1. Oz...
the name on the street
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2. for the Oswald State
Correctional Facility, level four.
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3. Now in Oz,
our entire day is structured.
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4. We know when we'll eat,
sleep, work,
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5. when we'll have
free time.
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6. Now giving a man
who's locked up free time is a joke,
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7. 'cause there are still
all kinds of restrictions
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8. as to what you can
and cannot do.
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9. Some people try
to better themselves
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10. by reading or exercise.
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11. some pray...
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12. some plot.
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13. Some just watch TV.
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14. Live from Burbank Studios
in Burbank, CA,
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15. it's time to play
"Up Your Ante."
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16. And here's your host,
Gordon Elliot.
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17. Hello and welcome
to "Up Your Ante."
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18. And let's meet our first
contestant tonight,
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19. Mr. John Carpenter.
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20. Now let's meet our star.
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21. Joining us this evening, the divine,
the purrfect, Miss Eartha Kitt.
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22. Eartha, thank you
so much for being here.
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23. Categories start on fashion.
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24. Take a look
at this photograph.
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25. Can you tell me
what kind of beard this man is wearing?
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26. I think I need a hint.
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27. Eartha?
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28. Well, I can
give you a hint.
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29. - It can also be called a Rob Petrie.
- Oh.
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30. Rob Petrie?
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31. It's a goatee,
you stupid fuck!
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32. Come on, just say it,
just say goatee.
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33. He could say goatee,
but he'd be wrong.
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34. That's not a goatee?
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35. - It's a Vandyke.
- Vandyke?
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36. "Rob Petrie"?
Get it?
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37. No, who's Rob Petrie?
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38. Yo, would y'all just fucking clam it up
so I can hear the answer?
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39. - Count!
- It's a Dick or a Vandyke.
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40. Up My Ante!
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41. Yes, television keeps us busy,
keeps us happy.
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42. anchored
by a different newsman.
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43. - I work for Jack Eldridge.
- I like Eldridge. He's a ball buster.
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44. That piece you did on heating oil,
you really tagged that corporate clown.
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45. Have a seat.
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46. We want to do a three-part series
on Oswald.
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47. You know, inside one of
America's toughest prisons.
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48. - No.
- No?
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49. Like I said, I saw what he did to that
guy, and I don't want to be that guy.
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50. What have you got to hide?
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51. Nothing. But in the four years
since we had the riot,
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52. life around here's
been rough.
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53. Attitudes are just starting
to settle down.
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54. You bring in the TV cameras,
you're gonna stir the situation up.
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55. Well, I've spoken
to the commissioner, and he's agreed.
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56. - Then I'll call the Governor.
- He also agreed.
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57. Well, if you already had permission,
if you already knew it was a done deal,
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58. - why'd you even ask me?
- To get your honest reaction.
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59. First we're gonna do
an overview of life in Oswald,
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60. then we're gonna follow
one new prisoner coming in
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61. and we will close
with Jack Eldridge
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62. spending the night
locked in a cell.
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63. - Spending the night?
- Yeah, just him and one real inmate.
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64. By the way, when does
the great man get here?
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65. Not till the day
we actually shoot.
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66. For the next few days
I'm gonna have a crew here
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67. while I do
preliminary interviews
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68. with you staff members
and as many prisoners as possible.
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69. Please understand, our goal
is to show the audience
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70. how incredibly difficult
your jobs are
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71. and to kick
"60 Minutes" in the ass.
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72. That's all.
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73. Tomorrow and for several days,
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74. a television crew
will be walking the halls
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75. taping a piece on Oz
for their news magazine.
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76. Quiet down! Quiet!
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77. Now I know when the cameras
are rolling
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78. you guys will run through
your bag of tricks— plead innocent,
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79. run scams, cry foul,
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80. or whatever else you think
is gonna get you some attention,
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81. get your faces on TV.
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82. But let me warn you,
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83. when those cameras are gone,
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84. I'll still be here.
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85. When the story airs,
I will be watching
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86. and I won't forget
what you say or what you do.
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87. That is all.
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88. Lights out!
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89. I gotta think
of some good shit to tell this jamook.
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90. He's only gonna use
the best stuff.
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91. - You gonna make shit up?
- I can't tell him the truth, can l?
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92. But I want to be on camera.
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93. Can't let these
matinee idol looks go to waste.
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94. Callate!
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95. Ay-yi-yi.
Callate.
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96. You gonna sit down
with those news people?
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97. Yes, I am.
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98. I've got a lot to say about
the conditions up in here.
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99. - What if they ask about Adebisi?
- Adebisi.
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100. The court found me innocent
of his death by way of self-defense.
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101. Even McManus testified
on my behalf.
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102. But still, the reporters—
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103. they're bound
to dig up old bones
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104. and make us Muslims
look bad.
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105. Arif, I am not afraid.
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106. - We gonna be on TV?
- I am.
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107. But if you see a camera, you duck
out of sight, all right?
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108. - Why?
- You don't remember Jack Eldridge?
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109. - No.
- Well, I do.
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110. He fucked us over, Cyril.
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111. He fucked us real bad.
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112. This might be
our chance to get even.
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113. Go to sleep.
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114. Hey, girl!
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115. Prisoner number 01W7 11,
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116. Omar White;
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117. Convicted
January 4th, 2001 ;
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118. Murder in the first degree.
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119. 75 years,
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120. up for parole in 20.
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121. Yo, that's what
I'm talking about.
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122. Check out—
look at the poontang nooky.
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123. This is Receiving
and Discharge,
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124. where prisoners come in, where prisoners
go out, unless they're in a body bag.
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125. - Okay, so which one is Omar White?
- White, Omar!
