RuPaul's Drag Race 13x2

1. Previously onRuPaul's Drag Race...

2. For the first time inDrag Race herstory,

3. we're kicking off the season

4. with six lip syncs for your lives.

5. Bitch, excuse me?

6. Kandy Muse, LaLa Ri, Symone, Gottmik,

7. Olivia Lux, Tina Burner, shantay you stay.

8. Aah!

9. Joey Jay, Denali, Tamisha Iman, Utica, Rosé,

10. Kahmora Hall, and Elliott,

11. that means you're getting the porkchop.

12. Here we all are in the porkchop lounge,

13. who famously went home first.

14. Is that what's gonna happen to all of us?

15. Attention, Queens.

16. You all have a chance to return to the competition.

17. But first, you must give one of your fellow queens the chop.

18. Let the voting begin.

19. Wait, for real-real?

20. How do—what?

21. This is fucked.

22. This is...

23. crazy.

24. We all have a chance to stay,

25. but we have to vote one of the girls in the room

26. out the competition.

27. That becomes overwhelming.

28. What are we going to do?

29. I don't wanna vote anyone off. I don't know any of you yet.

30. We literally just met.

31. None of us saw each other's lip syncs.

32. I don't know how to pick.

33. I mean, the only thing we know about each other

34. is our first impression.

35. We have to vote someone off.

36. This is a competition.

37. This is what we signed up for.

38. All right, bitches, shits about to go down.

39. Each individual girl has to walk up to the box,

40. select the lipstick with one of the girls' names on it,

41. and drop it in the box.

42. If we're going off of first impressions,

43. I don't know you, sis, but where's the look?

44. I don't see wow factor.

45. I hate to be the shallow bitch,

46. but I'm just not a fan of chicken feathers.

47. Kahmora and myself, we're both in ostrich feathers,

48. and she's in the lower-quality feathers.

49. So sorry, girl, gotta go.

50. Eenie-meenie-minie-mo,

51. Utica, you gotta go.

52. It sucks to have to vote.

53. I don't wanna crush somebody's dream,

54. and I definitely do not want my dream to be crushed.

55. I'm scared that I could be voted out.

56. Attention, queens in the porkchop loading dock.

57. The votes are in!

58. We have a tie...

59. Between Elliott with 2 Ts

60. and Utica.

61. Let the tie-breaker voting round begin.

62. Oh, no.

63. We have to do a tie-breaker.

64. This time, we can only vote between Utica and Elliott.

65. I'm trying to fight for this crown,

66. and I feel like my dream is slowly fading away.

67. As each queen goes up and chooses again,

68. my heart just drops lower and lower

69. as the queens pick theirs.

70. I'm just dreading the worst.

71. The votes are in!

72. The queen that's getting the pork chop is...

73. Elliott with 2 Ts.

74. All righty, then.

75. Pblblblbl.

76. It's been a lovely 15 minutes with all of you.

77. I'm disappointed that it ended like this,

78. because I got sent home for something

79. that I didn't have any say in or any power over,

80. and that sucks.

81. And I feel like I've let my fiancé down,

82. and I'm 100% heartbroken.

83. Oh, my God.

84. Unfortunately, we had to vote somebody out,

85. and it was Elliott.

86. And while that's sad, it's also a joyous occasion,

87. because the less people here, the closer I am to the crown.

88. The winner ofRuPaul's Drag Race

89. receives a one-year supply

90. of Anastasia Beverly Hills cosmetics

91. and a cash prize of $100,000.

92. With extra-special guest judge Jamal Sims.

93. Aah!

94. Come on, winner's circle!

95. - All right! - Okay?

96. It's a new day. Last week was crazy.

97. The twists and turns.

98. I still don't even know what's going on.

99. But I'm just happy to be here.

100. You guys, this is our, like, first kind of day.

101. - Day. It's official. - It's official.

102. After all that craziness, bitch, well—

103. Hello, winner's circle.

104. - Hello! - Hey!

105. Hello, winners.

106. There's high expectations now for us,

107. now that we won this lip sync.

108. Yeah. Tea.

109. I wonder if we're gonna get to meet the other girls.

110. We already sent them home. That's it.

111. And if they're saved,

112. we went through that on our first day,

113. - that's shady. - I know, and if they're back,

114. they're gonna have a vengeance, mama.

115. If for whatever reason they happen to come back,

116. it's us against them, because it's top six,

117. the winner's circle, and they can't take that from us.

118. - That's it. - I wanna see some bitches fight.

119. You gotta go.

120. I'm ready for you to fight, bitch.

121. Not me!

122. Okay, all from Brooklyn.

123. Bitches already think I'm causing trouble,

124. and I'm just here to be a good girl.

125. - You are causing trouble, Kandy! - Oh, girl.

126. Kandy, you walk in the room and cause trouble.

127. You Captain Trouble, honey.

128. In New York, Kandy is known to be like cunty and bitchy,

129. and, like, trying to literally cause drama.

130. It's just not my tea, sis.

131. We'll see. We shall see, ladies.

132. Ooh, girl.

133. She done already done had herses.

134. Let's go!

135. My queens, con-drag-ulations.

136. I wanna thank you for a job well done.

137. But now is the time to guard

138. your charisma, uniqueness, nerve, and talent

139. from the fickle finger of fate.

140. I don't think I know those words.

141. What the hell does that shit mean?

142. Hello, hello, hello!

143. You better come on in this suit.

144. Racers, welcome to RuPaul's Drag Race.

145. How do you like the season so far?

146. - Crazy.

147. Well, this week,

148. you can all take a deep breath and just relax.

149. Oh, who am I kidding?

150. That's never gonna happen.

151. Now, before we get to know you officially,

152. I wanna introduce you to a fabulous queen

153. who'll be joining you in the competition.

154. Uh-uh.

155. That's right, someone I don't think

156. got a fair chance last week.

157. And I think she'll fit in with this group just right.

158. Hello!

159. - Oh! - Oh!

160. Guess who's back in the house? Yeah.

161. This little angel twink walks in.

162. I have no idea who it is, but I'm gagged.

163. Elliott with 2 Ts.

164. I thought I sent you home.

165. We told you this season would be full of surprises.

166. What the hell?

167. Why do you get to come back into the competition

168. if you weren't one of the girls

169. that won their lip sync during the first week?

170. What the fuck? I sent that bitch packing.

171. What's going on? Why is she back?

172. And what did she do to get back here?

173. You smell that? It's distrust.

174. Hey, Elliott.

175. Hello.

176. You went through it last week,

177. but you are back to prove once again

178. that losing is the new winning.

