1. Well, hello, hello, hello, hello.
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2. Welcome to QI, the show that puts
a song in your heart,
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3. a tune on your lips
and a hum in your pyjamas.
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4. Joining me for tonight's special
music edition are Sean Lock,
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5. Mark Gatiss, Linda Smith
and Alan Davies.
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6. Let's tune up,
ladies and gentlemen, please.
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7. See how you sound. Sean?
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8. Piano Concerto In A Minor
by Edvard Grieg
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9. Mark?
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10. Spring from Four Seasons
by Antonio Vivaldi
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11. Linda?
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12. Water Music by George Handel
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13. And Alan?
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14. Twinkle Twinkle Little Star
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15. Well done. Very good!
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16. Excellent.
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17. First question this evening is what
kind of music do snakes like most?
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18. What do they find most charming?
Spring from Four Seasons
by Antonio Vivaldi
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19. Mark? Kraftwerk.
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20. Really vicious German electro-pop.
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21. Imagine those fakirs playing it...
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22. Those whats? Excuse me?
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23. Fakirs! Oh, yes, right, fair enough!
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24. Quite right. They are, all of them.
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25. Thank you, the sound department.
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26. When you say they LIKE it, it's
not like they go out and buy it,
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27. put posters up on their baskets? No.
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28. No, no, right, I see.
When you say like...
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29. Look...
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30. Just a second!
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31. Good heavens, it works!
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32. The hood right back,
ready to pounce!
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33. I am so sorry.
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34. X-rated It Ain't Half Hot Mum, that!
It was rather.
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35. Well, no, the oddity is snakes
don't respond to the music at all.
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36. They don't... It's simply
the sight of it.
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37. They dislike the sight?
Yeah, cos if you do it without
playing the music...
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38. They don't respond to music. Right.
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39. You're quite right.
So, you could do that on anything?
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40. Or just making no noise at all and
it would still sway back and forth
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41. and look mesmerised.
They don't have... ears.
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42. You're sort of right. Until
recently, that's what was thought
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43. cos they don't appear to, but in
fact inside, they have otic nerves
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44. and a whole system
responding electrically to sound.
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45. Is that snake alive or is it...
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46. ..a model one?
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47. I think it's a dinner,
a snake in a basket!
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48. I think it's come back from holiday
in Spain and bought a straw donkey.
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49. When I was a kid, there was
a rattlesnake on TV EVERY week.
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50. Really? Every week, in something.
There was always a rattlesnake.
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51. Nowadays, there's never
a rattlesnake on TV.
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52. It was a big thing in the '70s!
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53. You didn't even see one, just heard.
You heard one.
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54. It was the most terrifying noise
of my childhood and
I grew up in Loughton!
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55. Good. There you are, that's
the point - snakes and hearing.
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56. Now, a nursery rhyme.
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57. The nursery rhyme says, "Hey diddle
diddle, the cat and the fiddle..."
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58. But what have cats
got to do with violins?
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59. Cat gut?
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60. Oh, dear.
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61. Oh, dear, oh, dear.
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62. No. Not that, then. Not that!
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63. No. The fact is cat gut never
went into the making of violins.
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64. It was a myth put about by...
By dogs!
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65. It was considered very unlucky
to kill a cat in medieval times.
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66. They made it out of sheep gut and...
Sheep really get it all!
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67. Don't they just?
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68. They've got low self-esteem,
I think.
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69. They allow themselves to be bullied.
They do.
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70. In Australia, they discovered that
sheep possess morphic knowledge.
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71. They found that sheep managed
to get across the cattle-grids
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72. by lying on their backs
holding their legs up
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73. and rolling across them
like a little furry ball.
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74. And sheep were doing it
almost at the same time
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75. 1,000 miles away on the
other side of Australia.
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76. That's it, people don't know.
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77. That's why it's called morphic
resonance or morphic knowledge.
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78. It started with tits.
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79. Blue tits seemed to discover,
in different parts of Britain,
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80. to peck open silver milk-bottle tops
within a week of each other,
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81. in Scotland and England, without
any tit having done it before.
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82. They were too far away from each
other to have communicated.
