1. MacPHERSONCopy !req
2. EAST SCOTTISH AIRWAYS.Copy !req
3. YOU'LL HAVE HAD
YOUR TEA.Copy !req
4. IS GLASGOW.Copy !req
5. TO PANIC.Copy !req
6. THERE'S A BOMBCopy !req
7. AND I'LL TELL YOUCopy !req
8. FOR A THOUSAND POUNDS.Copy !req
9. I DON'T
BELIEVE YOU.Copy !req
10. IF YOU DON'T TELL ME
WHERE THE BOMB IS...Copy !req
11. IF I DON'T GIVE YOU
THE MONEY...Copy !req
12. THE BOMB...Copy !req
13. THE MONEY.Copy !req
14. THE MONEY... THANK YOU,
PRETTY LADY...Copy !req
15. THE BOMB WILL EXPLODE,
KILLING EVERYBODY.Copy !req
16. INCLUDING YOU.Copy !req
17. I'LL TELL YOU WHERE IT IS
FOR A POUND.Copy !req
18. ALL RIGHT,
HERE'S A POUND.Copy !req
19. I DON'T WANT
SCOTTISH MONEY.Copy !req
20. THEY'VE GOT
THE NUMBERS.Copy !req
21. IT CAN BE TRACED.Copy !req
22. ONE ENGLISH POUND.Copy !req
23. NOW, WHERE'S
THE BOMB?Copy !req
24. I CAN'T REMEMBER.Copy !req
25. YOU'VE FORGOTTEN?Copy !req
26. AYE, YOU'D BETTER HAVE
YOUR POUND BACK.Copy !req
27. OH... FINGERPRINTS.Copy !req
28. NOW, WHERE'S
THE BOMB?Copy !req
29. WAIT A TICK,
WAIT A TICK.Copy !req
30. MY FIRST IS IN GLASGOW,
BUT NOT IN SPAIN.Copy !req
31. MY SECOND IS IN STEAMER,
BUT NOT IN TRAIN.Copy !req
32. COMPARTMENT ON THE PLANE.Copy !req
33. I'LL TELL YOU WHERE
THE BOMB IS FOR A POUND.Copy !req
34. IT'S IN THE LUGGAGE
COMPARTMENT.Copy !req
35. RIGHT, HERE'S YOUR POUND.Copy !req
36. GIVING YOU ANY TROUBLE?Copy !req
37. HE'S JUST RUINED
THIS SKETCH.Copy !req
38. YES, ABSOLUTELY.Copy !req
39. LET'S GO ON
TO THE NEXT ONE.Copy !req
40. WAIT A TICK,
WAIT A TICK.Copy !req
41. I WON'T RUIN YOUR
SKETCH FOR A POUND.Copy !req
42. NO, NO.Copy !req
43. 75p.Copy !req
44. NEXT ITEM.Copy !req
45. WELL, I SEE MY ROLE IN IT AS...Copy !req
46. OH, HOW CAN I PUT IT...Copy !req
47. THE ESSENTIAL NUDITY OF MAN...Copy !req
48. OH, UM...Copy !req
49. IT'S A VERY
INTERESTING QUESTION.Copy !req
50. PERSONALLY,Copy !req
51. BEHAVIOR, BUT...Copy !req
52. EXCUSE ME.Copy !req
53. AND NOW...Copy !req
54. IT'S...Copy !req
55. MONTY PYTHON'S FLYING CIRCUSES.Copy !req
56. WELL, WE'LL BE CONTINUINGCopy !req
57. WITH MONTY PYTHON'SCopy !req
58. IN JUST A MOMENT.Copy !req
59. YES, YES, WE'RE GOING BACKCopy !req
60. IN JUST ONE MOMENT FROM...Copy !req
61. NOW.Copy !req
62. IN THE COUNTRY.Copy !req
63. IT'S USING A VARIETY
OF NEW TECHNIQUES...Copy !req
64. A CENTRAL HIGH-VOLTAGE, SELF-Copy !req
65. FIBERGLASS FITMENTS.Copy !req
66. IT'S ALSO THE FIRST MAJORCopy !req
67. BY CHARACTERS BY 19th-CENTURY
ENGLISH LITERATURE.Copy !req
68. HERE, LITTLE NELL FROM DICKENS'Copy !req