179. Now, I want you all to really hear this.

180. No queen is a loser on RuPaul's Drag Race.

181. Victoria "Porkchop" Parker was the very first queen

182. to ever be eliminated on RuPaul's Drag Race

183. 13 years ago.

184. And today, she is a living legend.

185. Just ask anyone at the Golden Corral.

186. Now, Shangela and Vanjie

187. were the first eliminated from their seasons,

188. only to return and reach new heights of international fame.

189. That's the tea.

190. Racers, you signed up for a competition.

191. Queens will be eliminated.

192. But the moral of this fairy tale is simple.

193. No matter what happens here, out there, or online,

194. don't let anyone make you feel like a loser.

195. Amen.

196. You know why?

197. Because you're a winner, baby.

198. Aah!

199. So let's get started.

200. All right.

201. Time to test your fashion skills.

202. For your first mini-challenge,

203. you need to stomp the runway in two devastating looks.

204. First, a ladylike daytime look,

205. and second, a vampy nighttime look

206. that says, "I'm a whore."

207. Can you pull that off?

208. Every day.

209. Okay, Glamazons, I'll see you on the runway.

210. Let's go.

211. - Oh, yeah!

212. You bitch! You're a linebacker.

213. Our first mini-challenge is a sickening runway show.

214. My soul has completely returned to my body.

215. I'm ready to compete.

216. Girl, I get to pull out my looks.

217. I get to model. Let's do it!

218. Cue the music, let's go!

219. Oh! Oh, my God, I'm living my mirror fantasy!

220. I've always dreamt

221. about getting ready in these werkroom mirrors.

222. It's making me so excited.

223. I totally feel like the real competition is about to start.

224. Start your engines, bitch.

225. Ooh, the melanin girls on this side.

226. - Oh, yes! - Hello!

227. Brown girl power.

228. So how y'all feeling

229. about having a new bitch in the competition?

230. The new girl? I'm a little baffled,

231. because I liked the top six from the beginning.

232. I thought it was a cute moment, too,

233. but we should have known.

234. Bitch, what are you here to do?

235. Are you spying on us?

236. Bitch, RuPaul's set the bar. She thinks she's slick.

237. But I already caught on to her game.

238. Tina, how you feeling,

239. because you sent Miss Elliott home, correct?

240. Well, we obviously know that you can send somebody home,

241. and here they are.

242. All right.

243. - You never know! - You never know.

244. I do not trust Elliott.

245. Elliott the spy, honey.

246. Well, keep your friends close, keep your enemies closer.

247. Guess who I painted next to? Elliott.

248. Isn't it so crazy to think, like, you're a Ru girl?

249. - Ru girl, right, bitch? - You're a Ru girl!

250. Kandy Muse, you've been saying you're a Ru girl

251. for the last six years, so I don't wanna hear it.

252. People called me an adjacent Ru girl before this,

253. but that's because a lot of my drag family

254. has been on Drag Racebefore.

255. Aja's my drag mother and Dahlia's my drag sister,

256. so I walk into things thinking I'm already famous.

257. So I may not be a Ru girl before this,

258. but I'm gonna walk in there like I am a Ru girl.

259. You gonna think I'm a Ru girl.

260. But I have a question.

261. It's something that I've noticed a lot in the past seasons.

262. When girls come in

263. and they instantly say, "Oh, my mom was on this season,"

264. whatever, this season, they usually go home early.

265. - Oh? - Oh?

266. Do you think that's gonna affect you?

267. - No. - No?

268. First of all, bitch, who is talking to you?

269. Second of all, girl, I don't even know you.

270. You done just walked into the werkroom, okay?

271. Because, like, Vanjie came in and was, like,

272. "I'm Alexis Mateo's daughter," went home.

273. Dahlia, "I'm Aja's daughter," went home.

274. Like, it's weird. It's interesting to me.

275. You better break the mold, sis.

276. Elliott walks in here first time de-dragging

277. just snapping like that,

278. like, I think she is here to stir the pot a little bit.

279. "Aren't you worried that your sister went home first

280. and you could go home first?"

281. You might wanna come down with that, Elliott with 2 Ts.

282. There ain't no girl I would just, like, come for her

283. if I don't know her.

284. Ooh.

285. Uh-huh.

286. I know it, because he was getting to you.

287. - I felt it. - Mm-hmm.

288. Girl, you just walked in here.

289. I don't know if Miss Elliott with 2 Ts

290. wants to prove to the other girls that she's a big, bad wolf

291. because she just walked into this competition,

292. but I'm gonna do what I'm gonna do,

293. and that's focus on me.

294. Because the pressure's definitely on,

295. because my sister Dahlia went home first on Season 12,

296. and I don't wanna repeat history.

297. So, no, ma'am.

298. Coming up...

299. Category is Nighttime Is The Right Time.

300. The bitch has arrived at the party, honey.

301. Bitch!

302. I know you did not just trip.

303. What in the hell?

304. Category is Daytime Drama, Mama.

305. Fashion!

306. First up, Gottmik.

307. She's your weather girl, and has she got news for you.

308. My daytime look represents my drag style,

309. because it's a fitted latex number,

310. oversized shoulders, structured hair,

311. but with a girlie twist.

312. O-M-G, we match, we're rainbros.

313. It's cutesy, and I feel like a little princess

314. in the middle of the day.

315. I'm normally intense with my looks,

316. and I usually paint my face clown white.

317. So, hello, showing them range already.

318. A 100% chance of gorgeous.

319. I'm gonna say everything like Don Adams.

320. Would you believe

321. 100% chance of gorgeous?

322. Kandy Muse. Rock me, Mama-deus.

323. Mama-deus? Mama-deus?

324. I am excited to walk the runway,

325. because this is what I do.

326. Baby, I've been modeling in the fucking streets of New York

327. my entire life.

328. Bitch, I might pretend

329. I'm walking down a fashion show in Paris.

330. I'm just like...

331. even though I'm in the hood.

332. But it's fine, it's cool, I love it.

333. This looks isn't necessarily a classic Kandy look,

334. but I'm trying to show the judges

335. that a big girl can be fashion-forward.

336. So I'm gonna give you couture.

337. The Red Queen. Off with her head!

338. Do-re-mi, LaLa Ri.

339. Ooh, the braid of it all.

340. She's part of the braidy bunch.

341. Okay.

342. Miss LaLa Ri is giving you

343. very Southern belle tease.

344. I'm in the field with a glass of lemonade.

345. You know, she got her braids cocked to the side,

346. and she swish it back for the boys to see.

