1. These are fan letters.
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2. Wow, that's a lot!
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3. It's pretty rare to get so many.
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4. People are writing their impressions on the net, so there are more emails.
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5. Perhaps because they heard of this "mysterious middle school writer"?
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6. Of course, the book itself is their main focus.
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7. There's even another run of it being printed, after all.
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8. Okay! Thank you!
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9. Also...
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10. It's only something I heard, but...
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11. So this way, it becomes more exciti—
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12. What?
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13. Into an anime?
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14. sonna yasashiku shinai de donna kao sureba ii no?
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15. Don't be so nice to me, I just don't know how to react
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16. tsumikasaneta kotoba de
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17. With all these words piling up,
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18. mienai yo kimi no yokogao
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19. I can't even see your face
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20. dokodakke? nakushita kagi ha mitsukaranai mama de
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21. Where is it? I lost my key, now I can't find it
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22. tameiki... surechigai ni iji hatte tsukarechau
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23. Sigh, I'll burn out if I keep acting like this whenever we fight
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24. hon no sukoshi chikaku kimi to no kyori ga
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25. Maybe we're close? I just can't figure out
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26. umaku tsukamenainda ato chotto na no ni
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27. Just how far away I am, even though you're right there
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28. sonna yasashikushinaide hora mata kizutsukeatte
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29. Don't be so nice to me, see? We hurt each other again
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30. tsumikasaneta uso de mou ugokenakunatteru
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31. With all these lies piling up, I can't even move
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32. sugu ni ai ni ikitai kedo kotoba ha mitsukaranai shi
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33. I want to see you now, but I don't know what to say
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34. saigo no ichi pe-ji kurai kimi ni ha egao misetai
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35. If this is the end for our story, I want you to see my smile
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36. There's No Way My Little Sister
Could Get an Anime
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37. Oh, so your story is going to be on TV?
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38. I guess, yeah.
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39. There's still a lot that I need to decide on, though.
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40. I'm guessing it's an anime?
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41. That's right.
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42. Sounds fun...
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43. I didn't think you'd have that kind of talent, too.
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44. I've been pretty busy doing other things,
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45. so I don't know when we'll be able to hang out.
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46. Sorry.
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47. Oh, I see.
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48. Also, can you keep it a secret please?
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49. I wouldn't want this to spread around school.
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50. It'll be our secret!
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51. Are you guys lesbians or something?
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52. Don't say stuff like that, Kanako.
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53. You know, I saw the TV rankings yesterday.
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54. There's something about an otaku novel?
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55. A junior high girl wrote it or something.
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56. My City?
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57. That!
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58. That thing's super famous.
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59. It's already being bought out to hell and back.
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60. Damn, it's so annoying!
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61. Maybe I should write something, too.
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62. Have you written anything like it before?
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63. Nah.
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64. Wouldn't writing an eroge be easy?
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65. It's not that easy, right?
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66. Y-Yeah.
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67. Congratulations again on your anime!
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68. Well it's not for sure yet...
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69. Though that said, there's no way they won't go with it!
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70. So which is it?
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71. MediAscii must be pretty desperate to have even considered picking up your delusional pileup novel thing.
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72. What's that?
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73. Do I hear jealousy?
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74. Feeling the weight of a loser wannabe being beaten out to getting a debut and an anime?
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75. If you don't shut up, I'm going to write "anime otaku use only" on that huge forehead of yours.
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76. What do you mean "use"?
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77. I'm not allowed to say something that indecent in public.
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78. Why you—
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79. Now, now, now...
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80. So Miss Kiririn, what did you call us together for?
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81. Well basically, today is the first meeting with the anime staff.
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82. Okay...
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83. So I was thinking, if you guys wanted to so badly, I could let you come along.
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84. Why exactly do we have to accompany you to your meeting?
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85. Like I said, you guys know about the studio, staff, and voice actors, right?
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86. I'm giving you a chance to support me with that stuff in the meeting!
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87. It's pretty rare to see you nervous.
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88. So that's why you want us to come along?
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89. D-Don't be stupid!