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126. Yeah, yeah, yeah,
yeah, yeah, come here.
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127. I'm Officer Murphy.
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128. This camera crew has been authorized
to follow you on your first day.
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129. - You got a problem with that?
- Oh, like, I'm gonna be on TV?
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130. - Yup.
- I ain't got no problem with that.
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131. - What, you and me, baby?
- Easy, Omar.
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132. Mr. White, you will be serving
75 years for murder.
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133. - Is that correct?
- Look, I ain't even know the bitch.
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134. I mean, why the fuck—
why would I shoot her?
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135. Well, she was the prime witness
at your cousin's murder trial.
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136. See, your mistake
was not killing that little girl, too.
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137. You think?
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138. Shit.
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139. - I mean— shit.
- Get back in line, you mutt.
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140. Who the fuck
are you calling mutt, huh?
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141. Jake Willard,
escort Mr. White back in line!
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142. Get out of my face!
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143. Hey, hey!
See what I'm saying?
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144. I'm gettin' hosed up in here!
Get your hands off me, motherfucker!
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145. Y'all don't know
who you're fucking with.
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146. So, 500 prisoners
arrive each week?
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147. - Uh-huh.
- And how many are released?
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148. Not enough.
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149. This is Emerald City,
also "Em City,"
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150. the experimental cell block
started by Tim McManus five years ago.
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151. In Em City, the prisoners are given
a lot more leeway than the rest of Oz.
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152. Hey, baby,
how about a little head?
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153. Hey, Hoyt, move along!
Jesus.
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154. Okay, the first one
I want to talk with is Tobias Beecher.
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155. Um, all right,
this way.
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156. Okay, Mr. Beecher.
The way this works is that you and l
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157. are just gonna talk
very informally, no pressure,
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158. and based on our conversation,
we'll decide
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159. if you get interviewed
by Jack Eldridge.
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160. - So the camera's not on now?
- No, yeah, it's on.
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161. - But we can turn it off if you want.
- I don't care.
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162. Okay, you came to Oswald in 1997
as a result of a DUl
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163. - vehicular manslaughter conviction.
- Uh-huh.
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164. Prior to that you were
a successful lawyer
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165. from a prominent family
with a wife and two children.
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166. How has being in prison
changed you?
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167. Well, describe some of your experiences
since coming to Oswald.
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168. Describe?
Hmm...
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169. ever read
"The Book of Job"?
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170. According to the file, at one point
your had your arms and legs broken
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171. - and in another you were stabbed.
- Yeah.
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172. You wanna see the scar?
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173. You once tied a fellow inmate
down and defecated on his face.
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174. - Yeah.
- Is that what it takes to survive?
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175. I'm not the man I was.
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176. Or maybe now I'm the man
I always was and never knew.
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177. All these incidents
involved two other prisoners,
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178. Christopher Keller
and Vernon Schillinger.
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179. Tell me about your
relationship with them.
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180. We sing
in the choir together.
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181. What's going on?
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182. Well, either he stole drugs
or he owes for drugs.
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183. So there a lot
of drugs in Oswald?
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184. Define "a lot."
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185. Well, how many people in this unit
use heroin on a regular basis?
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186. I don't know.
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187. One in two, one in three,
one in 20?
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188. I don't know.
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189. Okay, how about sex?
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190. - Is that an invitation?
- Sh— right.
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191. So, a lot
of homosexual activity?
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192. Well, by homosexual,
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193. do you mean deep-rooted love
of one man for another
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194. or guys fucking guys
in the ass?
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195. - Ass-fucking.
- Shit happens.
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196. - And the authorities?
- Frown on it,
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197. But they do
their darnedest to stop it.
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198. - As they do on the drug taking.
- Yes.
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199. - And have you?
- What?
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200. Fucked a guy up the ass?
Gotten fucked?
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201. Well, if I had,
why would I say so to you?
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202. - Tobias Beecher.
- What about him?
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203. I don't know, you tell me.
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204. We sing
in the choir together.
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205. That camera's making me so nervous,
I can't even shuffle.
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206. Give me the cards.
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207. Do I look okay?
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208. You look like you.
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209. Oh, shit.
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210. When I was on TV
after I escaped,
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211. I couldn't believe how bad I looked.
My skin was gray.
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212. Gentlemen, I'm looking for some
background information
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213. on a Tobias Beecher's relationship
with Vernon Schillinger—
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214. Get the fuck away from me!
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215. Okay, relax, Busmalis.
Come on, let's talk to somebody else.
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216. - Come on, come on, come on.
- We'll go over there.
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217. That's nice.
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218. Now all of America's
gonna see you acting like an asshole.
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219. What do you want?
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220. That news bitch was asking
an awful lot of questions.
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221. What did you tell her about me?
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222. Get the fuck
out of here.
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223. You tell her
anything about us,
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224. you tell her anything
about anything—
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225. And what, huh?
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226. What are you
gonna do?
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227. Shakedown!
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228. Later.
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229. - What up?
- Shut up, you asshole.
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230. Get the fuck
outta here.
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231. What do we have here?
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232. Come on, Briggs,
I'm taking your ass to the hole.
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233. I think
I take drugs because
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234. I know
they're destructive.
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235. I feel
unworthy of love.
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236. - Oh, Christ, what a load of shit.
- Tobias.
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237. No, well, look at him being all sincere
and cuddly because of them.
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238. - Keller's nothing but a poseur.
- Shut the fuck up, Beecher.
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239. Shut up, Beecher.
You're spoiling this for everybody.
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240. Oh, yeah, O'Reily? Oh, right, you
and Keller are butt-buddies now.
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241. Let me see, when did
that happen? When who died?
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242. - What you fuckin' sayin', huh?