347. You know, hey, how you doing?

348. I'm walking down the runway, living my best life,

349. and then boom, bitch,

350. I trip over all this extra-ass fabric.

351. I'm like, bitch!

352. I know you did not just trip on these good people's runway.

353. But don't fall, ho.

354. Do not fall. And I did not fall.

355. She going back to the secret garden.

356. - Okay. - Put the petal to the metal.

357. Olivia Lux.

358. She looks at life through lilac-colored glasses.

359. I prefer Rose Nylund glasses.

360. This daytime drag is flirty fashion.

361. She's walking down Fifth Avenue without a care in the world,

362. and she has her weekend bag in hand.

363. Everything she needs for the weekend.

364. You know, you can tell a lot about a queen

365. by the size of her purse.

366. When I walk, the ponytail's going, like...

367. I'm living this lavender fantasy.

368. Olivia Lux. She has no Lux left to give.

369. Ladies and gentlemen, Symone.

370. The circus is in town, and she's the big top.

371. Well, that makes one of us.

372. There's gotta be at least one.

373. My look, inspired by the nineties,

374. with player's club hair.

375. My shoulders out, a little peek-a-boo,

376. and then you turn around and boom,

377. there's a cape in the back, honey.

378. A little bit of old meets new, which is very Symone.

379. Giving you everything.

380. Symone Pointer, the last Pointer Sister.

381. Tina Burner.

382. She got my kettle boiling.

383. In my daytime look,

384. I'm living my Carrie Bradshaw fantasy

385. in, like, a tutu, but, like, fitted Dior top.

386. I got a big-ass bow.

387. People are gonna bow down, honey.

388. Bow, bow. is that spelled the same?

389. Oh, my God, it is! Bow down to my bow.

390. I gotta get me a Burner phone.

391. I do, yeah.

392. Tina Burner phone.

393. Elliott with 2 Ts.

394. I wonder if she got that raspberry beret

395. at a second-hand store?

396. I do know she came in through the out door.

397. Getting to do two runway looks

398. is so exciting, because I get to show

399. why I was given a second chance to be here.

400. And girl, I'm so ready.

401. And fancy was her name.

402. Category is Nighttime Is The Right Time.

403. I told you twice the first time.

404. First up, Gottmik.

405. Now, is it me, or does she look a little pasty?

406. This look, oh,

407. she's gonna steal your soul.

408. She is a spooky-ductress,

409. and, girl, my titty's out.

410. Ever since I got my top surgery,

411. I love having my chest out, let me tell you that.

412. I am living for it,

413. and I never want this feeling to go away.

414. Must get moose and squirrel.

415. Natasha.

416. Kandy Muse.

417. What in the hell?

418. This look definitely represents

419. a little more Kandy Muse,

420. because I love latex, I love being sexy,

421. I love showing body, I love showing curves.

422. It's just everything, bitch. I'm everything.

423. She gets her kicks on Route 666.

424. The hole.

425. Is that for a tail, you think?

426. Not today, Satan.

427. Do-re-mi for LaLa Ri.

428. Salt-n-Peplum.

429. Yes.

430. Baby, that look,

431. I'm not over-over-the-top drag girl.

432. But whatever I give you, I'm going to sell it.

433. They say give you whore, I'm gonna give you whore.

434. Ass out, titties out, pleather.

435. Not leather, 'cause a bitch can't afford it.

436. But, bitch, I'm still serving it like it's leather, girl.

437. I live for this look.

438. Honey, be the chain

439. you wanna see in the world.

440. Olivia Lux.

441. Oh. This time she packed her big bag.

442. I'm really excited

443. to flip the script

444. and be this mysterious mistress of the night.

445. I don't normally do dark hair,

446. but something about this rich chocolate brown

447. against that glittering burgundy,

448. a night at the opera, perhaps.

449. Trend alert. Teeny, tiny handbags.

450. Teeny, teeny, tiny.

451. She packed an overnight bag.

452. All she needs are her panties.

453. Tee-hee!

454. Symone. Yes, honey.

455. Ooh, is the bus still running?

456. The bitch has arrived at the party, honey,

457. Let's go.

458. For evening, Symone is giving you very Mother Goddess

459. combined with the last people in the matrix

460. partying and dying, darling.

461. Get this side. It's my good side.

462. Oh, every angle.

463. Ooh, it looks like she started

464. the walk of shame early.

465. See you next Symone day.

466. Tina Burner.

467. What's latex got to do with it?

468. All her exes live in latexes.

469. I'm letting the judges know

470. that I not only can be a costume comedy queen,

471. but I can be a sexy seductress, fun party girl.

472. My boots are up to my pussy, and I am swinging my hair,

473. trying not to throw my neck out

474. because I'm old.

475. I'm serving you my red claws,

476. because she's gonna claw the competition.

477. Tina Burner, available only on vinyl.

478. Something wicked this way comes.

479. Elliott with 2 Ts.

480. Michelle's been good, but I've been bad.

481. This look right here is out of the box for Elliott.

482. It is dark and mysterious and just sex.

483. This look is what you see

484. when you go to the gentleman's club on a fetish night.

485. And don't get too close to her.

486. She might whip you, honey.

487. And, poof, there she goes.

488. Well, that's it. Show's over.

489. My car is here.

490. - Oh. - Bye.

491. Is the bus still running?

492. Yeah, can I borrow a little change?

493. Yeah, I gotcha.

494. Coming up...

495. I'm still gagged Miss Thing came for me earlier.

496. I already feel like I'm the red-headed stepsister.

497. That's strike one.

498. Bitch, strike two, you out.

499. Oh, here we go. It's starting early.

500. Oh, my.

501. Oh, my God.

502. Jesus!

503. That was everything.

504. Oh, bitch, oh, oh, oh.

505. My feet hurt so bad.

506. We're back in the werkroom, and I'm looking around the room,

507. and everyone brought it for the fashion show, bitch.

508. I'm kind of gagged.

509. I feel real confident, I feel real good.

510. Can't wait for that maxi-challenge.

511. We gonna see what happens.

512. Get this hair up off me, Lord.

513. Take it off, take it off, take it—

514. - Ahh, feel that. - Oh, Lord.

515. That's better than sex, honey.

516. Can someone get my hair outta my dress?

517. Thank you, dude.

518. Ooh. Ugh!

519. Bitch, it's like a steamed hamhog.

520. What the hell is a "hamhog?"

521. I just wanna hose myself down.

522. Oh, she's on brand. Hose, fire hose, firemen.

523. - Oh, come on! - Tina Burner!