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90. Who'd get nervous over a silly little meeting?
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91. Here's your Justeen!
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92. Who's in charge of this?
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93. A lady named Fate-san.
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94. Fate?
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95. That's actually her real name.
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96. She's a quarter, and her name is Iori Fate Setsuna.
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97. What a cool name...
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98. Understood!
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99. I'll accompany you, if you want.
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100. What about you?
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101. If you come, I'll introduce you to Fate-san.
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102. For me, it's not really a question of what I'll get out of it,
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103. but my schedule happens to be open today, so I'll come along just for you.
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104. Be thankful you're so lucky.
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105. You're seriously annoying.
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106. The staff is already here.
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107. Ah, okay.
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108. Excuse me.
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109. Don't be so nervous!
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110. You're infecting me with it!
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111. I'm not nervous at all.
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112. The purpose of today's meeting is to have a chance to talk about the "My City" anime.
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113. So to start with, how about we discuss the general direction we want to take with it?
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114. These two here are Rino-sensei's assistants.
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115. I had them accompany me.
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116. I figured it'd be good to have opinions from the readers.
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117. I see, that makes sense.
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118. My name's Saori.
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119. I'm Kuroneko.
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120. When exactly did I become your assistant?
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121. Calling me that sullies my name.
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122. You needn't mind us. Please go ahead with the meeting.
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123. So how about we start with the director?
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124. Alright.
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125. Do you have anything in particular you want with regards to the anime?
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126. Um... well...
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127. I wrote some notes yesterday for today's meeting.
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128. Notes?
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129. Yes!
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130. First, here's a list of the characters' voice actors.
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131. We can't do this without Hoshino-san!
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132. She has the exact image I had in mind when I was writing!
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133. Also, I'd like Burigaki-san for one of the sisters.
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134. And Youhei-san too!
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135. I heard her in Meruru, and she has a great voice!
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136. And I was thinking Chuuganji-san would be great to have for character design.
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137. His takes on copyright characters are always full of ero.
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138. Also, the idea just occurred to me, but would it be possible to change the opening and ending every episode?
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139. So, 52 songs total.
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140. It'll be such an awesome hit!
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141. And how about doing "My Star" for number 001?
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142. I wrote this story for the net, but I'm sure the audience would be in tune with it!
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143. Ah, for the soundtrack, I had a hard time deciding between Garyuu-san and Yoroi-san,
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144. but maybe we can have them collaborate?
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145. It'd be great to have all the voice actors for the sisters sing together!
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146. I just thought of it, but maybe we could get a bunch of different manga artists and illustrators to do the character designs!
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147. Maybe if we ask them from Raigeki Bunko's side...
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148. And having end cards would also be great!
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149. Also, this story starts in Shibuya, so could we use real shops in those scenes?
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150. Like a homage to the original?
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151. Also, Director, you did MoeSis too, right?
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152. Can we get Bakkoin-san to do the animation for this?
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153. I love the way he makes things move so smoothly!
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154. Oh, and when you show panties on screen, you normally have to block it with shadows or light, right?
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155. So for this, how about we say they aren't panties, but some kind of survival gear instead?
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156. And lastly, for the credits, could you use "Super Original Work" instead of just "Original Work"?
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157. Understood...
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158. We'll take all that into consideration.
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159. Ah, there is one thing we need to mention.
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160. This is going to be a half season—13 episodes.
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161. Were you planning on it being a full season?
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162. W-Well...
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163. Right now the base work is only one volume.
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164. We plan to take that and add some anime-original episodes to pad it out.
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165. Oh, okay...
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166. I'll think up some additional content then...
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167. Um...
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168. You don't have to do it right now.
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169. Oh! I have notes for a character that I never ended up putting in the book, so we could use that...
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170. I'll give it a read.
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171. But I think restructuring the content, decreasing character details, and creating a backbone for the world may be enough to pull us through.
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172. I-I see...
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173. Indeed.
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174. Also, about the schedule...
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175. We're planning the broadcast for the July season.
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176. What's wrong?
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177. That's pretty soon...