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83. This theory arose of what's called,
as Sean said, morphic resonance.
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84. Er, cats and violins.
Oh, cats and violins, yes!
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85. The people who had
the monopoly, as it were,
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86. put it about that it was
made of cat gut,
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87. knowing their rivals
would never dare kill cats
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88. and they wanted to keep it secret.
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89. The same families have run violin
string making for over 600 years.
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90. Now, of course,
there's nylon and steel added,
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91. though people still say
sheep gut is still the best.
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92. I thought it was to do
with the cat's penis. Did you?
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93. Isn't it a strange shape, like a
violin? Or something like that?
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94. Is it a really strange shape?
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95. No, it's the shape of a violin...
What would be the shape
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96. of a female's orifice...?
Well, a violin case.
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97. A violin case?
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98. Isn't it, haven't they got
a really strange shape?
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99. Cos that's why they scream,
screech so loudly when they're...
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100. Cats' penises are barbed
and have a bone in them,
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101. so yes, they are an unusual shape.
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102. Yeah, they got a bone,
that was it. Yep.
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103. Cats can choke on small bones.
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104. So you wouldn't want to
fiddle with them and that's
the connection with the violin.
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105. Now, we're still musical,
as we hope to be all evening.
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106. What kind of music do spiders like?
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107. Well, I reckon... Yeah?
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108. .. they've got eight legs... They'd
appreciate a one-man band.
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109. They'd appreciate
that all-round entertainer...
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110. Spring from Four Seasons by
Antonio Vivaldi
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111. Kylie Minogue. Why's that?
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112. Spinning Around! Oh! Very good!
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113. You could have said
Andrew Lloyd WEBBER!
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114. Ah! Actually, on a similar note,
might it be Cliff Richards?
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115. Why's that? RichardS? because his
real name... Richard, rather,
beg your pardon.
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116. ..is Webb! It is! Oh, yeah.
Marty Webb!
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117. Marty Webb? It's all just
beginning to...
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118. I don't think spiders
are that into puns.
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119. I think they like flies,
stuff like that.
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120. Cheese.
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121. I'll tell you an interesting fact
about spiders -
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122. the Huntsman Spider...
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123. Yes? which, a fact everyone knows,
doesn't actually build a web,
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124. is the only spider with lungs.
Ooh, I like that!
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125. So, you can get it a
birthday cake with a candle! Yeah.
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126. What a sweet thing to think of!
What a nice way of thinking. Aw!
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127. What do spiders do to flies?
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128. They wrap them up in web
like in Lord Of The Rings.
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129. Yeah... Like silk.
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130. And then take them off,
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131. wait till they've softened up
a bit and then they eat them.
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132. That's the odd thing, they
don't eat them, they drink them.
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133. They drink them. They dissolve.
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134. Cos they squirt them with acid that
dissolves them into a sort of...
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135. Flies, when they land on your food,
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136. they immediately vomit on it.
Then they tread about in it,
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137. get it all mushy, then they digest
that. That's quite rude, isn't it?
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138. It is. But they listen with
their feet, their eight feet.
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139. Yeah. Hear you coming.
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140. They listen with feet?
Their penis is on their head.
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141. It's on the end of a little feeler.
That's where their mating organ is.
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142. That's the males.
They're just a mess. Exactly.
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143. They're all dickheads!
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144. Most of them have eight eyes, too.
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145. Spiders have eight eyes
and eight legs? Yes.
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146. Well, the answer to this question is
it seems to be classical music
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147. cos they did an experiment
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148. and they found... Who are THEY?
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149. Who ARE they? The University of Ohio
is "they"... or ARE they.
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150. The University of
BLEEP-all-else-better-to-do.
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151. Well, no. Formerly the Polytechnic
of BLEEP-all-else-to-do!
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152. So domestic spiders were
subjected to Bach, techno,
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153. which I believe
is some modern music, and rap.
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154. For techno and rap, they built their
webs as far away from the speakers
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155. as possible, but closer
for classical music.
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156. Someone very close to me told me
about music called tesco. Know it?
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157. No. No. It's a blend of
disco and techno!