524. Oh, here we go, here we go. It's starting early.

525. Girl, I'm still so gagged Miss Thing came for me earlier.

526. Miss New Girl on the Block?

527. Miss 2 Ts over there.

528. Mother hen got comfortable real fast, girl.

529. Real fast, and that's the thing, though.

530. Like, I respect everyone, I give everyone a fair chance.

531. But if you're trying to come for me

532. and I'm on the other side of the room

533. minding my damn business...

534. Child, the entire time Elliott has been here with us,

535. all that has been running through my head

536. is "spy, spy, spy."

537. Don't trust the bitch.

538. That's strike one.

539. Bitch, ain't no strike three. Strike two, you out.

540. - You only get two strikes. - Mm-hmm.

541. Hey, fashion icons.

542. - Oh! - Ooh!

543. Are you decent?

544. I'll take that as a "no." Yeah.

545. Racers, are you ready to rock my world?

546. - Yes. - Yes.

547. For your first maxi-challenge,

548. you need to perform a new show-stopping version

549. of my song Condragulations.

550. Oh!

551. Aah!

552. Which is featured

553. as part of the Werq the World tour.

554. For tickets and information, go to VossEvents.com.

555. Now, each of you needs to try and outdo me

556. with your own original verse.

557. Try it. I dare you.

558. - Ooh! - Aah!

559. Then, as a group,

560. you need to come up with your own winning choreography.

561. Oh, shit.

562. - Any dancers in the house?

563. Now remember, the lyrics, the performance, and the look

564. all need to show the world that you are number one.

565. Racers, start your engines,

566. and may the best drag queen win!

567. Let's put the pen to the paper.

568. Rap...

569. lyrics.

570. Has anyone written lyrics before?

571. I mean, I consider myself a lyricist.

572. I'm sure you do.

573. Well, you've been in a boy band, so—

574. Yes, honey.

575. So the first thing we have to do for this maxi-challenge

576. is we have to sit down and we gotta write out these lyrics.

577. And then we go up to Sweden to record the vocals.

578. Because if you know your boy band herstory,

579. all the boy bands go to Sweden, and that's where they keep you

580. and they lock you up until you come back with some singles.

581. Do you wanna sing or do you wanna be, like, a bitch track?

582. Or, like, rapping?

583. - I don't know. - Are you a bitch track?

584. I mean, I can—

585. She's a bitch track.

586. I'm a bitch track, but, like—

587. She's a bitch album.

588. I actually write music.

589. - Do you really? - Word.

590. I compose music, yeah.

591. So I play the piano, but I also write music.

592. Oh, she is a musician.

593. I'm so excited.

594. Our first maxi-challenge,

595. and we're writing music, something I'm good at!

596. Who's ready to be the star student? Me!

597. Don't forget, like, we're gonna be judged also on what we write.

598. And that's gonna be eternal, bitch.

599. That's what I'm saying.

600. So you think you're just gonna be cute,

601. but remember, these lyrics are gonna chase you around

602. for the rest of your life.

603. And that's so much more pressure.

604. Girl, we're gonna be jet-set. It's gonna be gorg.

605. Well, I mean, we're definitely all performers,

606. since we won that first lip sync.

607. - Well... - Well...

608. Oh, my.

609. Coming off of losing my first lip sync,

610. it's a lot of stress and a lot of pressure.

611. I already feel like these girls

612. feel like they have some type of advantage over me.

613. I'm the red-headed stepsister.

614. I need to do an incredible job,

615. because I cannot be sent home again.

616. Coming up...

617. How about "Congratulations to our spot

618. for the next ho to come out?"

619. You a dancer now?

620. Let's just get the choreography done,

621. because we're on limited time.

622. Girl, this is some bullshit.

623. All right, bitch.

624. Back on the stage.

625. So now it is time to get this choreography together.

626. We have to choreograph this entire thing,

627. top to bottom, from our own noggins.

628. Okay, so what do we do?

629. We're on. Who wants to start this thing off?

630. So you start first?

631. We should do the things we're gonna do together first.

632. So we should do, like, the chorus first,

633. and then focus on individual stuff after.

634. - Sure. - I agree.

635. Okay. So then let's start.

636. Who's a dancer who is good with the choreo?

637. Cricket, cricket.

638. Girl, nobody wants to be in charge.

639. And there you have it.

640. These girls don't know that this is what I do.

641. I'm a choreograph dancer.

642. But I don't want to take charge

643. when I literally just walked in.

644. So I'm trying to just sit back,

645. let these hos figure it out,

646. and I'll just do what I'm told.

647. What if we all just went off

648. like ♪ Condragulations

649. Should it be this, or should it be like this?

650. That's too cheer-ish.

651. And then we could do it together.

652. We could go together, like that.

653. That way, you can bring the hand down,

654. and maybe we should put the hand on the waist?

655. And one?

656. This is some bullshit.

657. Options, bitch.

658. Oh, I like the options, but I also—

659. We should definitely get, like, a choreo down,

660. then formation after.

661. This is like a pop song,

662. it's not like no one, two, Supreme-like type thing.

663. Like, we need to boo-boo kat-kat.

664. This is choreography.

665. This some shit you can find

666. in a parking lot on the south side of Atlanta,

667. and you don't wanna go through south side of Atlanta, baby.

668. Trust me.

669. Girl, this is some bullshit.

670. So take it from the top. Five, six—

671. This some—okay, sorry.

672. - Touch, step, touch. - Step, touch.

673. I think we're all doing together, together, out.

674. Yeah, together, together, out.

675. Uh, uh, out. Okay.

676. No, your legs need to be— like, they need to go out.

677. So...

678. So it goes, uh, uh, out.

679. Oh, honey, we gonna have to go over this 5,000 times.

680. I am nervous.

681. To say the least.

682. Hand should be on the hip.

683. Like, I don't wanna win my lip sync

684. and then get in front of the judges

685. and, like, oh, you can't do a one-two?

686. So let's take it from the top again, from the chorus.

687. And then we gotta move on, you guys.

688. We got so much to do.

689. Right now, the girls are really focusing on such minute details

690. that we can just clean up later on.

691. Watch my hands. One, two, three, ha.

692. That's what I was doing, with the right—the same hand.

693. Okay, let's do that, then.

694. - Is that cool? - Sure.

695. I think it looks better if we do—

696. - I like opposite. - I like opposite.

697. It's becoming a lot harder to not just take the reins.

698. So take it from the top?

699. - Tina? - Yes?

700. Bah-gock. So what I think we should do

701. is how about, since our leg's already out,

702. we just turn on it, since our leg is already out.

703. - Ooh. - From the snap, turn.