69. INTO THE ASBESTOS-LINED CEILING.Copy !req
70. BUT IT'S THE ELECTRICAL SYSTEMCopy !req
71. THE MOST ATTENTION.Copy !req
72. ARTHUR HUNTINGTON, WHO HELENCopy !req
73. TO HER BROTHER, LAWRENCECopy !req
74. IN ANNE BRONTE'SCopy !req
75. DESCRIBES WHY IT'S UNIQUE.Copy !req
76. BECAUSE, SIR,
IT IS SELF-GENERATING.Copy !req
77. BECAUSE WE HAVE HARNESSED HERE,Copy !req
78. TO BEG FORGIVENESS.Copy !req
79. OF 12-FOOT WALLING BLOCKSCopy !req
80. FROM TESS OF THE D'URBERVILLESCopy !req
81. LANDLADY, MRS. JUPPCopy !req
82. FROM SAMUEL BUTLER'S
WAY OF ALL FLESH.Copy !req
83. ON BRITAIN'S FIRST
18-LEVEL MOTORWAY INTERCHANGECopy !req
84. FROM MILTON'S PARADISE LOST.Copy !req
85. WHAT WENT WRONG HERE?Copy !req
86. WELL, NOBODY REALLY GOT ON.Copy !req
87. SATAN DIDN'T GET ON WITH EVE...Copy !req
88. UH... ARCHANGEL GABRIEL
DIDN'T GET ON WITH SATAN.Copy !req
89. NOBODY GOT ON WITH THE SERPENT.Copy !req
90. TO WORK A ROTA...Copy !req
91. FROM 10:00 TILL 3:00Copy !req
92. FORCES OF EVIL, 3:00 TILL 6:00.Copy !req
93. NEAR PETERBOROUGH.Copy !req
94. HERE, THE AMAZING MYSTICOCopy !req
95. BY HYPNOSIS IN UNDER A MINUTE.Copy !req
96. OVER 50 HYPNOSIS-INDUCED
25-STORY BLOCKSCopy !req
97. PUT UP BY EL MYSTICO AND JANET.Copy !req
98. I ASKED MR. KEN VERYBIGLIARCopy !req
99. OTHER BUILDING METHODS.Copy !req
100. OH, THERE IS A CONSIDERABLECopy !req
101. OF EL MYSTICO.Copy !req
102. A BLOCK, LIKE MYSTICO POINT HERECopy !req
103. IN THE REGION OF £1½ MILLION.Copy !req
104. AND 30 BOB FOR JANET.Copy !req
105. BUT THE OBVIOUS QUESTION IS,
ARE THEY SAFE?Copy !req
106. OF COURSE THEY'RE SAFE.Copy !req
107. THERE'S ABSOLUTELY NO DOUBT
ABOUT THAT.Copy !req
108. THEY'RE AS STRONG,Copy !req
109. PROVIDED, OF COURSE,
PEOPLE BELIEVE IN THEM.Copy !req
110. YES, WE RECEIVED A NOTECopy !req
111. IT WOULD FALL DOWN.Copy !req
112. YOU DON'T MIND LIVINGCopy !req
113. ANOTHER MAN'S IMAGINATION?Copy !req
114. NO, IT'S MUCH BETTER
THAN WHERE WE USED TO LIVE.Copy !req
115. USED TO LIVE?Copy !req
116. WE HAD AN 18-ROOM VILLA
OVERLOOKING NICE.Copy !req
117. REALLY? THAT SOUNDS MUCH BETTER.Copy !req
118. OH, YEAH, YOU'RE RIGHT.Copy !req
119. OH, NO, NO, NO!Copy !req
120. OF COURSE NOT.Copy !req
121. PHEW! THAT WAS CLOSE.Copy !req
122. HE HAS APPLIED HIS MANY TALENTS.Copy !req
123. AND A CAR HIRE SERVICE.Copy !req
124. WHAT'S THE DRIVING FORCECopy !req
125. ENERGIES AND BOUNDLESS VISION?Copy !req
126. HERE, AS WITH SO MANYCopy !req
127. THE ANSWER LIES IN A WOMAN.Copy !req
128. AS ANTONY HAS HIS CLEOPATRA...Copy !req
129. AS NAPOLEON HAS HIS JOSEPHINE...Copy !req
