1. See ya.
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2. What a view.
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3. That is real nice.
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4. Race you to the top.
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5. Oh? Yeah.
Come on.
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6. Knock yourself out.
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7. Too slow.
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8. Jesus.
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9. Mm-hmm.
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10. Think we'll get our own rooms?
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11. Are we early?
Pretty sure we're late.
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12. The backpackers are here!
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13. Hey!
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14. Come in.
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15. - It's so good to see you.
- You, too.
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16. Fuckin' hell, this place, man.
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17. It's all right, isn't it? Hey.
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18. - Hi, Peggy. How's things?
- It's amazing.
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19. Come through. They're all out back.
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20. Grazie.
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21. Can I get you something to drink?
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22. Uh, glass of water
would be grand. Thanks.
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23. It's a nice place.
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24. It's very quiet.
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25. Hello.
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26. Hi.
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27. There she is. Hey.
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28. Hi. It's so nice to see you.
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29. You, too. Thanks so much for having us.
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30. This place is incredible.
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31. How was your journey? You must be tired.
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32. Nope. Not at all.
We slept the whole way.
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33. - Really?
- No, Niall slept the whole way.
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34. We're gonna make dinner.
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35. Amazing.
I'm cooking. You should be very excited.
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36. I properly am.
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37. I'll show you where you're sleeping.
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38. Then you can have a drink,
or a walk,
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39. or... shower...
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40. Ah, right. Sorry about that.
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41. Whatever you like.
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42. Connell, you made it.
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43. You all right, Jamie?
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44. Yeah, not bad, thanks.
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45. Can I get you a drink?
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46. I'd take a beer, if you had one.
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47. Good summer?
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48. Yeah. Good. You?
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49. Yeah, it was all right, thanks.
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50. Mm.
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51. Thanks.
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52. Marianne,
is there a Wi-Fi code I could grab?
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53. Sure. It's on the thingy.
The box in the hall.
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54. Thanks.
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55. It's not brilliant.
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56. Did you want to make a call, or—
Yeah, Helen.
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57. Yeah, I s-said I would
when I got here, so—
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58. I doubt you'll get Skype working.
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59. Phone signal's best in the garden,
out by the pool.
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60. Thanks.
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61. Uh, do you want me to help
with dinner, or...
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62. No. Thanks.
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63. Is it nice there?
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64. Mm-hmm.
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65. Is it huge?
Has she got a mansion in every country?
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66. Ah, wouldn't call it a mansion.
It's, uh...
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67. certainly a step up from hostels.
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68. What's the plan, then?
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69. You out partying in the local village?
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70. Don't think so.
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71. Think we're just gonna have dinner here.
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72. Oh. What are you having?
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73. Don't know. I, uh...
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74. I saw some figs.
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75. That's classic Marianne.
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76. Figs. Of course she's serving figs
in her Italian mansion.
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77. Are there artichokes, as well?
Mm-hmm. Think so.
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78. I hope you have fun.
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79. I miss you.
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80. I miss you, too, Helen.
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81. Goodbye.
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82. Bye.
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83. How was Helen?
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84. Good. Yeah. Good.
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85. Says hi.
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86. Oh... Hi.
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87. And Jamie?
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88. What about him?
You want a hi from Jamie?
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89. He's sleeping.
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90. You want me to give you a hand?
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91. Done.
Shelled every one of these fuckers.
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92. Congratulations.
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93. I was gonna bike to the shop
for some bits. Do you wanna come?
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94. Yeah, well,
if there's a bike I can borrow.
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95. Jamie's will do.
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96. I'll, uh, I'll raise the saddle a bit.
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97. A lot.
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98. - Go, go, go.
- Whoo!
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99. - This is amazing.
- What? Whoo!
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100. Don't be an eejit, Connell.
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101. Grazie.
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102. Grazie, mille.
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103. Arrivederci. Arrivederci.
Grazie. Ciao.
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104. Ciao. Ciao.
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105. I feel like everything's changed
since Schols.
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106. What do you mean?
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107. I don't know. Just... all this.
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108. It's real.
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109. You know, foreign cities are real.
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110. Famous artworks.
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111. The remnants of the Berlin Wall.
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112. Eating ice cream in little
Italian piazzas with you.
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113. It's money, though, isn't it?