704. So much fun.

705. Da.

706. You a dancer now?

707. All of a sudden, hey, Juilliard.

708. After we do the "Tell you all the prizes you have won,

709. congratulations," to our spot, for the next ho to come out.

710. We're already halfway through, and now you're speaking up?

711. We already think you're the mole.

712. Let's just get the choreography done,

713. because we have limited time.

714. Okay.

715. I don't trust you, girl.

716. Do you guys wanna just, like, stay in this formation

717. and then just go up and do our solos?

718. Let's get a beat in the ear.

719. Uh!

720. Oh, my God.

721. I wrote "I'm born a girl,"

722. and I haven't talked to this bitches about it.

723. So I did not know

724. that I was going to have to have all these girls

725. hear about my gender situation before I can even talk to them.

726. Uh, do you, like, know what you're gonna do during the—

727. Ha-ha. Not really.

728. I'm just a deer in headlights right now, basically.

729. I just can't even seem to talk, which is very unlike me.

730. I don't know what's going through their heads.

731. I shouldn't even be focusing on that.

732. Like, who cares?

733. But we have to perform this tomorrow.

734. What the fuck are you gonna do, bitch?

735. I feel like it'll just be, like, very like...

736. Like a Gottmik,

737. and then it's like... .

738. And then, like, something, like...

739. I look over at Gottmik,

740. and I feel like Gottmik is really in his head, you know?

741. Something's going on.

742. I mean, there is an internal struggle.

743. - Okay, so— - I'm going here to back.

744. - Are you doing— - I do this.

745. Are you doing a full circle?

746. I'm going all the way around, yeah.

747. I can't take any of these moves in.

748. I'm just having a hard time focusing.

749. It's so weird that I feel like this.

750. I didn't even know

751. that I had a lot of gender dysphoria anymore.

752. So the fact that it's throwing me

753. into this weird hole like this is so gaggy.

754. All right, ladies, time is up.

755. Oh, Lord.

756. I do not get like this.

757. If this sends me home right now, I will not be happy.

758. Coming up...

759. Elliott, what happened after you left?

760. I wanna know, because we nicknamed you Elliott the Spy.

761. So you really wanna know?

762. Wait, what?

763. Oh, my God.

764. Meow! Yeah!

765. Money, honey-honey.

766. Let's get up in this gig.

767. The first maxi-challenge is here.

768. We have to perform it in front of the judges.

769. Judgment day is upon us.

770. Who's excited about tonight, honey?

771. - I'm excited! - Yes!

772. I'm a little nervous, but I'm excited.

773. Yeah, it's nerve-wracking,

774. because rehearsal yesterday was a little rough.

775. I went to bed worried myself. I ain't gonna lie about that.

776. But I said we're the winners, you know what I mean?

777. We're here, it's like a pack.

778. I literally feel

779. like the world is on my shoulders right now,

780. because I am the girl that was brought back.

781. I feel like in the back of everybody's head

782. I was the weakest link.

783. So I have to turn this shit out.

784. How are you feeling about your solos?

785. I feel mine is the most complex choreography.

786. Oh!

787. Oh, girl, please.

788. Mik, how are you feeling about your performance?

789. A little better today.

790. I was, like, really so stressed yesterday.

791. Like, you guys all dancing,

792. to, like, talking about how I'm a girl,

793. and it was like fucked to me.

794. I feel like I based all my lyrics

795. about my gender situation,

796. and I haven't even talked to you guys

797. about me being a transgender guy drag queen.

798. Like, I was just gagged.

799. Like, my gender dysphoria, like, took over my soul,

800. which so isn't like me, too.

801. Because I usually don't give a fucked.

802. I just couldn't even take in any of the choreo at first,

803. because it was just like— it was so intense.

804. Like, it was, like, I can't breathe about it.

805. Like, thank you for sharing that with us.

806. And you're, like—you're changing the shape of drag.

807. Like, this is—this is big.

808. Thank God I feel a little better today about it,

809. because that was a moment.

810. But... yeah.

811. Gottmik reveals that she is a trans man.

812. It wasn't the right time to talk about it in rehearsal,

813. but I can be there for her now.

814. I'm so thankful and happy that she was able to confide

815. and find that sister in me,

816. and I really wanna make sure

817. that I'm supporting her every step of the way.

818. May I ask, what are pronouns—

819. Like, out of drag, I use he/him/his,

820. and then in drag, she/her/hers.

821. I'm the exact same way.

822. I feel like when people are trying to overthink it

823. and they call me "he" in drag,

824. I'm like, bitch, you're just clocking me

825. and making me feel, like, so weird.

826. - Yeah. - We're all guys here,

827. so if you're gonna call them she, do not try it with me.

828. I feel like a weight has been lifted off my shoulders.

829. Cards are on the table.

830. My normal, slightly narcissistic,

831. confident Gottmik headspace took back over.

832. Now I just need to kill this performance.

833. - Miss Symone. - Yes.

834. I know you were struggling a little bit in the rehearsal.

835. I am struggling.

836. I am very nervous about the group stuff,

837. and making sure that, like, I'm on point

838. and I don't mess up and make it, like—

839. I think that if you for some reason happen to mess up,

840. go for it and give attitude.

841. Girl, it was on—I messed up, yeah, but that was on purpose.

842. What do you know? You don't know choreo.

843. The other girls are wrong, darling, I'm right.

844. Okay?

845. Very that about it.

846. Yeah, story time.

847. Elliott, what happened after you left?

848. The real tea, though, Elliott.

849. Like, what went on?

850. So you really wanna know?

851. I wanna know, because we nicknamed you Elliott the Spy.

852. I feel like I'm speaking for the group here.

853. - Y'all can back me up. - No, you right.

854. - Yes, honey. - That's true.

855. I thought you came outta nowhere

856. and you already got sent home. It was a little weird.

857. Reveal yourself! Reveal yourself!

858. Here's kinda what went down.

859. So all the losing girls

860. were set in the porkchop loading dock.

861. RuPaul says you guys have to vote one of the losers out.

862. - Wait, what?

863. And they voted you out?

864. We did a lipstick vote.

865. It was a tie.

866. Then they had to break the tie with are-vote.

867. Oh, shit.

868. And it was unanimous.

869. - Ooh. - Oh, my God.

870. All right, bitch, hold on.

871. Press pause.

872. She got eliminated by Tina Burner. Boom.

873. And then you let other eliminated girls

874. eliminate you again, sis?

875. Bitch, you got eliminated three times

876. at the beginning of the season on the first episode?

877. Oh.

878. So they think that you went home.

879. Oh, now you're back in the house.

880. So you might wanna make some room in the werkroom

881. for some more girls.

