Monty Python's Flying Circus 3x4

1. HELLO, GOOD EVENING, AND

2. OF BLOOD, DEVASTATION, DEATH, WAR AND HORROR

3. WE'LL BE TALKING

4. TO A MAN WHO

5. ENTIRELY IN ANAGRAMS.

6. TAHT SI CRREOCT.

7. DO YOU EN JOY THIS?

8. REVY CHUM SO.

9. AND WHAT'S YOUR NAME?

10. HAMRAG, HAMRAG YATLEROT.

11. WELL, GRAHAM, NICE TO HAVE YOU ON THE SHOW.

12. NOW, WHERE DO YOU COME FROM?

13. BUMCRELAND.

14. CUMBERLAND?

15. STAHT SIT SEPREICLY.

16. AND I BELIEVE YOU'RE WORKING

17. OF SHAKESPEARE.

18. SEY, SEY, TAHT SI CRREOCT.

19. UH... TA THE MNEMOT, I'M WROKING ON "THE MATING OF THE WERSH."

20. "THE MATING OF THE WERSH," BY WILLIAM SHAKESPEARE?

21. NAY, BY MALLIWI RAPESHEAKE.

22. AND, UH... WHAT ELSE?

23. "TWO NETLEMEG OF VERONA"

24. "TWELFTH THING," "THE CHAMRENT OF VENICE."

25. HAVE YOU DONE "HAMLET"?

26. "THAMLE."

27. "BE OT OR BOT NE OT, TATH IS THE NESTQUIE."

28. AND WHAT IS YOUR NEXT PROJECT?

29. "RING KICHARD THE THRID."

30. I'M SORRY?

31. "A SHROE! A SHROE!