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114. The substance that makes the world real.
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115. Yeah. Mm.
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116. It's so corrupt.
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117. And sexy.
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118. I feel like this scholarship has made,
like, literally everything seem possible.
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119. I'm happy for you.
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120. I'm happy for you, too.
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121. Yeah, but you deserve it more.
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122. Why? Because of the financial stuff?
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123. Well, yeah, obviously.
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124. I actually meant that
you're a better student.
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125. You know,
don't really think about it that much...
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126. Financial side.
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127. Sorry.
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128. That was an ignorant thing to say.
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129. Maybe I should think about it more.
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130. Right.
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131. I am conscious of the fact that...
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132. we got to know each other because
your mother works for my family.
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133. I also don't think that my mother
is a very good employer.
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134. Don't think she pays Lorraine very well.
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135. Well, she pays her fuck all.
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136. Why hasn't this come up before?
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137. No, honestly, I...
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138. I think it's totally fair
if you resent me.
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139. I don't resent you. Why would I?
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140. I just don't... I don't think I'm...
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141. processing the change all that well.
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142. Well...
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143. You just need to get it straight
in your mind
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144. what you think is fair
and good in the world.
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145. And if you think that people
should be able to go to college,
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146. and get English degrees,
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147. and go to Europe and look at art, then...
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148. you shouldn't feel guilty for yourself,
because you have every right to.
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149. Well, that's easy for you to say.
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150. You don't feel guilty about anything.
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151. Is that how you see me?
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152. I loved the emails you sent.
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153. They were so good.
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154. You write really beautifully.
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155. It's really nice to hear you say that,
Marianne.
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156. How are the stories going?
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157. I'd love to read them.
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158. They're not as good as the emails.
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159. Hi.
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160. Mm. Thanks.
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161. Mm. Thank you.
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162. Thanks.
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163. Do you mind opening this?
My hands are wet.
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164. Not at all.
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165. Life. You live it up,
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166. and you drink it down.
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167. Whoa!
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168. Nice shot. Thank you.
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169. No champagne glasses?
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170. These are champagne glasses.
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171. No, I, uh... I mean the tall ones.
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172. You mean flutes. These are coupes.
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173. What's the matter?
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174. I'm just saying,
these aren't for champagne.
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175. - You're such a philistine.
- Yeah.
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176. You were gonna drink champagne
out of gravy boats, and I'm a philistine.
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177. They're, they're just
an older style, Jamie.
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178. They were my dad's.
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179. There are flutes in the press
over the sink, if you'd prefer.
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180. Help yourself.
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181. Well, I didn't realize that
it was such an emotional issue for you.
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182. I am terribly sorry.
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183. - This is really delicious.
- Mm.
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184. I underdid the pasta.
It's very al dente.
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185. Too al dente, no?
I think it's nice.
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186. It's great. Thanks.
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187. And it's such a lovely house.
Did you come here when you were little?
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188. Mm-hmm.
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189. So, uh, where was your favorite place
on your European tour?
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190. Impossible to choose.
I loved, um, Berlin, Amsterdam.
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191. Why would you want to spend
your summer on trains and in hostels?
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192. I don't know. To meet new people.
A bit of culture.
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193. Save some money and see the world, Jamie.
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194. Sure. Sure.
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195. Um...
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196. Standing in front of Vermeer's
"The Art of Painting" was pretty good.
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197. Thanks.
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198. He stared at it for a whole day.
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199. I'm not exaggerating.
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200. You serious?
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201. Mm-hmm.
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202. Sounds thrilling, man.
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203. Well, I got a lot out of it, so...
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204. Did you, though?
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205. Mm-hmm.
'Cause that's the thing with inter-railing.
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206. It's essentially a tick-box tour,
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207. and you don't actually get to experience
what a place has to offer
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208. 'cause your head's just stuck
in a fucking guide book.
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209. Unlike pissing around
in your girlfriend's Italian villa
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210. for the entire summer.
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211. Well, thank fuck for scholarships, eh?
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212. Sure. I'd cheers to that.
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213. What do you mean?
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214. Connell knows what I mean.
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215. And Marianne. Cheers to you both.
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216. Marianne hardly would have been
working in a garage,
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217. living with her mum, would she?
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218. Do you want me to get fresh glasses?
This is life-changing stuff for Connell, here.