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158. It's rather sweet. Known as tesco.
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159. They have tesco evenings in certain
nightclubs. Really? Yeah.
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160. A type of modern young person's
dance music like
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161. two-step UK garage, for example...
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162. .. which is my particular favourite.
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163. These would be nightclubs
right on the edge of town!
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164. You can drive through,
plenty of parking...
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165. Another bizarre spider experiment -
and I think this'll fascinate you -
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166. was conducted by Nasa.
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167. Really extraordinary experiment
in 1995
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168. to see how spiders reacted to drugs.
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169. Behind you are some of the results.
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170. We have two webs. One produced
on LSD and one on caffeine.
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171. You have to match the drug
to the web.
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172. I bet the worst one is caffeine,
on the right.
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173. That's what you reckon? Yeah? Yeah.
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174. The other one looks like
a bullet through glass...
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175. You're absolutely right!
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176. The extraordinary thing,
nobody understands why,
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177. is when they give them LSD,
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178. they make even more geometrically
perfect webs than in nature.
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179. It's absolutely perfect.
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180. Do they see spiders everywhere?
Well, they see humans, probably.
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181. "Ooh, bad trip. I saw humans
floating in front of my eyes."
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182. That jangled mess
on the right is caffeine,
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183. the world's most popular drug. Wow.
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184. 80% of all human beings
take caffeine at least once a day.
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185. There's an exhibition at the
British Museum at the moment
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186. and it's about healthy living
and things we do to ourselves.
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187. There's an exhibit with 14,000 pills
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188. all sewn into a big mesh
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189. to represent the pills an average
First World person
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190. takes in their life.
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191. That would last my nan about a week!
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192. Not content with that, we push our
gear on spiders, for some reason.
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193. Yeah, "You try it now."
"We don't want coffee!"
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194. "Have it, we want to see what you
do. We want to see what you do!"
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195. "Ah!"Ah, look. You're weird!"
"Thanks."
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196. There'd be a lot of loud laughing
flies, if they saw that.
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197. "Ooh, we just fly
straight through it. It's great!"
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198. But we have another one
for you, guess the drug.
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199. Let's have a look. There we are.
What would that be as a result of?
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200. Lager!
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201. Any other thoughts? Marijuana.
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202. Marijuana is the right answer.
Mary Jane or cannabis or whatever
else you'd like to call it.
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203. Cos they couldn't be arsed
to finish it! Exactly!
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204. Good. Now, listen to this piece
of music by
The Mamas and the Papas.
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205. Lovely! That, as I say, is Monday,
Monday by The Mamas and the Papas,
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206. but what colour is Monday?
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207. Twinkle Twinkle Little Star
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208. Yes? Blue. Blue. Because of... why?
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209. Just makes me think of blue.
Well, that's right.
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210. Most people, if they think of
days of the week,
assign a colour to them.
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211. Wednesday's kind of green,
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212. Thursday's brown, Friday's black.
Yeah.
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213. I see. Friday's dark blue to me
and Thursday's sort of red-y.
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214. Tuesday is maybe yellow.
I have a yellow. Saturday's red.
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215. Yeah. Sunday's sort of bluey,
purple-y. Yes. Monday's white to me.
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216. But there you are. Do you have it?
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217. Have you two done
a spider experiment at Nasa?
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218. Do you not have any sense of colour
when you...? No, I would say Monday,
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219. I think of a period of time
that has to be endured
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220. until Tuesday comes along. Yes.
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221. Don't expect the poet laureateship
to be handed to you on a plate!
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222. It's a little bit...
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223. If Monday reminds you of blue,
does blue make you think of Monday?
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224. It makes me think of mould. Yeah.
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225. What, blue?
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226. It's not thought either.
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227. That's to say, it's not thought
in the sense of rational analysis.
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228. It's as if you see the colour
in your head.
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229. We'll move on to this because I'll
play you a chord of music, like...
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230. .. which some of you with perfect
pitch might know as D major.
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231. D, F sharp, A.
Lime green, I had there.
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232. You had lime green? Anybody else?
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233. No! No? No. Tell you what I heard.
I heard a sound!