- That's enough now, stop it!
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243. Turn that camera off.
Turn it off right now.
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244. Now! Turn that light off.
Off!
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245. Tobias Beecher
and Christopher Keller.
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246. - What about them?
- There's a lot of bad blood.
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247. There's a lot
of spilled blood.
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248. Why?
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249. The men in Oz
are very distressed—
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250. mentally, physically
and morally.
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251. Christopher Keller, for example,
is a sexual predator.
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252. So does that factor into
his problems with Beecher?
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253. You know, I'm really
not comfortable
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254. specifically talking
about these cases.
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255. Okay.
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256. Have you ever
been harassed?
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257. Have you ever been sexually threatened
by one of the inmates?
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258. No.
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259. No.
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260. Hey, what are we gonna
do about Beecher?
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261. - Do?
- You heard the guy in rehab.
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262. The fucker almost goes public about us
killing Shemin and Browne?
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263. He's playing around.
He would never spill all the beans.
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264. Are you're sure of this?
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265. Just his way of saying
that he still loves me.
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266. You know, the two of you
are just so fucked up, man.
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267. Whoa. Don't you hurt
Beecher, O'Reily.
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268. if you hurt Beecher,
I'm gonna have to hurt you.
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269. Don't make any threats, K-Boy.
Might put me in a bad fucking mood.
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270. Vern, check her out.
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271. - She's not my type.
- Your type?
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272. She's got a pussy,
ain't she?
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273. Yeah, and like you're gonna
get anywhere near her pussy.
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274. Unit B is your typical
cell block.
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275. - How many units are built like this?
- Uh, 10.
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276. - Hey, Vern, you're up.
- Him? What about me?
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277. I give good story.
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278. - Yeah?
- Yeah.
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279. - Maybe later.
- All right, this way, come on.
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280. So, you're
a white supremacist?
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281. You people
in the media,
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282. you love to label us.
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283. I know no matter what
I say here,
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284. you're gonna trim it
and make me look like a monster.
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285. But, I'm no monster.
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286. I'm a widower
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287. whose first son
died tragically.
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288. I'm gonna
be a grandpa.
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289. I believe in family...
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290. In America...
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291. In God.
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292. - Does that sound evil to you?
- Now your other son,
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293. Hank,
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294. has been accused of kidnapping
Tobias Beecher's children
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295. and of murdering
his son Gary.
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296. The FBI believes
you orchestrated the crime.
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297. That sounds
pretty evil to me.
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298. Lady, you don't want
to be having opinions
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299. about things that you could not
possibly understand.
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300. Oh, if I didn't know you were such
a fine, upstanding citizen,
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301. I might consider
that a threat.
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302. Yo, I got something to say.
Schillinger's a pussy.
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303. Hey, sit down.
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304. Shut your face, nigger.
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305. Hey, stop filming!
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306. Keep shooting!
Keep shooting!
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307. - Keep shooting!
- Move it, move it!
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308. Move it, that's it.
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309. So this Beecher story,
you think it has legs?
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310. Oh, yeah. Usually the less
people are willing to say,
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311. the better the story.
I just gotta figure a way in.
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312. Each prisoner is assigned
a number and photograph
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313. and then they're sent
to their respective units.
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314. - And White's going to Em City, right?
- Yeah, God help us.
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315. Here you go,
home sweet home.
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316. Come on, let's go.
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317. Yo.
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318. What, you crippled
or something?
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319. No, I'm physically challenged.
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320. - Well, you got any tits?
- No.
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321. I don't do drugs no more.
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322. - Well, you ain't no faggot or nothing?
- No!
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323. Thank God for that.
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324. Can't stand
no motherfucking faggots.
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325. Drive me crazy.
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326. - So, what now?
- It's nighty-night.
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327. Lights out!
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328. - Hey.
- The Fourth Estate is gone?
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329. - Yeah, for today.
- Any problems?
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330. Well, we had a minor skirmish
in Em City and a major battle in Unit B.
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331. - They get everything on tape?
- Oh, yeah.
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332. - Did our guys respond?
- Both incidences over in a flash.
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333. You know, I don't care if the prisoners
look bad, I just don't want us to.
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334. Well, she seems to be
mostly focusing on Beecher.
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335. - His is a cautionary tale.
- Let's hope Logan doesn't dig too deep.
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336. I wouldn't want her
uncovering any skeletons.
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337. You mean Adebisi?
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338. Among others.
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339. Television is a medium
rarely well done.
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340. My Uncle Bilbo
said that.
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341. Okay, somebody
said it first,
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342. but my Uncle Bilbo
was the first one to say it to me.
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343. Now, don't get me wrong,
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344. I love watching the news on TV—
Dan and Tom and Peter
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345. and maybe a little Jim Lehrer
if I'm feeling brainy.
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346. I flip back and forth
between news shows
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347. in hopes of catching
the same story,
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348. 'cause each news show tells a story
in a different way.
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349. ABC leaves out a fact
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350. that CBS makes a big deal of.
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351. CBS interviews its expert
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352. who totally disagrees
with NBC's expert.
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353. NBC goes in depth,
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354. while ABC gives the same story
five seconds air-time.
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355. You see, I figure if I catch
all three versions,
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356. maybe combined, I get a little
taste of the truth.
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357. Count!
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358. 88P728;
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359. 96J522;
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360. 98A498;
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361. 92M220.
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362. Yo, yo, dog.
Dog, I need your help.
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363. C'mon, man.
You know me, man.
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364. Why you wanna do me
like that, dawg?
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365. Omar, my man.
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366. Jesus Christ, you're looking
a little crispy there, brother.
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367. - I gotta get some tits.
- Wow.