130. SO MYSTICO HAS HIS JANET.Copy !req
131. YES, JANET, A QUIET, SHY GIRLCopy !req
132. EX-WORLD SKATING CHAMPION,Copy !req
133. ARCHITECT, NOVELIST AND SURGEON.Copy !req
134. THE OPPENHEIMER SPY RING IN 1947Copy !req
135. NARCOTICS COMMISSION IN 1958.Copy !req
136. WOMAN AT THE CHEMIST'S IN 1961Copy !req
137. AND A YEAR LATER,Copy !req
138. OF HER POSTMAN.Copy !req
139. ON THE COUPLE NEXT DOOR.Copy !req
140. IN 1967, SHE BECAME SUSPICIOUSCopy !req
141. AND IT WASCopy !req
142. THAT, TWO YEARS LATER,Copy !req
143. FOR HIS CAR RADIO.Copy !req
144. AND THE PUBLIC OUTCRY.Copy !req
145. ALSO IN LEEDS THAT YEAR,Copy !req
146. AND A MR. JARVISCopy !req
147. FOR SHOUTING IN THE CORRIDOR.Copy !req
148. UNDER CONTROL.Copy !req
149. IS BOUND TO SLIP THROUGH.Copy !req
150. ALMOST ENTIRELY TO LUTON.Copy !req
151. AT THIS ADDRESS.Copy !req
152. and Premier Chou En-laiCopy !req
153. who called it
"a major breakthrough."Copy !req
154. Twelve men were
accidentally hangedCopy !req
155. at Whitby Assizes this afternoonCopy !req
156. whilst considering
their verdict.Copy !req
157. This is one of the worst
miscarriages of justiceCopy !req
158. in Britain since Tuesday.Copy !req
159. Well, it's 13 minutes
to the hour of nine, nine, nineCopy !req
160. here on wonderful
Radio One-One-OneCopy !req
161. so if you're still lying
in your big, big bedCopy !req
162. now's the time to get up
out of it.Copy !req
163. We've got another 13 hours
of tiptop soundsCopy !req
164. here on Wonderful Radio One.Copy !req
165. Oh, sorry about that.Copy !req
166. So unless you have brain cellsCopy !req
167. or have completed the process
of evolutionCopy !req
168. there's a wonderful day ah...Copy !req
169. ON RADIO FOUR.Copy !req
170. RADIO TWO...Copy !req
171. RADIO THREE...Copy !req
172. RADIO FOUR.Copy !req
173. It's 9:00 and
time for Mortuary Hour...Copy !req
174. an hour of talks, tunes
and downright tomfooleryCopy !req
175. for all those who work
in mortuariesCopy !req
176. introduced as usual
by Shirley Bassey.Copy !req
177. Well, we're going to
kick straight off this weekCopy !req
178. with our Mortuary Quiz, so have
your pens and pencils ready.Copy !req
179. AND LOOK LIVELY.Copy !req
180. IT'S MORTUARY HOUR,
MR. WANG.Copy !req
181. DON'T ARGUE,
BATTERSBY.Copy !req
182. IN HERE, YOUR GRACE.Copy !req
183. I SAY, I SAY, I, UH...Copy !req
184. I, UH...Copy !req
185. I, UH... I, UH...Copy !req
186. I, I, I, UH... I, UH...Copy !req
187. I, UH...Copy !req
188. I... I... I...Copy !req
189. I CAN'T THINK OF ANYTHING