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178. That's why changing the opening or ending will be pretty difficult at this point.
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179. Putting that energy into improving the main feature's quality may be better for its success on TV.
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180. Oh... I see...
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181. In regards to the voice actors...
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182. I'm glad you have an image in mind for them,
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183. but given their schedule, it may be necessary to use people who aren't on your list.
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184. I hope you can understand.
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185. I see...
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186. And as for the story...
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187. I have some questions I'd like to ask.
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188. Yes?
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189. Why do all these little sisters come to like the main character?
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190. Well...
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191. Because she saved their lives?
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192. But the main character is a girl.
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193. Yes...
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194. Why?
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195. I wonder...
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196. Because the author is projecting herself onto her, obviously.
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197. Miss Kuroneko!
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198. What do you think about changing the main character to a male lead?
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199. I'm back.
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200. Hey! What the hell?
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201. Hey...
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202. What happened?
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203. Shut up...
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204. Hey!
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205. What's wrong?
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206. Kirino!
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207. She's still in bed?
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208. Sheesh.
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209. Both her body and mind are just so weak.
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210. It's understandable though...
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211. They completely turned around all her ideas,
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212. so it probably came as quite a shock to her.
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213. I suppose that's a natural reaction when you see the story you worked so hard on get turned upside-down.
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214. I don't really get it...
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215. Why didn't anyone want to hear her ideas?
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216. It's her book they're turning into an anime, right?
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217. That's true, but the process of creating an anime involves a huge number of people at great cost.
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218. They have to release an episode once every week.
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219. It'd be unrealistic to let one person have their way with everything.
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220. It's a different league from books or manga where you can do all the work solo.
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221. If the author doesn't like it, they can turn down the whole anime project, but...
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222. You feel like you want to watch it, despite your gripes.
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223. What a hassle.
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224. Mr. Kyousuke...
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225. I actually looked into it a bit...
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226. It would seem that this whole project was only decided very recently, after a different anime was suddenly cancelled.
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227. I thought as much.
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228. It seemed far too aggressive, pushing an anime for a new work with only one volume on sale.
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229. So basically...
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230. They're just using this to fill in a gap?
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231. To put it bluntly, yes.
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232. So that's why they're ignoring Kirino's opinions and just bulldozing forward with production...
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233. That's definitely a possible explanation.
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234. That really sucks.
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235. Though again, it's just what I heard.
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236. I don't really get this kind of stuff, but isn't having the story you worked so hard on trampled all over really unfair?
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237. Of course it is.
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238. What should we do?
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239. You're suggesting we do something?
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240. Is there any other choice?
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241. If we don't, her anime is going to be a total mess.
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242. Wouldn't that be a job for your sister?
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243. The one you hate so much?
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244. That's right, I hate her.
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245. But I can't leave this one alone.
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246. It pisses me off too much.
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247. I don't know what, but I feel like I need to do something.
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248. Mr. Kyousuke...
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249. I feel the same way.
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250. Don't misunderstand.
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251. I'm just following along because I'm bored.
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252. Her brother?
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253. Thank you for looking after my sister.
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254. She's in bed sick today, but I asked her for her opinions.
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255. Please let me stand in.
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256. O-Okay...
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257. She already sent me her opinions on the plans though...
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258. She came up with more besides those.
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259. There shouldn't be any problem.
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260. They get along well enough to know how each other thinks.
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261. Please treat his opinions as hers.
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262. And you two came today too?
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263. Her brother?
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264. Sorry for the change.
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265. He's received instructions from the author.
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266. Please treat him as her proxy.
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267. I see...
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268. You still have time.
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269. Tuck your tail and run?
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270. Just watch me.
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271. We made these changes based on comments made at the last meeting.
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272. Given that most fans of the book are male, I think we should change the main character to a young man.
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273. With a young man and little sister characters as the cast, the whole "Onii-chan" theme becomes more realistic.
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274. The viewers will find it easier to project themselves onto the main character.
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275. That sounds good.
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276. We have a comment from the author about that.
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277. What is it?
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278. If possible, she wants to keep the main character as a girl.
