1. Go on. Eat. Eat! Or you're gonna get it!
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2. Orphans getting to eat
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3. Cleavers sharp
And ready for meat
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4. Lovers being adored
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5. Others feeling ignored
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6. And a villain plotting crimes
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7. Welcome to Schmicago
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8. Where the breakers of the law go
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9. Sinister and sleazy
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10. Leaving's never easy
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11. Welcome to...
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12. Schmicago
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13. Hey. Don't worry. You're gonna be great.
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14. Are you sure we shouldn't just leave?
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15. Not without seeing you on stage.
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16. Go out there and knock 'em dead.
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17. I love you. You're gonna be great.
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18. - Hi, Max.
- Hi, Mel.
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19. - Hey, Melissa.
- Hey, Fred.
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20. Gimble! Where have you been?
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21. Mr. Kratt has been very disappointed
by your absence the last few days.
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22. Yes, I'm sorry, Madam Frau.
But I am here now,
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23. and I'm ready to be the best chorus girl
you've ever seen just blend in
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24. and follow the others
when she forgets her choreography.
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25. Not so fast.
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26. I need you to take the matinee solo slot.
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27. The solo slot? But isn't that Jenny's?
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28. - Jenny's not here. You are.
- Yeah, but, I mean, Jenny's a star.
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29. She's perfect. And I'm—
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30. On in 30 minutes. So you in or out?
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31. Okay, I'll do it.
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32. I am ecstatic.
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33. I've never been the girl
Who gets attention
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34. I've never been the one
Who got the part
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35. Believe me, there's no honor
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36. In honorable mention
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37. But I've made it an art
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38. I've never been
The type to take the spotlight
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39. Some girls just seem to know how
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40. Me, I've got a knack
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41. For hiding in the back
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42. But maybe it's my turn now
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43. Once I lay around and languished
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44. Had a wicked case of the blahs
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45. All those days in agony
I anguished
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46. They got put on pause
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47. When I heard that applause
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48. I've never been the type
To take the spotlight
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49. Some girls just seem to know how
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50. But maybe tonight
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51. If the timing is right
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52. Maybe these frightened feet
Will sneak into the light
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53. Yes, there's no more "maybe"
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54. 'Cause, baby
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55. It's my turn now
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56. I've never been the type
To take the spotlight
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57. Some girls just seem to know how
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58. But maybe tonight
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59. If the timing is right
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60. Maybe these frightened feet
Will sneak into the light
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61. Yes, there's no more "maybe"
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62. 'Cause, baby
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63. It's my turn
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64. Now!
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65. - Peace and love, Josh. Hey.
- Hi, Josh. Peace and love.
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66. Hey, everyone. Peace and love.
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67. What's up?
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68. - Nothing.
- What's up with you?
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69. Not much, just heading home.
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70. - Cool.
- Cool. Great.
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71. All right. See ya.
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72. Can I help you with something?
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73. Marisa, what happened to your foot?
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74. She stepped on a piece of glass.
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75. I was trying to hug a butterfly.
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76. Don't do that. They don't like it.
Let me take a look.
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77. That's not too bad.
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78. Somebody get me some soap,
water and a clean cloth.
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79. Where's Topher?
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80. Who knows?
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81. That cat doesn't have time for us anymore.
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82. Not since he hooked up with her.
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83. Jenny. Right.
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84. Thank you very much.
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85. Listen, it's new love. Trust me.
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86. Once the novelty wears off,
you'll be seeing Topher again.
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87. When will that happen?
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88. Well, they're pretty young,
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89. and very sexy.
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90. - It could be a while.
- You're so wise.
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91. Okay.
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92. There. You can stand on that now.
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93. I can walk. I can walk!
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94. He healed the lame! It's a miracle!
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95. - It's definitely not a miracle.
- Lead us! Tell us what to do!
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96. Tell us what to do, and we'll do it!
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97. What? No, I'm not that guy.
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98. - Really.
- Tell us what to do!
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99. Tell us what to do!
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100. - Tell us what to do!
- Please stop chanting that!
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101. You don't understand. We need a leader.
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102. - And you're smart—
- So smart.
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103. - And kind.
- So kind.
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104. You can't just spend your lives following
anyone you think is smart and kind.
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105. - See? I didn't know that. I'm stupid.
- So stupid.
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106. - Guys, please. I— Every—
- Please!
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107. - Please help us!
- Lead us!
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108. - We're so lost.
- We'll do anything you say!
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109. - I have drugs!
- We love you!
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110. Okay,
I guess I can give you a few pointers.