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219. No. Thanks.
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220. We can—
We can get fresh glasses, can't we?
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221. Go for it.
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222. I'll go.
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223. We should go to Venice
while you're here.
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224. It's only a couple of hours
on the train.
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225. Ah, that'll be perfect. I've never been.
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226. Shocker.
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227. Uh, you'd like the Guggenheim.
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228. Mm?
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229. There's a painting there by Duchamp.
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230. "A Sad Young Man on a Train."
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231. By now it's a cliché, but honestly,
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232. the Guggenheim is deeply overrated.
You could stand in front of it for a whole day.
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233. Is that how you think about me,
or just my taste?
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234. It's just a really good painting.
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235. It's a nude.
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236. Oh.
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237. Oh, hey, why are we bothering with Venice?
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238. Yeah, sure,
that's what everyone says, right?
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239. Get to fuck, Venice.
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240. Well, it'll be heaving,
and not even with Italians.
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241. Just Asians taking photos of everything.
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242. We're literally gonna go
and sit in a train for two hours
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243. to look at art through
a million people's camera phones.
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244. Yeah.
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245. God forbid you might actually encounter
an Asian person, Jamie.
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246. Excuse me?
I'm just gonna go get dessert.
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247. Thanks.
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248. Are you all right?
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249. Are you gonna say anything?
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250. About what?
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251. Are you serious?
What is even happening?
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252. I'm your best friend.
You can talk to me about anything.
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253. There's nothing to talk about, is there?
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254. It's fucking horrible out there,
isn't it?
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255. For everyone?
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256. Right.
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257. Sorry.
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258. It's fine. He's just pissed.
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259. It's not just him, Marianne.
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260. What did you expect?
You brought Connell here.
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261. Right.
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262. Jamie's an asshole,
but he fucking adores you.
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263. Okay.
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264. Can you bring the bowls?
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265. Ah. You've properly spoiled us, Marianne.
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266. Where's the cream?
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267. It's inside.
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268. Why wouldn't you bring it out?
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269. Fuck's sake.
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270. Thanks.
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271. How are they? The strawberries?
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272. Uh, yeah. They're, uh,
great, Peggy. Really lovely.
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273. Not local. They're Spanish.
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274. Okay. They're still, uh,
really delicious.
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275. What the fuck does it look like?
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276. You're drunk, Jamie.
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277. All right?
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278. Put that down.
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279. I'm sorry. What?
Put that glass down. Please.
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280. You want me to put it down. Okay.
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281. Jamie!
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282. Eh, okay. I'll put it down.
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283. Watch.
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284. I'm going to—.
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285. Come here, come here, come here!
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286. Come here, come here!
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287. It's okay. It's okay.
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288. It's all right. You're all right.
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289. You are fucking mental.
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290. You need help,
'cause you are fucking deranged.
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291. What, where are you going?
The fuck?
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292. Have you got a cigarette?
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293. Can I stay in your room tonight?
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294. Of course.
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295. I'll sleep on the floor. Mm.
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296. The bed's huge. It's fine.
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297. I don't know what's wrong with me.
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298. In what way?
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299. Don't know why I can't
make people love me.
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300. I think there was something
wrong with me when I was born.
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301. Lots of people love you, Marianne, okay?
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302. Your family and friends love you.
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303. You don't know my family.
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304. I know that you fight with them, but...
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305. Last time I was home...
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306. my brother said he wished I was dead.
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307. What did he say that for?
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308. I don't know.
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309. He said... no one would miss me.
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310. Because I'm entirely unloved.
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311. Would you not tell your mother
if he was talking to you like that?
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312. She was there.
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313. Think she just got up and left.
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314. What provoked it?
Like, how did the argument start?
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315. You think I did something to deserve it.
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316. No, I'm obviously not saying that.
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317. Sometimes I think I must deserve it.
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318. Or else I don't know why it would happen.
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319. Why'd you never say
any of this to me before?
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320. The whole time we were together,
why did you never tell me any of this?
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321. I don't know.
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322. I suppose I didn't want you to think...
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323. I was damaged, or something.
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324. I was probably afraid
you wouldn't want me anymore.
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325. You do think I'm damaged.
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326. Jesus Christ, come here.
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327. No. No. No.
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328. We shouldn't.
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329. Really sorry.
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