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279. Any reason?
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280. She didn't give one in particular...
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281. Um, if I may?
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282. Yes?
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283. I'm not sure myself, but I think that's a major point for her.
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284. I think she has some meaning in mind behind the idea of girls getting along with girls...
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285. Damn, what am I saying?
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286. And what might that be?
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287. Um... well...
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288. I can't really put it into words myself...
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289. Then I can't really see it.
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290. Excuse me.
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291. Having both the hero and the ones being saved be girls might limit the user demographic,
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292. but the original was successful on that dynamic.
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293. Let's leave the decision to the director.
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294. Say what you think, dammit!
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295. Having a young girl as the main character may cause some physical problems in several scenes.
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296. You think?
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297. You wouldn't normally have a girl lifting rubble.
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298. Couldn't you use something at the scene?
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299. Doesn't it make more sense in that setting to have an ex-soldier or something?
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300. You think?
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301. They completely ignored me...
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302. How about this?
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303. Keep the original as the original, but make the anime a story happening at the same time nearby?
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304. But then there'd be no meaning in using My City...
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305. We can still use some material from the original.
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306. If we make the main character of that one a girl, doesn't that fit everyone's conditions?
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307. What does the author think?
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308. We can't know unless we ask, but she's sick today...
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309. We can ask her later then.
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310. So we can just move on with that idea for now?
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311. No, wait!
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312. Wait a minute!
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313. Doesn't that seem weird to you?
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314. Using her book has no meaning this way!
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315. And frankly, that version sounds so standard it's boring!
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316. Can't you just do it the way she wrote it?
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317. Look here...
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318. There are too many problems with turning this book into an anime.
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319. Yes, but doing that is your job, right?
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320. She did make the story.
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321. Our job is making animated stories.
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322. Not pleasing the original author.
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323. You're not supposed to say that...
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324. She might be a sister to you,
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325. but to us, she's a business partner.
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326. If we could make the original directly into an anime, we would.
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327. But books for which that doesn't work will fail as anime.
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328. That's why sometimes changes are necessary.
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329. Ultimately, the content we produce must be profitable.
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330. We have to consider this from that perspective.
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331. If we don't make a good work into something even better, our customers won't watch or buy it.
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332. Frankly, I've turned down this story once already.
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333. The concept is good, but I don't see how it can succeed as a series.
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334. Most importantly...
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335. I personally don't find it interesting at all.
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336. I've tried to voice my ideas despite that.
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337. But if you don't like them, we can cancel it now.
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338. Er... well...
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339. So you're just running away now, you pathetic swine?
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340. "Swine"?
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341. This may be oversimplifying, but in other words,
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342. you're out of ideas, so you're trying to turn it into something you've done before.
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343. Hey, wai—
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344. Who can say your method is the right one?
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345. If you have time to complain all day then reread the original.
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346. Excuse me—
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347. But I will agree that the novel is boring.
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348. The setting is stupid, the story flops around, and the style is incomprehensible.
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349. Yet it's a bestseller?
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350. It gets an anime?
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351. That's so wrong it's not funny.
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352. Any publisher or company or studio supporting this crap would be better off going bankrupt.
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353. Hey!
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354. I've spent years studying and submitting.
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355. It's frustrating.
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356. I'm so jealous I can't stand it.
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357. You're the same way, right?
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358. You've written many novels before.
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359. But nobody ever read them and they're all out of print now.
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360. Combined, they haven't sold even one tenth of this book's sales.
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361. I can understand how your pride must be getting in the way of scripting something written by a middle school girl.
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362. That's enough! What are you saying?
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363. You're one to talk.
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364. Why is it always about your sister?
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365. Don't try to tell me you haven't thought about that.
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366. I...
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367. That has nothing to do with this!
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368. She's right.
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369. Why does she have all the talent?
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370. Why does everyone love her?
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371. Why does she get all the attention?
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372. Why does everyone sing her praises?
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373. Why does everything go so perfectly for her?
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374. I've thought about it.
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375. And...
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376. After watching what happened at the last meeting, I was ecstatic.