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368. You know, times are lean
right now. The hacks,
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369. they're doing too good a job
keeping that shit out of Oz.
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370. Trick is you gotta
know the right person.
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371. You have
a good day.
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372. Yo, yo, yo, yo, yo.
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373. Look, I been
to every nigger up in here.
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374. Look, they think
I'm a nark, man.
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375. - Motherfucker, they don't know me.
- Hey, shh.
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376. Abracadabra.
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377. Now what you want
in exchange for this?
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378. I ain't gonna suck your dick
or nothing like that.
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379. Hey, I'm no
fucking fag.
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380. I just might need you to take care
of a little business for me.
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381. - That's all.
- I got no problem with that.
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382. Knock yourself out.
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383. Hypocrisy.
Hyp-ocrisy.
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384. That's what this is.
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385. They strip me
of my clothes, of my rights,
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386. they strip me
of my self-respect.
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387. All 'cause they say I broke the rules—
trafficking in illegals.
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388. But they— they more guilty
than I could ever be.
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389. Fucking uppity-ups.
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390. See, they don't want
us in there.
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391. Adebisi singing, snorting, suck.
And when his blood ran out,
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392. when his blood got spilled,
the truth ran out,
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393. and the wall of lies
got built.
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394. After Said greased him, fucking hacks
act like he ain't never breathed in.
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395. And the lies got buried
with his number.
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396. - You saying there was a cover-up?
- Yeah.
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397. Sheets and blankets— enough to cover
up all them high and mighties.
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398. - The warden, too?
- The warden more than most!
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399. - All right, come on, that's enough.
- You see?
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400. They're still trying
to shush me.
Copy !req
401. - You got any evidence to back this up?
- Yeah.
Copy !req
402. Yeah, there's a videotape.
Copy !req
403. Adebisi, he documented it,
just like you're doing right here.
Copy !req
404. You know what I'm saying?
Right up until the fade.
Copy !req
405. You ask O'Reily,
you ask said, you ask—
Copy !req
406. - All right, shut up. Come on, let's go.
- He's got something to say.
Copy !req
407. He's always got something to say.
Come on, let's go.
Copy !req
408. - Hypocrisy!
- Yeah, okay.
Copy !req
409. - Conspiracy!
- Right.
Copy !req
410. Take a nap.
Copy !req
411. Jack...
Copy !req
412. I found our story.
Copy !req
413. I'm not sure about
all the details yet,
Copy !req
414. But something happened
surrounding the death of an inmate.
Copy !req
415. Yeah, and evidently
it's on videotape.
Copy !req
416. Well, the sooner
you get here, the better.
Copy !req
417. Officer Murphy—
Copy !req
418. You ready?
You're gonna love death row.
Copy !req
419. Yeah, rather than do that,
Copy !req
420. I wanna go back and interview
a couple of prisoners again.
Copy !req
421. Okay.
Copy !req
422. - And I'd like to do so in private.
- Private?
Copy !req
423. - Without you present.
- That's not gonna happen.
Copy !req
424. Don't worry,
I'll get permission.
Copy !req
425. She asked to see Said and O'Reily again?
What's she want with them?
Copy !req
426. Murphy thinks it might have
to do with Adebisi's death.
Copy !req
427. - But O'Reily wasn't involved with that.
- I know.
Copy !req
428. - I miss Mama.
- So do l.
Copy !req
429. Why'd she have
to die, Ryan?
Copy !req
430. I told you a thousand times,
Cyril, the cancer ate her up.
Copy !req
431. Hey, Miss Sally's on TV.
Copy !req
432. Why don't you
go watch, okay?
Copy !req
433. Please?
Copy !req
434. - All right.
- Okay.
Copy !req
435. How's it going, cuz?
Copy !req
436. - I need some more tits.
- Whoa.
Copy !req
437. I ain't got
a never-ending supply, you know?
Copy !req
438. Just a little bit, just till I feel
a little better, you know?
Copy !req
439. You know, it's too bad
you got here when you did.
Copy !req
440. Six months ago, we had tits coming out
of our fucking asses.
Copy !req
441. When this guy Adebisi
ran the operation,
Copy !req
442. - the well never ran dry.
- What happened to him?
Copy !req
443. He got shanked.
But that's not the point.
Copy !req
444. When he died,
Copy !req
445. the spicks and the wops,
they took over everything.
Copy !req
446. And between you,
me, and this sink,
Copy !req
447. they're doing
a half-assed job.
Copy !req
448. - How come brothers don't organize?
- They should.
Copy !req
449. They need a leader. I mean, right now
all they got is this fool, Poet.
Copy !req
450. - He's a complete come-stain.
- I know, I used to run my block.
Copy !req
451. Well, there you go.
Maybe you should step up,
Copy !req
452. - Huh?
- Yeah.
Copy !req
453. Come here.
Copy !req
454. - Have some.
- Shit yeah.
Copy !req
455. You see, to get anybody's
attention around this place,
Copy !req
456. - you gotta do something large.
- Large?
Copy !req
457. Yeah, like Adebisi.
He was large and in charge,
Copy !req
458. bigger than life,
feared by one and all.
Copy !req
459. Yeah, well, that's what I want.
I want 'em to fear me.
Copy !req
460. Then you gotta
kill somebody,
Copy !req
461. but not just anybody.
You gotta go huge...
Copy !req
462. monumental.
Copy !req
463. Somebody...
Copy !req
464. - famous?
- Like who?
Copy !req
465. All right, who's next?
Come on through, lady.
Copy !req
466. Step over here,
open your purse. Next!
Copy !req
467. Put all metal objects
in there. And you're visiting?
Copy !req
468. Peter Thorpe.
Copy !req
469. Go through again.
And your name is?