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111. It starts with just a taste
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112. But then needs to be fed
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113. And suddenly the dreams you've chased
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114. Are chasing you instead
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115. As more fans join the fold
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116. Your humdrum life recedes
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117. The road you're on is paved with gold
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118. But who knows where
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119. Who knows where it leads
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120. Melissa!
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121. How does it feel to be their fantasy?
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122. Feels great!
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123. It was a rhetorical question
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124. Josh!
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125. Can you live up
To all that they want you to be?
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126. Is that also a rhetorical qu—
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127. Yes. Yes, it is!
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128. Another damn rhetorical question!
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129. Fame, fame
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130. You don't stay long
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131. But we're oh-so glad you came
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132. Fame
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133. We're oh-so glad you came
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134. And my people say
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135. Hey hey, Josh
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136. Oh, my gosh
Give me your head to anoint
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137. Give me your feet to wash
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138. Hey there, Mel
Looking swell
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139. How does it feel to be famous as hell?
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140. Now we're kaput
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141. Someone stole my doorway
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142. Oh, they're good enough to eat
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143. Kill them all!
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144. Two birds with one stone
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145. I'll drink to that
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146. It starts with just a taste
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147. But then needs to be fed
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148. And suddenly the dreams you've chased
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149. Are chasing you instead
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150. I'll drink to that
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151. Fame, fame
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152. You don't stay long
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153. But we're oh-so glad you came
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154. Fame
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155. We're oh-so glad you came!
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156. And the people say
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157. Hey hey, Josh
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158. Oh, my gosh
Give me your head to anoint
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159. Give me your feet to wash
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160. Hey there, Mel
Looking swell
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161. How does it feel to be famous as
Famous as
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162. Famous as hell
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163. - Here you go.
- Thank you. How much?
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164. Please. It's my honor.
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165. Thank you. Okay.
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166. So is this what a happy ending feels like?
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167. We've racked up some wins.
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168. We got Jenny away from Kratt.
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169. Happy ending.
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170. We got Jenny together with Topher.
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171. - Happy ending.
- We got Dooley together with Codwell.
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172. Ending. Comma. Happy.
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173. But we did not bring Kratt to justice
for Elsie's murder.
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174. I'm starting to think
that was a red herring.
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175. Yeah, right? 'Cause we didn't know Elsie.
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176. - Hi there.
- Hello.
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177. And Miss Codwell's being
so much better to those orphans now.
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178. Yeah, and I wonder
what kind of ending that qualifies as.
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179. You know my favorite part
of singing at the club?
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180. When I'm on that stage,
I feel like I can do anything.
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181. Like I feel strong and gorgeous.
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182. You are.
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183. That's how I feel about everything
I've been doing with the tribe.
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184. I think I might actually like teaching.
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185. And I feel like we're starting
to really make a difference.
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186. It feels good being part of something
bigger than myself, you know?
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187. So... happy ending?
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188. Looks like it.
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189. I bet the leprechaun would say
we could go back to the real world now.
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190. - Maybe tomorrow.
- Yeah, what's the rush?
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191. - Yeah.
- Yeah.
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192. Hey, you guys.
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193. You two have a lot of nerve
showing up here!
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194. What do you mean?
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195. You betrayed me
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196. You egomaniac
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197. You swooped right in and swiped my tribe
And stabbed me in the back
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198. I didn't ask to lead them
It is they who chose me
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199. Is that supposed to make me feel better?
'Cause it doesn't
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200. It makes me feel the exact opposite
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201. - Okay.
- You betrayed me
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202. Topher.
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203. You're like a sour macaroon
A sour macaroon
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204. A sour, dour, almond flour
Sour macaroon
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205. - A what?
- I thought you were my friend.
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206. - I am! I don't—
- Oh, really?
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207. Because a true chum wouldn't steal
someone's starring role at the club.
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208. Okay, I get it now. No, no, I can see
how it might look that way,
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209. but, Jenny, I didn't steal your spot—
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210. We are sorry. We—
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211. We were just having so much fun
that we got a little carried away.
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212. So much fun that you just forgot
to think about us?
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213. No, I'm— Jenny, I'm so sorry.
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214. - Get out!
- But we live here.
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215. Get out!
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216. Out.
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217. I'd be delighted to put you up.
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218. Wha— Thank you so much, Miss Codwell.
We really appreciate it.
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219. Mind you, it might be a little bit crowded
with all these orphans running around
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220. for a couple of days,
but we'll have loads of room soon.
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221. Why's that?
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222. Miss Codwell?
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223. Why aren't you eatin'?