32. MY DINGKOME FOR A SHROE!"

33. AH, "RING KICHARD," YES.

34. BUT SURELY THAT'S

35. THAT'S A SPOONERISM.

36. IF YOU'RE GOING

37. I'M GOING TO PISS OFF.

38. NOW...

39. IT'S...

40. TONY M. NYPHOT'S FLYING RISCCU.

41. MRS. SCAB, YOU HAVE 12 HOURS TO BEAT THE CLOCK.

42. CORRECT!

43. I'VE DONE IT!

44. I'VE DONE IT.

45. HA, HA, HA!

46. HELLO?

47. AH, MR. VICTIM.

48. YES, I'M GLAD TO SAY THAT I'VE GOT THE GO-AHEAD

49. THE MONEY YOU REQUIRE.

50. YES, WE WILL OF COURSE WANT AS

51. OF YOUR AUNT'S HOUSE, OF YOUR SECOND COUSIN'S HOUSE

52. OF YOUR WIFE'S PARENTS' HOUSE AND OF YOUR GRANNIE'S BUNGALOW

53. OF THEIR DUTIES.

54. NO, I'M AFRAID WE COULDN'T

55. INSTEAD OF YOUR YOUNGEST CHILD.

56. UNDER WHICH 51% OF BOTH YOUR DOG

57. A SERIOUS ACCIDENT.

58. FINE... NO, NOT AT ALL.

59. NICE TO DO BUSINESS WITH YOU.

60. UH... MISS GODFREY, COULD YOU SEND IN MR. FORD, PLEASE?

61. NOW, WHERE'S THAT DICTIONARY?

62. AH, YES, HERE WE ARE...

63. INNER LIFE.

64. INNER LIFE.

65. COME IN.

66. AH... MR. FORD, ISN'T IT?

67. THAT'S RIGHT.

68. HOW DO YOU DO?

69. I'M A MERCHANT BANKER.

70. HOW DO YOU DO, MR., UH...

71. BUT I AM A MERCHANT BANKER.

72. OH, I WONDERED WHETHER YOU'D LIKE TO CONTRIBUTE

73. TO THE ORPHAN'S HOME.

74. WELL, I DON'T WANT TO SHOW MY HAND TOO EARLY, BUT ACTUALLY

75. YOU KNOW, DEVELOPING MARKET AND ALL THAT.

76. DID YOU HAVE IN MIND?

77. WELL... UH... YOU'RE A RICH MAN.

78. YES, I AM, YES, YES... VERY, VERY RICH.

79. QUITE PHENOMENALLY WEALTHY.

80. YES, I DO... I DO OWN THE MOST STARTLING QUANTITIES OF CASH.

81. YES, QUITE RIGHT.

82. YOU'RE RATHER A SMART YOUNG LAD, AREN'T YOU?

83. THE PANTOMIME HORSE.

84. VERY SMART.

85. THANK YOU, SIR.

86. NOW, YOU

87. I'M VERY, VERY, VERY, VERY, VERY, VERY

88. VERY, VERY, VERY RICH.

89. SO... HOW ABOUT A POUND?

90. A POUND... YES, I SEE.

91. NOW, THIS LOAN WOULD BE SECURED BY...

92. IT'S NOT... IT'S NOT A LOAN, SIR.

93. WHAT?

94. IT'S NOT A LOAN.

95. AH...

96. YOU GET ONE OF THESE, SIR.

97. CERTIFICATE, ISN'T IT?

98. LOOK, I THINK I'D

99. TO OUR LEGAL DEPARTMENT.

100. POP BACK ON FRIDAY...

101. TO DO THAT?

102. COULDN'T YOU JUST GIVE ME THE POUND?

103. YES, BUT YOU SEE, I DON'T KNOW WHAT IT'S FOR.

104. IT'S FOR THE ORPHANS.

105. YES?

106. IT'S A GIFT.

107. A WHAT?

108. A GIFT.

109. OH, A GIFT!

110. A TAX DODGE.

111. NO, NO, NO, NO.

112. NO?

113. WELL, I'M AWFULLY SORRY.

114. I DON'T UNDERSTAND.

115. EXACTLY WHAT YOU WANT?

116. WELL, I WANT YOU

117. TO THE ORPHANS.

118. YES?

119. WELL, THAT'S IT.

120. NO, NO, NO, I DON'T FOLLOW THIS AT ALL.

121. I MEAN, I DON'T

122. BUT IT LOOKS TO ME AS THOUGH I'M A POUND DOWN ON THE WHOLE DEAL.

123. YES, YOU ARE.

124. I AM.

125. WELL, WHAT IS MY INCENTIVE TO GIVE YOU THE POUND?

126. WELL, THE INCENTIVE IS TO MAKE THE ORPHANS HAPPY.

127. HAPPY?

128. YOU'VE GOT THIS RIGHT?

129. YES, LOTS OF PEOPLE GIVE ME MONEY.

130. WHAT, JUST LIKE THAT?

131. YES.

132. MUST BE SICK.

133. I DON'T SUPPOSE

134. ADDRESSES, COULD YOU?

135. NO, I JUST GO UP TO THEM IN THE STREET AND ASK.

136. GOOD LORD!

137. THAT'S THE MOST

138. I'VE HEARD IN YEARS!