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234. I was just thinking... Yes, I know!
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235. We do. Most people do.
Anyone hear a sound at that point?
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236. Anyone? Or just me?
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237. Please, God, not again!
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238. I just thought of the sound man
going, "Yes!"
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239. It's true cos he really did it well.
Let's try again. Again?
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240. He's good, isn't he?
He's going, "Uh-uh-uh!"
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241. He's very good, that sound man!
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242. He's very good, round of applause.
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243. If I do it, will he do it for me?
Go on. See.
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244. Yes, with one finger as well!
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245. I wonder if he'll do it for me.
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246. Wahey!
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247. No, the fact is there is this
condition known as synaesthesia,
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248. which is quite common, in
which people genuinely see a colour
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249. when they hear sound.
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250. Rimsky-Korsakov, for example,
saw that D major chord...
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251. Boing! Oh.
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252. There's Rimsky-Korsakov.
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253. He saw it as
a glorious sunny yellow.
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254. Liszt would say to orchestras
and completely baffle them,
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255. "No, no, no, please, gentlemen,
bluer, bluer!"
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256. Julian Asher, a neuroscientist
who also has synaesthesia,
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257. he tried to explain it
because he had it as a child.
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258. He was taken to
concerts by his parents
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259. and he always used to assume the
lights went down before the concert
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260. so you could see the colours better
as they came off the orchestra.
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261. He just assumed that cos he thought
everybody had the same experience.
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262. That when they heard music, they
saw colours right in front of them.
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263. For real.
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264. Rimsky-Korsakov wrote what he saw,
so "We're going up from F,
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265. "we have E Major".
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266. And that, for him, was bright blue.
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267. And F major...
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268. Red. Bright green for him.
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269. But interestingly, E flat major...
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270. Magnolia? Miserable grey for him.
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271. Isn't that interesting?
Cos it's very, very common,
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272. E flat major is the most
common chord for singers.
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273. It's quite odd, that photograph
cos it's not like he's posed for it.
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274. It's not full-on. It's like he's
coming out somewhere
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275. and someone's taken
a Victorian paparazzi snap of him!
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276. It's probably a CT camera,
a Victorian CT camera. CCTV?
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277. A bloke with a big cloak!
Yeah. Moving on...
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278. Wobbling along the street!
"Pivot! Pivot!"
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279. Now, in 1988, lady and gentlemen...
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280. In 1988, Warner Communications,
as then was, paid John F Sengstack
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281. $28 million for the rights
to a single song.
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282. Just want to know what it was.
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283. Water Music by George Handel
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284. Yes? A bit pricey.
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285. It was. It was. They reckoned
they'd do very well out of it.
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286. National anthem?
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287. It was not the national anthem. Yes?
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288. Spring from Four Seasons
by Antonio Vivaldi
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289. Was it the theme to Button Moon?
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290. Lovely idea. It wasn't that.
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291. Hokey Cokey. No. Happy Birthday!
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292. Ah. Thank you very much, Mark.
It was Happy Birthday To You,
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293. which was composed in 1924 by a
couple of old biddies. $28 million?
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294. $28 million. They make about
$2 million a year out of it. Wow.
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295. What did they sing
in 1923, for goodness' sake?
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296. They brought the cake out,
everyone just stood about
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297. in a slightly awkward silence!
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298. It's infinitely preferable to
having that bloody song
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299. sung at you!
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300. Yes... It was written
by two old things.
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301. Irving Berlin included it, with
the words, "Happy birthday to you,"
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302. which they didn't write,
nobody knows who did write those.
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303. Included in a 1933 musical,
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304. so they sued and won
and retained the copyright.
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305. In theory, if you sing it
in a restaurant,
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306. you owe Warner Bros money because
it's counted as a public place.
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307. You'd have to be very honest to
phone them up and go,
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308. "Er, it was a birthday last night.
How much do I owe you?
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309. "And I hummed a few bars of
Let It Be as well!"
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310. Happy Birthday was the first song
sung in outer space, on Apollo 9.
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311. Do you know what the
original song was written as,
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312. what the lyrics were?
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313. It was a death row song.