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224. You're so nice to us and take such good
care of us and give us such good food.
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225. Well, yes. Course.
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226. We scraped together all our money
and bought you a present.
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227. You shouldn't have.
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228. - We want you to have it.
- Really.
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229. Go on, open it.
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230. It's empty.
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231. The ribbon is the present. Here.
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232. Course the ribbon is—
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233. Thank you. Thank you very much.
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234. Now let's get back to eatin'. All of ya!
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235. Heya, Dooley.
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236. Just wanted to let you know we're
gonna be bunking next door for a few days.
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237. Do what you like.
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238. That's a lot of knives.
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239. Yeah.
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240. - Josh, look at all those knives.
- Yeah. That is a lot of knives.
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241. Gonna need a lot of knives.
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242. Why's that?
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243. Is that a new meat grinder?
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244. Yep.
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245. That's a big grinder.
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246. Thought you couldn't get any meat.
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247. Did you get a new supplier?
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248. Nope.
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249. Then what do you have such
a big meat grinder for?
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250. So none of this seems odd to you?
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251. None of it?
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252. Will you stop?
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253. Trust me,
there is something weird going on.
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254. Yeah, Miss Codwell's weird.
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255. Dooley's weird.
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256. That's why they're the perfect love match.
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257. Now shut up and go to sleep.
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258. I have a 12-show day tomorrow.
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259. Okay.
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260. We have to investigate.
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261. Hey, I feel like
I'm on the cover of a Nancy Drew book.
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262. Will you take this seriously?
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263. How can I take it seriously
if I don't know what I'm looking for?
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264. Wha— I don't know.
It's a— Something like that.
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265. It's a butcher shop.
He's gonna have sausage casings.
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266. Or that.
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267. He's just keeping track of how much
his girlfriend's orphans weigh.
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268. For their Christmas presents?
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269. Or that.
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270. Oh, my gosh.
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271. Say it. Say it.
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272. They're gonna turn orphans into sausages.
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273. Now who's crazy?
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274. We did this. We brought them together.
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275. And we're eternally grateful for that.
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276. Gorblimey.
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277. You really thought we were gonna hurt you?
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278. - Well, I mean, we had...
- Well—
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279. just discovered your secret, evil,
murder-cannibalism plan, so...
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280. It's— He was holding that big cleaver.
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281. I always carry my cleaver.
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282. I feel naked without my cleaver.
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283. Honestly, we're not monsters.
We don't murder people.
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284. Just orphans.
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285. Well, orphans are people.
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286. - Not in this state.
- Okay.
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287. Dooley, I can't stress enough,
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288. you cannot turn orphans into meat.
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289. God made them meat.
I'm just making them into sausage.
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290. - Oh, no.
- I see what's going on here.
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291. - It's a classic case of projection.
- What?
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292. Dooley wants to kill Kratt, but he can't,
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293. so he's projecting his rage
onto the orphans.
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294. That's definitely not projection.
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295. 'Tis true.
Kratt is the man my blade hungers for.
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296. Kratt's blood is the only thing
that can slake my thirst for vengeance.
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297. But I can never get close enough to him.
So these orphans will have to do.
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298. Okay. Maybe you can't get close to Kratt,
but Melissa can.
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299. - S— What's that?
- Sidebar?
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300. Uh-huh.
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301. I can't believe we didn't see this coming.
This guy is obviously Sweeney Todd.
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302. Even I know Sweeney Todd kills people.
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303. I told you.
I couldn't sit through Sweeney Todd.
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304. Hey-oh. Do you want
to stop Dooley from killing the orphans?
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305. - Yeah, of course.
- Then give him Kratt.
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306. You got that creepy old man
wrapped around your little finger.
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307. It would be no problem at all
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308. for you to get him to a quiet place,
alone and unprotected—
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309. But then I'd be delivering
an innocent man to his death.
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310. Oka— Well, not an innocent man,
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311. a murderer.
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312. Probably a multiple murderer,
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313. - who tried to frame you...
- Yeah.
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314. and has a terrible record
of environmental infractions.
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315. But does he deserve to die?
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316. - Yes.
- But does he really?
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317. - Yes.
- But does he rea—
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318. You have to stop saying that.
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319. But do I really?
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320. It's—
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321. Do you have anything to suggest?
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322. I'm on break, man.
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323. Maybe he won't kill him.
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324. Mayb— No—
Maybe if we put Dooley and Kratt
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325. in the same room, Dooley won't kill him.
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326. Maybe they'll just talk and hug it out.
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327. That seems barely plausible.
