1. Who is this?
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2. Who is this? Are you gonna answer me?
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3. Who the fuck is this? Fuck.
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4. What the fuck?
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5. Rusty, who was that?
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6. Saw you where?
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7. I'm assuming that they mean
Carolyn's house...
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8. the night of...
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9. I wasn't there to kill her.
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10. God.
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11. Rusty, this is not you.
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12. - Rusty, this is not you.
- You don't fucking know me.
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13. You don't know me.
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14. And you don't know what's in me!
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15. Wake up, Raymond!
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16. You think he's guilty.
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17. - It was a dream, Lo.
- Okay.
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18. You dreamt he's guilty,
which can mean something.
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19. Dreams often point to the truth.
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20. Hey. You know,
you being on my side would be nice.
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21. - Maybe we can try that?
- You think I am not on your side?
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22. Raymond, I am worried about you.
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23. The glare that comes
with this kind of case, the pressure.
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24. Listen, I understand
your thirst for relevance,
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25. your need to get out of bed in the morning
and have something to do to stave off—
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26. - What is it you call it?
- My decomposing rot.
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27. Yes, your decomposing rot.
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28. With your best friend as the defendant.
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29. Honey...
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30. should you lose,
a good chance from what I see and read,
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31. Rusty spends the rest of his natural life
in prison,
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32. which you will very much take to heart.
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33. Maybe you can live with it just fine,
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34. but I doubt it.
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35. Then, there's the alternative.
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36. You win.
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37. Rusty didn't do this.
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38. Rusty Sabich, the only suspect
in the grisly murder of Carolyn Polhemus,
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39. is currently out on bail
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40. and isolating with his family
in their home.
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41. There's human trash outside.
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42. - Don't they have actual news to report?
- We are actual news.
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43. People love true crime.
It's a ratings thing.
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44. - Thank you.
- Here you go, sweetie.
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45. So you have no idea who sent it?
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46. It could very easily be a trick,
or it could be some...
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47. semi-clever reporter.
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48. So this individual knew
that you were there the night of?
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49. 'Cause I didn't.
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50. I went there after work.
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51. So the two of you weren't quite as over
as you led me and others to believe.
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52. No— We were over.
I went over there to try and change that.
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53. And did you?
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54. No.
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55. Lorraine, hi—
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56. I think you should just hand it over
to the police.
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57. Hold on. Don't you wanna know
what this is about?
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58. Who?
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59. It could also just blow up in our face.
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60. - What about Rigo? Can't she take it?
- No, no, no.
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61. I've asked her to do too much already.
I can't ask her.
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62. If you do this,
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63. you have to assume that
the person you're meeting
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64. is gonna be wearing a wire.
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65. So whatever you say,
I strongly suggest that you—
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66. You keep it simple, clean.
Watch your words.
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67. Definitely don't say that you hit Carolyn
on the head with a poker.
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68. I'm gonna take on an associate,
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69. someone who's done defense before.
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70. She's young. Her name is Mya Winslow.
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71. - How do I know her?
- Yale.
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72. She's good. She was at Sandy Stern's.
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73. More importantly, she's a woman,
which we need on this.
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74. She's gonna run point on forensics,
so we also need to assemble that.
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75. Listen, let's talk strategy
for a minute, okay?
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76. If we're gonna go alibi on this,
we need to file on that. Give notice.
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77. So, you think we might go alibi?
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78. Okay.
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79. And I mean, we don't know
what time of the night she was murdered.
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80. I mean, maybe we could say
that she was killed when I went to the—
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81. Stop.
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82. Let's just wait
for all the facts to come in...
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83. before you start crafting responses.
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84. Mrs. Sabich. Barbara,
did your husband commit this murder?
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85. Do you hate Carolyn Polhemus
for sleeping with your husband?
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86. Mrs. Sabich. Mrs. Sabich,
we wanna know how you're fee—
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87. - You know what this is, right?
- What?
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88. Why I'm here on a Tuesday?
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89. Yeah, we're talking about...
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90. the fire marshal for Marty's thing, right?