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314. Yeah.
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315. No. A really good idea
for Ainsley Harriott
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316. would be Ainsley's
Death Row Dinners!
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317. Don't you think?
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318. Cos he's so jolly!
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319. Originally, it was written as a
song teachers sang to their class.
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320. Good Morning To All, it was called.
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321. Then it became Good Morning To You,
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322. and then Happy Birthday To You.
That's its history.
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323. Anyway, what was the most disastrous
composition of the man
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324. who gave the world
The Wombling Song,
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325. Remember You're A Womble,
Wombling Free?
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326. Wombling In the Rain... Mike Batt.
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327. Spring from Four Seasons
by Antonio Vivaldi
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328. As you say, Mike Batt.
All of them! Yes!
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329. But one of them was particularly and
rather amazingly disastrous.
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330. Water Music by George Handel
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331. Not one of those
I've mentioned. Yep?
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332. Was it The Wombling BLEEP Party?
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333. It was actually a
financial disaster.
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334. Spring from Four Seasons by
Antonio Vivaldi
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335. Free Myra Hindley?
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336. Didn't take off.
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337. Jerry and the Wombles.
Sorry, that passed by.
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338. Whoa. No, he didn't go that far.
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339. No, it was on an album,
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340. he had a track which lasted a
minute and it was complete silence.
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341. It was called Minute's Silence.
Oh, yes! He got sued.
And he was sued by... who?
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342. Cage. John Cage. John Cage.
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343. John Cage, exactly!
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344. Author of 4'33", the famous 1952
composition of complete silence.
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345. What a load of rubbish!
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346. But, there are two reasons why we
shouldn't feel sorry for Mike Batt.
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347. One is he actually put, "One Minute
Silence, Batt/Cage", so...
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348. And the second reason
is he wrote the campaign song
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349. for William Hague's '97 campaign,
so whatever shit is flung at him...
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350. I happened once, I had one of the
best ever links done on radio
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351. was done by Dale Winton
on his Radio 2 show.
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352. And he played Watership Down,
you know, Bright Eyes,
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353. which Mike Batt wrote. You know...
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354. He did. And he got to the end of it
and he goes,
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355. "Listen to that," he said. "A song
about a rabbit written by a BATT"!
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356. And I thought that's classy.
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357. Gah, Dale, well, he is the guv'nor.
Yeah. Of course.
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358. I saw the Wombles. Yeah? Live?
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359. They were actually men dressed
as Wombles, so they were enormous.
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360. It was one of the most frightening
things of my entire childhood!
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361. Freak you out?
They towered over children,
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362. who'd come to see little cute
Wombles who gathered litter
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363. and lives in a burrow.
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364. Loomed over them!
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365. Was it Christmas?
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366. Cos all the dwarves are booked up
round that time.
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367. Two actor friends of mine
were in a pantomime version
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368. of The Wind In The Willows.
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369. Yeah. One was the badger,
one was Toad.
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370. And they didn't really get on.
They were getting on quite badly,
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371. so obviously there's quite
a long section of the show
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372. where Badger is nagging Toad,
you know, to change his ways.
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373. And one day, my friend who was the
toad just got really, really drunk
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374. and he turned up for the afternoon
show, Badger told him off, saying,
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375. "You've got to mend your ways".
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376. And he just said, "You BLEEP off,
you stripy bastard!"
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377. These little kids...
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378. Are the children still in therapy?
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379. Anyway, here's an
interesting question as well.
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380. What was unique
about Good Friday, 1930,
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381. that urgently required ten minutes
of light piano music?
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382. Did Jesus come back, change his mind
and they had to fill in?
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383. No. Um, it was a news programme,
but instead of news,
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384. they played ten minutes light music.
Why would that be? He was drunk.
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385. Cos something had happened?
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386. Quite the opposite.
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387. Nothing had happened.
Nothing had happened.
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388. And there's no news today. No.
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389. An announcer came on, said
"Ladies and gentlemen,
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390. "there's no news tonight,
so here's some music."
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391. Absolutely true. Absolutely true.
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392. Yeah.
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393. There was no news?
Nothing happening!