882. Oh, my God.

883. That is gagging.

884. The girl that I beat is coming back,

885. along with the other girls that were beat?

886. I am definitely, like, they are about to come back

887. with all the fires of hell behind them.

888. Now that the tea is spilled,

889. we can kinda be nice to Elliott.

890. Yeah, yeah, yeah.

891. Well, I'm happy to be here with you guys.

892. I love you guys so much.

893. - Oh! - Oh, we love you, too.

894. We're Season 13 sisters now, you guys.

895. Like, you can't take that shit away, honey.

896. But, like, did we all forget

897. that we're also walking into elimination tonight?

898. - We're all over here kiki-ing. - Ooh, the mood has changed.

899. Oh, yeah, the mood has changed, honey.

900. - The mood has changed, honey. - Kandy?

901. Yes, baby?

902. If you had to send somebody home in this room...

903. - Uh-oh. - Oh, bitch.

904. Like, if I had to, like, choose a lipstick,

905. I'm gonna send home the biggest competition.

906. Because I wanna win.

907. So I would send home Tina Burner. Goodbye.

908. I'll remember that.

909. Honestly, I'm afraid of Mik and her fierce fashion.

910. Tina, who would you send home?

911. I mean, I have to send home Mik.

912. Thank you.

913. You just—you're a threat, so I gotta send Mik home.

914. - Symone. - Yeah, I would definitely—

915. It would be Tina. You are a threat for sure.

916. LaLa?

917. I would say Mik.

918. Olivia, who would you send home?

919. Oh, yeah, Olivia, who would you send home?

920. Well, I've realized that a lot of you

921. don't think of me as the biggest threat or a threat at all.

922. - She's nothing to me. - Oh, it's not personal.

923. - Drag. - Drag.

924. Good to know.

925. I think I am a big threat, but the other girls don't.

926. I'm not as well-known as some of the other girls,

927. but I'm not letting it get in the way.

928. I have to show them that I'm here for a reason.

929. Everybody loves a dark horse, honey.

930. What'd you call me?

931. Oh, my God. Olivia!

932. And what?

933. Welcome to the main stage of RuPaul's Drag Race.

934. She's my number one: Michelle Visage.

935. Aw, I bet you say that to all the whores.

936. The hilarious Ross Mathews.

937. Now, Ross, have you ever put out a single?

938. No, but I have put out for singles.

939. Yeah!

940. And director/choreographer Jamal Sims.

941. Now, this week, the girls did their own choreography.

942. Is that correct?

943. I just came to watch and read for filth.

944. This week we challenged our queens

945. to write, record, and perform

946. a Season 13 re-do of my song, Condragulations.

947. And tonight on the runway, category is Lamé You Stay.

948. Ooh.

949. It should have been Mother, Lamé I Sleep With Danger.

950. - Next season. - Yeah.

951. Racers, start your engines, and may the best drag queen win!

952. Coming up...

953. Ooh!

954. It's time for the Season 13 debut

955. of Condragulations,

956. brought to you by Werq the World.

957. Oh, my God, what did I win?

958. - Gimme, gimme, gimme! - ♪ Condragula-a-a-a-a-ations

959. Bring back my girls.

960. Category is Lamé You Stay.

961. Up first, Gottmik.

962. It's the creature from the gold lamé.

963. And the queen of the runway.

964. My look is inspired by sea dragons.

965. I have a full lamé headpiece

966. with pleated lamé crazy-stoned artistry all around my face.

967. I look like a lamé alien.

968. It's everything.

969. You know, I think I saw that at Gold Navy.

970. Kandy Muse.

971. Négligée, you stay.

972. Do I make you horny, baby?

973. Fembot realness,

974. in my purple nightgown,

975. my little furry titties.

976. I'm giving the judges Kandy Muse to the T.

977. Baby, pretty, sexy.

978. Eat it up, bitch!

979. I like a good Nancy boot and Daisy Duke, mm.

980. These boots were made for slaying.

981. LaLa Ri.

982. Look, Ru, there's gold in them thar hills!

983. With this look, I wanted to go

984. for a whole dark chocolate wrapped in gold,

985. limited edition, Willie Wonka Golden Ticket situation, girl.

986. Big hair, big garments.

987. It's giving you Atlanta drag-drag, you know.

988. I hear she's in the new Bond film:

989. Goldsphincter.

990. Olivia Lux.

991. I think it's Olivia De-Lux.

992. I am serving a water lily goddess, honey.

993. You see that little lily on my shoulder?

994. It is trickling down.

995. I mean, I am giving you

996. a walking, old Hollywood portrait painting, honey.

997. She looks expensive.

998. I bet she saved up and bought that on lamé-away.

999. Symone.

1000. Ooh!

1001. Mama said knock you out.

1002. T-K-O-M-G.

1003. I am giving you walks the house down, darling.

1004. I got a little cut on my eyebrow, honey.

1005. I'm giving it to you.

1006. I definitely wanted this runway

1007. to be a little bit more clever,

1008. showing that there is a brain behind the beauty, darling.

1009. Y'all, does this mean she spits?

1010. That's a wrap on Michelle.

1011. Ding, ding!

1012. Tina Burner.

1013. Oh, I know her.

1014. She's a friend of Dorothy's!

1015. - Yes! - Ax purse rusted!

1016. I am bringing

1017. a full Tin Man fashion fantasy.

1018. Motorcycle jacket and these high-waisted lamé mom pants.

1019. I thought it was so important

1020. to give them a different side of Tina Burner.

1021. I'm skipping down that yellow brick road.

1022. I'm feeling fierce.

1023. Tina, bring me the ax!

1024. Elliott with 2 Ts.

1025. It's Elliott with tutus.

1026. My lamé look

1027. is giving you rhinestone titty fantasy.

1028. Big puff sleeve, Tara Lipinski meets 1980s prom.

1029. She is just ready to do a triple axel,

1030. steal your man, and go out for drinks after.

1031. I think she's giving you

1032. the cold shoulder, Michelle.

1033. I see it.

1034. ♪ Bring back my girls

1035. Coming up...

1036. You are a drag queen.

1037. It's 24-karat magic.

1038. I want you to explain to me

1039. the thought process behind that look.

1040. Welcome, ladies.

1041. Now it's time for the judges' critiques.

1042. Starting with Gottmik.

1043. That fashion show was so well done.

1044. Thank you.

1045. The difference between your day look,

1046. which was like preschool fun,

1047. and your night look, which was like, you know, evil whore—

1048. I mean that could kinda look like Michelle.

1049. You were so versatile.

1050. And this look is already iconic.

1051. - It's trending.