TO SAY ABOUT IT.Copy !req
190. WELL, WE'RE VERY PROUD
OF IT HERE, SIR.Copy !req
191. IT'S ONE OF THE MOST
UP-TO-DATE IN THE COUNTRY.Copy !req
192. I SEE, YES, YES, YES.Copy !req
193. NOW, UM... WHAT ARE...Copy !req
194. OH, UH...Copy !req
195. WHAT ARE... UH...Copy !req
196. WHAT ARE... WHAT...Copy !req
197. WHAT ARE... WHAT IS IT?Copy !req
198. IS IT A POWER STATION?Copy !req
199. NO, YOUR GRACE, IT'S A MORTUARY.Copy !req
200. I SEE, I SEE,
GOOD, GOOD, GOOD, GOOD.Copy !req
201. WELL, IT HASCopy !req
202. STORAGE FACILITIES.Copy !req
203. I SEE, I SEE.Copy !req
204. I, UM...Copy !req
205. I, UH...Copy !req
206. OH, I...Copy !req
207. I, UH...Copy !req
208. I, UH... I...Copy !req
209. I'M A GOOD
LITTLE DOGGIE.Copy !req
210. I'M SORRY, YOUR GRACE?Copy !req
211. I'M A GOOD LITTLE DOG.Copy !req
212. OH, DEAR.Copy !req
213. POSTPONE THE VISIT.Copy !req
214. OH, NO, NO, NO.Copy !req
215. YOU SEE, IT'S JUST THATCopy !req
216. CAN DISLODGE IT.Copy !req
217. YOUR GRACE?Copy !req
218. YOUR GRACE?Copy !req
219. OH, DEAR,
IT'S RATHERCopy !req
220. BALL INTO THE HOLE...Copy !req
221. AH!Copy !req
222. EXCELLENT, EXCELLENT,
EXCELLENT, EXCELLENT.Copy !req
223. NOW THEN, UH... UH...Copy !req
224. IS POURED INTO THE INGOTS?Copy !req
225. A LOOK AT THE NEW SHOWERS.Copy !req
226. YES, YES, YES, RATHER.Copy !req
227. YES, YES, YES, JOLLY GOOD.Copy !req
228. JOLLY GOOD, JOLLY GOOD.Copy !req
229. JOLLY GOOD, NO FEAR.Copy !req
230. Well, the answers
were as follows:Copy !req
231. Number one, the left hand;Copy !req
232. two, no; three, normal;
four, yes, it has, in 1963Copy !req
233. when a bird got caught
in the mechanism.Copy !req
234. TURN THAT THING OFF.Copy !req
235. IT'S "MORTUARY DANCE
TIME," MR. WANG.Copy !req
236. NEVER MIND THAT, BATTERSBY.Copy !req
237. THIS IS THE BIG ONE.Copy !req
238. I'VE JUST HAD WHITBY POLICE
ON THE PHONE WITH 12 HANGEES.Copy !req
239. OH, YEAH, WE JUST HEARD
ABOUT THAT ON THE RADIOS.Copy !req
240. NO, THESE ARE 12 DIFFERENT ONES,
SO SHTOOM.Copy !req
241. I'LL NOT INTERRUPT
THIS SKETCH FOR A POUND.Copy !req
242. WHAT?Copy !req
243. I'LL LEAVE THE SKETCH
TOTALLY UNINTERRUPTED.Copy !req
244. 50p?Copy !req
245. I'M PREPARED TO NEGOTIATE
A 40p DEAL.Copy !req
246. FOR 35p, I WON'T INTERRUPT
ANY OF THE NEXT THREE ITEMS.Copy !req
247. NO, IT'S NO GOOD.Copy !req
248. 25p?Copy !req
249. NO.Copy !req
250. 10p AND A KISS.Copy !req
251. YOU SEE, IT'S VERY SIMPLE...Copy !req
252. AND BY PUTTING THEM TOGETHER...Copy !req
253. WHAT?Copy !req
254. OH, YOU MEAN WE'RE ON.Copy !req