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394. Well, we've tried to check
what did happen
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395. and aside from football matches,
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396. in India, there was the start
of what was called
the Chittagong Rebellion,
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397. in which 700 youths
attacked a telegraph office
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398. and disconnected all communications
in the city of Chittagong.
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399. But that didn't happen until 10.00,
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400. which was too late
for the news in London,
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401. so there was no news, it seems.
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402. They probably didn't
have traffic reports.
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403. They wouldn't have
had traffic reports.
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404. "Here we go, live to the camera
at Hanger Lane." Yeah?
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405. And there's a bloke on a bike.
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406. I wouldn't give you much
chance of getting home before 6:00
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407. and that's a fact! Yes! Right.
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408. "You'd better call up
your maid and butler
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409. "and tell them
to put something in the oven."
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410. Yep. What would they actually do...?
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411. I mean, local papers have to
deal with no news every week.
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412. They still write
the paper every week.
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413. Yes. My favourite ever...
When I used to live in Sheffield,
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414. the Sheffield Star,
my favourite ever headline -
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415. "Worksop man dies
of natural causes."
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416. Fantastic!
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417. Oh, that's bliss.
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418. What about the story of the giant
microphones invading the BBC?
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419. He's terrified!
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420. They were hushing that one up!
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421. Yeah. The incredible
shrinking announcer!
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422. Now, prepare to lose composure
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423. because it's General Ignorance,
so fingers on buzzers.
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424. What is this?
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425. Tap music.
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426. Tap music?
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427. Yeah. Very close.
Looks like taps, doesn't it?
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428. Yes, it does. The opening bars...
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429. Exactly.
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430. By a weird accident, you're right,
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431. in as much as it is
a dance notation.
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432. Oh. It's known as
the Benesh Movement Notation,
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433. which was invented in the 1950s
by Mr Benesh,
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434. who was an accountant and
very talented artist and musician.
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435. His wife was a ballet dancer
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436. and it shows the choreography of
a particular dance.
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437. Can you work out what it is?
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438. It sort of represents...
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439. Is that legs? Cos you use
legs in dance... Oh...
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440. Spring from Four Seasons
by Antonio Vivaldi
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441. Yes? The Hokey Cokey?
It is The Hokey Cokey! Well done!
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442. And there are legs going in and out.
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443. Exactly.
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444. There was an American version
of the dance by a man called
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445. Larry La Prise, and he died in 1996.
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446. What happened at his funeral?
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447. They couldn't get him
in the coffin. Why?
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448. They put the left leg in...
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449. Then the trouble started. Right.
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450. So not...
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451. Ah, line 'em up!
Mr Fry, can I do me song?
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452. Mr Fry!
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453. Bring back variety!
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454. Now, next question.
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455. What was the first invention
to break the sound barrier?
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456. Mae West's vibrator!
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457. How fast does a bullet go?
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458. I need an answer, not a question.
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459. Spring from Four Seasons
by Antonio Vivaldi
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460. More steam!
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461. They got coal,
they're shovelling it in!
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462. Going back, I think, to three.
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463. Um... so...
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464. She had a giant rubber band,
six foot wide,
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465. and there were ten men
twisting it round.
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466. Dear. Dear me!
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467. Cannonball, musket fire,
catapults...
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468. Whoa! Hello. Ooh!
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469. No, not the cannonball.
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470. They spelt it wrong!
They spelt it wrong!
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471. Points to me!
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472. No, they haven't.
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473. You'd prefer three Ns, would you?
There's two Ns in cannon.
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474. Three, I'd have thought.
Well, one on the end,
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475. but I mean in the middle. Yeah.
In the middle two, yes.
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476. This was a... Otherwise,
it's a ball of religious...
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477. Yes. We thought... .. person!
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478. Exactly. We thought it was
Bobby and Tommy, you know.
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479. "He's looking at me!
He's looking at me!"
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480. "Stop looking!"
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481. Alistair McGowan, watch out!
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482. Anyway... Not a cannonball, then?
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483. No, not a cannonball.
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484. It's 7,000 years old,
the earliest we found,
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485. in China, it was invented.
