that fight!
I punched Scott Pilgrim to death!
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307. Well, you didn't
actually punch him to death.
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308. Someone kidnapped him
and made it look like you won.
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309. - I didn't win?
- No.
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310. - He's not dead?
- No.
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311. - Is he mad at me?
- I don't know, dude.
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312. I'm trying to find him
and figure out who did this.
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313. But you know I took my new-found
confidence from killing Scott Pilgrim
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314. and went back and defeated Gideon, right?
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315. I'm sorry?
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316. I went up against Gideon and won it all.
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317. Two record labels, this movie studio,
14 animal shelters,
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318. and The League of Evil Exes.
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319. The empire's mine, and I plan to keep it.
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320. I won't make the same mistakes he made.
I won't end up where he is now.
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321. Which is where exactly?
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322. Here, Toronto.
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323. He's shacking up with some girl
named Julie-something.
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324. Did you know Gideon
isn't even his real name?
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325. It's not?
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326. No, it's Gordon. Gordon Goose.
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327. What?
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328. Everything we knew
about that guy was a lie.
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329. This Julie, it wouldn't be Julie Powers?
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330. Yeah, that's it. You know her?
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331. I thought I did.
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332. Where are you going?
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333. Julie Powers and I need to talk.
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