Copy !req
470. - Helen Keating.
- And the watch.
Copy !req
471. Christ, what do you think I'm trying
to smuggle in, a fucking bazooka?
Copy !req
472. Oh, officer,
can you, please...
Copy !req
473. Ah, Tom.
Listen, he's okay. Let him in.
Copy !req
474. Oh, why didn't you say?
I'm a big fan.
Copy !req
475. Yeah. Oy, oy!
Wake up.
Copy !req
476. - Jack?
- Yeah?
Copy !req
477. - This is Ryan O'Reily.
- Uh-huh.
Copy !req
478. - Jack Eldridge.
- Oh, how do you do?
Copy !req
479. Hi. You don't
remember me,
Copy !req
480. - do you?
- No, I'm afraid not. Have we met?
Copy !req
481. - About 20 years ago.
- Oh, well, you'd understand then.
Copy !req
482. Yeah, you must meet so many people
in this job, right?
Copy !req
483. - What were the circumstances?
- It's not important.
Copy !req
484. - Oh.
- Okay, Ryan. Comfortable?
Copy !req
485. Ah, yes.
Copy !req
486. And we are... rolling.
Copy !req
487. Where were you
when Adebisi died?
Copy !req
488. The common room.
Copy !req
489. Any inkling as to what
was gonna happen to him?
Copy !req
490. No, no. As far
as I could see, Said and Adebisi,
Copy !req
491. they were
getting along just fine.
Copy !req
492. Okay, so walk me
through this.
Copy !req
493. - You were in the common room...
- Doing nothing.
Copy !req
494. And?
Copy !req
495. I heard this noise
from Adebisi's pod...
Copy !req
496. and he had these white curtains
hanging up in the room, and, poof...
Copy !req
497. it just went red with blood everywhere,
splattered. And then Adebisi,
Copy !req
498. He falls out of the pod,
down on the ground, dead.
Copy !req
499. And Said follows out
Copy !req
500. with the shank
still in his hand.
Copy !req
501. - Have any idea what led to the fight?
- No.
Copy !req
502. All right.
Copy !req
503. You told me there were curtains on
the windows of Adebisi's pod.
Copy !req
504. - Is that unusual?
- Yes.
Copy !req
505. - Was Adebisi privileged?
- Privileged?
Copy !req
506. Was he allowed to get away with things
the rest of you weren't?
Copy !req
507. Hold on for a second.
Excuse me.
Copy !req
508. Wanna kill
these things?
Copy !req
509. Sure. Dell, guys, cut.
Copy !req
510. What's the problem?
Copy !req
511. You want this knowledge,
you're gonna have to pay.
Copy !req
512. We don't pay informants.
Copy !req
513. - Then I'm not saying another word.
- Ryan, in the prescreen you said
Copy !req
514. - you would tell everything you know.
- Look, it's gonna cost me.
Copy !req
515. The warden's gonna be up my ass
like one of them proctoscopes.
Copy !req
516. All I'm looking for here
is a little compensation.
Copy !req
517. No! Get the fuck out.
Copy !req
518. Suit yourself, Mr. Eldridge.
Pleasure to see you again.
Copy !req
519. You bastard.
Find out where the fuck I know him from.
Copy !req
520. - How am I gonna do that?
- Well, use your head!
Copy !req
521. I certainly didn't meet O'Reily at
a cocktail party on the Upper East Side.
Copy !req
522. 20 years ago, I bet I did
a story on him. Track it down!
Copy !req
523. Commendable work, love.
Nice fucking interview.
Copy !req
524. A pleasure
meeting you finally.
Copy !req
525. - I've admired you for years.
- Thank you.
Copy !req
526. The feeling
is mutual.
Copy !req
527. I've read
both your books.
Copy !req
528. Well, actually
there are three.
Copy !req
529. I've always felt
that your conviction
Copy !req
530. was politically motivated.
Copy !req
531. Gentlemen?
We're ready if you are.
Copy !req
532. Well, just relax,
speak your mind.
Copy !req
533. Minister Said,
you murdered Simon Adebisi.
Copy !req
534. No, l, um—
Copy !req
535. defended myself.
Copy !req
536. He attacked me
with a knife.
Copy !req
537. Why?
Why did he attack you?
Copy !req
538. I was under the impression
Copy !req
539. that we were gonna talk about
the conditions in Oz.
Copy !req
540. Well, isn't this one of the conditions?
Brutality, senseless violence?
Copy !req
541. Was his attack
on you unmotivated?
Copy !req
542. No.
Copy !req
543. So you said something to him,
you did something to him.
Copy !req
544. I'm a Muslim. I did not agree
with some of the ways
Copy !req
545. that Adebisi
was conducting himself.
Copy !req
546. Then why did you ask
to move into Adebisi's pod?
Copy !req
547. You see,
I have here a form
Copy !req
548. signed by you,
requesting the change.
Copy !req
549. if you hated
Adebisi so much—
Copy !req
550. - I didn't say I hated him.
- Then why live with such an animal?
Copy !req
551. I was trying
to save him.
Copy !req
552. And yet instead
you killed him.
Copy !req
553. What about the videotape
documenting Adebisi's conduct?
Copy !req
554. You know, right now
I would like
Copy !req
555. to move past this
particular conversation
Copy !req
556. and speak about
the larger issues.
Copy !req
557. Do you deny that
there's a videotape?
Copy !req
558. Every day we suffer
Copy !req
559. fundamental
civil rights abuses.
Copy !req
560. The tape, sir,
yes or no?
Copy !req
561. I am done
talking with you.
Copy !req
562. Minister, we are only
trying to get the facts.
Copy !req
563. That part of
the story is over.