139. IT'S SO SIMPLE IT'S BRILLIANT.

140. WELL, IF THAT

141. ISN'T WORTH A POUND

142. I'D LIKE TO KNOW WHAT IS.

143. THANK YOU, SIR.

144. THE ONLY TROUBLE IS...

145. BEFORE I'D GIVEN YOU THE POUND.

146. AND THAT'S NOT GOOD BUSINESS.

147. ISN'T IT?

148. NO, I'M AFRAID IT ISN'T.

149. SO... OFF YOU GO.

150. NICE TO DO BUSINESS WITH YOU.

151. ANYWAY.

152. AND OFF WE GO AGAIN.

153. UH... MISS GODFREY,

154. THE PANTOMIME HORSES, PLEASE?

155. NOW, I'VE ASKED YOU...

156. NOW, I'VE ASKED YOU...

157. SHUT UP!

158. NOW, I'VE ASKED

159. TO SEE ME

160. BECAUSE I'M AFRAID

161. WE'RE GOING TO HAVE TO LET ONE OF YOU GO.

162. I'M VERY SORRY, BUT THE PRESENT

163. THAT WE HIVE ONE OF YOU OFF.

164. NOW, YOU MAY THINK THAT

165. A PANTOMIME HORSE AT ALL.

166. MADE WHICH ONE OF YOU IS TO GO.

167. CHAMPION...

168. BEEN WITH THIS FIRM?

169. TRIGGER?

170. I SEE... WELL, IT'S

171. I'M GOING TO ASK THE TWO OF YOU TO FIGHT TO THE DEATH FOR IT.

172. NO, I'M AFRAID THERE'S NO REDUNDANCY SCHEME.

173. IN THE

174. FOR SURVIVAL CONTINUES.

175. TO FIGHT ANOTHER DAY.

176. HERE IN A COLONY OF SEA LIONS,

177. TO INTRUDE ON HIS HAREM.

178. OF THESE DOCUMENTARIES.

179. STRUGGLE FOR TERRITORY.

180. THE HUGE BULL LIMPET,

181. ITS SPRIGHTLY OPPONENT.

182. HERE WE SEE AN ANT.

183. OR-DEATH STRUGGLE WITH THE WOLF.

184. ON THE WOLF ON ALL SIXES.

185. NOW HE STOPS TO OBSERVE.

186. HEARD HIM, HE APPROACHES NEARER.

187. WITH GREAT SKILL,

188. AND THEN, QUICK AS A LIMPET

189. WITH ONE MIGHTY BOUND, BURIES HIS FANGS IN THE WOLF'S NECK.

190. THE WOLF STRUGGLES TO NO AVAIL.

191. ANYTHING UP TO 15 YEARS

192. HAS SUCH A TINY MOUTH.

193. STRUGGLE WITH PETER SCOTT.

194. OF THEIR NATURE DOCUMENTARIES.

195. BY AN ENRAGED JACQUES COUSTEAU.

196. OF TELEVISION FEATURES.

197. STRUGGLE ABOUT ANYTHING.

198. AND CONSEQUENTLY BAD TELEVISION.

199. HERE WE SEE A PANTOMIME HORSE.

200. FOR A JOB WITH A MERCHANT BANK.

201. HOWEVER, HIS RIVAL EMPLOYEE,

202. IS LYING IN WAIT FOR HIM.

203. POOR PANTOMIME HORSE.

204. STRUGGLE WITH TERENCE RATTIGAN.

205. THE ENRAGED GOOSE FIRES.

206. POOR TERENCE...

207. OF THIS SILLY FILM.

208. PANTOMIME PRINCESS MARGARET.

209. FOR HER BREAKFAST.

210. GLIDES EVER CLOSER TO ITS DOOM.

211. PERSON IS POISED FOR THE KILL.

212. AND FIRES.

213. PANG!

214. RIGHT IN THE TOAST.

215. A BRIEF STRUGGLE, AND ALL IS OVER.

216. POOR BREAKFAST.

217. ANOTHER VICTIM OF...

218. OH, A PANTOMIME

219. DINNER, FRED.

220. WANTS HIS DIN-DINS, TOO.

221. YOUR TURN TODAY, DEAR.

222. ALL RIGHT, MR. BEDROOM.

223. YOU'LL GET YOUR DINNER, TOO.

224. POSTMAN.

225. OH...

226. WELL, THE 69's LATE AGAIN TODAY.

227. THAT, TIM?

228. YEP... COULD

229. THE HOUSE WE'RE LOOKING FOR.

230. THIS, THEN, IS THE STORY

231. AT N.C.P. CAR PARKS

232. HOUSES TOO DANGEROUS TO LIVE.

233. WELL, WHAT DO YOU THINK?

234. OH, THESE ARE HOUSE DROPPINGS, ALL RIGHT.

235. OKAY, LET'S GO.

236. PST, OVER HERE.

237. THAT'S THE ONE.

238. COVER ME.

239. I'M GOING TO MAKE A TRY FOR IT.

240. AND SO, THANKS ONCE AGAIN

241. AT N.C.P. CAR PARKS

242. JUST A LITTLE BIT SAFER.

243. "SKETCH JUST STARTING, ACTOR WANTED."

