1. See ya.
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2. What a view.
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3. That is real nice.
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4. - Race you to the top.
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5. - Oh?
- Yeah. Come on.
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6. Knock yourself out.
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7. - Too slow.
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8. - Jesus.
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9. Mm-hmm.
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10. Think we'll get our own rooms?
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11. - Are we early?
- Pretty sure we're late.
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12. The backpackers are here!
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13. Hey!
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14. - Come in.
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15. It's so good to see you.
You, too.
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16. Fuckin' hell, this place, man.
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17. - It's all right, isn't it? Hey.
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18. Hi, Peggy.
It's amazing.
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19. - Come through.
They're all out back.
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20. Grazie.
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21. - Can I get you
something to drink?
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22. Uh, glass of water
would be grand. Thanks.
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23. It's a nice place.
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24. - It's very quiet.
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25. Hello.
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26. - Hi.
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27. There she is. Hey.
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28. Hi. It's so nice to see you.
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29. You, too. Thanks so much
for having us.
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30. This place is incredible.
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31. - How was your journey?
You must be tired.
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32. - Nope. Not at all.
We slept the whole way.
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33. - Really?
No, Niall
slept the whole way.
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34. We're gonna make dinner.
Amazing.
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35. - I'm cooking.
You should be very excited.
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36. - I properly am.
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37. I'll show
you where you're sleeping.
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38. Then you can have a drink,
or a walk,
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39. or... shower...
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40. Ah, right.
Sorry about that.
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41. Whatever you like.
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42. - Connell, you made it.
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43. - You all right, Jamie?
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44. - Yeah, not bad, thanks.
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45. - Can I get you a drink?
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46. - I'd take a beer,
if you had one.
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47. - Good summer?
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48. - Yeah. Good. You?
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49. - Yeah, it was all right, thanks.
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50. - Mm.
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51. Thanks.
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52. Marianne, is there
a Wi-Fi code I could grab?
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53. - Sure. It's on the thingy.
The box in the hall.
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54. - Thanks.
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55. It's not brilliant.
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56. Did you want to make a call—
- Yeah, Helen.
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57. Yeah, I s-said I would
when I got here, so—
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58. - I doubt you'll
get Skype working.
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59. Phone signal's best in
the garden, out by the pool.
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60. - Thanks.
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61. Uh, do you want me to help
with dinner, or...
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62. - No. Thanks.
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63. Is it nice there?
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64. - Mm-hmm.
Is it huge?
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65. Has she got a mansion
in every country?
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66. - Ah, wouldn't call it a mansion.
It's, uh...
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67. certainly a step up
from hostels.
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68. What's the plan, then?
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69. You out partying
in the local village?
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70. - Don't think so.
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71. Think we're just gonna
have dinner here.
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72. Oh. What are you having?
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73. - Don't know. I, uh...
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74. I saw some figs.
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75. That's classic Marianne.
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76. Figs. Of course she's serving
figs in her Italian mansion.
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77. Are there artichokes, as well?
- Mm-hmm. Think so.
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78. I hope you have fun.
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79. I miss you.
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80. - I miss you, too, Helen.
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81. Goodbye.
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82. - Bye.
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83. - How was Helen?
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84. - Good. Yeah. Good.
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85. Says hi.
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86. - Oh... Hi.
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87. - And Jamie?
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88. - What about him?
You want a hi from Jamie?
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89. He's sleeping.
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90. - You want me
to give you a hand?
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91. Done. Shelled
every one of these fuckers.
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92. - Congratulations.
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93. I was gonna bike
to the shop for some bits.
Do you wanna come?
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94. Yeah, well, if
there's a bike I can borrow.
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95. - Jamie's will do.
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96. - I'll raise the saddle a bit.
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97. A lot.
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98. Go, go, go.
Whoo!
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99. This is amazing.
What? Whoo!
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100. Whoo!
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101. Don't be an eejit, Connell.
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102. Grazie.
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103. - Grazie, mille.
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104. - Arrivederci.
- Grazie. Ciao.
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105. Ciao.
- Ciao.
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106. I feel like everything's
changed since Schols.
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107. - What do you mean?
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108. - I don't know.
Just... all this.
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109. It's real.
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110. You know,
foreign cities are real.
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111. Famous artworks.
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112. The remnants of the Berlin Wall.
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113. Eating ice cream in little
Italian piazzas with you.
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114. It's money, though, isn't it?
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115. The substance that
makes the world real.