Copy !req
564. Don't you understand?
Copy !req
565. Adebisi is dead.
Copy !req
566. Adebisi is irrelevant.
Copy !req
567. Nothing that brings about
the death of a man is irrelevant.
Copy !req
568. You want us to hear
what you have to say, fine.
Copy !req
569. You have to tell us
what we need to know first.
Copy !req
570. And then which part
will be aired?
Copy !req
571. They're definitely working
the angle on Adebisi.
Copy !req
572. His death?
Copy !req
573. Nope, what went on
before that.
Copy !req
574. Poet told them about the videotapes
that Adebisi made.
Copy !req
575. Christ.
Copy !req
576. Yeah, and they're trying
to verify that the tapes exist.
Copy !req
577. - Maybe we should pull the plug.
- I can't do that.
Copy !req
578. I spoke to both
the commissioner and the governor
Copy !req
579. And they feel if we back out now,
it'll only look worse.
Copy !req
580. And since I never told either of them
about the videotapes—
Copy !req
581. Well, I sure as hell
can't tell them now.
Copy !req
582. Well, you may
have to, Leo.
Copy !req
583. The truth may
have to come out.
Copy !req
584. - Hey.
- Hey.
Copy !req
585. So, you got
information for me?
Copy !req
586. I can't go on camera
and say the things that need to be said.
Copy !req
587. Why not?
Copy !req
588. Because it'll be the end
of Leo's career
Copy !req
589. and the Governor will
have enough ammunition
Copy !req
590. to close down
Emerald City permanently.
Copy !req
591. Okay.
Copy !req
592. So, then what would you
be willing to say?
Copy !req
593. On camera, nothing.
Copy !req
594. But as deep background...
Copy !req
595. the guy you want to go
after is Martin Querns.
Copy !req
596. He ran Emerald City
after you.
Copy !req
597. And what about
that videotape?
Copy !req
598. Have you seen it?
Copy !req
599. Has Glynn?
Copy !req
600. Come on. Talk to me.
Copy !req
601. What you're asking me
to do is betray a friend.
Copy !req
602. Friend?
Copy !req
603. He fired you.
Copy !req
604. With good reason.
Copy !req
605. And he gave me
back Em City.
Copy !req
606. Like I said,
go after Querns.
Copy !req
607. Leo, what the fuck
is going on?
Copy !req
608. I get a call asking me
if I'm willing
Copy !req
609. To be interviewed by
Jack fucking Eldridge?
Copy !req
610. They found out what went on in Em City
when you were in charge.
Copy !req
611. - They heard about the videotapes.
- Fuck.
Copy !req
612. When you asked me to resign, you said no
one would ever know the reason,
Copy !req
613. that we were gonna keep it internal so
that neither one of us would get hurt.
Copy !req
614. Refuse to do
the interview. I did.
Copy !req
615. Fine.
Copy !req
616. Where are
the videotapes?
Copy !req
617. In a safe place.
Copy !req
618. What are you keeping them around for?
Destroy the tapes, Leo.
Copy !req
619. Destroy the goddamn
motherfucking tapes now!
Copy !req
620. Warden.
Copy !req
621. Mr. Eldridge.
Copy !req
622. So, I understand you've canceled
our interview.
Copy !req
623. - That's right.
- May I ask why?
Copy !req
624. You can ask.
I won't answer.
Copy !req
625. Come on,
off the record,
Copy !req
626. between two guys
holding their dicks.
Copy !req
627. When I was thinking of running
for Lieutenant Governor,
Copy !req
628. I spent too much time
in front of the camera.
Copy !req
629. Between you and me,
off the record,
Copy !req
630. that's bullshit.
Copy !req
631. - You've spent how many years at Oswald?
- Too many.
Copy !req
632. Yet it would bother you
to leave, right?
Copy !req
633. To quit?
Copy !req
634. To be forced out
because of some indiscretion?
Copy !req
635. Because some mishandling
of the job was exposed on TV?
Copy !req
636. I've spent my entire life
punishing people,
Copy !req
637. and over the years,
I've had to make choices.
Copy !req
638. Some were good
and some led to violence.
Copy !req
639. Lives have been lost
and l...
Copy !req
640. I wonder, could I have
stopped the carnage?
Copy !req
641. Simon Adebisi,
Copy !req
642. could you have
prevented his death?
Copy !req
643. Yes.
Copy !req
644. Balls-on truth,
I should be fired.
Copy !req
645. But I'm afraid
whoever they bring in
Copy !req
646. to replace me would
only be worse.
Copy !req
647. It's a terrible thing
to reach this point
Copy !req
648. and realize your whole life
has been a sham.
Copy !req
649. So for a man whose job
is meant to punish others,
Copy !req
650. you ultimately punish yourself
more than anyone.
Copy !req
651. Off the record?
Copy !req
652. Yes.
Copy !req
653. No comment.
Copy !req
654. Lisa.
Copy !req
655. What?
Copy !req
656. - The Adebisi story, it's a dead end.
- What? Jack, no.
Copy !req
657. My instincts tell me that no one is
gonna come forward with the facts.
Copy !req
658. We've faced tougher resistance than this
before. I can get McManus to crack.
Copy !req
659. Some people do things for malicious
reasons. This prison is full of them.
Copy !req
660. I don't think Leo Glynn is one. He's
imperfect, but he's not incompetent.
Copy !req
661. That is no reason not
to expose what happened here.
Copy !req
662. - A man died.
- Yeah, from all appearances, a bad man.
Copy !req
663. You're making judgments now?
What, he isn't as important as the Pope?
Copy !req
664. Don't get high and mighty with me.
I've brought presidents,
Copy !req
665. serial killers,
corporate giants to their knees.