1052. Now, the performance, I will say that in the beginning,

1053. I did sense a little bit of hesitation in the front.

1054. I think you were so concerned with your dance steps

1055. and remembering the choreography,

1056. yeah, that you were losing the performance.

1057. You have a story to tell.

1058. Your drag is fierce.

1059. Make it work, because you've got the goods.

1060. Thank you.

1061. All right, up next, Kandy Muse.

1062. What's the tea, honey bee?

1063. - You look adorable.

1064. I love this kind of Austin Powers fembot moment.

1065. Thank you.

1066. In your fashion runway, the nighttime look,

1067. there was a hole in the back.

1068. Was that meant for a tail?

1069. Yeah, it was supposed to be, like, a panel.

1070. I don't know. A glory hole, girl?

1071. Well, I mean, it could be.

1072. Now, I want you to explain to me

1073. the thought process behind that day look.

1074. When I was thinking, like,

1075. medieval, like, mother of the hookers.

1076. But she's, like, the head hooker.

1077. And, like, you know, like,

1078. she gives it to the girls, and she gets the girls in check.

1079. In my head, it made sense.

1080. Uh-huh.

1081. The thing I'm obsessed with about you

1082. is that, like, I never know

1083. what you're gonna do next or say next.

1084. Have you ever watched a TV show

1085. and not known what the hell was going on,

1086. but you stay tuned for episode two?

1087. 95% of the time.

1088. I don't even know what you said, but, yes.

1089. That is something that money can't buy,

1090. and it's your best attribute.

1091. Tonight in your performance,

1092. when you messed up your choreo, don't let it show in your cara.

1093. Because the minute that happened,

1094. we saw you going, like, full-on panic.

1095. If you're in the front, there's no mistakes

1096. unless you let us know that it's going bad,

1097. you know what I mean?

1098. Thank you, Kandy.

1099. Do-re-mi LaLa Ri.

1100. I did not love your day look,

1101. just because I thought the colors looked kind of drab.

1102. I loved your night look, though.

1103. I'd like to go to the club with that girl.

1104. I'd, of course, take an Uber home about 10:45.

1105. She could stay out.

1106. This look here, you are a mother fucking drag queen.

1107. It's 24-karat magic.

1108. And then in your performance,

1109. what I loved was your confidence.

1110. When you did your solo,

1111. I was like, I wonder where she's from.

1112. And then you said Atlanta,

1113. I was like, yep, she's from Atlanta.

1114. What clubs in Atlanta do you work at?

1115. Well, I actually work at Lips Atlanta.

1116. I've worked at MS Bar.

1117. Of course I worked at the Marquette, the Sleazy Queasy.

1118. The Marquette is still there?

1119. Oh, yes, girl, it's still around,

1120. up and running and strong.

1121. You know, I used to go there right after the Civil War.

1122. - It's true. - Yeah.

1123. There was some rough girls up in there.

1124. Ooh.

1125. Up next, Olivia Lux.

1126. Tonight, I love this old Hollywood glamour,

1127. and I love to see a queen of color representing it.

1128. And I loved all your looks.

1129. I thought your daytime look had a lot of whimsy,

1130. so I thought, okay, she's got some humor in there.

1131. You in the performance was a joy to watch.

1132. The funny things that you did, the little Mariah thing,

1133. you just owned that stage, and that gets me so excited.

1134. And then you were smart,

1135. because you wore this outfit that had some fringe on it.

1136. That always just enhances all the moves,

1137. and I saw somebody that I could not take my eye off of.

1138. Thank you, Olivia.

1139. All right, Symone.

1140. This tonight was a different approach to lamé.

1141. It's very smart.

1142. I love the French braid. Yeah, it works.

1143. - Thank you. - The whole thing works.

1144. In the runway, I lived for that day look.

1145. The look was hot.

1146. - Thank you. - And the night look,

1147. with the hair the way it was, it was just right.

1148. Thank you.

1149. You're fierce, you're filled with attitude,

1150. but you're not afraid to go for it and be who you are.

1151. When you came out, you know what I wrote down here?

1152. - What? - I drew a star.

1153. - Yeah.

1154. In the performance, just the way you walked

1155. from that corner to the center of the stage

1156. was like a spotlight turned on you.

1157. Just right away, I was hooked.

1158. You've got star quality.

1159. You got it, kiddo.

1160. Thank you so much.

1161. Oh, my God, I can't— Okay, thank you.

1162. Thank you.

1163. Up next, Tina Burner.

1164. I thought your daytime look was so fun.

1165. And the nighttime look

1166. was the perfect naughty compliment to that.

1167. Tonight, I'm really excited

1168. you're not wearing red, orange, and yellow.

1169. You're paying homage to Ru's favorite movie,

1170. The Wizard of Oz.

1171. The ax purse, the heart under there,

1172. it was all very smartly done.

1173. You pay attention to detail.

1174. Thank you.

1175. Your lip sync was well written,

1176. and you performed the hell out of it.

1177. Not only that, I was really shocked with the rap.

1178. You were in the pocket,

1179. and I think that you are actually amazing.

1180. Thank you very much.

1181. One thing to remember.

1182. This is not a bar, this is not a theater.

1183. - Yeah. - What this is... is TV,

1184. so it's gonna be a little bit different.

1185. You can't turn as much,

1186. and remember, the cameras are your friends.

1187. They're your lovers, darling.

1188. I'm getting the poppers. We're ready to go.

1189. That's good advice, and that's good advice for all the girls.

1190. - Poppers? - Poppers, yes.

1191. Up next, Elliott with 2 Ts.

1192. So your day look was very French and very beautiful.

1193. Your night look is what I was in love with, however.

1194. I thought it was fantastic.

1195. Thank you.

1196. I loved how you looked in the performance.

1197. The splits, that moment was just, like, okay.

1198. Oh, she's that girl.

1199. When you guys were in the group,

1200. it felt like you were just waiting.

1201. Like, I'm about to show,

1202. like when a bull's in the pen and he's about to come out.

1203. And I was like,

1204. I wonder what this one's about to do, you know?

1205. I've been thinking about what it must feel like

1206. to stand in your heels this week.

1207. Because you could have been gone.

1208. - Yeah. - And so if I were you,

1209. I would really have something to prove this week,

1210. and I think you proved it.

1211. You deserve to be here.

1212. Thank you, Elliott.

1213. Thank you.

1214. Thank you, ladies.

1215. I think we've heard enough.

1216. While you untuck in the werkroom,

1217. the judges and I will deliberate.