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116. - Yeah.
- Mm.
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117. It's so corrupt.
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118. And sexy.
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119. I feel like this
scholarship has made,
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120. like, literally everything
seem possible.
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121. - I'm happy for you.
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122. - I'm happy for you, too.
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123. - Yeah, but you
deserve it more.
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124. - Why?
Because of the financial stuff?
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125. - Well, yeah, obviously.
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126. I actually meant that
you're a better student.
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127. You know, don't really
think about it that much...
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128. Financial side.
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129. Sorry.
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130. That was
an ignorant thing to say.
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131. Maybe I should
think about it more.
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132. - Right.
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133. - I am conscious
of the fact that...
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134. we got to know each other
because your mother
works for my family.
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135. I also don't think that my
mother is a very good employer.
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136. Don't think
she pays Lorraine very well.
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137. - Well, she pays her fuck all.
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138. - Why hasn't
this come up before?
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139. No, honestly, I...
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140. I think it's totally fair
if you resent me.
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141. - I don't resent you.
Why would I?
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142. I just don't...
I don't think I'm...
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143. processing the change
all that well.
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144. - Well...
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145. You just need to get it straight
in your mind
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146. what you think is fair
and good in the world.
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147. And if you think that people
should be able to go to college,
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148. and get English degrees,
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149. and go to Europe
and look at art, then...
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150. you shouldn't
feel guilty for yourself,
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151. because you have every right to.
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152. Well,
that's easy for you to say.
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153. You don't feel guilty
about anything.
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154. Is that how you see me?
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155. I loved the emails you sent.
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156. They were so good.
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157. You write really beautifully.
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158. - It's really nice to hear
you say that, Marianne.
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159. - How are the stories going?
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160. - I'd love to read them.
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161. - They're not as good
as the emails.
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162. - Hi.
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163. Mm. Thanks.
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164. Mm. Thank you.
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165. Thanks.
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166. - Do you mind opening this?
My hands are wet.
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167. - Not at all.
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168. Life. You live it up,
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169. and you drink it down.
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170. Whoa!
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171. - Nice shot.
- Thank you.
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172. - No champagne glasses?
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173. These are champagne glasses.
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174. - No, I, uh...
I mean the tall ones.
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175. - You mean flutes.
These are coupes.
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176. - What's the matter?
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177. - I'm just saying,
these aren't for champagne.
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178. - You're such a philistine.
Yeah.
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179. You were gonna drink
champagne out of gravy boats,
and I'm a philistine.
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180. - They're, they're just
an older style, Jamie.
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181. They were my dad's.
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182. There are flutes in the press
over the sink, if you'd prefer.
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183. Help yourself.
- Well, I didn't realize
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184. that it was such
an emotional issue for you.
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185. I am terribly sorry.
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186. This is really delicious.
Mm.
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187. I underdid the pasta.
It's very al dente.
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188. Too al dente, no?
- I think it's nice.
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189. - It's great. Thanks.
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190. - And it's such a lovely house.
Did you come here
when you were little?
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191. Mm-hmm.
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192. So where was your favorite place
on your European tour?
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193. - Impossible to choose.
I loved, um, Berlin, Amsterdam.
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194. - Why would you want
to spend your summer
on trains and in hostels?
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195. - I don't know.
To meet new people.
A bit of culture.
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196. Save some money
and see the world, Jamie.
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197. Sure. Sure.
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198. Um...
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199. Standing in front of Vermeer's
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200. "The Art of Painting"
was pretty good.
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201. Thanks.
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202. - He stared at it
for a whole day.
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203. - I'm not exaggerating.
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204. - You serious?
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205. Mm-hmm.
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206. - Sounds thrilling, man.
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207. - Well, I got
a lot out of it, so...
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208. Did you, though?
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209. 'Cause that's the thing
with inter-railing.
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210. It's essentially
a tick-box tour,
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211. and you don't get to experience
what a place has to offer
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212. 'cause your head's just stuck
in a fucking guide book.
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213. Unlike pissing around
in your girlfriend's
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214. Italian villa
for the entire summer.
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215. - Well, thank fuck
for scholarships, eh?
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216. - Sure. I'd cheers to that.
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217. - What do you mean?
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218. - Connell knows what I mean.
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219. - And Marianne.
Cheers to you both.
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220. - Marianne hardly would have
been working in a garage,
living with her mum, would she?
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221. - Do you want me
to get fresh glasses?
This is life-changing
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222. stuff for Connell, here.