Copy !req
666. - And now's not the time to go soft.
- I'm going home.
Copy !req
667. Big day tomorrow.
Copy !req
668. You're making a mistake, Jack.
Letting this story go is a mistake!
Copy !req
669. Yeah, probably, but you know,
every once in a while,
Copy !req
670. even a newsman
has to have a heart.
Copy !req
671. Hey, can I have your
autograph, Mr. Brokaw?
Copy !req
672. What a dick.
Copy !req
673. Journalists are supposed
to be impartial.
Copy !req
674. They're supposed to keep their
personal opinions to themselves.
Copy !req
675. However, on TV, we know
what the reporter is feeling.
Copy !req
676. We see Sam Donaldson
or Andrea Mitchell
Copy !req
677. giving us the facts,
Copy !req
678. but with the camera
that close up,
Copy !req
679. we can also tell
by a raised eyebrow,
Copy !req
680. a tiny inflection,
Copy !req
681. what they really think
about the person
Copy !req
682. who they're
reporting on.
Copy !req
683. Now, Walter Cronkite,
he had the poker face.
Copy !req
684. Nobody ever knew what
old Walt was thinking.
Copy !req
685. So while he was
telling the truth,
Copy !req
686. he was also lying
to the camera.
Copy !req
687. That's genius!
Copy !req
688. Yo, yo, yo, O'Reily,
O'Reily, my man.
Copy !req
689. Yo. I forgot
to thank you, man,
Copy !req
690. for getting me put down
in this cafeteria. This shit is dope.
Copy !req
691. Oh, hey, no problem, cuz.
Hey, come here.
Copy !req
692. I got a little
something for you.
Copy !req
693. Hey, little morning
pick-me-up.
Copy !req
694. We call it
"the duster." Yeah.
Copy !req
695. So, Omar, I hear
you're the lucky fuck
Copy !req
696. who's gonna spend the night
in the cell with Jack Eldridge.
Copy !req
697. I'm gonna be a TV star,
shit, like... Martin Lawrence
Copy !req
698. or Bart Simpson and shit.
This shit is good, man.
Copy !req
699. Have some more.
You know, I just hope
Copy !req
700. he doesn't disrespect you,
that's all.
Copy !req
701. Dis me?
How he gonna dis me?
Copy !req
702. Well, I overheard him
telling somebody yesterday
Copy !req
703. - that you were a faggot.
- Yeah?
Copy !req
704. Yeah, that's what
he said.
Copy !req
705. - Faggot?
- Yeah.
Copy !req
706. - I ain't no motherfucking faggot!
- Omar, Omar, Omar, hey!
Copy !req
707. I know that,
Copy !req
708. but you know
them news media cocks,
Copy !req
709. they love
to twist shit around.
Copy !req
710. You know, they don't
give a fuck about the truth.
Copy !req
711. They make a guy look the way
they want him to look
Copy !req
712. for the sake of their story,
to boost the ratings.
Copy !req
713. Ratings?
Fuck the motherfucking ratings.
Copy !req
714. This motherfucker ain't calling me
no faggot!
Copy !req
715. But the funny thing is, is the tabloids
say that Eldridge is actually a faggot.
Copy !req
716. I heard that somewhere,
I know.
Copy !req
717. He's like one of them
closet cases, you know?
Copy !req
718. But to cover up
his shame,
Copy !req
719. he's gonna skunk you
on national television.
Copy !req
720. No.
Copy !req
721. - Hey, O'Reily.
- Huh?
Copy !req
722. - Those eggs ain't gonna fry themselves.
- I'm coming.
Copy !req
723. - Okay, let's go, man.
- I know, I'm coming.
Copy !req
724. Hey, if I were you,
Copy !req
725. tonight when I was alone
with that cocksucker,
Copy !req
726. I'd teach him a thing or two
about being a real man. Enjoy that.
Copy !req
727. - Hello, hello.
- Mr. Eldridge.
Copy !req
728. Hello, Lisa.
Copy !req
729. Jack.
Copy !req
730. What did you find out
about Ryan O'Reily?
Copy !req
731. When he was 16, you did
a piece on urban gangs,
Copy !req
732. about how the black kids were taking
over the turf of the whites,
Copy !req
733. - especially the lrish.
- I interviewed O'Reily?
Copy !req
734. Yeah, and his brother Cyril.
Copy !req
735. Here are
the transcripts.
Copy !req
736. Lisa.
Copy !req
737. I don't have time
to read that.
Copy !req
738. Did Jack make
O'Reily look bad?
Copy !req
739. I reviewed the tape
last night and yeah,
Copy !req
740. the O'Reilys came off
as being brutal, heartless.
Copy !req
741. I want to
see that tape.
Copy !req
742. Let's go,
come on in.
Copy !req
743. Watch the paint.
Copy !req
744. At 5:00, all the prisoners are locked
down in their cells. 9:00, lights out.
Copy !req
745. - Until?
- 6:00 am.
Copy !req
746. Oh, Mamacita.
Copy !req
747. Keep it in your pants, Guerra.
Let's go, keep a-moving.
Copy !req
748. Jesus.
Copy !req
749. There he is.
There's the fuck.
Copy !req
750. - Omar, just chill out till tonight.
- No, the bitch is mine.
Copy !req
751. Hey, Omar!
Copy !req
752. - Wait, wait, wait, wait.
- Get the fuck off me.
Copy !req
753. Hey, hey, hey!
Hey, you!
Copy !req
754. You fuck.
Copy !req
755. - You fuck.
- What's your problem, White?
Copy !req
756. - I got your punk for you, all right?
- White, what's your problem?
Copy !req
757. What's my problem?
He's my problem!