255. SORRY.Copy !req
256. HMM?Copy !req
257. WAIT, NIGEL.Copy !req
258. I'VE GOT THIS STRANGE FEELING
WE'RE BEING WATCHED.Copy !req
259. OH, MY GOD,
ROSE, IT'S THE POLICE.Copy !req
260. RUN FOR IT!Copy !req
261. OH, LUNCH BREAK.Copy !req
262. GOTT IN HIMMEL!Copy !req
263. IT'S COMING!Copy !req
264. MEANWHILE, 55 YEARS LATER
BACK IN LONDON...Copy !req
265. HELLO, GOOD AFTERNOONCopy !req
266. OF THE MEN'S HIDE-AND-SEEKCopy !req
267. OF BRITAIN'S LONDON.Copy !req
268. WE'LL BE STARTING IN JUSTCopy !req
269. THE TWO COMPETITORS...Copy !req
270. FRANCISCO HURON,Copy !req
271. WHO, IN THIS LEG, IS THE SEEKERCopy !req
272. AND THERE'S THE MAN
HE'LL BE LOOKING FORCopy !req
273. WHO, HIS TRAINER TELLS MECopy !req
274. OF HIS SELF-SECRETING FORM.Copy !req
275. NOW, IN THE FIRST LEG,Copy !req
276. OF 11 YEARS, TWO MONTHS, 26 DAYSCopy !req
277. NINE HOURS, THREE MINUTES,
27.4 SECONDSCopy !req
278. IN A SWEET SHOP IN KILMARNOCK.Copy !req
279. AND NOW THEY'RE
UNDER STARTER'S ORDERS.Copy !req
280. ON YOUR MARKS...Copy !req
281. GET SET...Copy !req
282. UNO, DOS, TRES,
CUATRO, QUINCECopy !req
283. SEIS, SIETE, OCHO,
NUEVE, DIEZ...Copy !req
284. ONCE, DOCE, TRECE,
CATORCE, QUINCECopy !req
285. DIEZ Y SEIS, DIEZ
Y SIETE, DIEZ...Copy !req
286. VEINTIDOS, VEINTITRES,
VEINTICUATRO, VEINTICINCO...Copy !req
287. TREINTA Y SEIS,
TREINTA Y SIETE, TREINTA Y OCHOCopy !req
288. TREINTA Y NUEVE...Copy !req
289. WELL, DON'S OFF TO
A REALLY GREAT START THERE.Copy !req
290. REMEMBER, THE PARAGUAYAN HAS GOTCopy !req
291. 11 YEARS, TWO MONTHS,
26 DAYS, NINE HOURSCopy !req
292. THREE MINUTES,
27.4 SECONDS TO BEAT.Copy !req
293. Y OCHO, NOVECIENTOS
NOVENTA Y NUEVE...Copy !req
294. MIL.Copy !req
295. COMING!Copy !req
296. WELL, WE'LL BE TAKINGCopy !req
297. ANY DEVELOPMENTS.Copy !req
298. WE'VE JUST HEARDCopy !req
299. IN THE HIDE-AND-SEEK FINAL,
SO LET'S GO STRAIGHT OVER THERE.Copy !req
300. HELLO AGAIN,Copy !req
301. IS SEEKING DON ROBERTS.Copy !req
302. AND I'VE JUST BEEN TOLDCopy !req
303. THAT HE'S BEEN UNOFFICIALLY
DESCRIBED AS "COLD."Copy !req
304. AH, WAIT A MINUTE.Copy !req
305. I'VE JUST BEEN TOLDCopy !req
306. SO HE'S DEFINITELY
GETTING WARMER.Copy !req
307. SO WE'LL BE BACK AGAIN
IN JUST A FEW YEARS.Copy !req
308. REALLY BEGINNING TO HOT UP NOW.Copy !req
309. WELL, HERE WE ARECopy !req
310. OF THIS FANTASTIC FINAL.Copy !req
311. THAN 12 HOURS LEFTCopy !req
312. TO FIND BRITISH ACE DON ROBERTS.Copy !req
313. EARLY THIS MORNING, HE FINISHEDCopy !req
314. HERE IN THE TAGUS VALLEY.Copy !req