- No. Thanks.
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223. - We can— We can
get fresh glasses, can't we?
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224. - Go for it.
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225. I'll go.
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226. - We should go to Venice
while you're here.
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227. It's only a couple of hours
on the train.
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228. - Ah, that'll be perfect.
I've never been.
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229. Shocker.
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230. - Uh, you'd like the Guggenheim.
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231. - There's a painting there
by Duchamp.
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232. "A Sad Young Man on a Train."
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233. - By now it's a cliché,
but honestly—
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234. You could stand
in front of it for a whole day.
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235. - Is that how you think about me,
or just my taste?
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236. - It's just
a really good painting.
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237. It's a nude.
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238. - Oh.
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239. Oh, hey, why
are we bothering with Venice?
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240. Yeah, sure, that's
what everyone says, right?
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241. Get to fuck, Venice.
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242. - Well, it'll be heaving,
and not even with Italians.
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243. Just Asians taking
photos of everything.
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244. We're literally gonna go
and sit in a train for two hours
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245. to look at art through a
million people's camera phones.
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246. - Yeah.
God forbid you might
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247. actually encounter
an Asian person, Jamie.
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248. - Excuse me?
- I'm just gonna go get dessert.
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249. - Thanks.
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250. Are you all right?
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251. Are you gonna say anything?
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252. About what?
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253. - Are you serious?
What is even happening?
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254. I'm your best friend.
You can talk to me
about anything.
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255. - There's nothing
to talk about, is there?
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256. - It's fucking horrible
out there, isn't it?
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257. For everyone?
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258. - Right.
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259. Sorry.
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260. It's fine. He's just pissed.
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261. It's not just him, Marianne.
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262. What did you expect?
You brought Connell here.
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263. - Right.
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264. - Jamie's an asshole,
but he fucking adores you.
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265. - Okay.
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266. Can you bring the bowls?
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267. Ah. You've properly
spoiled us, Marianne.
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268. - Where's the cream?
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269. - It's inside.
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270. - Why wouldn't you bring it out?
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271. - Thanks.
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272. - How are they?
The strawberries?
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273. Uh, yeah.
They're, uh, great, Peggy.
Really lovely.
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274. - Not local.
They're Spanish.
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275. - Okay. They're still,
uh, really delicious.
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276. What the fuck does it look like?
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277. You're drunk, Jamie.
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278. All right?
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279. - Put that down.
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280. - I'm sorry. What?
- Put that glass down. Please.
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281. - You want me
to put it down. Okay.
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282. Jamie!
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283. - Eh, okay. I'll put it down.
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284. Watch.
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285. - I'm going to—
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286. Come here, come here, come here!
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287. Come here, come here!
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288. It's okay. It's okay.
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289. It's all right.
You're all right.
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290. - You are fucking mental.
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291. You need help, 'cause
you are fucking deranged.
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292. What, where are you going?
The fuck?
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293. Have you got a cigarette?
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294. Can I stay in your room tonight?
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295. - Of course.
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296. - I'll sleep on the floor.
- Mm.
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297. The bed's huge. It's fine.
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298. I don't know
what's wrong with me.
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299. In what way?
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300. - Don't know why I can't
make people love me.
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301. I think there was something
wrong with me when I was born.
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302. - Lots of people love you,
Marianne, okay?
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303. Your family and friends
love you.
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304. - You don't know my family.
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305. - I know that
you fight with them, but...
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306. - Last time I was home...
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307. my brother said
he wished I was dead.
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308. - What did he say that for?
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309. - I don't know.
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310. He said... no one would miss me.
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311. Because I'm entirely unloved.
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312. - Would you not
tell your mother
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313. if he was
talking to you like that?
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314. - She was there.
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315. Think she just
got up and left.
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316. - What provoked it? Like,
how did the argument start?
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317. - You think I did
something to deserve it.
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318. - No, I'm obviously
not saying that.
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319. - Sometimes I think
I must deserve it.
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320. Or else I don't know
why it would happen.
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321. - Why'd you never say
any of this to me before?
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322. The whole time we were together,
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323. why did you never
tell me any of this?
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324. - I don't know.
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325. I suppose
I didn't want you to think...
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326. I was damaged, or something.
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327. I was probably afraid
you wouldn't want me anymore.
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328. You do think I'm damaged.
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329. - Jesus Christ, come here.
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330. No. No. No.
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331. We shouldn't.
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332. - Really sorry.
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