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91. I need you to take a step back.
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92. What does that mean?
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93. I came in through the same door you did.
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94. Kate. It'll blow over.
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95. We live in Chicago. There's, like,
a new dead body every 18 seconds.
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96. You haven't been well.
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97. I sold a piece two weeks ago, Kate.
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98. No. You sold a piece five weeks ago,
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99. and Aminata's pieces sell themselves.
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100. - Take some time.
- Are you really doing this?
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101. I'm not firing you, so don't get heavy.
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102. I'm saying...
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103. take a break...
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104. and take care of yourself.
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105. - And keep my distance, huh?
- Yeah. And that, yeah.
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106. Kate, I really need this job.
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107. I need every distraction
I can get right now.
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108. It's a distraction
that doesn't work for us.
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109. Take some time.
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110. Word of advice?
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111. - Why not.
- Differentiate.
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112. You're not "we." You're not "him."
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113. Sam Malone used to cut lemons.
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114. What was that?
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115. Sam Malone from Cheers.
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116. Cut lemons all the time.
Always cutting lemons.
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117. You're probably too young
to remember Cheers.
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118. I know Cheers. I love Cheers. Ted Danson.
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119. Why do you think I'm cutting these lemons?
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120. Gold star.
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121. - You okay?
- Not really. I just lost my job.
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122. Shit. Sorry to hear that.
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123. And my husband's on trial for murder.
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124. Murdering his mistress, no less.
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125. Oh, shit. Yeah.
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126. What's his fucking name— Ronnie? Ricky?
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127. Rusty. Wow.
Yeah, you're going through a lot.
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128. Yes, I am.
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129. Did he? Kill his mistress?
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130. Jesus.
You don't have to answer that. I'm—
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131. - That was out of line. Sorry.
- Not really.
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132. It's the question everyone's asking.
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133. What's your answer?
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134. He did not do it.
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135. Beautiful women
tend to have a lot of enemies.
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136. You must have a few yourself.
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137. - I see what you did there.
- Yeah.
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138. Thank you.
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139. Would you like another?
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140. I better not.
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141. Okay.
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142. He's cute.
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143. He is handsome, yes.
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144. But, I don't know, I like talking to him.
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145. He made you smile.
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146. Maybe you should have a little adventure.
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147. Please.
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148. And with the media
following my every move?
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149. They're stalking me.
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150. Oh, honey, they've already moved on.
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151. They've got their footage,
and they're on to the next dead thing.
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152. It's a perk of living in Chicago.
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153. I don't know.
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154. It's good to see you smile.
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155. You're young, you're beautiful.
You should feel that way every day.
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156. You are under so much pressure.
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157. Are you seriously suggesting
I engage in a little...
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158. extramarital revenge sex
with a bartender I just met?
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159. I am suggesting that you tend to yourself.
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160. An escape hatch of some sort
to help you get to the other side of this.
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161. I mean, not now.
I get it, with everything going on.
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162. But at some point.
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163. I admire your fight,
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164. your commitment to be in love,
to stay in love with the man you married.
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165. Rusty isn't the man you married.
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166. Let's face that.
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167. I directly told you
to stand down, Detective.
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168. - And I have.
- Bullshit.
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169. You and Rusty went to visit
Liam Reynolds in prison.
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170. That was on my own personal time.
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171. You think this is funny?
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172. Why would I waste funny
on somebody with no sense of humor?
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173. - You know what is funny?
- What?
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174. Fucking hilarious, actually,
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175. is that you're not looking
at Reynolds for this.
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176. Carolyn was tied up like Bunny Davis,
details not in the public domain—
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177. Liam Reynolds is incarcerated.
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178. So the fuck what? He threatened her.
He had a motive,
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179. and you won't give it
so much as a look-see.
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180. - Listen, Detective—
- Or, what? You'll fire me?
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181. Two weeks into your new job? I think not.
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182. Have the whole union up your ass.
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183. Or maybe not.
I keep forgetting that you're popular.
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184. Detective Rodriguez, I'll walk you out.
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185. If I may, you are off this case.