244. G-GOOD MORNING.

245. MORNING, SIR.

246. I'D LIKE TO JOIN THE ARMY, PLEASE.

247. I SEE.

248. SERVICE COMMISSION, SIR?

249. UH, LONG AS POSSIBLE, PLEASE.

250. RIGHT, WELL, I'LL JUST

251. AND THEN...

252. SHOVE OFF!

253. AND THEN THERE'LL BE A FEW FORMS TO SIGN.

254. OF COURSE WE'LL

255. EXAMINATION BY THE...

256. YES, I SEE.

257. FOR ME TO... JOIN...

258. THE WOMEN'S ARMY.

259. THE WOMEN'S ROYAL ARMY CORPS, SIR?

260. UH, YES, I WAS JUST THINKING, YOU KNOW

261. I'D PREFER TO BE IN THE WOMEN'S ROYAL ARMY CORPS.

262. WELL, I'M AFRAID THAT

263. INTO THE SCOTS GUARDS.

264. WHICH IS ALL MEN, I SUPPOSE.

265. YES, IT IS.

266. YES.

267. WHICH ARE MORE... EFFEMINATE THAN OTHERS?

268. WELL, NO, SIR.

269. I MEAN, APART FROM THE MARINES, THEY'RE ALL DEAD BUTCH.

270. SEE, WHAT

271. IN INTERIOR DESIGN.

272. WITH INTERIOR DESIGN?

273. YES.

274. OH, WELL, YOU WANT THE DURHAM LIGHT INFANTRY, THEN, SIR.

275. OH.

276. THAT'S THE ONLY REGIMENT THAT'S

277. WITH INTERIOR DESIGN...

278. WITH COLOR, TEXTURE AND LINE AND THAT.

279. I SEE.

280. OH, YES... I MEAN

281. WITH FABRICS IS FANTASTIC.

282. THE OTHER DAY...

283. BEAUTIFUL, BEAUTIFUL.

284. SAVAGE TANS...

285. GREAT SLABS OF BLACK, SET AGAINST AGGRESSIVE ORANGE.

286. "THIS IS GOOD! THIS IS REAL!"

287. REALLY?

288. OH, YES... I MEAN

289. IF YOU'RE INTERESTED

290. THEN YOU'VE GOT TO GO FOR THE DURHAM LIGHT INFANTRY.

291. OH, I'VE HAD ENOUGH OF THIS.

292. I'M HANDING IN MY NOTICE.

293. WHAT DO YOU MEAN?

294. WELL, I MEAN, WHEN I

295. I THOUGHT I'D GET

296. BUT YOU END UP DOING THE WHOLE THING.

297. I MEAN, MY LAST FIVE

298. "REALLY,"REALLY,"I SEE," "I SEE" AND "REALLY."

299. I WOULDN'T GIVE THOSE LINES TO A DOG.

300. ALL RIGHT, ALL RIGHT, ALL RIGHT, SONNY.

301. I'LL TELL YOU WHAT.

302. WE'LL DO SOMETHING DIFFERENT.

303. I'LL BE A BUS CONDUCTOR, AND YOU CAN BE

304. PASSENGER ON A BUS.

305. FARES, PLEASE?

306. I'VE GOT A CHAUFFEUR

307. HE DRIVES ME POTTY!

308. BOOM-BOOM! ONE IN A ROW.

309. FIVE PENNY, PLEASE.

310. AND YOU ARE THE LUCKY WINNER OF...

311. ONE FIVE PENNY TICKET.

312. WHAT'S THE WELSHMAN DOING UNDER THE BED?

313. HE'S HAVING A LEAK!

314. OH, THEY'RE ALL IN HERE TONIGHT.

315. LOOK!

316. I AM LOOKING.

317. IT'S THE ONLY WAY I CAN KEEP MY EYELIDS APART.

318. BOOM-BOOM! EVERY ONE A MASERATI.

319. LOOK, YOU SAID I WAS GOING TO BE A FUNNY PASSENGER.

320. WHAT DO YOU MEAN?

321. I MEAN, ALL I SAID WAS, "FIVE PENNY, PLEASE."

322. YOU CAN'T CALL THAT A FUNNY LINE.

323. WELL, IT'S THE WAY YOU SAID IT.

324. NO, IT ISN'T.

325. "FIVE PENNY, PLEASE"