1218. All right, now, just between us squirrel friends,

1219. what do you think?

1220. Starting with Gottmik.

1221. Gottmik got style, got talent.

1222. That look was so mind-blowing tonight.

1223. As soon as the performance started and picked up,

1224. she got her stuff together.

1225. And I just wish

1226. that she could just own that from the beginning.

1227. She's new to the performance part of drag,

1228. so we've gotta see if Gottmik is a queen

1229. that has that tool in her tool belt as well.

1230. Kandy Muse, from the Bra-zonx.

1231. I love that she has this body positivity and shows it off,

1232. but I think the jury's still out on the aesthetic.

1233. Kandy gives me around the way girl,

1234. but a little rough around the edges.

1235. Okay, yes, I get it, the aesthetic's not great.

1236. And, like, I didn't understand what she was saying

1237. when she was rapping.

1238. Ha!

1239. But can I keep her? Please?

1240. I love her!

1241. From Atlanta, Georgia, LaLa Ri.

1242. In the performance, she had a control,

1243. and she knew what she was doing, and I bought every second of it.

1244. LaLa Ri knows how to perform, and she's ready to bring it.

1245. I cannot wait to see what LaLa Ri does.

1246. She's exciting.

1247. Olivia Lux.

1248. Olivia reminds me of the First Lady.

1249. Faith Evans?

1250. More on the Michelle Obama tip,

1251. but still, you get the idea.

1252. She gives me that.

1253. And then the performance,

1254. I have to say Beyoncé.

1255. - Yeah. - You know, she had the class,

1256. and she showed up and she showed out.

1257. And she is so beautiful and charming.

1258. I see that smile,

1259. and it's like, oh, her. I love her.

1260. Symone.

1261. I know that Jamal said

1262. that Kandy Muse is like an around the way girl,

1263. - but so's Symone. - Yeah.

1264. She came out and she struck a pose,

1265. and she tilted her head to the side.

1266. Like, I can't even do it

1267. because my neck roll won't let me do it.

1268. But she just, like, just stood and did that,

1269. and I thought, this bitch has got that energy,

1270. that confidence.

1271. Symone scared me when I first saw her.

1272. Just to be honest.

1273. And then with her runway look,

1274. that kind of just said everything about her.

1275. Like, I'm gonna fight all the way to the finish, you know?

1276. And that's the spirit that I get from her.

1277. Tina Burner.

1278. I was a little concerned

1279. when I kept seeing those same orange/red/yellow.

1280. I'm, like, having a flashback

1281. to my eighth birthday party at McDonald's, right?

1282. And I was thinking, okay,

1283. let's rein those colors in a little bit.

1284. And she did right at the right time.

1285. I thought that was the smartest thing

1286. she could have done this week.

1287. I know her from New York City, and I have to say,

1288. Tina has been living up to the Tina Burner hype.

1289. I think that she's got things that she's gonna have to—

1290. - Adjust? - Yeah.

1291. I see Tina here to play.

1292. I was pleasantly surprised in her performance,

1293. and I think that she has what it takes

1294. to go all the way, actually.

1295. Elliott with 2 Ts.

1296. She came out here to prove something,

1297. and I think that's what I picked up on.

1298. She was so excited,

1299. she kind of got out of the element.

1300. We can see that she's got it.

1301. We see that she can do it.

1302. And if she just relaxes into it—

1303. I know we've all heard that before.

1304. You gotta want it.

1305. You gotta want it.

1306. It's gotta be tough to be Elliott this week.

1307. I think I must have ESPN, because I was looking,

1308. I was, like, there's something going on with her.

1309. And it was true.

1310. But I could tell that the talent's there.

1311. I can tell that she can serve a look.

1312. I love Elliott with 2 Ts' aesthetic,

1313. because it's very Exposé, the group Exposé,

1314. for those of you who don't know.

1315. But it's quirky, and I love that aspect of her presentation.

1316. E-S-P-N. Got it.

1317. Silence! I've made my decision.

1318. Bring back my girls.

1319. Welcome back, ladies.

1320. Based on your performances

1321. in the fashion show and on the main stage,

1322. I've made some decisions.

1323. Olivia Lux.

1324. Symone.

1325. Con-drag-ulations.

1326. You are the top two queens of the week.

1327. Aah!

1328. Darling, I am on top of the mother fucking world, bitch.

1329. I'm a real competitor in this.

1330. And now the girls know it.

1331. They don't see me as a threat, right?

1332. Thank you!

1333. Thank you!

1334. The rest of you...

1335. are safe.

1336. This week, there are no bottoms, only tops.

1337. Well, with the exception of the judges' panel, of course.

1338. You may step to the back of the stage.

1339. I thought I was lip syncing against Kandy,

1340. and I love Kandy,

1341. so I just feel so relieved.

1342. We're all staying,

1343. and I cannot get to the back of the stage fast enough.

1344. Olivia Lux, Symone, great job this week,

1345. but there can only be one number one.

1346. Two queens stand before me.

1347. Ladies, this is your last chance to impress me

1348. and win a cash tip of $5,000.

1349. Oh, my God.

1350. The time has come...

1351. for you to lip sync...

1352. for the win.

1353. This is when you leave it all on the stage.

1354. I'm going to attack it with everything that I have,

1355. coiffed and updo and all.

1356. Good luck, and don't fuck it up.

1357. I definitely wanna show the judges

1358. everything that Symone is,

1359. and this is my moment to be, like, no, bitch,

1360. this is my stage and this is my "5,000 dollars".

1361. Child, I am delivering

1362. straight to you to your doorstep.

1363. Word!

1364. - Aah! - Oh, my God!

1365. Ladies, I've made my decision.

1366. Symone.

1367. You're a winner, baby.

1368. Thank you!

1369. Con-drag-ulations.

1370. You've won $5,000.

1371. I'm a winner, baby!

1372. First main challenge,

1373. and Miss Symone has taken the bag.

1374. I am feeling great.

1375. Olivia Lux, you're safe to slay another day.

1376. Con-drag-ulations, queens.

1377. More twists and turns are just around the corner.

1378. But this one thing I know is true.

1379. If you can't love yourself,

1380. how in the hell you gonna love somebody else?

1381. Can I get an "amen" up in here?

1382. - Amen! - Amen!

1383. All right! Now let the music play.

1384. Next time onRuPaul's Drag Race...

1385. You'll be performing the song Phenomenon.

1386. You look rich. I would rob you.

1387. Ladies, remember, heads will roll.

1388. This is like RuPaul's Drag Race Tornado.

1389. Like, there's a cow flying by. Like, here comes a fence.

1390. Like, what next?