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186. You will not impede it,
you will not obstruct it.
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187. And I play poker with your union boss,
by the way.
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188. Terrible fucking poker player.
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189. You guys just want it to be Rusty so bad,
don't you?
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190. Our only pursuit is justice.
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191. Just be sure you do not
stand in that path.
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192. Thank you.
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193. Hey. Can you do me a favor?
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194. I need you to go down to the ME's office,
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195. pull all the files
on the Bunny Davis case.
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196. Yeah.
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197. Michael?
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198. Michael, you asked me to come here.
What do you want?
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199. Why did you kill her?
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200. I didn't kill her.
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201. I had a relationship with her,
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202. and I will tell you anything
that you wanna know about that.
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203. Michael, I wanna find out who killed her
just as much as you do.
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204. Yeah, well, that's funny.
'Cause I have pictures of you.
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205. You have what?
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206. I have pictures and videos of you
on the night she died.
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207. - Where?
- Her house!
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208. Michael,
you have photographs of her that night?
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209. Answer me.
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210. You have photographs of that night?
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211. You have photographs of other people
going in and out of her house?
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212. You were literally the only one there.
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213. Well, I guess,
seems like you were there that night too.
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214. Shut up!
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215. Did you think this through?
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216. Were you there other nights?
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217. If you have photographs,
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218. you need to make sure
that you give them to me,
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219. or you give them to the police.
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220. I already gave them to the police.
I met with the district attorney.
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221. Then why are we here, Michael?
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222. I wanted to see your face.
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223. See your face? Why? I don't buy it.
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224. I don't know.
It was a very strange conversation,
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225. and the kid is very clearly troubled
like you said, but—
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226. but look, at least we now have evidence
that I wasn't the only one there.
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227. - Are you sure he wasn't wired?
- If he was, I was careful.
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228. Mya Winslow, Rusty Sabich.
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229. Hi.
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230. I asked Mya to join us
for the status conference.
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231. - We gotta get your appearance filed.
- Already done.
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232. - Excellent.
- It's a pleasure to meet you.
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233. Though not under these circumstances.
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234. You can just observe on this one,
nothing to say.
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235. You, keep your mouth shut. Not a peep.
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236. This is my show. Don't fuck it up.
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237. You're fucking it all up.
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238. - You're fucking it all up.
- Why?
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239. That falling-in-love part.
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240. That we promised not to.
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241. I don't think that you can control that.
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242. Some things you can control.
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243. And I have to be the one to—
to control it.
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244. Tab one. Evidentiary exhibits.
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245. Path and lab reports
you'll find behind that in tab two.
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246. That section is still incomplete
but is being updated daily.
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247. - To be completed when?
- We're hoping ten days, Your Honor.
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248. Photography and video exhibits
follow in tab three,
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249. also to be completed forthwith.
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250. We're still gathering,
including street and city cams.
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251. Medical findings in tab four,
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252. and scientific exhibits and analysis
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253. behind it in tabs five and six.
What's the problem?
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254. Just hold on a second.
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255. - You've got me down as a witness.
- We do.
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256. One of the charges
is obstruction of justice, Raymond,
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257. and Mr. Sabich impeded this investigation.
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258. In fact, he compromised it,
and you have information about that.
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259. - This is a stunt.
- No. Sorry. Just very quickly,
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260. you took this post as counsel
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261. while in possession of information
that's material to the charges.
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262. - You should've known better.
- Mr. Delay Guardia.
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263. You've also got down Dr. Rush,
my client's psychiatrist.
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264. We anticipate that
some of the subject matter
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265. might qualify as privileged,
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266. and Dr. Rush would be free to claim
that exemption should it apply.
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267. - It will be.
- What do you mean, "should it apply"?
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268. You're gonna ask her to come in,
she's gonna assert privilege,
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269. and then he's gonna paint it
like we're hiding information.
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270. - We will honor privileged information.
- Withholding evidence.
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271. Gentlemen, we're not getting off
on a good bunion here.
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272. We have a case to present. I would submit
Your Honor will let us do so.