Copy !req
758. I got another problem,
too, all right?
Copy !req
759. This! This is
my fucking problem!
Copy !req
760. - Hey, hey, hey, relax, man.
- Calm down, White. Let's go.
Copy !req
761. Fuck!
He's got a knife.
Copy !req
762. Central, this is 11,
we got a 66. Lockdown!
Copy !req
763. Mineo, you Guinea fuck,
you want some more?
Copy !req
764. Put down the shank!
Copy !req
765. Come on, you fucking bitch!
Come on, I'll fuck you up!
Copy !req
766. Motherfuckers!
Copy !req
767. Motherfuckers!
Copy !req
768. Motherfuckers!
Copy !req
769. God damn it.
Copy !req
770. This is exactly why I didn't want you
here in the first place.
Copy !req
771. I think at the very least
you ought to postpone.
Copy !req
772. No, by postpone, you mean
never reschedule.
Copy !req
773. Our concern is for
your safety, Mr. Eldridge.
Copy !req
774. I've been at this game
a long time. I can take care of myself.
Copy !req
775. So we're gonna go ahead with it tonight?
You're gonna sleep in a cell?
Copy !req
776. Yes, but now we have to find someone
else to match up with Jack.
Copy !req
777. Well, we could put you
in a cell alone.
Copy !req
778. Ted Koppel did that on "Nightline."
It was horseshit.
Copy !req
779. Then who?
Copy !req
780. I've been reading the files
on the O'Reily brothers.
Copy !req
781. The younger one, Cyril,
Copy !req
782. he's now brain damaged
and under medication
Copy !req
783. to control his actions.
I choose him.
Copy !req
784. I don't want my brother
involved with this, okay? I refuse.
Copy !req
785. O'Reily, we don't
have a choice.
Copy !req
786. Let's just try to make it through
the night and pray for the best.
Copy !req
787. You know what? You pray.
Say a whole fucking rosary.
Copy !req
788. You tested the camera?
Copy !req
789. - Twice. We're good to go.
- All right.
Copy !req
790. - Lock me up.
- Wish you'd let the SORT team be here.
Copy !req
791. No, I want this to be like
any other typical night.
Copy !req
792. Here we go.
Copy !req
793. Hello, Cyril.
I'm Jack Eldridge.
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794. Hello.
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795. Jack, you ready?
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796. You're on.
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797. It's 5:00 pm
and already—
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798. It's only 5:00 pm,
but the prisoners
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799. of Emerald City are already
in lockdown for the night,
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800. two to a cell with nothing,
but a pair of beds,
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801. a sink,
and a toilet.
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802. The room is about the size
of the average American bathroom
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803. and it smells
like one as well.
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804. lmagine, if you can,
spending the rest of your life
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805. locked up with a complete
stranger in your bathroom.
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806. Who you talking to?
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807. Well, that camera,
which I want you to ignore.
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808. So, this evening, here we
at Oswald Penitentiary.
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809. Jack, you gotta move to your left.
You're blocking him. That's good.
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810. - What do you do before lights out?
- Wait.
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811. - For what?
- The lights to go out.
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812. Um... here.
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813. And then?
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814. Um...
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815. I say my prayers
and sleep.
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816. And what
do you pray for?
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817. Oh, I pray to Jesus
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818. that Ryan will be safe
and Aunt Brenda,
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819. and my daddy
will smile
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820. and they'll take care
of my mama in heaven.
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821. Your mother died?
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822. Years ago in
the hospital.
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823. I hate hospitals.
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824. I hate the smell
of hospitals.
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825. - And the medicine tastes bad.
- Yeah.
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826. Ryan tells me to
take my medicine,
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827. but I don't sometimes,
like today.
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828. What about, uh,
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829. before the accident?
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830. Do you remember
anything about that?
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831. There are flashes
once in a while...
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832. like now...
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833. I see you...
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834. and I think
maybe I know you.
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835. We met many years ago.
You were 15.
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836. You, your brother and l, we talked
about your lives in the gang.
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837. You made Mama sad.
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838. You made Mama cry.
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839. You gave
my Mama cancer.
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840. Holy shit!
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841. Central, this is 11.
We got a 66.
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842. Ryan said at the grave
that you gave my mother cancer.
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843. No!
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844. Cyril!
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845. You gave my mama cancer!
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846. Cyril!
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847. You gave
my mama cancer!
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848. Cyril!
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849. Cyril!
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850. Cyril!
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851. Mama!
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852. Ryan!
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853. Cyril!
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854. Jack! Jack! Jack!
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855. - Oh, Jack!
- Did you— Lisa, did you—
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856. - What? Did I what?
- Did you get it all on tape?
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857. Television has the power
to enlighten, to inform,
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858. to lay the bare truth
before the eyes of the public.
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859. Television is an
extraordinary gift,
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860. as much a miracle
from God as Lazarus
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861. rising from the dead.
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862. But do we use
the gift wisely?
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863. Have we ever?
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864. News anchor Jack Eldridge
became a part of his own story yesterday
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865. as what many industry insiders called
a ratings stunt backfired.
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866. Convicted murderer
Cyril O'Reily
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867. brutally beat Eldridge,
causing the veteran reporter
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868. to suffer a severe concussion,
four broken ribs and a punctured lung.
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869. He remains at Benchley Memorial
in critical condition.
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870. Despite the objections
of Eldridge's producer, Lisa Logan,
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871. the network has decided
not to air what was intended
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872. to be a three-part series
on life inside
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873. Oswald's Maximum
Security Prison.
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874. The Emmy and Peabody
Award-winning Logan
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875. resigned in protest.
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876. We all wish Jack
a speedy recovery.
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