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377. That girl needs to be kicked down more often.
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378. Ahh, I hate it so much.
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379. I hate everything in this world.
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380. If only a bomb would just blow everything away.
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381. When Kirino was depressed, I felt relieved.
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382. I was basking in her misfortune.
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383. But that's that.
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384. I hate Kirino.
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385. But as my sister...
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386. I have no choice but to do this for her!
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387. I'm her brother.
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388. My sister is a crazy anime otaku.
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389. She's so excited that her novel is becoming an anime.
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390. Practically jumping up and down like a little kid.
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391. Even with school, work, and club all over her schedule,
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392. she worked until she collapsed, writing exactly how she wanted the anime.
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393. So if it doesn't turn out right, she'll die of depression.
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394. She'll cry, and she'll be heartbroken.
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395. I understand that this is a job for you.
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396. I understand perfectly that I have no place to say this.
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397. But this is all I can say.
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398. She might be a business partner to you, but she's a sister to me.
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399. Please! Listen to what she has to say!
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400. My sister put everything she had into writing it!
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401. She worked so hard!
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402. You guys are anime pros, right?
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403. Then show us what you can do!
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404. If not, she'll be devastated by an anime—by what she loves!
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405. Isn't that turning everything you've done until now into nothing?
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406. Please...
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407. Don't waste all the effort you've already put into this!
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408. Your argument is slipping off topic.
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409. Shut up!
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410. But I agree.
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411. This is not something we can just blow off, no matter how envious we are.
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412. Please.
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413. Think it over again.
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414. Keep everything today a secret from Kirino.
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415. There's no way I'd even consider telling her.
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416. Let's just hope it was enough to convince them to change their plans.
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417. I hope so too.
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418. Well, I guess we can leave the rest to Fate-san.
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419. We're technically unrelated to this, after all.
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420. What?
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421. This is a good opportunity, so let me ask you.
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422. Why do you do so much for your sister, even losing face for her?
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423. I don't really know, myself.
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424. Siscon?
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425. Absolutely not!
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426. Masochist?
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427. Not that either!
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428. Then why?
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429. Because I'm her brother, obviously.
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430. Really.
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431. I see.
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432. Must be nice.
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433. So after all that talk, they still went with most of my ideas.
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434. I guess my passion got through to them.
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435. Or maybe being that direct was a good idea.
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436. I always figured that communication is the key to pulling off anime based on original works.
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437. Oh wow!
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438. Chuuganji-san might do the character design?
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439. I need an autograph!
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440. You don't get one.
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441. I don't want one.
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442. And don't talk to me like you know me or something.
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443. You started this conversation!
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444. Hey...
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445. The next life counseling will be the last one.
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446. Waratte sono kuuki ga tokeau toki no
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447. Senaka wo mitsumeteru dake umareru koufukukan
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448. Furete tashikameru taion no sonzai wo
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449. Mou nidoto nakusanai youni
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450. Niwaka ame kara mamotte miseruyo
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451. Omocha wo narabete kimi no kyoumi hiku
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452. Kiete shimau koto wo osorete
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453. Kamereon do-ta-
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454. Ikutsumo kao kakushi motte iruno
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455. Renzu no oku ni fuserareta hitomi
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456. Aseru koto naisa
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457. Sukoshizutsu kokoro no doa hirakou
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458. Kirameku keshiki ga matte irukara
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459. Smile. Our spaces start to merge into one.
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460. Just looking at your back makes me content.
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461. Let's touch to feel each other's warmth,
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462. So I won't ever lose you again.
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463. I will protect you from the drizzle.
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464. I lay out toys to draw your attention
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465. because I'm afraid you'll disappear from my sight.
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466. Chameleon daughter.
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467. I carry around many faces
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468. hidden behind these galsses.
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469. There's no need to rush.
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470. Let's slowly open the door to the heart.
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471. A wonderful view will be awaiting you.
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472. Next Time: There's No Way My Little Sister Can Play Eroge Like This
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473. There's No Way My Little Sister
Can Play Eroge Like This
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