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273. When I took this job years ago,
I had a mentor.
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274. He told me,
"Every trial is a bit like a hemorrhoid."
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275. Hemorrhoids don't typically bother me.
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276. I can even enjoy them
when properly managed.
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277. I'm not enjoying myself now.
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278. This trial will be about evidence and law.
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279. What it won't be about is gamesmanship.
Do I make myself perfectly clear?
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280. - Clear.
- Well said. Thank you.
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281. May I also remind the court
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282. that the prosecution has a duty
to turn over all exculpatory evidence.
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283. - We've done so.
- You have?
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284. We've turned over all exculpatory evidence
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285. per our duty as officers of the court.
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286. So if you had evidence, say,
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287. that someone else might have motive
to commit this crime...
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288. There's no such evidence.
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289. or you may have evidence, say,
that someone else was there that night,
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290. maybe someone with a camera
taking pictures and videos.
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291. Mr. Molto?
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292. - Yeah. I got it.
- Is that—
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293. We just received photographic evidence
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294. that we're still in the process
of authenticating.
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295. Once that authentication process
is complete,
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296. we will share it with counsel.
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297. Who proffered this photographic evidence?
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298. The victim's son.
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299. May I ask when it was proffered?
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300. We are in the process of analyzing it.
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301. - And any disclosure would be premature.
- I see. Hey.
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302. You are gonna turn over
that evidence today,
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303. to defense counsel and to me,
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304. so we can all
properly analyze it together. Sound good?
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305. And, Mr. Molto,
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306. we are ten weeks from trial.
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307. If you choose to hide anything else
from either defense counsel or this court,
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308. I suggest that you not
stick it up your ass
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309. 'cause that's the first place
I'm gonna come looking.
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310. Raymond was in his element.
You know, he was on fire.
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311. And Tommy was in his element.
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312. Bet he was.
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313. The judge granted our motion
to access the scene,
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314. and that's not something
that the defense usually gets.
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315. - So a good day then?
- It's a good start.
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316. That's good. Maybe we'll win,
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317. and it'll be so great
that reporters will say,
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318. "Rusty Sabich, you just won
the Super Bowl of murder trials.
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319. What are you gonna do now?"
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320. And you'll say,
"We're going to Disneyland."
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321. I would like to know
what evidence they have against you.
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322. Jaden, not at the table.
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323. - Yes, Mom. It's everywhere.
- Not at dinner.
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324. - It's on the news, at school.
- Not at—
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325. I just wanna know what is what.
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326. What exactly do they have?
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327. Thank you.
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328. It's circumstantial.
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329. Nobody's gonna be called to the stand
to say they saw me kill her
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330. because I did not kill her.
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331. But I was there that night,
and my DNA is all over her apartment,
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332. and her DNA is all over my car.
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333. And they're gonna say
that I was obsessed with her
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334. because there are many, many,
many texts between me and her.
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335. Mostly from me in those last few weeks.
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336. And obviously, there's the evidence
that she was pregnant with...
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337. And the fact that she was tied up like a—
a prior victim.
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338. The killer must have had information
that wasn't available to the public.
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339. Carolyn and I were the only two
most privy to that information,
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340. so they're gonna make the argument
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341. that I was in a unique position
to make it look like somebody else did it.
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342. It's circumstantial,
and in a lot of ways it's a stretch,
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343. but it's damaging.
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344. And all the evidence,
no matter how circumstantial,
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345. points to me.
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346. And a plea?
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347. - I mean, have you thought about that?
- A what?
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348. - A plea.
- Kyle.
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349. A guilty plea? Why—
What, do you think I did this, Kyle?
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350. Honey.
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351. I'm just saying,
if they offered manslaughter—
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352. Why would I take a plea
for something that I did not do?
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353. Rusty.
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354. To avoid a life sentence.
Manslaughter's eight years.
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355. Oh, honey.
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356. - He thinks that I did it.
- Rusty, he does not think you did it.
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357. Then why would he ask me
to plead guilty for something
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358. - he thinks that I didn't do?
- Because he's scared.