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328. - It's good enough for me.
- All right.
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329. Dooley. I'll deliver Kratt to you.
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330. Who knows what'll happen?
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331. And in return,
you must promise not to kill the orphans.
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332. What about turning them into sausage?
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333. No, that too.
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334. Miss Codwell, I know how much you want
these innocent children to perish,
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335. but Kratt is my destiny.
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336. Whatever makes you happy, Mr. Blight.
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337. No! Go.
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338. - Double martini.
- Rough day?
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339. Pretty much the same
as every other damn day.
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340. I know the feeling.
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341. I was wondering, how many?
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342. How many what?
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343. How many broken promises
until you are the one that's broken?
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344. We both made choices.
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345. We thought we knew how things
would work out.
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346. We thought we'd get what we wanted.
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347. We were wrong.
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348. You want a twist?
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349. There's always a twist.
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350. When it begins, it's always good
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351. But then it goes on and on
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352. Much longer than you
Ever thought it would
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353. Just when you feel connected
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354. Here comes something unexpected
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355. There's always a twist
That you've denied
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356. You try to resist and save your pride
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357. But there's always a twist
That twists you up inside
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358. Buppa buppa bah
Buppa buppa bah
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359. Buh-bup puh-duh buh!
Pow! Pow!
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360. They'll promise you the stars and moon
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361. But then put you off
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362. And off and off and off and off
With "Soon, babe, soon"
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363. Just when you think you've got 'em
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364. Then you're right back at rock bottom
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365. There's always a twist
That you've denied
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366. You try to resist and save your pride
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367. But there's always a twist
That twists you up inside
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368. Twist you up, twist you up
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369. Twist you up, twist you up
Twist!
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370. Choices you've made will
Always haunt you
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371. You feel betrayed
But how they want you
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372. Nonchalant you're never gonna be
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373. Will, will, will
Never will
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374. - When it begins it's always good
- It's always good
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375. - But then it goes on and on
- But then
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376. Much longer than you
Ever thought it would
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377. Just when you feel connected
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378. Here comes something unexpected
Pow!
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379. - There's always a twist
- That you've denied
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380. - You try to resist
- And save your pride
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381. But there's always a twist
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382. That twists you up inside
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383. - It twists you up
- Twists you up inside
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384. - It twists you up
- Twists you up
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385. Inside
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386. - You sure you can do this?
- Yeah, yeah, yeah. No problem.
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387. It's not like I'm leading a man
to his death.
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388. Just his comeuppance.
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389. Yeah.
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390. Dooley's in your dressing room by now.
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391. Yeah.
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392. Hey, sexy.
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393. Thanks again for all the flowers.
And the candies.
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394. And the poems about my feet.
What's new?
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395. Nothing. You?
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396. Nothing much.
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397. I'm just feeling a little lonesome.
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398. How about you?
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399. I suppose I am a little lonesome too.
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400. Well, then let's do something about that.
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401. You've been getting my roses.
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402. Moses supposes I have.
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403. Kratty, you're too, too hilarious.
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404. Thank you. What did I say?
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405. You deserve a little treat.
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406. I have something special waiting for you
in my dressing room.
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407. Won't he mind?
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408. I'm not worried about him.
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409. This is Schmicago! I wanna enjoy myself.
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410. In that case, I'm at your command.
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411. Trust me, you won't be sorry.
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412. I'm incapable of feeling remorse.
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413. I just need to get something from my car.
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414. Your car?
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415. Mel.
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416. Melissa!
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417. You're coming with me, punk.
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418. Where are you taking me?
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419. Wherever I want. To do whatever I want.
It's always about whatever I want.
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420. That sounds bad.
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421. My dear, what could possibly be bad
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422. about a man and his wife wanting
to be alone together?
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423. I'm not married to you.
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424. You will be. Or Mr. Skinner dies.
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425. There's always a twist.
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426. Fame, fame
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427. You don't stay long
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428. But we're oh-so glad you came
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429. Fame
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430. We're oh-so glad you came!
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431. And the people say
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432. Hey hey, Josh
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433. Oh, my gosh
Give me your head to anoint
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434. Give me your feet to wash
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435. Hey there, Mel
Looking swell
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436. How does it feel to be famous as hell
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437. Now we're kaput
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438. Someone stole my doorway
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439. Oh, they're good enough to eat
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440. Kill them all!
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441. Two birds with one stone
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442. I'll drink to that
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443. It starts with just a taste
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444. But then needs to be fed
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445. And suddenly the dreams you've chased
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446. Are chasing you instead
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