326. AND MAKE IT FUNNY.

327. FIVE PENNY, PLEASE.

328. MORNING.

329. NOT SO WARM TODAY, EH, GEORGE?

330. GOOD MORNING.

331. GOOD MORNING.

332. GOOD MORNING.

333. GOOD MORNING.

334. COME IN, MR. HORTON.

335. MORNING, SIR.

336. DO, UH...

337. DO SIT DOWN.

338. THANK YOU, SIR.

339. NOW, THEN, HORTON.

340. YOU'VE BEEN WITH US FOR 20 YEARS

341. HAS BEEN IMMACULATE.

342. NO, NO... PLEASE DON'T SAY ANYTHING.

343. AS I SAY, YOUR WORK HAS BEEN BEYOND REPROACH.

344. HAS UNDERMINED THE COMPETENCE...

345. THAT I'M AFRAID I'VE GOT NO OPTION...

346. BUT TO SACK YOU.

347. I'M SORRY TO HEAR THAT, SIR.

348. IT COULDN'T HAVE COME AT A WORSE TIME.

349. THERE'S SCHOOL FEES

350. AND THE WIFE'S TREATMENT COSTING MORE NOW, SIR.

351. I DON'T KNOW WHERE THE MONEY'S COMING FROM AS IT IS.

352. AND NOW I DON'T SEE ANY FUTURE.

353. I'D BEEN HOPING I MIGHT

354. BUT NOW... I...

355. TO GO OUT AND END IT ALL.

356. THANK YOU, THANK YOU, THANK YOU.

357. AND NOW FOR THE FISH...

358. DOWN THE TROUSERS.

359. IT'S YOUR LAUGH, MATE, IT'S NOT MINE.

360. IT'S YOUR TROUSERS, NOT MY TROUSERS... YOUR TROUSERS.

361. AND NOW FOR THE WHITEWASH.

362. OVER YOU...

363. NOT OVER ME, IT'S OVER YOU.

364. YOU GET THE LAUGHS.

365. YOU GET ALL THE LAUGHS.

366. PIE IN THE MUSH.

367. IT'S NOT MY MUSH, IT'S YOUR MUSH.

368. IT'S YOUR LAUGH...

369. IT'S YOUR LAUGH, MATE, IT'S NOT MINE.

370. IT'S YOUR BLEEDING LAUGH.

371. GOOD EVENING.

372. WELL, TONIGHT WE'RE GOING TO TALK ABOUT...

373. WELL, THAT IS, I'M GOING TO TALK ABOUT...

374. WELL, ACTUALLY, I'M TALKING ABOUT IT NOW.

375. WELL, I'M NOT TALKING ABOUT IT NOW, BUT I AM TALKING.

376. I KNOW I'M PAUSING OCCASIONALLY

377. OF THE WHOLE PROCESS OF TALKING.

378. WHEN ONE TALKS, ONE HAS TO PAUSE.

379. UH... LIKE THEN.

380. I PAUSED, BUT I WAS STILL TALKING.

381. AND AGAIN THERE!

382. OF WHAT I'M SAYING IS

383. DON'T GO NIPPING OUT TO THE KITCHEN, PUTTING THE KETTLE ON

384. OUT OF THOSE ROUND,

385. THAT THE TEAPOT GOES ON, YOU KNOW.

386. BECAUSE IN ALL PROBABILITY, I'M STILL TALKING

387. AND WHAT YOU HEARD WAS A PAUSE.

388. LIKE THERE AGAIN.

389. LOOK, TO MAKE IT

390. SO THERE'S NO PROBLEM AT ALL

391. WHAT I'LL DO IS I'LL GIVE YOU SOME KIND OF SIGN, LIKE THIS...

392. WHEN I'M STILL TALKING AND ONLY PAUSING IN BETWEEN WORDS.

393. AND WHEN I'M FINISHED ALTOGETHER I'LL DO THIS, ALL RIGHT?

394. NO, NO, SORRY!

395. NO, NO.

396. SORRY, JUST DEMONSTRATING.

397. HAVEN'T FINISHED.

398. HAVEN'T STARTED YET.

399. OH, DEAR.

400. NEARLY FORGOT THE GESTURE.

401. OF THOSE ROUND, BROWN MATS

402. WHICH THE...

403. GOOD EVENING.

404. TONIGHT, I WANT TO TALK ABOUT...

405. GENERALLY IRRITATING FOR YOU.

406. WITH A LARGE PIECE OF WET PAPER.

407. TURN THE PAPER OVER...

408. TURN THE PAPER OVER,

409. OF THE SAILOR'S UNIFORM