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359. The kid is terrified.
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360. That they could put you away forever.
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361. Do you think that I should?
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362. Does Jaden?
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363. Do you think that I should
accept a plea bargain?
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364. Rusty, no one in this family thinks
you should accept a plea bargain.
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365. Kyle was just—
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366. Honey, he was just thinking aloud.
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367. He was thinking that I should
plead guilty for murder.
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368. Honey, everyone is scared.
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369. Kate asked me to "step back"
from the gallery.
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370. What? Why?
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371. Bad for business, I guess.
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372. - I'm sorry.
- Dad?
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373. Hey.
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374. I didn't mean to say
that I thought you did it.
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375. I'm sorry, I just...
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376. The way you made it sound
with the evidence and the—
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377. I understand.
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378. I'm sorry.
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379. Please don't go. Please don't—
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380. I'm sorry.
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381. I think we should drop
the obstruction charge.
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382. Why?
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383. We can make Rusty out to be a bad actor,
but our burden is on homicide, all right?
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384. It's a bigger hill to climb.
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385. The jury are gonna want to get him, sure,
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386. but the obstruction charge
allows them to do that
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387. without finding him guilty of murder.
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388. I just think
we just put one thing on the menu.
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389. Right, but the abusive process charge
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390. speaks to his attempts
to impede the investigation,
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391. - which goes to his guilt.
- Think about it.
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392. That's all I'm gonna say. Right?
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393. Are you up to this?
Trying this particular case?
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394. Fuck yeah. Fuck yeah, I am.
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395. See? It's that.
That response right there makes me nervous
Copy !req
396. because it speaks to a certain zeal
that Raymond is gonna exploit.
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397. Tommy, listen to me.
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398. The words that shall attach
to this prosecution are "methodical,
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399. exhaustive, and fair."
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400. Words that shall not be associated
are "vindictive, maniacal, and vicious."
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401. I understand, Nico.
Just don't talk to me like I'm a monkey.
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402. Do you remember the first thing you said
when I made you chief deputy prosecutor?
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403. I believe I expressed my gratitude.
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404. No. The first thing you said was,
"The girls are sure gonna like me now."
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405. Turned out to be true.
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406. I mean, there's just a part of you,
may-maybe it's your essence,
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407. which just needs this validation, this—
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408. You know, to impress somebody.
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409. And I know smart people
with a persecution complex,
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410. and some with a narcissistic complex.
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411. Somehow you have both. It's like a duplex.
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412. Sounds expensive to fix.
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413. - You hate Rusty. That's clear.
- No.
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414. No, I don't hate Rusty.
I— This is incredibly difficult for me.
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415. This is not difficult.
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416. It's because all the slights
and the digs and the nicks
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417. and the cuts, it eats at you.
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418. You want another drink?
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419. Okay.
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420. We need some hard evidence for murder.
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421. That's coming.
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422. So the site visit at Carolyn's
is later today.
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423. You feel up to that?
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424. Yes. I will be there.
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425. Good.
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426. - This fucking indictment.
- What are you doing?
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427. "Trespass with force and arms."
It's just— It's—
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428. I mean,
I've dictated this a million times,
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429. but to read it about me is...
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430. So I've called our friend Mr. Molto twice,
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431. and I've left messages for him.
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432. Well, if he doesn't call you back,
he's gonna be in contempt.
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433. I left the car open. I'll be right back.
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434. Did you love her?
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435. - Did I what?
- Carolyn.
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436. Did you love her?
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437. I'm actually not really sure
why that's relevant.
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438. Raymond has tasked me with
building your narrative for trial
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439. - in case you should have to testify.
- Uh-huh.
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440. So he wants me to testify?
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441. Well, just in case.
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442. Well, was it about lust?
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443. Love? Both?
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444. Okay...
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445. both.
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446. Do you remember when you first felt
an emotional attachment?
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447. Not when you first
wanted to have sex, but—
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448. - Yeah. No, I understand.
- Okay.
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449. Yeah.
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450. We had a...
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451. We had a case. Sexual assault.
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452. The victim was a little girl.