315. OVER 1,500 MILES AWAYCopy !req
316. AND IT'S BEGINNING TO LOOK
ALL OVER, BAR THE SHOUTING.Copy !req
317. THIS SENOR OF SEEK,
THIS PERSPICACIOUS PARAGUAYAN.Copy !req
318. HE'S STILL DESPERATELY COLDCopy !req
319. AND IT'S BEGINNING TO LOOK
LIKE ANOTHER GOLD FOR BRITAIN.Copy !req
320. PREGO! PREGO,
SIGNORE!Copy !req
321. THERE HE IS!Copy !req
322. ALL RIGHT.Copy !req
323. THE WORLD HIDE-AND-SEEK.Copy !req
324. MR. DON ROBERTS, FROMCopy !req
325. 11 YEARS, TWO MONTHS,
26 DAYS, NINE HOURSCopy !req
326. THREE MINUTES,
27 SECONDS.Copy !req
327. MR. FRANCISCO HURON,Copy !req
328. 11 YEARS, TWO MONTHS,
26 DAYS, NINE HOURSCopy !req
329. THREE MINUTES,
27 SECONDS.Copy !req
330. THE RESULT... A TIE.Copy !req
331. A TIE... WHAT A FANTASTIC RESULT!Copy !req
332. WELL, THE REPLAY WILL START
TOMORROW AT 7:30 A.M.Copy !req
333. WELL, HELLO AGAIN.Copy !req
334. NICE TO BE BACK.Copy !req
335. GLAD TO SEE THE SHOW'S
BEEN GOING WELL.Copy !req
336. WELL, NOW,
SORRY ABOUT MON-TRERX.Copy !req
337. ENTITLED "HIDE-AND-SEEK."Copy !req
338. VERY ANARCHIC, VERY EFFECTIVE,Copy !req
339. FOR THE YOUNGER PEOPLE.Copy !req
340. WELL, THE NEXT ITEM THE BOYSCopy !req
341. IN A SITTING ROOM.Copy !req
342. SORRY IT'S JUST A SITTING ROOM,
BUT THE BANK ACCOUNT'S A BIT LOWCopy !req
343. PRODUCTION OF CLOCHMERLE.Copy !req
344. CHANGED HANDS WHATEVER.Copy !req
345. SORRY ABOUT THAT, DARLING.Copy !req
346. GRAVY?Copy !req
347. YES, PLEASE, DEAR.Copy !req
348. OH, DEAR, THAT'LL BECopy !req
349. FROM NEXT DOOR.Copy !req
350. COME IN.Copy !req
351. NO! JUST
BREATHING HEAVILY!Copy !req
352. OH, WE JUST DROPPED IN.Copy !req
353. TO COME THROUGH?Copy !req
354. OH, YES.Copy !req
355. WELL, GOOD NIGHT
AND GIVE US A KISS.Copy !req
356. OH, THANK YOU VERY MUCH
FOR A VERY NICE EVENING.Copy !req
357. AFTER YOU, DEAR.Copy !req
358. RIGHT-O!Copy !req
359. WHOA!Copy !req
360. WHOA!Copy !req
361. OH, HONESTLY, DEAR, WHY DO WECopy !req
362. THE CHEAP-LAUGHS HAVE ONE?Copy !req
363. AN INTERRUPTION AT ALL.Copy !req
364. IT'S JUST NEIGHBORLINESS,
DEAR, THAT'S ALL.Copy !req
365. WELL, I THINK WE SHOULD TRY AND
LEAD OUR OWN LIVES FROM NOW ON.Copy !req
366. OOH!Copy !req
367. CAN'T YOU BE SERIOUS
FOR JUST ONE MOMENT?Copy !req
368. DARLING, I'M SORRY
I WAS CROSS EARLIER.Copy !req
369. OH, THAT'S
ALL RIGHT, DEAR.Copy !req
370. IT'S JUST THATCopy !req
371. LIKE THE CHEAP-LAUGHS.Copy !req
372. YES, WELL, FROM NOW ON
WE'LL BE LIKE OURSELVES.Copy !req
373. OH, ROGER!Copy !req
374. OH, BEATRICE!Copy !req
375. ABOUT BULLFIGHTING.Copy !req
376. THEY SAY IT'S NOT ONLY CRUEL,Copy !req