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486. Very common in
all cultures, though.
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487. Harrison Ford uses
it extensively. Ooh!
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488. Spring from Four Seasons
by Antonio Vivaldi
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489. Yeah? Whip? Firework?
Not a firework.
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490. A whip is the right answer. What?
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491. A whip. The sound of the
whip cracking isn't
leather hitting leather.
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492. It's a mini sonic boom.
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493. Where it makes a loop
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494. and as it tapers towards the end,
it gets faster
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495. until it gets up to 724mph.
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496. Yowser! We only discovered this -
as humans, that is -
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497. when we were able to use
high-speed cameras
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498. to see it all slowed down and see
the leather wasn't hitting itself,
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499. that wasn't the noise at all,
it was actually...
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500. But Professor, that's fantastic!
Isn't it?
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501. Isn't it?
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502. It's great news!
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503. Well, on the subject of sounds,
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504. when you listen to the waves
in a seashell,
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505. what are you actually hearing?
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506. Water Music by George Handel
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507. Yes?
Nine times out of ten, Norah Jones.
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508. Norah Jones? What do you mean?
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509. What's the sound you hear
when you do that?
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510. Well, you're hearing the sea.
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511. Why would that be?
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512. Well, you're on the beach,
aren't you?
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513. No, actually, there's a whoosh!
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514. But you don't hear...
Spring from Four Seasons
by Antonio Vivaldi
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515. Yeah? I've never done it
away from the seaside.
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516. Ah. Try it, you could do it
with a mug.
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517. It's the pounding
of your blood in your eardrums.
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518. Oh, dear! No. It's not that either.
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519. No. Who's that girl, though,
who's got the seashell in her ear?
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520. She looks like she failed
the Magnum advert.
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521. They said, "No, lick it,
you silly bitch!"
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522. They're awfully rude,
aren't they?
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523. Yeah. I know what you mean.
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524. You just get a rushing
sound, like...
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525. What would that be?
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526. Air... in your ear. Yeah, airflow
resonating inside it.
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527. Works with a mug,
a cup or something.
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528. Course, if you hold a
shell suit to your ear,
you can hear Romford.
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529. Very good.
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530. There we are. Now, who wrote
the tune for Alan's buzzer?
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531. Twinkle Twinkle Little Star
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532. Prince Edward.
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533. Who's that? Oh, blimey, it's me.
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534. Is that two of Anne Robinson's
daughters?
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535. You see now how they get the idea
for the Slinky.
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536. I bet there's a clown somewhere
panicking. "Jesus Christ!"
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537. Five minutes to show time...
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538. "Uh!"
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539. Why is it not so springy now?
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540. You're not eating so many
cheesy Wotsits!
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541. I'm looking a bit ginger!
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542. Yeah. You certainly are.
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543. He's like the new Anne Robinson!
Have you seen her?
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544. New? She's regenerated!
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545. She's a beautiful new lady.
It's extraordinary.
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546. She looks like a Siamese cat
walking into a storm.
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547. What was the tune again?
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548. It was what we would call
Twinkle Twinkle Little Star.
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549. Twinkle Twinkle Little Star
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550. Bet it's German. Tvinkel, Tvinkel?
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551. Leetle staah!
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552. Mozart did a series of variations
on it at the age of five. Beautiful.
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553. Bloody Mozart! Special-needs boy!
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554. Now, the scores.
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555. It's rather a distant quartet here.
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556. We'll do it first to last.
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557. Our winner, very tunefully,
is Linda with two tuneful points.
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558. Two? Two points? Yes! Two!
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559. Mark managed a harmonic minus four.
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560. Sean was not quite so on-song
with minus eight.
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561. As usual... I'm sorry to say
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562. Alan managed an absolutely
astounding mess
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563. of a ruin of a sound
which was minus 13.
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564. That's all from QI.
A big hand for our singers -
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565. Sean, Mark, Linda and Alan.
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566. We leave with this memento
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567. of conductor Sir Thomas Beecham's
observation to a lady cellist.
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568. "You have between your legs
an instrument that can give
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569. "pleasure to thousands and you only
scratch it." Goodnight.
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