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453. These are twins. This is...
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454. We're not trained in kindness
as prosecutors.
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455. - It's not a prerequisite.
- Can you tell me...
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456. In fact,
sometimes I think it's trained out of us,
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457. but not Carolyn.
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458. I don't know.
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459. And that day,
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460. there was something about the tenderness
that she showed that fragile little girl.
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461. - This is Dell.
- Dell.
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462. - This is Perla.
- That's a lot of people.
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463. - Yeah.
- Are they friends?
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464. - They're family.
- They're family?
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465. So it might get a little scary in there,
I'm not gonna lie to you.
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466. But I'm gonna be with you the whole time.
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467. And then if you get too scared,
then you can raise your hand like this.
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468. Good.
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469. And I can come over,
and I can hold your hand.
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470. We can stop whenever you want.
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471. I can hold you,
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472. and I can ask the judge
if we can go for a walk.
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473. And I'll make sure
that you're always safe.
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474. Do you think you can trust me with that?
To keep you safe?
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475. - Yeah?
- Yeah.
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476. You're doing so good.
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477. That was it.
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478. I guess that was the moment.
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479. When you crossed over the great
I'm-gonna-fuck-up-my-life-forever divide.
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480. Love isn't what people tell you
that it is, Mya.
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481. I'm sure that I don't
have to tell you that.
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482. But in my experience,
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483. it's just something that grows
until one day...
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484. you just find yourself needing someone.
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485. That's how it was with Carolyn.
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486. So, yeah.
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487. Fucked up my life forever...
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488. but I did not cross the other divide.
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489. I would never have hurt her.
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490. Somebody else did that,
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491. and whoever that person is
is having a good fucking laugh
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492. while everyone comes after me.
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493. Full count, 3-2.
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494. Strike three!
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495. He's out!
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496. This is beautiful.
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497. You're desperate.
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498. So we just got the big dump
from Delay's office.
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499. Expect them to start burying us...
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500. Do you want another one?
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501. with discovery tonnage:
documents, evidence, whatever,
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502. so we gotta keep pace.
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503. Did they turn over the labs?
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504. Not yet.
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505. Well, it might be in this latest dump.
You never know.
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506. The forensics team is standing by.
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507. It's a little needle in the haystack
at this point, you know?
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508. But who knows?
We may find something they didn't.
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509. My DNA must be all over this place.
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510. Rusty, we stipulated that you were here.
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511. The two of you were having an affair.
It does not mean that you killed her.
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512. Unless they find her blood in your car,
which they won't, right?
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513. I know.
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514. I keep seeing it too.
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515. Listen. Talk to me for a second.
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516. Rigo tells me
that you're trying to run down
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517. the contaminated semen specimen
in the Bunny Davis case.
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518. Yeah.
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519. - If we offer the idea of another suspect...
- Ray.
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520. we can pretty much assume
the obligation to deliver one.
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521. - And if we fail—
- Ray.
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522. The prosecution is gonna show
the most brutal photographs of Carolyn
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523. on that night. It's gonna be horrific.
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524. And then the jury's
gonna want someone to blame,
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525. and if we don't have an alternative,
it's gonna be me.
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526. - Let it go.
- No.
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527. Evidence number 13, voicemail number four,
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528. victim's message on defendant's phone.
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529. What do you want, Rusty, out of this?
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530. I don't have much else to give.
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531. I understand wanting distance for a while
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532. but that's partly
what has been so difficult for me.
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533. I would be open
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534. to having another conversation
if you think that it will be helpful.
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535. No, I hate pretending
that you're not there.
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536. I don't understand
why you're just not picking up.
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537. I don't think you understand
my perspective on things.
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538. I need you to stop calling me
like this, Rusty. This isn't fair.
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539. I've never disagreed with anything more.
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540. All the evidence I have
tells me you love me.
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541. We'll present to you physical, scientific,
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542. forensic evidence that will lead you
to make your own con—
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543. That will lead you to form
your own conclusions.
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544. Think!
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545. Facts!
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546. Fuck.
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547. All right.
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