410. UNTIL THE WORD "MAUDLING" IS ALMOST TOTALLY OBSCURED.

411. WELL, THAT'S ONE WAY OF DOING IT.

412. GOOD EVENING.

413. "A," TO IRRITATE YOU

414. AND "B," TO PROVIDE WORK FOR ONE OF OUR ANNOUNCERS.

415. GOOD EVENING.

416. I'M THE ANNOUNCER WHO'S JUST

417. AND I'D JUST LIKE TO SAY

418. FOR US ANNOUNCERS.

419. UM...

420. I DON'T KNOW WHETHER I SHOULD TELL YOU THIS, BUT...

421. WELL, I HAVE BEEN GOING THROUGH A RATHER TOUGH TIME RECENTLY.

422. PRETTY AWFUL AT HOME.

423. MY WIFE, JOSEPHINE... "JOE-JUMS" AS I CALL HER...

424. WHO'S ALSO AN ANNOUNCER...

425. HELLO.

426. UH, HAS NOT

427. SINCE OUR YOUNGEST, CLIFFORD, WAS BORN, AND...

428. WELL, I'VE JUST GOT NO CONFIDENCE LEFT.

429. I MEAN... I CAN'T GET UP IN THE MORNING.

430. I FEEL THERE'S NOTHING WORTH LIVING FOR.

431. HELLO, I'M ANOTHER ANNOUNCER.

432. MY NAME IS DICK.

433. SO I'VE JUST COME TO GIVE HIM A HAND.

434. HOW IS HE, JOE-JUMS?

435. PRETTY BAD, DICK.

436. JACK, IT'S DICK.

437. TO MAKE THE ANNOUNCEMENT?

438. NO.

439. NO, DICK, I MUST DO IT MYSELF.

440. IT'S MY LAST CHANCE WITH THE BBC.

441. I CAN'T THROW IT AWAY.

442. I'VE GOT TO DO IT

443. FOR JOE-JUMS, FOR THE KIDS...

444. I'VE GOT TO GO THROUGH WITH IT.

445. GOOD MAN.

446. NOW, REMEMBER YOUR ANNOUNCER'S TRAINING...

447. DEEP BREATHS, AND TRY NOT TO THINK ABOUT WHAT YOU'RE SAYING.

448. GOOD EVENING.

449. THIS IS BBC 1.

450. GOOD LUCK, JACK.

451. KEEP GOING, OLD BOY.

452. IT'S 9:00

453. READ BY RICHARD BAKER.

454. YOU'VE DONE IT!

455. CONGRATULATIONS, OLD MAN!

456. WAS IT OKAY?

457. ABSOLUTELY TOP-O!

458. ABSOLUTELY MARVELOUS.

459. YOU KNOW YOU WERE!

460. FANTASTIC, DARLING!

461. YOU WERE BRILLIANT, REALLY.

462. IT'S SO MARVELOUS TO HAVE YOU HERE.

463. FOR GOD'S SAKE, DRINK THIS...

464. YOU WERE ROCK SOLID.

465. THANKS VERY MUCH.

466. I CAN'T TELL YOU HOW MUCH THAT MEANS.

467. I THINK IT'S A TURNING POINT...

468. HELLO, REGGIE.

469. WHAT?

470. IS THAT GORDON?

471. YES... HANG ON, REGGIE.

472. UNTIL THE NAME MAUDLING IS ALMOST TOTALLY OBSCURED.

473. OF THE NICLOE-NOCK WENS.

474. AND NOW IT'S TIME FOR THE LATE-NIGHT FILM.

475. OH!

476. OH, PANTOMIME HORSE, THAT WAS... WONDERFUL!

477. ANOTHER GLASS?

478. OH, NO, NO, I MUSTN'T.

479. IT MAKES ME THROW UP.

480. OH, I'M SO BLEEDING HAPPY.

481. OH, SIMONE.

482. OH, PANTOMIME HORSE.

483. THEN...

484. AND NOW THE

485. THE RUSSIAN PANTOMIME HORSE.

486. I THINK HE'S GOING TO TAKE HIM ANY MOMENT NOW.

487. BUT WHAT IS THIS? WHAT IS THIS?

488. YES, IT'S THE PANTOMIME

489. AND THEY'RE ATTACKING

490. BUT WHO IS THIS?

491. MY GOODNESS ME!

492. IT'S THE DUKE OF KENT TO THE RESCUE.

493. WITH A RATHER WEAK ENDING.

494. THE ZANY, MADCAP WORLD

495. OF THE IRRESISTIBLE, KOOKY FUNSTERS.

496. IN A MERCHANT BANK.

497. UNFORTUNATELY, BEFORE

498. TO FINISH THESE SHOWS ON TIME.