377. BUT ALSO BLATANTLY UNFAIR.Copy !req
378. THE BULL IS HEAVY, VIOLENT,Copy !req
379. ONLY A SMALL, GREASY SPANIARD.Copy !req
380. BULLFIGHTING SAFER?Copy !req
381. WELL-BASICALLY CLUB.Copy !req
382. WELL, BASICALLY,
IT'S QUITE APPARENTCopy !req
383. CHAPPIES HAVE GOT IT ALL WRONG.Copy !req
384. AT THE HEIGHT OF THEIR SUCCESS.Copy !req
385. PAN'S PEOPLE HAVE OFTEN
RECAPTURED A LYRICISM...Copy !req
386. TO KNOCK THE BULL OVER.Copy !req
387. THE BACK AND FINISHED HIM OFF.Copy !req
388. LYRICAL, EVOCATIVE MOVEMENTCopy !req
389. SADLER'S WELLS...Copy !req
390. IN INTERNATIONAL CHESS, WHERE...Copy !req
391. WHAT?Copy !req
392. I'LL PUT THE LIGHTS
ON AGAIN FOR A POUND.Copy !req
393. I'M SORRY ABOUTCopy !req
394. BUT WE'LL SOON PUT THINGS RIGHTCopy !req
395. LITTLE PUSH OF A BUTTON.Copy !req
396. OH, OW!Copy !req
397. HELP! OH, NO!Copy !req
398. OH! OH, DEAR!Copy !req
399. THAT'S OKAY...Copy !req
400. NO, NO, PLEASE.Copy !req
401. OH, OH-OH! WOW!Copy !req
402. OH! NO, NO, NO!Copy !req
403. OH, OH, DEAR!Copy !req
404. OW! OH!Copy !req
405. "EXTRA" HOLTMEHR SCHMUTZ
AUS IHRER WAESCHE.Copy !req
406. SEHEN SIE SELBST.Copy !req
407. WHAT?Copy !req
408. I'M VERY SORRY, BUT I DON'T KNOWCopy !req
409. WHY I'VE BEEN INCLUDED
IN ZIS CARTOON.Copy !req
410. THAT'S A BLOODY LIE!Copy !req
411. IT'S QUITE OBVIOUS
WHAT'S GOING ON HERE.Copy !req
412. WITH POLITICAL SIGNIFICANCE.Copy !req
413. I WAS RIGHT.Copy !req
414. CONSTELLATION OF SAGITTARIUS.Copy !req
415. CHOCOLATE COSTS £4 MILLION.Copy !req
416. OVER £6 BILLIONCopy !req
417. WOULD BE ALMOST UNOBTAINABLE.Copy !req
418. DEMISTING DEVICE FOR AN 1100Copy !req
419. COSTS £8,000 MILLION BILLIONCopy !req
420. FROM 1770 TO THE YEAR 2000Copy !req
421. AND EVEN THEN, THEY
WOULDN'T BE ABLE TO AFFORDCopy !req
422. WHICH ATTACHES IT TO THE KETTLE.Copy !req
423. WELL, OUR COMPUTERSCopy !req
424. INFORMATION THAT'S COMING INCopy !req
425. INTERGALACTIC PROBE, ALGON I.Copy !req
426. AND WE'RE JUST GETTINGCopy !req
427. FOR ROTARY MOWERS...Copy !req
428. THAT IS, MOWERS THAT HAVE
A CENTRAL CIRCULAR BLADE...Copy !req
429. ARE RELATIVELY INEXPENSIVE!Copy !req
430. THAT'S BEEN LEFT FOR TWO YEARSCopy !req
431. NEEDS SOME HEAVY WORK,
SOME WEEDING.Copy !req
432. BUT WE'RE NOW GETTING SOME LIVE
PICTURES THROUGH FROM ALGON!Copy !req
433. HARRY, PERHAPS YOU COULD
TALK US THROUGH THEM.Copy !req
434. OF SHOPPING FACILITIES HERE.Copy !req
435. THERE DON'T SEEM TO BE
ANY LARGE SUPERMARKETS.Copy !req
436. BUT IT'S DIFFICULT
TO TELL FROM THIS ANGLE.Copy !req
437. IS BY DIRECT MAIL.Copy !req
438. WELL, OF COURSECopy !req
439. THAT EVERYONE'S ASKING HERECopy !req
440. SPLIT-CROTCH PANTIES?Copy !req
441. THROUGHOUT THE UNIVERSE,
OR MERELY ON ALGON ITSELF?Copy !req
442. PROFESSOR?Copy !req
443. OVER 75,000 MILES WIDE.Copy !req
444. THE PROBE'S COME DOWNCopy !req
445. AND WE'RE REALLYCopy !req
446. FROM A RADIUS OF 30
OR 40 MILES AROUND THE PROBE.Copy !req
447. SPLIT-CROTCH PANTIES,Copy !req
448. OF WHAT WE SCIENTISTS CALL "SEXY
UNDERWEAR" OR "EROTIC LINGERIE"Copy !req
449. ON OTHER PARTS OF THE PLANET.Copy !req
450. PROFESSOR, YOU WERECopy !req
451. ON PLANETS WHICH WEREN'T
THOUGHT ABLE TO SUSTAIN LIFE.Copy !req
452. DO YOU THINK WE'RECopy !req
453. EVEN NAUGHTIER?Copy !req
454. OH, NAUGHTIER
AND NAUGHTIER.Copy !req
455. WELL, SO MUCH FOR THAT.Copy !req
456. BUT, OF COURSE, THE PROBECopy !req
457. PANTIES IN LESS THAN 15 SECONDS.Copy !req
458. IT IS, OF COURSE, THE FIRSTCopy !req
459. ELASTIC-SIDED BOOTS AND TIGHTS.Copy !req
460. BUT I THINK WE'RE GETTING SOMECopy !req
461. AND IT LOOKS AS THOUGH... YES!Copy !req
462. THE SATELLITE HAS FOUND A BIRD!Copy !req
463. THE PROBE HAS STRUCK CRUMPET,
AND SHE LOOKS PRETTY GOOD, TOO!Copy !req
464. PROFESSOR?Copy !req
465. JA, SHE'S A REAL HONEY!Copy !req
466. WELL, THE
PICTURES ARE A BIT SPORADIC.Copy !req
467. JOURNEY TO ALGON...Copy !req
468. HOY! LOOK!Copy !req
469. OH, DEAR, I'M SORRY.Copy !req
470. WE'VE LOST CONTACT.Copy !req
471. WE'LL TRY AND
REESTABLISH CONTACT WITH ALGON...Copy !req
472. HELLO, THE BBC HAVE
OFFERED ME THE SUM OF 40pCopy !req
473. OF THIS SHOW.Copy !req
474. PERSONALLY, I THOUGHTCopy !req
475. FOR THE FULL 75, BUTCopy !req
476. AND, UH, I DECIDED TO ACCEPT
THE REDUCED OFFER.Copy !req
477. SO, "THE SHOW WAS CONCEIVED,Copy !req
478. "BY THE USUAL LOT.Copy !req
479. "ALSO APPEARING WERECopy !req
480. "CAROL CLEVELAND,
MARIE ANDERSON, MRS. IDLE;Copy !req
481. "MAKEUP, MADELAINE GAFFNEY;Copy !req
482. "COSTUMES, HAZEL PETHIG;
ANIMATIONS BY TERRY GILLIAM;Copy !req
483. "VISUAL EFFECTS DESIGNER,
BERNARD WILKIE;Copy !req
484. "GRAPHICS, BOB BLAGDEN;Copy !req
485. "FILM CAMERAMAN,
ALAN FEATHERSTONE;Copy !req
486. "FILM EDITOR, RAY MILLICHOPE;
SOUND, RICHARD CHUBB;Copy !req
487. "LIGHTING, BILL BAILEY;
DESIGNER, BOB BERK;Copy !req
488. "PRODUCED BY IAN MacNAUGHTONCopy !req
489. "FOR 92p AND
A BOTTLE OF BELLS WHISKY.Copy !req
490. IT WAS A BBC COLOUR PRODUCTION."Copy !req
491. UH, I THINK THAT'S JUST IT.Copy !req
492. I'D LIKE TO SAY IF THERE ARECopy !req
493. I WOULD PERSONALLY...Copy !req